The Hamptons - Prints and Multiples

This exquisite lithograph by Francois Fiedler (1921–2001), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Margue...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VII, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publish...

This exquisite lithograph by Roberto Matta (1911–2002), titled Les Amants du Thermocouple (The Lovers of the Thermocouple), from the album XXe Siecle, numero special hors abonnement,...

This exquisite heliogravure after Henri Matisse (1869–1954), titled L'Avaleur de sabres (The Sword Swallower), from Henri Matisse, Jazz, originates from the 1983 second edition publi...

Lithograph on Van Gelder Zonen Bütten paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Der Mensch ist kein Haustier, 1937. Published by...

This exquisite lithograph by Hans Hartung (1904–1989), titled L-64-21, from the album XXe Siecle, Nouvelle serie, XXVIe Annee N°24, Decembre 1964, originates from the 1964 edition pu...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Mere et enfants (Mother and Children), from the album Les Lithographies de Renoir (The Lithographs of Renoir...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Richard Wagner, from the album Les Lithographies de Renoir (The Lithographs of Renoir), originates from the ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Der wiedergefundene Frieden (The Peace Restored), from Homer, Die Odyssee (The Odyssey), originates from the 1989 Ger...

This exquisite lithograph after Marc Chagall (1887–1985), titled Odysseus und Penelope (Odysseus and Penelope), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German...

This exquisite lithograph after Marc Chagall (1887–1985), titled Das Blutbad der Freier (The Slaughter of the Suitors), from Homer, Die Odyssee (The Odyssey), originates from the 198...

This exquisite lithograph after Marc Chagall (1887–1985), titled Der Bogen des Odysseus (The Bow of Odysseus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-...

This exquisite lithograph after Marc Chagall (1887–1985), titled Penelope und der Bogen des Odysseus (Penelope and the Bow of Odysseus), from Homer, Die Odyssee (The Odyssey), origin...

This exquisite lithograph after Marc Chagall (1887–1985), titled Theoclymenus, from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio published by Daco...

This exquisite lithograph after Marc Chagall (1887–1985), titled Odysseus und Eurycleia (Odysseus and Eurycleia), from Homer, Die Odyssee (The Odyssey), originates from the 1989 Germ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Der Kampf des Odysseus und des Iros (The Battle of Odysseus and Iros), from Homer, Die Odyssee (The Odyssey), origina...

This exquisite lithograph after Marc Chagall (1887–1985), titled Odysseus macht sich bekannt (Odysseus Reveals Himself), from Homer, Die Odyssee (The Odyssey), originates from the 19...

This exquisite lithograph after Marc Chagall (1887–1985), titled Das Vorzeichen, Der Habicht und Taube (The Omen, The Hawk and the Dove), from Homer, Die Odyssee (The Odyssey), origi...

This exquisite lithograph after Marc Chagall (1887–1985), titled Odysseus und seine Gefährten (Odysseus and His Companions), from Homer, Die Odyssee (The Odyssey), originates from th...

This exquisite lithograph after Marc Chagall (1887–1985), titled Odysseus als Bettler verkleidet (Odysseus Disguised as a Beggar), from Homer, Die Odyssee (The Odyssey), originates f...

This exquisite lithograph after Marc Chagall (1887–1985), titled Odysseus bei Alkinoos (Odysseus at the Court of Alcinous), from Homer, Die Odyssee (The Odyssey), originates from the...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Portrait de Jeanne Baudot (Portrait of Jeanne Baudot), from the album Les Lithographies de Renoir (The Litho...

This exquisite lithograph after Marc Chagall (1887–1985), titled Die Sirenen (The Sirens), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio publi...

This exquisite lithograph after Marc Chagall (1887–1985), titled Die Fluten Verschlingen Odysseus (The Waves Engulf Odysseus), from Homer, Die Odyssee (The Odyssey), originates from ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tityos (Tityus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio published by D...

This exquisite lithograph after Marc Chagall (1887–1985), titled Kirke (Circe), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio published by Dac...

This exquisite lithograph after Marc Chagall (1887–1985), titled Die Insel des Aiolos (The Island of Aeolus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-l...

This exquisite lithograph after Marc Chagall (1887–1985), titled Polyphemos (Polyphemus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio publis...

This exquisite lithograph after Marc Chagall (1887–1985), titled Palast von Alkinoos (Palace of Alcinous), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-lang...

This exquisite lithograph after Marc Chagall (1887–1985), titled Versammlung der Götter (Assembly of the Gods), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German...

This exquisite lithograph after Marc Chagall (1887–1985), titled Frontispiz (Frontispiece), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio published by Daco-Verlag Gunter Blase, Stuttgart, and printed by Lichtdruck AG, Zurich, Dielsdorf, September 1989. This authorized edition, issued under the direction of Vava Chagall, serves as the visual overture to the folio, encapsulating the poetic and mythic spirit of Homer’s epic. In Frontispiz, Chagall fuses dreamlike color and fluid form to evoke the eternal voyage of Odysseus—his trials, triumphs, and divine encounters—setting the tone for the rich sequence of illustrations that follow. Executed on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper, this lithograph measures 14.88 x 11.69 inches. Unsigned and unnumbered, as issued. The edition exemplifies the exceptional quality and precision of Lichtdruck AG’s craftsmanship, reproducing the depth and richness of Chagall’s original lithographs with remarkable fidelity. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Frontispiz (Frontispiece), from Homer, Die Odyssee (The Odyssey), 1989 Medium: Lithograph on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper Dimensions: 14.88 x 11.69 inches Inscription: Unsigned and unnumbered, as issued Date: 1989 Publisher: Daco-Verlag Gunter Blase, Stuttgart Printer: Lichtdruck AG, Zurich, Dielsdorf Condition: Well preserved, consistent with age and medium Provenance: From the folio Homer, Die Odyssee (The Odyssey), Daco-Verlag Gunter Blase, Stuttgart, 1989 Notes: Excerpted from the folio (translated from German), Imprint—The French edition, L'Odyssée, with the original lithographs by Marc Chagall was published in 1974/75 in a CCL-example edition by Fernand Mourlot, Paris. In 1989, with the authorization of Mrs. Vava Chagall, the German-language edition of the Odyssey in two volumes was published by Daco-Verlag Gunter Blase, Stuttgart. Volume I contains the songs I - XII with XX color plates, including IV on double pages and XIX gray printed reproductions in the text. Volume II contains the songs XIII - XXIV with XXIII color plates, including II on double pages and XX gray printed reproductions in the text. For the German text, the prose translation by Wolfgang Schadewaldt was chosen with the permission of Rowohlt Taschenbuch Verlag, Reinbek near Hamburg. Set design in the Berthold Garamond Antiqua by F+M Bauer...

Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie G, var. 1 (Series G, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Issachar, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by Andre Sauret, Editeur, Paris, and printed by Mourlot Freres, Paris, June 7, 1962. This radiant composition celebrates the Tribe of Issachar, symbolizing wisdom, study, and spiritual insight. Tribe of Issachar reflects Chagall’s deep reverence for divine knowledge and the harmony between the earthly and celestial realms. Through an ethereal interplay of blues, greens, and golden light, the artist evokes the serene beauty of enlightenment and the eternal rhythm of faith. The imagery, both symbolic and lyrical, transforms biblical tradition into an expression of spiritual unity and human aspiration, hallmarks of Chagall’s poetic vision. Executed as a lithograph on velin paper, this work measures 15 x 11 inches (38.1 x 27.94 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Mourlot Freres atelier, renowned for its collaboration with the most important modern artists of the 20th century. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Tribe of Issachar, from Marc Chagall, The Jerusalem Windows Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1962 Publisher: Andre Sauret, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Marc Chagall, The Jerusalem Windows, published by Andre Sauret, Editeur, Paris, June 7, 1962 Notes: Excerpted from the album, This album, which was compiled by Andre Sauret, was completed on June 7, 1962. The texts by Jean Leymarie were composed by hand in "Romain du roi" and were printed by The Imprimerie Nationale de France. The thirty-six preparatory color designs, some of which are in twenty colors, were transferred to the stones by Charles Sorlier under the direction of Marc Chagall. These designs and the two original lithographs by Marc Chagall were printed by Mourlot Freres. The other reproductions and the binding are by Draeger Freres. About the Publication: Marc Chagall, The Jerusalem Windows (Les Vitraux de Jerusalem), published in 1962 by Andre Sauret, Editeur, Paris, stands as one of the artist’s most celebrated illustrated albums and a cornerstone of modern printmaking. The publication documents Chagall’s monumental stained-glass windows created for the synagogue of the Hadassah-Hebrew University Medical Center in Jerusalem—an artistic and spiritual masterpiece dedicated to the twelve tribes of Israel. Conceived in collaboration with master printer Charles Sorlier and the renowned Mourlot Freres atelier, the album compiles the artist’s original color studies through vibrant lithography, achieving a remarkable luminosity that mirrors the glowing transparency of stained glass. The accompanying text by art historian Jean Leymarie offers profound insights into Chagall’s vision, faith, and symbolism. Completed on June 7, 1962, this edition embodies the union of fine art, craftsmanship, and devotion, capturing the transcendent beauty of Chagall’s windows and their universal message of peace and faith. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Tribe of Issachar, Chagall Jerusalem Windows...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 221, originates from the 1976 edition published by Mae...

Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 130, 1961. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie F, var. 4 (Series F, Variation 4), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph by Andre Derain (1880–1954), titled Le Diner (The Dinner), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from the 1940 issue publis...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Lithograph on Van Gelder Zonen Bütten paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Der Mensch ist kein Haustier, 1937. Published by...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu IX (Blue Nude IX), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 ...

These exquisite lithographs and pochoirs after Joan Miro (1893–1983), titled Untitled, from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bird, The Mo...

This exquisite lithograph by Joan Gardy Artigas (born 1938), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marg...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

This exquisite lithograph by Joan Miro (1893–1983), titled Personnage (Figure), from the album Les Revolutions Sceniques du XXe Siecle, originates from the 1975 edition published by ...

Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarel...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Femme et oiseau (Woman and Bird), from the album Miro, Cartones 1959–1965 (Miro, Cardboards 1959–1965), orig...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Regards sur Paris, 1963. Published by André Sauret, Paris;...

This exquisite lithograph after Georges Braque (1882–1963), titled Torero (Bullfighter), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates from the ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie P, var. 2 (Series P, Variation 2), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph by Bernard Buffet (1928–1999), titled Les Iris bleus (The Blue Irises), from the folio Les Peintres mes amis (The Painters My Friends), originates from the 1965 edition published by Editions d'art Les Heures Claires, Paris...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Taureau de Persepolis (Bull of Persepolis), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithograph...

Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarel...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 48-49, 1952. Published by Aimé Maeght, Éditeur, Paris; ...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Instruments de musique (Musical Instruments), from the album Fernand Leger (Fernand Leger), originates f...