Tri-State Area - Drawings and Watercolor Paintings

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board Signed and dated on label, verso This artwork is offered by ClampArt, located in New York City. Cub...

Bruno Lassalle Untitled, 1993 18.75 x 15.75 inches; framed in natural wood color 21.6 x 19.6 inches oil pastels on board signed 'LASSALLE' and dated recto; stamped verso Bruno Lassa...

Soft pastel on toned sanded archival paper suitable for framing under glass. Signed and dated bottom. Part of an ongoing series of mermaids by the artist

Artist: Gerald Fairclough Title: Nude Year: circa 1977 Medium: Pastel Drawing, signed Size: 36 x 26 in. (91.44 x 66.04 cm) Frame Size: 43 x 33 inches

Graphite on museum board This work is offered by ClampArt in New York City.

"Cloud" is an elegant and contemporary abstract layered painting with peach, neutral and orange tones on an elegant white linen canvas. Emma's artwork is inspired by the Parisian lux...

Artist: Helene Alison, American (XXth) Title: Battlesea, The T-More Mare Year: 1977 Medium: Oil on Canvas, signed l.l. Size: 20 x 20 inches

Interior design paintings. The work was done with alcohol ink in blue color on Yupo paper. The work is 11 by 14 inches in size, framed (gold or black) with a styrene face on a mat bo...

acrylic on archival Canson watercolor paper Mauricio Trenard is an artist, educator and arts activist. He says this series is of great interest to him, as it offers the potential ...

Michael Knigin, American (1942 - 2011) - Focus on Fiction, Year: 2000, Medium: Chromogenic Print on canvas, signed, dated and numbered in pen lower left, titled on verso, Edition: 2/...

Richly painted work on archival paper - abstracted nudes

Marino Marini (Italian, 1901-1980), "Untitled (Cavaliere)", Mixed Media on Paper, 1955, chalk pastel and wash, signed "Marino" lower right and dated lower left, carved giltwood frame...

Dina Brodsky’s miniature painting of a butterfly is a masterful study of nature’s fragility and beauty. Meticulously rendered on panel, the piece captures the shimmering interplay of...

Peter Pinchbeck, English (1931 - 2000) - Red Square, Green Square, Year: 1981, Medium: Gouache on Fabriano Cotton Paper, signed, and dated in pencil, Image Size: 18 x 25.5 inches, S...

Leon Dolice New York Harbor Nocturne Signed lower right Pastel on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...

Simkhovitch was a celebrated artist in New York City from the 1920's through the 1940's. Life Magazine did a story on him and he was having great success in the New York Galleries. ...

Between September 2018 and April 2019, I created 100 small paintings consecutively. I endeavored to make nothing else and viewed the project as an opportunity to experiment and solid...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Adela Smith Lintelmann, American (1902 - 1996) - Still Life with Flowers and Copper Platter, Medium: Pastel on Paper, Size: 19.5 in. x 25 in. (49.53 cm x 63.5 cm), Frame Size: 30 x ...

Vibrant and bright pochoir on Arches paper by Sonia Delaunay. It is signed and numbered 9/20 in pencil on the front by the artist. On the back, it is stamped: Pochoir exécuté à la ma...

Acrylic and mixed media on paper - Unframed. Werfel employs expressive, lyrical gestures that create bursts of movement and energy. Her color choices create a range of tones from th...

Allium Pop is a Cyanotype by Cynthia MacCollum. It is 30x22 on archival paper. It is currently unframed. It is a beautiful botanical artwork, an Allium Flower, filled with a range...

Reginald Marsh Tugboat at Dock, circa 1937 Signed lower right Watercolor and pencil on paper 13 3/4 x 20 inches Housed in a Lowy frame. Provenance: Sotheby'...

soft pastel on toned archival heavyweight toned paper. suitable for framing under glass. this is one of the artists ongoing series titled Nudes With Attitude.

Red Grooms Ruckus Rodeo, 1975 Acrylic and felt tip pen on paper Signed and dated in black felt marker Unique work Provenance: Marlborough-Gerson Gallery, with original label verso Fr...

Robert Indiana Original postmarked LOVE First Day Cover, with handwritten letter on the back (hand signed twice), 1973 Handwriten latter on the verso of postmarked First Day Cover (H...

Sailboats on Shore I Charles Levier, French (1920–2003) Date: circa 1965 Watercolor on Paper, signed l.r. Image Size: 11 x 16 inches Size: 19.5 x 25 in. (49.53 x 63.5 cm)

Peter Halley Prison 14, 1995 Graphite pencil and ink drawing on paper. Hand signed. Titled. Dated. Framed. Hand signed on lower right front corner Unique Frame included Unique earli...

Reflection (Abstract Expressionism painting) Acrylic and mixed media on paper - Unframed Work will be shipped rolled in a tube. Werfel employs expressive, lyrical gestures that cre...

Peter Halley Prison 30, 1995 Original graphite drawing on paper Pencil signed on the on the front. Titled and dated on the back This unique work on paper was created by Peter Halley...

This watercolor painting was created by Oscar Hess in circa 1980. It is hand signed in the lower right hand corner, and measures 19.5 x 14 inches. It is displayed in a 27 x 22 inch m...

Mark Grotjahn - Original mask drawing, signed and dedicated to artist John Bock Original drawing done in black marker Signed and inscribed on title page ‘For John Bock Mg '07’ with d...

Mark Grotjahn Black Flower (signed and inscribed to art historian Norman Rosenthal), 2006 Original flower drawing done in black marker, hand signed, titled and inscribed, bound in ha...

Artist: James Amos Porter, American (1905 - 1970) Title: Haiti Beach Year: circa 1965 Medium: Watercolor, signed l.r. Size: 15 in. x 12 in. (38.1 cm x 30.48 cm) Frame Size: 22 x 18 i...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. ...

William Zorach, 1887-1966 Redwoods, Yosemite Valley, 1920 Watercolor and pencil 15 ¾ x 13 ⅜ inches Signed (at lower right): William Zorach WZorach-7 Provenance: Estate of William Zorach Exhibited: William Zorach, 1887-1996, Sculpture, Drawings and Watercolors, Zabriskie Gallery, New York; Feb. 10 – March 14, 1998. William Zorach was born in Lithuania in 1889, and immigrated to the United States with his family in 1893. Settling in Cleveland with his parents, he worked as a lithographer from 1902- 1908, making enough money to study painting with Henry G. Keller at the School of Art. In 1910, Zorach traveled to Paris to study in La Palette, where he was encouraged to develop his own unique style rather than adhere to traditional teachings. Zorach once said, “I began to be conscious of the various modern influences that were invading the art world…I was disturbed and confused, and yet I felt that I was a very young man entering a new age. The forces creating modern art seemed more alive to me than anything I had known or anything being done in America.” 1 Together with his wife Marguerite, William Zorach produced a number of Cubist- style paintings for the American Armory Show of 1913, and the Forum Exhibition in New York in 1916. Around 1917, Zorach followed the lead of cubist artist Pablo Picasso and began experimenting with wood and stone carvings. By 1922, he devoted himself entirely to sculpture, and like Picasso, became fascinated in “primitive art”—the ritual objects and sculpture pieces of Oceanic, Native American and African tribes. Zorach’s work developed in its use of block-like forms with progressive suppression of detail—drawing elements from sources as disparate as the contemporary cubist and modernist movements, and combining them with forms seen in early African sculpture. Though the forms of his sculpture were often abstract, Zorach primarily focused upon a traditional subject matter, producing such well-known sculptures as Young Girl, now in the Whitney Museum of American Art, and Mother and Child, in the collection of the Metropolitan Museum of Art. Today, William Zorach is known as one of the earliest and most influential American artists dedicated to direct carving. Zorach also made an impression as a teacher and writer, facilitating a major change in the aesthetic philosophy and technique of sculpture in the United States. During the summers from 1913 to 1922, Zorach and his wife Marguerite painted...

Robert Petersen Eight of Hearts, 1989 Mixed media silkscreen with hand applied acrylic on paper with deckled edges Hand signed, numbered 6/21, dated, and inscribed on the front Uniqu...

Lionel S. Reiss (1894 - 1988) Lobstermen in Gloucester, Massachusetts, circa 1943 Watercolor on paper Sight 17 1/2 x 23 inches Signed lower left Provenance: Private Collection, Las Vegas, Nevada In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a mat board in white with sizes 16 by 20 in. Mila Akopova is New York artist . She graduated from Moscow State University with a degree in History and Theory of Art. Her Artwork got 3rd place at the 2020 and 2021 American Art Awards, juried by 25 best galleries and museums in America, with artist from 63 countries, in category: minimalism. Also, several works took part in exhibitions of the All-Russian Decorative Art Museum and in the Cube Moscow exhibition space . It was published as the catalog: “The game of tic tac toe, or creating a collection in one year”. Several works by Mila Akopva were created specifically for the collaboration with Vintage Dream...

Jane Freilicher Untitled I, 1958-59 Signed lower right Charcoal on paper 11 1/2 x 8 3/4 inches Provenance: Tibor de Nagy Gallery, New York Private Collection, New York Jane Freilic...

The warm colors contrast the mildly active sea in this work. The empty benches vacated, perhaps for an impending storm.

Abstract red, green and grey interior scene with lines, shapes and hand painted brushstroke texture. Colorful large scale work ideal for display in minimalist, modern and contemporar...

These recently discovered 1983-84 oversize pastels on archival papers were created working quickly, in pastel. The series shows the last existing obs...

Arietta series 2 (Abstract drawing) Charcoal ink and pastel on paper - Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal mater...

Interior design paintings. The diptych is made with alcoholic ink in pink, purple, fuchia, grey color on Yupo paper. Each work is 11 by 14 inches in size, framed (black) with a styre...

A mixed media drawing by Michael Platt from 1981. A representational image of a figure in a cool, subdued color pallet. Platt creates artwork that centers on figurative explorations ...

Framed abstract charcoal drawing on paper by artist Martha Lloyd. About the artist: Martha Anne Lloyd was born in Washington, D.C. in 1927. An avid artist, Lloyd completed a BFA deg...

George Morrison 18 Cornelia Street, 1944 Signed and dated "May 1944" lower left Ink on paper 8 1/4 x 5 1/4 inches Provenance The artist Carl Ashby Estate of the above Private Collec...

"Chemistry 1," 2019. Acrylic on paper. Chemistry set, cartoon, offset, sign painting, orange, blue, green, pink, neon, black, and white. ...

Leon Dolice New York Harbor Nocturne, circa 1930-40 Signed lower right Pastel on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long inf...

Abstract Mid 20th Century WPA Non Objective American Modernism New Hope Modern.mixed media. 21 x 16 (sight). Housed in a hand carved frame. Louis King Stone ...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Artist: Arman Title: Watch Gears Year: circa 1979 Medium: Ink on Paper Drawing, signed l.r. Paper Size: 25 x 19 inches Frame Size: 34 x 27.5 inches

ARIATTA 6 (Abstract drawing) Pastel and acrylic on paper - Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as...

Interior design paintings. The work was done with alcohol ink in green, orange, black, olive color on Yupo paper. The work is 20 by 26 inches in size, framed in fine-quality solid wo...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

RINY artists Audrey Anastasi and C.Dimitri collaborated to create contemporary collage works. Born of the Covid pandemic, the team started working remotely, mailing artwork to each ...

Soft pastel on toned on toned Archival heavyweight paper.signed and dated on.bottom. part on an ongoing series by the artist Nudes With Attitude . ABOUT Stephen Basso Stephen Basso'...

Visually bright and dynamic work by expressive California artist Bengston. Colors are crisp and the oversize sheet and size mays for strong visual impact in a room. Newly framed in...