Tri-State Area - Still-life Drawings and Watercolors

Delicate and meticulously rendered, Two Dandelions by Margot Glass is a silverpoint drawing on toned paper that showcases the artist’s masterful technique and deep appreciation for b...

These elegant graphite dandelion drawings belie the rigor of their process. Once the surface of the paper is prepared, Glass uses a stylus to carefully delineate the lacy quality of ...

Van Amerige - Carrot, Year: 1969, Medium: Color Marker and Pencil Drawing, Image Size: 13.75 x 10.75 inches, Size: 22.25 x 15 in. (56.52 x 38.1 cm)

“Four Dandelions” is an exquisite graphite drawing on black paper by contemporary artist Margot Glass, known for her meticulous botanical renderings. This artwork captures a cluster ...

Eve Nethercott, American (1925 - 2015) - Still Life with Walnuts (P6.27), Year: 1948, Medium: Watercolor on Paper, Size: 13 x 10 in. (33.02 x 25.4 cm), Description: This Eve ...

“Dandelion Group” is an exquisite graphite drawing on black paper by contemporary artist Margot Glass, known for her meticulous botanical renderings. This artwork captures a cluster ...

John Urbain, Belgian/American (1920 - 2009) - Three Fruit, Medium: Watercolor on Paper, signed in pencil, Size: 11.25 x 17.5 in. (28.58 x 44.45 cm)

A painting of instruments and flowers by Charles Cobelle. This piece features bright, almost neon colors and bears his signature in the lower right front corner. Acrylic and Waterco...

Margot Glass's graphite drawing on black heavyweight paper transforms delicate dandelions into luminous, ghost-like forms. Each fine line is meticulously drawn, creating a richly det...

Artist: Jose Canes (aka Dore), Spanish (1931 - ) Title: Still Life with Flowers and Bowl Medium: Acrylic and Pastel on Paper, signed 'Dore' l.r. Year: circa 1980 Size: 19.5 x 25.5 i...

Margot Glass's graphite drawing on black heavyweight paper transforms delicate dandelions into luminous, ghost-like forms. Each fine line is meticulously drawn, creating a richly det...

Margot Glass's graphite drawing on prepared black paper transforms delicate dandelions into luminous, ghost-like forms. Each fine line is meticulously drawn, creating a richly detail...

Pink and White Petunias is a graceful and sprightly composition featuring soft pink and green tones. Hills was a master of capturing the essence of whatever flowers or vase she chos...

Eve Nethercott, American (1925 - 2015) - Still Life with Fruit (P4.20), Year: circa 1960, Medium: Watercolor on Paper, Size: 14 x 18 in. (35.56 x 45.72 cm), Description: Fill...

Jonas Wood Original basketball drawing bound in monograph (Hand Signed Book), 2017 Original drawing. hand signed and dated. held in limited edition hardback monograph. Boldly signed ...

Eve Nethercott, American (1925 - 2015) - Fruit Still Life (P5.22), Year: circa 1960, Medium: Watercolor on Paper, Size: 11 x 14 in. (27.94 x 35.56 cm), Description: Arranged ...

Eve Nethercott, American (1925 - 2015) - Still Life with Chianti (P3.23), Year: circa 1960, Medium: Watercolor on Paper, Size: 17 x 13 in. (43.18 x 33.02 cm), Description: Ar...

Eve Nethercott, American (1925 - 2015) - Fruit Still Life (P3.14), Year: 1959, Medium: Watercolor on Paper, Size: 9 x 20 in. (22.86 x 50.8 cm), Description: Set before a pile...

In the 1950s and 60s Grambs worked on many commissions. This drawing was probably for a magazine, perhaps House and Garden or House Beautiful. It is signed and dated in pencil on the...

In the 1950s and 60s Grambs worked on many commissions. The symmetrical nature of the drawing suggests it was for a book or magazine project with facing pages -- possibly a cookboo...

An original mixed media painting of a portrait and still life images by Israeli artist, Michael Eisemann. The artwork is hand-signed and dated in ink...

This stunning study of George Washington's hands is a unique and remarkable drawing pair. Mora was noted as an exceptional draftsman and actually traveled america giving lectures ab...

This Three Small Sunflowers still-life by Beulah Stevenson (1890-1965) is a joyful modernist composition. With just touches of color she indicates a window and colorful curtains blow...

Lowell Nesbitt White Calla Lily, 1983 Signed, titled and dated Colored pencil on paper Diameter 19 1/2 inches Lowell Blair Nesbitt (1933–1993) was a prolific American painter, draug...

Eve Nethercott, American (1925 - 2015) - Fruit Still Life (P5.19), Year: 1960, Medium: Watercolor on Paper, Size: 10.5 x 14 in. (26.67 x 35.56 cm), Description: Arranged arou...

Tom Slaughter (American, 1955-2014), Hats, Gouache on Paper, 1991, signed in pencil and dated lower right, ebonized wood frame. Image: 32.75" H x 44.5" W; frame: 42.25" H x 53.5" W. ...

Eve Nethercott, American (1925 - 2015) - Still Life with Carrots (P6.3), Year: 1949, Medium: Watercolor on Paper, Size: 18 x 20.5 in. (45.72 x 52.07 cm), Description: Set on ...

Gouache and tea on masking tape Signed and dated, l.l. This artwork is offered by ClampArt, located in New York City. Born in New York City and educated at the Maryland Institute C...

Eve Nethercott, American (1925 - 2015) - Still Life (P3.24), Year: 1960, Medium: Watercolor on Paper, Size: 13 x 17 in. (33.02 x 43.18 cm), Description: Set across a white ta...

Artist David Morrison creates hyperrealistic, finely detailed pencil drawings of found natural objects, both by observing the object itself under magnification, and also by working f...

Eve Nethercott, American (1925 - 2015) - Vase of Spring Flowers (P2.48), Year: circa 1960, Medium: Watercolor on Paper, Image Size: 21 x 13.75 inches, Size: 22 x 15 in. (55.88...

Eve Nethercott, American (1925 - 2015) - Still Life with Plate (P6.61), Year: 1957, Medium: Watercolor on Paper, Size: 15 x 20 in. (38.1 x 50.8 cm), Description: Set against ...

Eve Nethercott, American (1925 - 2015) - Still Life with Cigarette (P5.65), Year: 1949, Medium: Watercolor on Paper, Size: 13 x 16.5 in. (33.02 x 41.91 cm), Description: Arra...

Eve Nethercott, American (1925 - 2015) - Still Life of Pantry Items (P5.15), Year: 1961, Medium: Watercolor on Paper, Size: 14 x 20 in. (35.56 x 50.8 cm), Description: Arrang...

Eve Nethercott, American (1925 - 2015) - Still Life with Teapot (P6.43), Year: 1947, Medium: Watercolor on Paper, Size: 16 x 12 in. (40.64 x 30.48 cm), Description: Arranged ...

Eve Nethercott, American (1925 - 2015) - White and Purple Flowers (P1.10), Year: circa 1960, Medium: Watercolor on Paper, Size: 19.75 x 14.75 in. (50.17 x 37.47 cm), Descripti...

Eve Nethercott, American (1925 - 2015) - Still Life with Fruit (P1.29), Year: 1960, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Scattered a...

Angela A’Court’s narrative and still life drawings use a simple and direct vocabulary to show the relationship of experience to expression of beauty and the quirkiness of every day m...

Mary Reilly's "Cherry Blossoms 4" (2025) is a 24 x 18-inch graphite pencil drawing that captures the delicate beauty of cherry blossoms. Reilly's meticulous technique involves layeri...

Eve Nethercott, American (1925 - 2015) - Pitcher with Vegetables (P2.43), Year: 1960, Medium: Watercolor on Paper, Image Size: 14 x 21 inches, Size: 15 x 22 in. (38.1 x 55.88...

Eve Nethercott, American (1925 - 2015) - Still Life with Books (P6.26), Year: 1948, Medium: Watercolor on Paper, Size: 10.5 x 14 in. (26.67 x 35.56 cm), Description: Eve Neth...

Eve Nethercott, American (1925 - 2015) - Mandolin Still Life (50), Year: 1958, Medium: Watercolor, Size: 14 in. x 20 in. (35.56 cm x 50.8 cm), Description: Set on a table befor...

Eve Nethercott, American (1925 - 2015) - Vase of Flowers (P3.8), Year: 1960, Medium: Watercolor on Paper, Size: 22 x 15 in. (55.88 x 38.1 cm), Description: Eve Nethercott's s...

In Lilies 1, Elisabeth Condon captures the lush vitality of blossoms through her signature blend of ink and gouache. Broad washes of violet and black form a dramatic ground against w...

Eve Nethercott, American (1925 - 2015) - Still Life with Basket and Statue (P6.53), Year: 1948, Medium: Watercolor on Paper, Size: 22 x 15 in. (55.88 x 38.1 cm), Description: ...

Eve Nethercott, American (1925 - 2015) - Roses and Irises in Vase (P1.22), Year: 1957, Medium: Watercolor on Paper, Size: 22 x 15 in. (55.88 x 38...

Eve Nethercott, American (1925 - 2015) - Still Life with Drape and Box (P6.58), Year: 1952, Medium: Watercolor on Paper, Size: 15 x 19 in. (38.1 x 48.26 cm), Description: Cas...

Eve Nethercott, American (1925 - 2015) - Flowering Plant (P1.33), Year: 1957, Medium: Watercolor on Paper, Size: 22 x 16.75 in. (55.88 x 42.55 cm), Description: Set against a...

Eve Nethercott, American (1925 - 2015) - Poppies and Roses (P2.42), Year: 1960, Medium: Watercolor on Paper, signed l.r., Image Size: 19 x 13.5 inches, Size: 22.5 x 16 in. (57...

Eve Nethercott, American (1925 - 2015) - Red Flowers in Green Vase (P1.6), Year: circa 1960, Medium: Watercolor on Paper, Size: 22.5 x 15 in. (57.15 x 38.1 cm), Description: ...

Eve Nethercott, American (1925 - 2015) - Still Life (P5.56), Year: 1960, Medium: Watercolor on Paper, Size: 15 x 20 in. (38.1 x 50.8 cm), Description: Eve Nethercott's still ...

Artist: Ian Hornak (1944-2002) Title: Still Life Year: 1964 Medium: Ink on vélin paper Size: 14 x 12 inches Condition: Good Provenance: Estate of Ian Hornak, East Hampton, NY IAN HO...

Robert Kipniss (American, b. 1931) At Dawn, 1975 Pencil on paper 10 1/2 x 7 1/4 in. Framed: 14 2/3 x 11 1/3 in. Signed upper right: Kipniss '75 Verso bears Hirschl & Adler Galleries Label Robert Kipniss, painter and printmaker, was born in New York City in 1931. He creates essentially monochromatic*, stylized vistas with natural and architectural elements intended to evoke an elegiac, nearly surrealistic mood in haunting, silent landscapes; the melancholy of nostalgia. Trees, in mid and far-distance, form clusters or act as misty individuals containing a haunted, indefinable presence, witnesses to the foreground drama of more specific shape, form and detail, often a close-up tree. Kipniss studied at the Art Students League* in 1947; Wittenberg University in Springfield, Ohio, 1948-50; and the University of Iowa, receiving a BA degree in English literature in 1952, and an MFA in painting and art history in 1954. The artist employs a meticulous technique combining a multiplicity of specific strokes, whether with brush, pencil or print-maker's needle and burin*, to create the essence of his generalized, non-specific forms. Light and darkness are clearly Kipniss' compositionally constructive elements. They also exist as contestants in the emotional drama at the heart of each work of art. The contrast, and sometimes combat, between these two opposites, symbolically represent with blackness -- ideas of threat, fear, trouble, evil; with whiteness safety, redemption, fulfillment and good. In Kipniss' 1995 mezzotint*, Clear Vase and Landscape, with a foreground image of precisely leafy stalks, the vase holding them, nearly invisible in its transparency, suggests an almost Salvador Dali-like surrealist device. This central image dominates but seems to invite association with, and commentary from, the surrounding clumps and individual round-topped, yet cedar-like trees. His mezzzotint, For Stella," 1997, depicts a gently twisting, curving, pale and smoothly-barked foreground, leafless tree limb or trunk, like a female human body, suggesting weakness, fatigue, an inability to deal with the staccato background screen of textured bush that seems to uncomfortably impinge upon it. This print is arguably a metaphor for a delicate soul struggling to overcome the prickly difficulties of domineering life. The classic mezzotint process, invented in the middle of the 17th Century, is the reverse of most of the other print-making media, since the artist works from a black ground to increasingly lighter areas. The copper plate is first roughened by a "rocker," creating a burr over the entire surface (the more burr left intact, the more ink it holds, the darker the final finished print). The artist, Robert Kipniss, in this instance, gradually burnishes, smoothes down the burr in varying degrees to produce the gradations of lights and darks of the final design. The deepest darks in the final picture are those areas on the plate that have been little touched after the initial roughening. Mezzotint relies on shade and tone rather than outline for its effect, which fits the Kipniss style of atmospheric* masses of value. A recent oil painting by Robert Kipniss, Hillside Silhouettes, 2001, 40 x 29, is somewhat more complex in composition than many, with four cubically-constructed houses each set in their own zones, seemingly unrelated to one another, with receding hills and similarly isolated, increasingly misty trees beyond. In his career, Robert Kipniss has had over 40 one-man shows since the first in New York in 1951, including an important retrospective exhibition at the Associated American Artist Gallery, New York in 1977. Many of these one-man exhibitions have been mounted by over 50 museums in the United States, South America and Europe, including the Chicago Art Institute, Metropolitan Museum of Art, Museum of Modem Art, Whitney Museum of American Art, Library of Congress and British Museum in London. Robert Kipniss is represented in the permanent collections of the institutions above, among many others, as well as the Philadelphia Museum of Art; New York Public Library; Museum of Fine Arts, Boston; Detroit Art Institute; Yale University Museum; National Collection of Fine Arts, Smithsonian Institution; Museum of Fine Arts, Houston; Los Angeles County Museum of Art; Portland Art Museum; and the New Orleans Museum of Art. He was elected to the National Academy of Design* in 1980, and to the Royal Society of Painter-Printmakers, London in 1998 Robert Kipniss can be referenced in numerous publications, including Who's Who in American Art from the 1950s to the present, and multiple reviews in periodicals like Art News, Art in America and Art Forum. There are also three important catalogues raisonne published on his work. Robert Kipniss has received many awards: 1965 - Ohio University National Drawing Show, Purchase Prize 1976 - National Academy of Design, New York City, The Ralph Fabri Prize 1978 - The Print Club of Philadelphia, Charles M Lea Prize 1979 - Charlotte Printmakers Society, Purchase Award 1979 - Society of American Graphic Artists, Printmaking Award 1979 - Wittenberg University, Springfield, OH, Honorary Doctorate 1980 - Elected to the National Academy of Design, New York City 1980 - Audubon Artists, New York City, Silver Medal 1980 - National Academy of Design, New York City, The Leo Meissner...

KK Kozik is an artist living and working in Sharon, CT and Brooklyn, NY. Her paintings have ben exhibited widely in the United States and abroad and have been reviewed in publicatio...

This graphite drawing by Mary Reilly captures the delicate beauty of blossoms she encountered on a walk in Vermont. Reilly, known for her mastery of graphite pencil, transforms ordin...

Home / Couple / Pair / Domestic / Still Life A’Court begins each painting with a broad, color plane—red, blue, pink or yellow—which acts as a table for the artist’s still life vocab...

Ross Bleckner (American, b. 1949) Untitled Graphite on Paper 13 3/4 x 11 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that o...

This part of a series titled Restless Still Lie by the artist depicting everyday objects engaged in some particular drama hence the title. It is soft pastel on toned archival sanded...

Graphite on museum board This work is offered by ClampArt in New York City.