Tri-State Area - Paintings

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

A beautiful oil painting on canvas by the French artist Georges Gerbier, depicting a tremendously vivid and alive street scene from Paris in the 20th Century with a view of "Maxims C...

Interior design paintings. Does not see, does not hear, does not speak. The artwork was done with watercolor on watercolor paper 360g. The works are 14 by 11 inches in size, framed (...

Artist: Jan De Ruth, Czech (1922 - 1991) Title: Seated Nude in Yellow Skirt Year: circa 1960 Medium: Oil on Canvas, signed lower left Size: 36 in. x 24 in....

Aaron Bohrod Old McDonald's Farm, 1989 Signed lower right Oil on gesso board 14 x 18 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as ...

Artist: Unknown Title: Sailing Ships Medium: Oil on Canvas, signed "Thoms", lower left Size: 24 x 20 inches

Molly Guion (American, 1910-1982), Portrait of a Woman, Oil on Canvas, depicting woman in dark dress with pearl necklace and gold brooch, signed to reverse, unframed. 30.25" H x 24.2...

Artist: Jeanette Pasin Sloan Title: Still Life No. 7 Year: 1979 Medium: Oil on Canvas, signed and dated verso Size: 46 in. x 62 in. (116.84 cm...

Antique American modernist abstract oil painting. Oil on canvas. No signature found. Framing is available.

Traveler with Birds Jovan Obican French/Yugoslavian (1918–1986) Date: circa 1980 Oil on board, signed Size: 29.5 x 23.5 in. (74.93 x 59.69 cm) Frame Size: 31 x 25 inches

Jean-Gabriel Domergue (1889-1962) French, Bordeaux, France - Paris, France Portrait of a Lady Oil on panel 21 ½ x 18 inches unframed (54.61 x 45.72 cm) 31 ¼ x 27 ¾ inches framed (79...

Artist: Slonem, Hunt Title: Flutter Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed by Artist on Verso Edition:...

Artist: Slonem, Hunt Title: Harvest Moon Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed by Artist on Verso Edi...

Artist: Slonem, Hunt Title: Afternoon Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed by Artist on Verso Editio...

3701 Oil on stretched canvas Set in a vintage hand painted frame Image size 15x19"

sight: 29 1/4 by 24 1/4 inches frame: 39 by 32 inches Needs to be repaired some areas of paint pealing and with losses to paint mostly to the left side, areas of craquelure mostly...

Vintage American impressionist garden landscape oil painting by Alice Rosenblatt. Oil on canvas. Framed. Measuring: 29 by 25 inches overall, and 24 by 20 painting alone. Handsomely ...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

“Jenny” is a small but unforgettable gem by Michele Mikesell, a surreal, wide-eyed cat rendered in oil on board and framed in a 6x6 inch wooden floater frame. With its elongated feat...

Vintage American modernist still life oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent condition,...

Vintage American abstract geometric signed oil painting by Paul Kelpe (1902 - 1985) . Oil on board. Vibrant color and confident composition. Framed. Artist Bio: A German arti...

A stunning rendition of a Venetian still life with florals in a blue vase, a lyre guitar and views of Gondolas on the water. The rich color tones a...

Title: River and Mountain Medium: Oil on canvas Size: 12 x 16 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...

Vintage American modernist cityscape oil painting. Oil on board. Framed. Measuring: 17 by 21 inches overall, and 12 by 16 painting alone. In excellent original condition. Handsomely...

Itzchak Tarkay original painting on canvas “Summer fun”. 100% authentic comes from park west gallery I have the original receipt for the painting. Meas...

"Airplanes Dive Over Enemy Skies" Italian Futurism Futurist Transportation Plane Guglielmo “Tato” Sansoni (Italian, 1896 – 1974) "Airplanes Dive Over Enemy Skies (Aerei in Picchiata su Stabilimenti Nemici)," 20 x 28 inches. Oil on canvas. Circa 1930s. Signed lower right. Titled and signed verso. Guglielmo Sansoni...

American School, Pasture and Woods Scene, Oil on Canvas, 1911, with farmhouse beyond, illegibly signed "Tain...(?)" and dated lower right, gilt composition frame. Image: 26.75" H x 3...

Arielle Zamora they/them (b.1990) is a Portland, Oregon-based painter and printmaker. Their painting practice features layers of paint and joint compound as an exploration of line an...

Antique English modernist landscape oil painting by Phillip Castle (Born 1943). Oil on canvas. Framed. Signed verso.

Lazzaro Donati (Italian, 1926-1977) Untitled (Abstract Woman), Mid-20th Century Oil on board 20 x 16 in. Framed: 25 3/4 x 21 7/8 in. Signed lower right Lazzaro Donati (1926-1977) was born in Florence in 1926 and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. Mr. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d'art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. Donati was a born host with a warm welcome, an elegant man who possessed enormous charm a good nature and a keen sense of humor. Apparently shy, he preferred to speak on subjects extraneous to his art, purposely distracting you from his paintings, then leading you back to them, tactfully and without pretension. He spoke fluent French and English as well as some Spanish and German. "After all", he said, "you've got to know how to sell a painting to everyone." He had no sympathy for the "drip and splash" studios of his contemporaries, preferring to keep his studio tidy and spotless. "Painting is a matter of precision", he said, "If a painter can't put his paint where he wants it to go, I don't see how he can call himself a painter. For me it is absolutely necessary to control the paint." When asked to reveal the technique he used to achieve the enamel-like finish typical of his paintings he answered, "That is a secret between me and my butler. Actually, most of my paintings are done by him!" But in fact behind the façade, Donati was a serious craftsman who devoted to his painting as a way of life and means of expression. From the beginning of his career, his paintings revealed a striving for perfection and continual research in problems of style and technique. His early works indicated a momentary interest in surrealism and abstract art; they were predominantly two dimensional, depending on line and strong color. But by 1958, with his painting The Lady with a Fan...

PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Rare and finely painted French modernist abstract painting by Jacques Doucet (1924 - 1994) . Framed. Oil on canvas. Signed. Artist Bio: Jacques Doucet's work is inextricably bo...

mixed media collage on paper

Title: Millstone Medium: Oil on canvas Size: 19.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Johann Berthelsen depicts a view of New York City from the iconic Brooklyn Navy Yard in his work entitled, “New York Skyline from the Brooklyn Navy ...

acrylic on canvas

Title: My Dream Medium: Oil on canvas Size: 15.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

Artist: Abraham Straski, Polish (1903 - 1987) Title: Rabbi with Torah (15-F) Year: circa 1957 Medium: Oil on Canvas, signed l.r. Image Size: 16 x 12 inches Frame Size: 26 x 20 inches

Martin Mull is a singular artist whose iconography directly translate the American culture.

Collection: Silent Space Acrylic on canvas Md Tokon's style has reflected the art of American Abstract Expressionists. Md Tokon spent his early years in Jhenidah and Dhaka. The phys...

Probably one of lowells best pieces. In good condition . Oil on canvas. Measures 50x34

Tom Martinelli works with simple rounded shapes, fields of color and the character of a painted edge. Using stencils, paint rollers and spray paint he ...

René Romero Schuler’s expressionistic paintings depict delicate female figures that she paints using a dry-brushed, minimalist hand, leaving her subjects mostly featureless but nonet...

Man with Yellow Bird Jovan Obican French/Yugoslavian (1918–1986) Oil on Board, signed l.l. Size: 29.5 x 23.5 in. (74.93 x 59.69 cm) Frame Size: 32 x 25.5 inches

Charles Blauvelt The Doubtful Bill, 1868 Signed and dated lower left Oil on canvas 12 1/4 x 9 1/2 inches Provenance: Private Collection, Connecticut...

In this original acrylic paint on paper Jose Palacios depicts "Macrogarden 09", in a pop art style reminiscent of Henri Matisse. He uses vibrant green, red, blue and purple leaf like shapes to create his composition. Palacios' work is characterized by it's geometry, precision of his figures and the use of a refreshing and bold palette. Jose Palacios was born in Spain in 1970. A self taught artist, he began his career in the world of comic books and illustration publications. He later transitioned to graphic design and street art. Jose was greatly influenced by the "Movida Madrileña" an explosive cultural period in the 1980's during Spain's transition from dictatorship to democracy which produced arist's such as Ceesepe, Fernando Vicente, Ana Juan, Ouka Leele and Javier de Juan.

Antique American modernist abstract oil painting by Arnold Aaron Friedman (1874 - 1946). Oil on canvas. Signed on verso. Framed.

This particular piece depicts an anonymous portrait of a beautiful woman. Titled "Les Chemins du Hasard" translating to "The Paths of Chance" Inspired by the every day, JM Robert str...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Title: Boulders Medium: Oil on canvas Size: 19.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

Dorothy Dehner Untitled Mid Century Modern abstract sculptural drawing, 1955 Marker and graphite on paper Signed and dated by Dorothy Dehner in black felt tip pen on the front Frame ...

Title: Wild Flowers In Full Bloom Medium: Oil on canvas Size: 19.5 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. N...

Very impressive modernist landscape by Larry Horowitz (Born 1956). Oil on canvas. Signed. Framed. Artist Bio: Larry Horowitz is an American landscape painter, focused especi...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Depicting the iconic "Hollywood Land" sign in Southern California, Shaoul captures the essence of the time. With beautiful brushwork and whimsical details, this piece depicts the old...

This still-life painting by George Weissbort exemplifies his mastery of classical realism and meticulous attention to detail. The composition is elegantly restrained, featuring a rus...

This minimalist layered painting is by David Skillicorn. Hw began his career as a documentary filmmaker and is a self-taught artist. His process is one of applying paint liberally, c...

EUGENIO ZAMPIGHI Italian, (1859-1944) Happy Family Signed ‘E Zamphigi’ 29 in. x 41 3/8 in. Born in Modena, Italy, Eugenio Zampighi entered the local A...

Night driving road landscape scene by Edie Nadelhaft Oil on canvas, 12 x 12 inches. Edie Nadelhaft's paintings focus on the visual nuances and psychol...

An oil on board painting by Gustave Weigand (1870 - 1957), signed lower right. Painting measures 16 x 12 inches. Wiegand was born in Bremen, Germany in 1870. Wiegand studied at the R...