Tri-State Area - Paintings

R Bagson - Floral Still Life, Medium: Acrylic on Canvas, signed in pencil lower right, Size: 11.25 x 15 in. (28.58 x 38.1 cm)

Pink Lips, Blue Nails Series: Greenwich Oil Enamel Paint on Canvas 40" x 59" I consider each colored dot to be like a person. You and me and everyone. Together we all make up tha...

Antique American school modernist landscape oil painting. Oil on canvas. Signed. Framed. Measuring 18 by 21 inches overall. In excellent original condition. Handsomely framed in a ...

Isla Azul 3 59 x 35 inch Oil on Canvas

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

Ky Anderson Seedling 25.11, 2025 acrylic on watercolor paper 42 x 38 in. (and480) Artist Statement: My work falls somewhere between abstraction, formalism and narrative painting. ...

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pull...

Well painted and very decorative oil on panel Painted on a mahogany panel and monogrammed L.B Well framed in a new English handmade gold leaf frame. The...

Rare Hawaiian landscape of coastal Maui. Oil on canvas. Framed. Signed. Oil on canvas. Image size, 20"H x 24"L.

Artist: Shimshon Holzman (1907-1986) Title: Untitled (Cafe Interior) Year: 1962 Medium: Watercolor and graphite on wove paper Size: 27.75 x 19.75 inches ...

Title: Rhyme of Spring II Medium: Oil on canvas Size: 35 x 35 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...

An abstract, whimsical and bold depiction of a woman standing gracefully in a white gown against a yellow background with delicate details. This piece captures the essence of fashion...

Artist: Slonem, Hunt Title: Her Majesty Queen Elizabeth Date: 2025 Medium: Oil on wood Unframed Dimensions: 20" x 16" Framed Dimensions: 22" x 18" Signature: Signed by Artist ...

[Bruce Sargeant (1898-1938)] Three Bathers by the Water Signed in red, recto Oil on canvas 96.25 x 67 inches (244.5 x 170.2 cm) $15,000 + $900 framing This work is offered by Cla...

Stephen Pace Untitled, 62-11, 1962 Signed and dated lower left Oil on canvas 50 x 64 inches Born in Charleston, Missouri, Stephen Pace grew up in Indiana, where his parents operate...

This piece depicts an abstract Chanel Logo with bursts of color and pop art design. Done with beautiful expressive compositions of Comics mixed with spray paint and resin on the Cha...

IAN HORNAK (1944–2002) Title: Last Song: Im Abendrot (In Evening’s Glow) Date: 1985–2001 Medium: Acrylic on Canvas, with Artist Painted Frame Dimensions: 47 x 59 inches (119....

Antique American exhibited cubist nude portrait oil painting. Oil and casein on board. Framed. Signed. Exhibition label verso.

An interior depiction of the patio de las Doncellas Reales Alcazares de Sevilla, the oldest royal European palace still in use today in Seville, Spain. A beautiful Orientalist rendition of this grandiose space, the viewer peers through an archway within a scalloped arcade at a covered walkway and into an interior space with a set of red horseshoe arches. Brilliant plaster of Paris decoration is rendered gorgeously in shades of cream paint. A prayer mat and floor pillow are situated in the mid ground with a small fountain footsteps away.  Fernando Liger...

This Modern Abstract Expressionist painting by Stanley Bate is made with gouache on paper. It features a dark palette, with dark charcoal black tones contrasted by yellow and red accents throughout, and large brush strokes. The painting itself is 16" x 54" and measures 17" x 56" x 2" framed. The paper is mounted on board, framed in a black frame under glass. It is not signed by the artist, but has been authenticated by his estate, and is stamped with the estate seal on the back of the painting, and on the back of the frame. It is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

"Living Fossils" by Alexis Kandra is an original oil painting with black metal foil measuring 36" H x 48" W x 1.75" D. Set on a rich black background with a silver grid this piece features the long thought extinct but recently found prehistoric coelacanth and a Chinese white dolphin. figurative, sea...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. This painting is from Shaoul's more contemporary works with a ...

Interior design paintings. The work was done with alcohol ink in ultramarine blue, rose, pink color on Yupo paper. The work is 20 by 26 inches in size, framed in fine-quality solid w...

Abstract acrylic painting on wood panel by artist Martha Lloyd. About the artist: Martha Anne Lloyd was born in Washington, D.C. in 1927. An avid artist...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

Interior design paintings. The work was done with alcohol ink in ultramarine blue, rose, pink color on Yupo paper. The work is 20 by 26 inches in size, framed in fine-quality solid w...

Branko Bahunek, Croatian (1935 - ) - Woman with Bureau. Year: 1991, Medium: Oil on Canvas, Size: 21 in. x 17 in. (53.34 cm x 43.18 cm), Frame Size: 25 x 21.5 inches

CAROLINA GOMEZ Emerald from the Mirror Stone series (Portrait Painting - Hedy Lamarr) 60 x 48 inches - Unique OIL ON CANVAS Carolina Gomez’s works have be...

Julia Marc, American - Heaven Can Wait, Year: circa 1980, Medium: Acrylic on Canvas, signed lower right, Size: 60 x 48 in. (152.4 x 121.92 cm)

Impressive early American modernist still life oil painting. Framed. Oil on canvas. Signed. Image size, 10H by 8L.

Paul Manes was born May 4, 1948, in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and h...

Frank C. Penfold New York - France, 1849-1927 Waiting for Him 1880 Oil on canvas 31 5/8 x 22 inches (80.3 x 55.9 cm) Framed: 41 x 31 inches (104.1 x 78.7 cm) Signed and dated lower l...

Herman N. Hyneman (American, 1849-1907) Untitled (Sunset Landscape), 19th Century Oil on canvas 20 1/4 x 26 in. Signed lower right: H. N. Hyneman Herman N. Hyneman was a noted Ameri...

Italian Modern Abstract Work on Paper Color Field Non-Objective European Mid-Century - "Gonage" Dorazio completed "Gonage" in 1949 when just after the artist had been awarded a stipend by the French government and admission to the Academy Beaux Arts. There he met George Braque who became great friends but also an influence on Dorazio, of which "Gonage" is a living testament. "Gonage" actual size of the drawing measures 12 x 9 1/2 inches. It is signed on the lower right. The work is affixed to a 19 x 15 inch board which includes the artist's signature and date. There is a torn table on the lower left entitling the piece "Gonage". Provenance follows this piece as a gift in 1950 to the artist-colleague Luigi Lucioni, who then gifted it in 1955 to his friend, the uncle of the current owner who has owned the work since 1988. Bio Born in Italy, Piero Dorazio studied architecture in Rome. At the same time his first abstract works were executed. In 1947 he received a scholarship from the Ecole Nationale Supérieure des Beaux Arts in Paris, where he contacted Modern artists, who lived in Paris. He founded the galleries "Age d'Or" in Florence and Rome to represent avant-garde arts in Italy. During a one year stay in the USA he got acquainted with leading artists of Abstract Expressionism such as Marc Rothko...

Vintage signed modernist seascape painting by Gabriel Godard (Born 1933). Oil on canvas. Framed. Signed. Housed in a wide giltwood frame. Thick impasto and wonderful colors. I...

Artist: Dan Teis, American (1925 - 2002) Title: Abstract in Pastels Year: 1979 Medium: Acrylic on Canvas, signed l.r. Size: 54 x 60 in. (137.16 x 152.4 cm) Frame Size: 55 x 61.5 inches

Outstanding English Victorian 19th century Harvest landscape. Thomas Simon Dingle was the son of Thomas Dingle (1818-1904), known as a London landscape painter, but who, according t...

Title: Everything Goes Well Medium: Oil on canvas Size: 16 x 18 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Thi...

IAN HORNAK (1944–2002) Title: Light from the Past, 1st version Date: 1985 Medium: Acrylic on double layered Masonite Dimensions: 21.5 x 18 inches (54.61 x 45.72 cm) Conditi...

Henry Schnakenberg is mostly known for New York City scenes. This is clearly a departure. It is signed at the lower left and dated '4-53' on the r...

This piece is an original acrylic paint on canvas from acclaimed street/graffiti artist Clarence Rich measuring, 7" H x 5" W x .75" D.

Jon MacAdam (1976, London, UK) is a landscape artist known for his realist depictions of nature. He received his MFA in painting and sculpture from Gordon College in Wenham, MA, and ...

Robert Emmett Owen, best known for his New England landscapes featuring old farmhouses, winding roads, and covered bridges, began his career contributing pen-and-ink drawings to Life...

Antique American school seascape oil painting. Oil on board. Framed. Unframed. Image size, 20L x 16H.

Nicely painted mid century abstract landscape. Oil on canvas. Framed.

Impressive early American modernist flower still life painting by Henrietta Elizabeth Dodd Hoopes (1904 - 1996). Oil on board. Framed. Signed. Image size, 22 by 15 inches.

Patrick O'Brien (American, b. 1960) Framed Dimensions: 30 1/2 x 42 1/1 in. The USS Constitution was built in Boston, MA in 1791. She was one of the first of the original six friga...

Antique American signed modernist flower still life oil painting. Oil on canvas. Signed. Framed. Image size, 16L x 30H.

This piece depicts an abstract composition with the use of mixed media and bold patterns producing a work that is visually textured and rich with layers, as Owen creates an intricate...

This oil painting by Kris Knight is offered by CLAMP in New York City. Signed, titled, and dated, verso

This marvelous, colorful and light filled work is a desirable work by the painter. It is in an impressionist style carved and leafed frame. Illustrated in the book by the artist "A...

Artist: Dimitrie Berea, Romanian (1908 - 1975) Title: St. Paul de Vence Year: 1957 Medium: Oil on Canvas, signed Size: 29 in. x 39 in. (73.66 cm x 99.06 cm) Frame Size: 41 x 47 ...

Linda Stein, Etched in My Mind 128 - Signed Feminist LGBTQ+ Colorful Acrylic Painting Etched in My Mind 128 is from Linda Stein's Missives series--a body of work born from her earl...

Linda Stein, Hot Rush 129 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Hot Rush 129 is from Linda Stein's Missives series--a body of work born from her earlier explo...

Linda Stein, Precipice 120 - Signed Feminist LGBTQ+ Acrylic on Paper Colorful Painting Precipice 130 is from Linda Stein's Missives series--a body of work born from her earlier exp...

Linda Stein, Across the Middle 132 - Signed Feminist LGBTQ+ Acrylic Colorful Painting Across the Middle 132 is from Linda Stein's Missives series--a body of work born from her earli...

Linda Stein, Missive 343.001 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.001 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Missive 343.001 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.001 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Missive 343.001 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.001 is from Linda Stein's Missives series--a body of work born from her earlier...

Linda Stein, Missive 343.001 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Painting Missive 343.001 is from Linda Stein's Missives series--a body of work born from her earlier...