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Item Ships From: Tri-State Area
Quest
By Kristina Grace
Located in Westport, CT
This beautiful blue and white dimensional butterfly piece is made of wood panel, butterflies, acrylics and bioresins.
The artist, Kristina Grace, re...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Resin, Acrylic, Wood Panel
Bella
By Kristina Grace
Located in Westport, CT
This three dimensional floral piece is gray, white and clear resins with gold acrylics on wood panel.
The artist, Kristina Grace, resides and draws inspiration from the Southern Cali...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Gold
"Excavation" Contemporary mixed media sphere, textile sculpture
By Norma Minkowitz
Located in Wilton, CT
Excavation, mixed media, 25" round, 2009-11.
This mixed media sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). Minkowitz utili...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Mixed Media
"Nikon" Original 35mm camera sculpted in plaster
wood from
White box series
By Daniel Fiorda
Located in New York, NY
Daniel Fiorda takes objects such as old typewriters and 35mm cameras: “Discarded remnants of the industrial world,” transforming these objects into high-e...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Plaster, Wood, House Paint
Pop Art Sculpture of a Silver Egg by Herbert Distel, circa 1968
By Herbert Distel
Located in New York, NY
This sculpture, in the form of a silver electroplated egg with a white porcelain holder, represents esteemed Swiss artist Herbert Distel's most iconic form. He created a 22-ton egg d...
Category
1960s Pop Art Tri-State Area - Still-life Sculptures
Materials
Silver
"El abrazo" Carolina Yrarrázaval, Contemporary woven textile wall sculpture
Located in Wilton, CT
"El abrazo" Carolina Yrarrázaval, jute, linen, 40" x 14" x 7", 2017.
This woven Contemporary textile sculpture was done by Chilean fiber artist, ...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Fabric, Textile, Jute, Linen
Richard Klein, Holiday Inn Nocturne, 2020, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Tri-State Area - Still-life Sculptures
Materials
Metal
Richard Klein, McDonalds (El Nino), 2024, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Tri-State Area - Still-life Sculptures
Materials
Metal
Richard Klein, Holiday Inn Beirut, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Tri-State Area - Still-life Sculptures
Materials
Metal
Candy Trip - Resin Sculpture Pop Art
By Alben
Located in New York, NY
Cheeky references to pop culture and the societal context.
Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including Pop and Classical art. Interested in street art, the self-taught artist references an array of cultural touchstones in his densely layered, often stencil-sprayed paintings; his allusions include corporate mascots, historical figures, actors, comic book characters, and artists. His sculpture similarly embraces popular culture, though it is also directly influenced by the work of the French artist Arman, who exhibited commercial objects as sculpture in the 1960s. Similarly insisting that popular culture and aesthetic production are linked, Alben inverts Arman’s structure by reimagining touchstones of art history such as the Venus de Milo as a configuration of crushed Coke cans
Category
2010s Pop Art Tri-State Area - Still-life Sculptures
Materials
Epoxy Resin, Mixed Media, Organic Material
"Last Light" Mary Merkel-Hess, Contemporary Abstract Textile Sculpture
By Mary Merkel-Hess
Located in Wilton, CT
"Last Light" Mary Merkel-Hess, paper, paper chord, 14” x 31” x 15”, 2018.
This colorful contemporary textile sculpture was done by American fiber artist, Mary Merkel-Hess. Merkel-Hess' work is often reflective of the natural landscapes from her childhood in the Midwest. Her work, "Last Light", was specifically inspired by a line from Willa Cather...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Textile, Paper, Mixed Media
Horseshoe Crab #3
Located in Red Bank, NJ
Artist Statement:
I work primarily in porcelain, using high-fire gas reduction methods. Each piece begins with a mold I made from a discarded shell I scavenged while walking the nor...
Category
20th Century Contemporary Tri-State Area - Still-life Sculptures
Materials
Porcelain
Axe, 2019:
Fuel for Fire
Located in New York, NY
“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...
Category
2010s Conceptual Tri-State Area - Still-life Sculptures
Materials
Mixed Media
The Wrench - Mega - unique handcarved marble sculpture -smooth finish
By KARTEL
Located in Dallas, TX
This is a gorgeous hand-carved black marble object. The marble is polished and has an amazing tactile feeling.
This piece celebrates our connecti...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Stone, Marble
$1,080 Sale Price
20% Off
Chaotic Past – Wall Sculpture by David Datuna, 2011
By David Datuna
Located in Brooklyn, NY
In Chaotic Past, David Datuna transforms the everyday into a layered reflection on modern life. Using shattered china dishes embedded into a framed wall composition, the work draws d...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Sculptures
Materials
Mixed Media
Outsider Art Wall Sculpture:
Electric Factory
By Gerard Cambon
Located in New York, NY
Gérard Cambon was born in 1960 in Toulouse (Fr).
He has a degree in political science and is a self-taught artist.
In the earlier years of his life practiced and experimented with c...
Category
2010s Outsider Art Tri-State Area - Still-life Sculptures
Materials
Metal
Vintage Suitcases in Custom Vinyl Slipcovers: "The Great Migration"
Located in New York, NY
“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...
Category
2010s Conceptual Tri-State Area - Still-life Sculptures
Materials
Mixed Media
Large Textile Conceptual Sculptures:
All Dressed Up and Nowhere to Go
By Theda Sandiford
Located in New York, NY
Theda Sandiford, is a self-taught mixed media artist based in Jersey City, NJ. Though art is engrained in her psyche, Theda’s first creative endeavors were in the music business as a...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Yarn, Trimming, Mixed Media
In Your Hand #5
By Sandra Giunta
Located in Red Bank, NJ
In Your Hands #5 by Sandra Giunta
Hand, Coral, Sea Life, Home decor, Sculpture, Ceramics, Sea life, Ocean, Nature, Earth Tones, Bright and Vivid Colors
Category
20th Century Contemporary Tri-State Area - Still-life Sculptures
Materials
Clay
20 ML Freedom Love pill Combo (Turquoise orange white) - pop sculpture
By Tal Nehoray
Located in New York, NY
This new work by Tal Nehoray is from her latest body of works called "Happy Pills".
All are hand made with ceramic and hand painted with automotive paint.
It is a combination of 2 ce...
Category
2010s Pop Art Tri-State Area - Still-life Sculptures
Materials
Ceramic, Automotive Paint
Never Grow Old Neon Sculpture, Contemporary, Plexiglass, 2010-
By Mary Jo McGonagle
Located in New York, NY
This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang.
This piece is offered in the following c...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Plexiglass, Neon Light
Charles Birnbaum, 372 Wall Piece No.20, 2017, porcelain, 19.5x15.5x7 in, Visionary
By Charles Birnbaum
Located in Darien, CT
Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was one of a select group of the esteemed Ken...
Category
2010s Baroque Tri-State Area - Still-life Sculptures
Materials
Digital Pigment, Porcelain
"Globalization IV: Collateral Damage" Mixed media Contemporary Wall Sculpture
By Gyöngy Laky
Located in Wilton, CT
Globalization IV: Collateral Damage, ash, commercial wood, paint, blue concrete bullets, 32" x 97" x 4" (Installed dimensions), 2005.
This 3-piece wall sculpture was done by San Francisco-based artist, Gyöngy Laky...
Category
Early 2000s Contemporary Tri-State Area - Still-life Sculptures
Materials
Wood, Paint, Found Objects, Organic Material
"Three Chairs" Mixed Media Triptych, Modern Textile Wall Hangings
By Jin-Sook So
Located in Wilton, CT
"Three Chairs" (Triptych) steel mesh, gold, silver and background rust steel board, 35" x 42 1/2" x 2", 2010.
This three-piece mixed media textile work was done by artist, Jin-Sook ...
Category
2010s Modern Tri-State Area - Still-life Sculptures
Materials
Metal, Gold, Silver, Steel
Tao
By Manuèle Bernardi
Located in New York, NY
Manuele Bernardi was born in 1959 in Saint-Tropez. She lives and works in Roussillon, in the south of France. After completing studies at the Roederer Academy in Paris, she completed...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Thread, Plexiglass, Wood, Found Objects, Organic Material
$8,800
"Golden Crater" Norma Minkowitz, Contemporary mixed media textile sculpture
By Norma Minkowitz
Located in Wilton, CT
This mixed media sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). Minkowitz combined various materials while employing her own i...
Category
Early 2000s Contemporary Tri-State Area - Still-life Sculptures
Materials
Mixed Media
"Deviation (OY)" Gyöngy Laky, Contemporary Mixed Media Textual Sculpture
By Gyöngy Laky
Located in Wilton, CT
"Deviation" Gyöngy Laky, apple, acrylic paint, screws, 30" x 60" x 2.5" (installed), 2020.
This contemporary mixed media wall sculpture was done by San Fr...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Organic Material, Wood, Paint, Found Objects
Your nudes are safe with me
By Mary Jo McGonagle
Located in New York, NY
This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang.
This piece is offered in the following c...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Plexiglass, Neon Light
"Football" Contemporary Fiber Art and Mixed Media Sculpture
By Norma Minkowitz
Located in Wilton, CT
Football "The Perfect Fit: Shoes Tell Stories “, mixed media, 7.5” x 13” x 4”, 2006.
This mixed media sculpture was done by American fiber artist, Norma Minkowitz...
Category
Early 2000s Contemporary Tri-State Area - Still-life Sculptures
Materials
Mixed Media
Resin Soda Can:
Soda
By Sam Tufnell
Located in New York, NY
Tufnell's focus is primarily on sculpture, and he typically works with a variety of materials, including wood, metal, and found objects. While some of his sculptures do incorporate h...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Resin
Horseshoe Crab #4
Located in Red Bank, NJ
Artist Statement:
I work primarily in porcelain, using high-fire gas reduction methods. Each piece begins with a mold I made from a discarded shell I scavenged while walking the nor...
Category
20th Century Contemporary Tri-State Area - Still-life Sculptures
Materials
Porcelain
"Nonsense" Gyöngy Laky, Contemporary wall sculpture, US Cent Symbol
By Gyöngy Laky
Located in Wilton, CT
"Nonsense" charcoal, plastic soldiers, paint, acrylic medium, 35 x 26 x 4, 2007. Artist signature on back.
This mixed media wall sculpture was done by San Francisco-based artist, Gyöngy Laky...
Category
Early 2000s Contemporary Tri-State Area - Still-life Sculptures
Materials
Paint, Charcoal, Found Objects, Acrylic
"Chance Encounter: Invent" Contemporary mixed media wall installation
By Gyöngy Laky
Located in Wilton, CT
"Chance Encounter: Invent" walnut, paint, dowels, Vertical: 80 x 11 1/2 x 2; Horizontal: 12 x 62 x 2, 2009. (originally commissioned for The Green Issue for the NY Times Magazine 4/20/08 pp 45-72).
This mixed media wall sculpture was done by San Francisco-based artist, Gyöngy Laky...
Category
Early 2000s Contemporary Tri-State Area - Still-life Sculptures
Materials
Wood, Walnut, Paint
Adrien Etienne Gaudez. Maiden with a Lute, Patinated Bronze Sculpture .
By Adrien Étienne Gaudez
Located in New York, NY
A maiden holding a lute leaning on a tree trunk dappled with english ivy and cattails, all surmounted on a rouge royal marble base. Beautifully cast, crisp details.
Artist: Adrien ...
Category
19th Century Tri-State Area - Still-life Sculptures
Materials
Bronze
Resin Apple:
Eaten Apple
By Sam Tufnell
Located in New York, NY
Tufnell's focus is primarily on sculpture, and he typically works with a variety of materials, including wood, metal, and found objects. While some of his sculptures do incorporate h...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Resin
Resin Rubber Duckie:
Duckie
By Sam Tufnell
Located in New York, NY
Tufnell's focus is primarily on sculpture, and he typically works with a variety of materials, including wood, metal, and found objects. While some of his sculptures do incorporate h...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Resin
Recycled sculpture:
Nest 6
By Robert Lach
Located in New York, NY
Nesting is both a joyous time for birth, comfort, and rest, and a fight for survival from the elements of the natural world. Nature provides beauty and tranquility but also potential...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Mixed Media
Fiber wall sculpture:
Maya
By Federica Patera and Andrea Sbra Pereg
Located in New York, NY
Federica Patera & Andrea Sbra Perego, bridge language and cosmogony. Starting from a single linguistic element like a verbal root, they trace its evolution around the world and throu...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Wire
Zip tie Chandelier:
Mini Light Armor
By Theda Sandiford
Located in New York, NY
“Using racial conflict as a starting point, I juxtaposes various fibers with a variety of found materials using free form weaving, coiling, knotting, wrapping and jewelry making techniques. Meticulously collected materials, transformed by their collective memory become “social fabric” weaving together contemporary issues and personal narratives.
100-foot extensions of rope, twine, and yarn impeccably wrapped, woven, tied and embellished with recycled beads, ribbon, lace, tape and bottle cap bobbles lures you into my hue-imbued, enmeshed installations symbolizing natural hair. These bold albeit whimsically twisted and locked forms gingerly invite the audience into off the-wall conversations about micro aggressions against black women and their hair.
Community art making is also key to my process. Multi-disciplinary experiences pairing people, food, wine, music and art, create a safe space to explore themes such as equity & inclusion, sustainability and personal wellbeing.”
-Theda Sandiford
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Mixed Media
Lisa Levy, You See Through Bullshit, 2014, Mirror, Plastic, Marble, Found Object
By Lisa Levy
Located in Darien, CT
Dr. Lisa's Ego Championship Trophies
Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist.
Lisa's visual career started when she was 3 1/2 ...
Category
21st Century and Contemporary Assemblage Tri-State Area - Still-life Sculptures
Materials
Marble
Lisa Levy, You Give Good Gratitude, 2014, Mirror, Plastic, Marble, Found Objects
By Lisa Levy
Located in Darien, CT
Dr. Lisa's Ego Championship Trophies
Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist.
Lisa's visual career started when she was 3 1/2 ...
Category
21st Century and Contemporary Assemblage Tri-State Area - Still-life Sculptures
Materials
Marble
Large scale sculpture:
Blackty Black Blanket
By Theda Sandiford
Located in New York, NY
Theda Sandiford, is a self-taught mixed media artist based in Jersey City, NJ. Though art is engrained in her psyche, Theda’s first creative endeavors were in the music business as a...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Mixed Media
"Chunjeein 1, 2
3" (Triptych) Contemporary Korean Textile Wall Sculptures
By Chang Yeonsoon
Located in Wilton, CT
"Chunjeein-1, 2 & 3", 33” x 7 1/8” x 6 3/4” (total installed dimensions), 2019
This three-piece work of abaca fiber, pure gold leaf and eco-soluble resin is by Chang Yeonsoon (b. 1950), a Korean...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Gold Leaf
"Cradle to Cradle" Contemporary mixed media sculpture, vessel
By Gyöngy Laky
Located in Wilton, CT
"Cradle to Cradle" apple, commercial wood, screws, 16" x 30" x 30", 2007.
This mixed media sculptural vessel was done by San Francisco-based artist, Gyöngy Laky...
Category
Early 2000s Contemporary Tri-State Area - Still-life Sculptures
Materials
Wood, Found Objects, Organic Material, Mixed Media
Too Much Information
By Esmeralda Kosmatopoulos
Located in New York, NY
TMI, 2017
Neon, transformer
72 x 30 in (183 x 72 cm)
Edition 1 of 3
:= (equal by definition) is a body of works that explores in a whimsical way, how language is formed, transform...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Neon Light
RENDEZVOUS SPLASH
By Adriana Marmorek
Located in New York, NY
Adriana Marmorek
RENDEZVOUS SPLASH, 2020
porcelain, blown glass
4.33 x 13.78 x 5.91 in. 11 x 35 x 15 cm.
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Porcelain, Blown Glass
Fingerprint-pinned sneakers: "Fingerprint-pinned Racing Spikes"
By Valerie Huhn
Located in New York, NY
Material: Racing spikes, ink, acetate, pins
This piece traces Huhn’s journey back to the freedom she discovered when she fled a psychiatric hospital in Pennsylvania and ran, literal...
Category
2010s Conceptual Tri-State Area - Still-life Sculptures
Materials
Ink, Mixed Media
Fingerprint Book Sculpture:
Between the World and Me" by Ta-Neshisi Coates
By Valerie Huhn
Located in New York, NY
Material: Ink, Acetate, Pins, Repurposed Banned Book
Coates details the weight of being perfect as a marginalized American—always prepared and without the privilege to make mistakes...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Mixed Media
Hope
By Mary Jo McGonagle
Located in New York, NY
This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Neon Light
Always awesome
By Mary Jo McGonagle
Located in New York, NY
This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Neon Light
Concorde Cap, Electroplated Copper Contemporary Art Sculpture by Shelter Serra
By Shelter Serra
Located in Brooklyn, NY
Concorde Cap
Shelter Serra
5.5”x7”x9”
Electroplated Copper
2017
The Concorde Cap is one of an ongoing series of copper electroplated hats. Ranging from Superman to Nascar, the artist chooses hats from all walks of life before distilling through the electroplating process, transforming the once functional hat into an object of contemplation and beauty.
Shelter Serra’s sculptures and drawings explore notions of mass consumption and cultural identity. He juxtaposes objects that are both mundane and immediately recognizable: a 40 ounce bottle of malt liquor cast in plaster, a Best Buy cap plated in copper, and a designer handbag cast in resin, to name a few. Casting and plating these objects in unlikely materials—resin, plaster, platinum silicone, and copper—Serra strips them of their intended functionality, thereby highlighting their underlying cultural symbolism and transforming branded products into objects of aesthetic contemplation. “Refining an aesthetic and making beautiful objects, whether that be a dress, bag, or sculpture," says Serra, "is a celebration of pure creativity and personal vision.”
His Fake Gun...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Sculptures
Materials
Copper
Singer
By Micah Evans
Located in New York, NY
Micah Evans
Singer, 2014
Borosilicate glass
20.50h x 11.25w x 16.25d in
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Glass
$52,000
Black and White Sparkle Baggage Cart
Mini Emotional Cart (deposit emotions)
By Theda Sandiford
Located in New York, NY
Dispose of any emotional traumas that no longer serve you, in this mini emotional baggage cart.
Theda Sandiford, is a self-taught mixed media artist based in Jersey City, NJ. Though...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Metal
Bronze and steel sculpture by David Kimball Anderson
Untitled 1
By David Kimball Anderson
Located in White Plains, NY
'Untitled 1' by David Kimball Anderson, 2021. Bronze, steel, and paint, 18 x 8 x 8 in. This sculpture features a rounded vase cast in bronze and finished in patinas of grey. It featu...
Category
21st Century and Contemporary Realist Tri-State Area - Still-life Sculptures
Materials
Bronze, Steel
Large installation:
ALL AROUND US
By Federica Patera and Andrea Sbra Pereg
Located in New York, NY
All Around Us is an immersive installation that people can walk through, surrounded by about 900 words that reflect the ambiguous bond between justice and the sacred, which is deeply...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Wire
Large Sculpture:
Purple Fiesta: Baggage
Emotional Baggage Cart
By Theda Sandiford
Located in New York, NY
My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints.
Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape.
For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it.
Theda Sandiford...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Fabric, Thread, Yarn, LED Light, Mixed Media
Large Scale Sculpture:
Caution Cart
Emotional Baggage Cart
By Theda Sandiford
Located in New York, NY
My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, ...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Mixed Media
Wood sculpture:
Ashes to Ashes/25r
By Loren Eiferman
Located in New York, NY
Eiferman invite’s you to immerse yourself in a world where transformed shapes, lines, and colors are all crafted out of nature's detritus. The inspiration for her drawings come from ...
Category
2010s Tri-State Area - Still-life Sculptures
Materials
Clay, Wood, Mixed Media
Wood Wall Sculpture: “3v-As Above/ So Below”
By Loren Eiferman
Located in New York, NY
Eiferman invite’s you to immerse yourself in a world where transformed shapes, lines, and colors are all crafted out of nature's detritus. The inspiration for her drawings come from ...
Category
2010s Tri-State Area - Still-life Sculptures
Materials
Rosewood, Mixed Media
Wood Wall Sculpture: “Talking Roots #2"
By Loren Eiferman
Located in New York, NY
Eiferman invite’s you to immerse yourself in a world where transformed shapes, lines, and colors are all crafted out of nature's detritus. The inspiration for her drawings come from ...
Category
2010s Tri-State Area - Still-life Sculptures
Materials
Wood, Mixed Media
