Tri-State Area Figurative Sculptures

An interesting and fine pair of late 19th century patinated bronze and marble four light candelabra After Claude-Michel Clodion The large figures modeled as a putti with a branch i...

Cupid Holding a Bow by French Sculptor Joseph-Charles Marin (1759-1834) White Marble, signed and dated 1784 Provenance: Carl Singer, from the Estate of Charles Hitchcock Tyler, Beverly MA...

Carefully curated set of decorative wood eggs in the organic modern style. Variety of sizes, see pictures. The three colorful eggs in the front fit inside each other, Russian doll st...

A Lovely Pair of Late 19th Century Bronzes of Putti at Play Each bronze depicting three putti wrestling around, one with a bird, the other with a conch. Details: Height – 8.5 inche...

A Cute Pair of Late 19th Century Bronze Children Depicting the Arts and Literature Each depicting a child sitting on a Beloc griotte marble step and a gilt bronze base. One child reading...

Patinated bronze urn-shaped inkwell rests on three winged-horses evoking movement and action. The body of the inkwell is decorated with faces among garlands and the lid is topped by a seated putti holding fruitVenetian patinated bronze figural inkwell...

Qilin shown bearing the flaming pearl in his mouth.

Bronze figure of Eve offering the apple. With Gorham Co. Foundry.

Modeled in a high stepping pose and shielding her face with her hand, on a stepped green rectangular marble base inscribed Caderra and with a seal for Galleria Artistica, Peru, furth...

Satori 13 sculpture by Noe Kuremoto Materials: Earthenware sculpture Dimensions: D28 x W17 x H22 cm When Japanese Mountain Gods appear as children, they...

A Palatial and Extremely Rare Napoleon III French Ormolu and Patinated Bronze Regulateur de Parquet Clock by Louis-Constantin Detouche, Paris, Circa 1850 An exceptional testament to the grandeur and technical mastery of 19th-century French horology, this palatial and extraordinarily rare Napoleon III ormolu and patinated bronze Regulateur de Parquet clock stands as a crowning achievement of the renowned Parisian horologist Louis-Constantin Detouche. Created circa 1850, this monumental timepiece exemplifies the perfect synthesis of artistic opulence and mechanical precision, distinguishing itself as one of the most impressive works from Detouche’s illustrious oeuvre. At over six feet tall, this clock’s imposing scale and decorative grandeur make it an object of immense historical and aesthetic significance. The case, crafted from the finest French ormolu, features two majestic patinated bronze seated putti, serving as allegorical figures and underscoring the artistic sophistication characteristic of the Second Empire style. The white enamel dial, elegantly signed "C. Detouche/Paris," affirms its prestigious maker, while the movement, meticulously numbered 7064 and bearing the stamps "C. Detouche RUE St. MARTIN" and "C. DETOUCHE 158 R. St MARTIN 160," speaks to the highest standards of 19th-century horological craftsmanship. Further distinguishing this piece is the medaille d’argent stamp, a testament to the numerous accolades and awards bestowed upon Detouche for his innovations in timekeeping. A Masterpiece of Horological Artistry: Louis-Constantin Detouche was not merely a clockmaker; he was a visionary whose contributions to horology redefined precision and complexity. This particular regulator clock...