Tri-State Area - Vases and Vessels

An extremely rare, museum quality pair of Ferdinand Barbedienne ormolu and champlevé enamel vases, circa 1870, certainly designed by Louis Constant Sevin...

German Mid-Century urn-form ceramic vase with a white and black crackle glaze. (possibly JASBA)

Wheel carved glass, etched "Schneider/France".

This hand-painted Dutch Delft vase, made circa 1770, is a beautiful example of 18th-century tin-glazed earthenware in blue and white. Rising to more than eighteen inches, the vase ha...

A lovely and charming example of Vicke Lindstrand's elegant, stylized figures on glass, made for the Orrefors glass company in Sweden. This Art Deco vase features an engraved mermaid...

Mid-19th century large Dresden gold gilt with painted scene design details porcelain decorative urn / vase. The urn / vase is in good antique condition. M...

Londi Bitossi vase, ceramic, Moorish stripes, brown, chartreuse and orange, signed. Small low vase from Aldo Londi's Moorish Stripes series with chartreuse and orange glaze over coar...

A Palace Size Japanese Meiji Period (1868-1912) Blue and White Vase with Phoenix Decoration. This vase is absolutely beautiful with an incredible array of hand-painted blue decoratio...

A large c1990 cut lid jar by noted American potter Karen Karnes. This pot features a banded glaze of earthy gray, blue, celadon and brown. The lid of this exceptional jar looks finge...

The Mercury Series is comprised of blown glass vessels with a mirrored interior. Meant to mimic the different stages of a drop of mercury separating, the set of handmade vessels is c...

A Fantastic, rare, and antique Chinese Cloisonné Enamel Gu Form vase, 17th/18th century, Kangxi Period. This cloisonne vase is extremely rare to find in this quality, condition, age,...

A high quality antique Japanese, late Meiji period, enamel over gilt copper vase. The vase has an urn shaped body and a fluted neck. The ware is enameled with a polychrome image of b...

A rare antique Japanese cloisonné enamel silver mounted and silver wire vase Late Meiji period circa 1895 . Elongated shape with pronounced neck. Cobalt blue ground color. The obvers...

PAIR of English (19th Cent) black basalt earthenware trumpet shaped vases with floral relief (minor chip to 1 rim) (PRICED AS PAIR)

Mid Century Modern pair of stylized bronze shell jardinieres, in the style of Tony Duquette. Larger : 8.5T X 7W X 7D Smaller : 5.25T X 6W x6D

This vintage Indian water vessel presents a distinctive circular body with a short neck and wooden cork stopper, a form that immediately evokes its utilitarian origins. Such vessels ...

A Monumental Japanese Meiji Period Three-Piece Lobed Cloisonné Enamel Garniture with Birds, Butterflies, and Chrysanthemums on a Rare Pale Peach Ground, Attributed to the Nagoya Cloi...

A 1930s Art Deco pottery vase designed by Giovanni Gariboldi for Richard Ginori. Beautifully ribbed carving and wonderful proportions, Italy, circa 1930 Size: 9 3/4" high x 12" diame...

Antique Early Meiji Japanese Cloisonne Gold Stone Enamel Stripe Vases Attributed to Honda A pair of antique Japanese, early Meiji era, enamel over gilt copper vases. The exteriors of...

A Japanese enamel on porcelain vase. The vase has a baluster shaped body with a fluted mouth, adorned with a polychrome design representing medallions with blossoming flowers and bir...

An antique Japanese Cloisonne Meiji Golden Age Period high quality silver wire Attributed to Hattori The vase is of an ovoid form tapering to the bottom and featuring a short everted...

This Art Deco vase is teardrop shaped with a wide flat rim and has a dense overall pattern of overlapping flowers on a rich, earthy ground. Stamped "Boch Frères Keramis" and marked "...

A German white matte porcelain vase by Rosenthal Studio-Line Collection, circa late-20th century, Germany. Oval in shape with organic modern design on around - front, side and back. Maker's mark on bottom...

Pair of Empire gilt chinoiserie vases. Pair hand-painted and gilt French vases of the Empire period with mask handles and gilt surrounds centering on ...

Italian Ceramic Vase, White, Stripes, Orange, Yellow, Blue, Teal Green, Signed. Small scale chunky footed cylinder vase - hand decorated with “fasce colorate” or colored bands of tea...

A large Terracotta jar / urn / planter from Bali, Indonesia, early 20th Century Beautifully glazed in mottled green, resembling a watercolor with its different tones and shades thro...

The Roemer glass is painted with dwarves harvesting. Marked with the JLL monogram in white enamel.

A stoneware vase by Gunnar Nylund for Rostrand, Circa 1950th. Signed R GN. H 9″.

A pair of Japanese enamel over gilt copper covered jars. The exteriors of the jars are adorned with polychrome enamel medallions representing floral, foliage, geometrical and foliate...

Ivory ground vases with Japanese style faux bronze storks, bamboo and blossoms.

A beautiful black and white ceramic pottery vase with 'eye' design. A great addition to any room. Dimensions: 5.75" Height For chair shown searc...

Vase A by Cesar Baldaccini for Daum, France, 1970s, is a magnificent work of art that seamlessly combines form and function. Designed by renowned French sculptor Cesar Baldaccini, this multi-faceted vase is a stunning example of his mastery of sculptural forms. Made by renowned French glassmaker Daum, this vase features a highly polished, multi-faceted surface that reflects and refracts light in fascinating ways. The veneers are perfectly aligned and flawlessly executed, creating a breathtaking sense of depth and texture. The vase is signed "Daum France", which adds a touch of authenticity and provenance to the piece. This is a true collector's item, sought after by art lovers and collectors around the world. Functional, the Argos vase is ideal for presenting flowers or other decorative objects. Its sculptural form and multi-faceted surface create a dynamic backdrop that enhances the beauty of any arrangement. Overall, the Argos vase by Cesar Baldaccini for Daum, France, 1970s, is a masterpiece of design and craftsmanship. Its striking form, impeccable craftsmanship and exceptional provenance make it a highly coveted piece that is sure to impress and enchant anyone who sees it. Cesar Badaccini (1921-1998) His parents, Omer and Lelia Baldaccini, Italians of Tuscan origin, ran a bar in Marseille where César was born, with his twin sister Amandine, in 1921 in the popular district of Belle-de-Mai, at 71 rue Loubon, in the 3rd arrondissement1. "I am basically an absolute self-taught," he will say2. At the time, he designed and tinkered with carts for his little brother with cans. Nevertheless, after first working for his father (he also helped a butcher neighbor for a meager salary after leaving school at the age of twelve), he followed the courses of the École supérieure des beaux-arts de Marseille from 1935 to 1939; in 1937, he obtained three prizes, in engraving, drawing and architecture3. Not mobilized during the war (he also escaped the STO), he lived on scams before settling in Paris to be admitted, in 1943, to the École nationale supérieure des beaux-arts with Michel Guino, Albert Féraud, Daniel David, Eugène Dodeigne and Philippe Hiquily, like him in the workshop of Marcel Gimond. In 1945, he returned to Marseille to marry Maria Astruc, with whom he set up a business (they divorced in 1959). He returned to Paris in 1946 where he occupied a studio in an old brothel at 21 rue de l'Échaudé, whose rooms, following the Marthe Richard law, had been assigned to students4. There he met Émilenne Deschamps, who would later become one of his muses. Faced with the impossibility for him to work the stone, because of its cost, he turned to other materials3. From 1947, he worked on plaster and iron. In 1949, he was introduced to arc welding in an industrial carpentry in Trans-en-Provence and used lead in pushed sheets and welded iron wires. In 1951, he visited Pompeii and remained marked by the casts of the bodies of the inhabitants caught in the lava3. In 1952, he used inexpensive recovered materials and made his first sculptures in welded scrap metal: his means were then still modest. Thus, for lack of money and to afford marble, César will recover in the scrap dumps the materials of his first sculptures: tubes, bolts, screws that become insects or end up in the powerful curves of the Venus de Villetaneuse (1962). In 1954, he exhibited at the Lucien Durand gallery in Paris and obtained the "collabo" prize for a sculpture entitled Le Poisson5, made in Villetaneuse, a city where he worked for a dozen years thanks to the help of a local industrialist, Léon Jacques6. He gained fame when his work was bought for 100,000 francs in 1955 by the State for the National Museum of Modern Art7. The same year, he exhibited at the Salon de Mai. The following year, the MNAM bought Chauve-souris from 1954 and the museum of modern art in the city of Paris Le scorpion from 1955. From 1954 (Torse, MOMA), he also made sculptures in welded metal, then in partially polished bronze, of busty women (Ginette, 1958, Victoire de Villetaneuse, 1965). In 1956, he participated in the Venice Biennale then in the São Paulo Biennale and in the Documenta II in 1959. In 1958, he signed a contract with the Parisian gallery Claude Bernard3. In 1961, he approached Marino di Teana and joined the group of Nouveaux réalistes, a movement founded by art critic Pierre Restany8, including Arman, Jean Tinguely, Niki de Saint Phalle and Gérard Deschamps. When he could afford a workshop in 1957, rue Campagne-Première in Paris, he married Rosine Groult-Baldaccini (met at the Beaux-Arts in 1948) with whom he had a daughter, Anna, a year later. He also begins to frequent the world of the In 1968, he created at the National Manufacture of Sèvres a porcelain Ashtray published in fifty copies. Made of porcelain with a semi-matt pearly cover, it represents a plaster mold used for the production of the pieces, and was produced from an original aluminum model. In 1971, during a premiere at the Lido, he found more media than him: Salvador Dalí, the master of extravagance. He debates the same year in Italiques with François Truffaut, Lucien Bodard and Asher Ben...

A massive Chinese blue cloisonné vase or urn depicting a colorful imperial phoenix with gilt bronze wires among birds and butterflies in an imperia...

Pair of Italian ceramic amphora’s in the Etruscan style with painted neoclassical figures. Set on later iron bases.

An antique Japanese Meiji Era brass and enamel vase, circa: early 20th century. The baluster form vase is enameled with polychrome images of blossoming flowers and plants and birds made in the Cloisonne technique on a black ground. The border of the base is decorated with a traditional Greek...

A circa 1960's Italian Murano vase. Measurements: Height: 13.5" Diameter: 8"

A richly glazed vintage Chinese planter featuring the deep crimson tones characteristic of oxblood, or sang-de-boeuf, glaze. The rounded body rises to a slightly flared rim, its surf...

The first thing you notice is the magnificent spiral snake handles. This large blue and white Dutch Delft covered jar is fully decorated! The elaborate decoration on the front featu...

Pair of circa 1920's French etched mercury glass vases. Sold as pair. Measurements: Height: 12.5" Diameter: 4.5"

A simple and elegant pair of ceramic glazed vases with black edging over cream ground by Waechtersbach, circa 1920. Larger vase H 5.25 Diameter 7.25 inches Smaller vase H 4.5 Diamet...

These inspired creations lie midway between art and design, defying definition. The new Mantiqueira by Domingos Tótora for Tacchini Edizioni are an original artistic encapsulation of the way nature and craftsmanship elicit a shift towards ethics. The Brazilian designer creates these objects using recycled cardboard...

A Chinese vintage altar vase from the mid 20th century, with celadon crackle finish and flaring neck. We currently have 3 vases available, priced and sold $1,300 each. Created in China during the midcentury period, this tall altar vase charms...

18th century English treen mortar and pestle hand turned and carved from yew wood with the rich and warm patina that only comes with age and use. Beautifully carved by hand from a si...

This exquisite Mid-Century Modernist vase showcases the unparalleled artistry of Murano glassmaking, crafted in Italy circa 1970. Hand-blown to perfection, the piece features two dis...

Stunning one of a kind industrial metal well bucket. This unique bucket features industrial riveted seams, and is equipped with a sturdy handle with...

Very large (41 inch tall) antique (late 19th century) porcelain vase with cover in the French Louis XVI style with foliate gilt bronze mounts, distinguished by its lovely full length...

Crystal Cream Wave Form Vase by Forma Rosa Studio Dimensions: D 14 x W 14 x H 28 cm. Materials: Ceramic. Available in Crystal Cream, Mint Blue, and Oxb...

A stunning abstract Haeger beige/ ecru vase, medium size. In great condition, no crazing, chips or cracks. This piece coordinates with four other matching vases, listed separately, s...

This exquisite blue and white Dutch Delft vase was crafted in the early 18th century, circa 1720. Its excellent chinoiserie decoration epitomizes 17th and 18th century Europe's fasci...

The large center medallion with a tooled gilt scene depicting a cherub and a nymph in a landscape. The central portion of verso consisting of a green ground panel with upturned pinea...

Introducing a magnificent Large Meiji Period Japanese Cloisonné Enamel Vase adorned with enchanting iris blossoms. This extraordinary vase encapsulates the essence of Japanese artist...

1930s Swedish stoneware bud vase features a rounded gourd shape, a ribbon-style handle, and a narrow bottleneck. The maker's signature is located on the underside.

A set of three white ceramic Kawa Vases by Luft Tanaka Studio. Each item is made by casting porcelain into sewn leather molds and are truly one-of-a-kind. As a result of the product...

Diodoro Cossa vase, ceramic, chartreuse and black, signed. Large scale chunky ceramic vase decorated on both sides with a warrior horseback. Signed: "Cossa Italy" on underside.  

The Branded series is a set of modern design objects which each feature a hand impressed brand that highlights these wholly handmade vessels. For color, each piece features a transpa...

Seguso Vetri d'Arte elegant glass vase model 7609, Italy, circa 1942. This Murano blown glass vase was made using the cordonato ritorto technique of gently twisting ribbed glass in a...

A set of 2 tactile and organic porcelain vases with leather textured exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind. Set...

This lovely pair of handpainted 19th-century opaline vases feature gorgeous flowers, each with a bouquet of peonies, tulips, and other flowers on a light blue ground. The glass is s...

A pair of large antique Japanese Meiji Era enamel over brass vases attributed to Hayashi Kodenji, Japanese, 1831 to 1915. Circa: 1900s. Unsigned. The baluster form vase is enameled with polychrome images of gold sparrows in blossoming flowers made in the Cloisonne technique. Hayashi Kodenji was a pivotal figure in the history of Cloisonne enamel manufacturer. He was instrumental in the formation and leadership of the Shippo cho enamellers guild, and it is probable that he worked for the Nagoya-based Shippo Kaisha. He exhibited and won prizes at many international exhibitions: Nuremberg 1885 Silver, Paris 1889...

This equisential detailed Art Deco Émile Gallé Cameo Glass Vase in Amber and Yellow W/Naturalist Detailing originates from France, Circa 1900. Features a golden base color with amber...