Tri-State Area Vases

This Art Deco vase is teardrop shaped with a wide flat rim and has a dense overall pattern of overlapping flowers on a rich, earthy ground. Stamped "Boch Frères Keramis" and marked "...

Pair of Empire gilt chinoiserie vases. Pair hand-painted and gilt French vases of the Empire period with mask handles and gilt surrounds centering on ...

A German white matte porcelain vase by Rosenthal Studio-Line Collection, circa late-20th century, Germany. Oval in shape with organic modern design on around - front, side and back. Maker's mark on bottom...

Italian Ceramic Vase, White, Stripes, Orange, Yellow, Blue, Teal Green, Signed. Small scale chunky footed cylinder vase - hand decorated with “fasce colorate” or colored bands of tea...

The Roemer glass is painted with dwarves harvesting. Marked with the JLL monogram in white enamel.

Ivory ground vases with Japanese style faux bronze storks, bamboo and blossoms.

A beautiful black and white ceramic pottery vase with 'eye' design. A great addition to any room. Dimensions: 5.75" Height For chair shown searc...

Vase A by Cesar Baldaccini for Daum, France, 1970s, is a magnificent work of art that seamlessly combines form and function. Designed by renowned French sculptor Cesar Baldaccini, this multi-faceted vase is a stunning example of his mastery of sculptural forms. Made by renowned French glassmaker Daum, this vase features a highly polished, multi-faceted surface that reflects and refracts light in fascinating ways. The veneers are perfectly aligned and flawlessly executed, creating a breathtaking sense of depth and texture. The vase is signed "Daum France", which adds a touch of authenticity and provenance to the piece. This is a true collector's item, sought after by art lovers and collectors around the world. Functional, the Argos vase is ideal for presenting flowers or other decorative objects. Its sculptural form and multi-faceted surface create a dynamic backdrop that enhances the beauty of any arrangement. Overall, the Argos vase by Cesar Baldaccini for Daum, France, 1970s, is a masterpiece of design and craftsmanship. Its striking form, impeccable craftsmanship and exceptional provenance make it a highly coveted piece that is sure to impress and enchant anyone who sees it. Cesar Badaccini (1921-1998) His parents, Omer and Lelia Baldaccini, Italians of Tuscan origin, ran a bar in Marseille where César was born, with his twin sister Amandine, in 1921 in the popular district of Belle-de-Mai, at 71 rue Loubon, in the 3rd arrondissement1. "I am basically an absolute self-taught," he will say2. At the time, he designed and tinkered with carts for his little brother with cans. Nevertheless, after first working for his father (he also helped a butcher neighbor for a meager salary after leaving school at the age of twelve), he followed the courses of the École supérieure des beaux-arts de Marseille from 1935 to 1939; in 1937, he obtained three prizes, in engraving, drawing and architecture3. Not mobilized during the war (he also escaped the STO), he lived on scams before settling in Paris to be admitted, in 1943, to the École nationale supérieure des beaux-arts with Michel Guino, Albert Féraud, Daniel David, Eugène Dodeigne and Philippe Hiquily, like him in the workshop of Marcel Gimond. In 1945, he returned to Marseille to marry Maria Astruc, with whom he set up a business (they divorced in 1959). He returned to Paris in 1946 where he occupied a studio in an old brothel at 21 rue de l'Échaudé, whose rooms, following the Marthe Richard law, had been assigned to students4. There he met Émilenne Deschamps, who would later become one of his muses. Faced with the impossibility for him to work the stone, because of its cost, he turned to other materials3. From 1947, he worked on plaster and iron. In 1949, he was introduced to arc welding in an industrial carpentry in Trans-en-Provence and used lead in pushed sheets and welded iron wires. In 1951, he visited Pompeii and remained marked by the casts of the bodies of the inhabitants caught in the lava3. In 1952, he used inexpensive recovered materials and made his first sculptures in welded scrap metal: his means were then still modest. Thus, for lack of money and to afford marble, César will recover in the scrap dumps the materials of his first sculptures: tubes, bolts, screws that become insects or end up in the powerful curves of the Venus de Villetaneuse (1962). In 1954, he exhibited at the Lucien Durand gallery in Paris and obtained the "collabo" prize for a sculpture entitled Le Poisson5, made in Villetaneuse, a city where he worked for a dozen years thanks to the help of a local industrialist, Léon Jacques6. He gained fame when his work was bought for 100,000 francs in 1955 by the State for the National Museum of Modern Art7. The same year, he exhibited at the Salon de Mai. The following year, the MNAM bought Chauve-souris from 1954 and the museum of modern art in the city of Paris Le scorpion from 1955. From 1954 (Torse, MOMA), he also made sculptures in welded metal, then in partially polished bronze, of busty women (Ginette, 1958, Victoire de Villetaneuse, 1965). In 1956, he participated in the Venice Biennale then in the São Paulo Biennale and in the Documenta II in 1959. In 1958, he signed a contract with the Parisian gallery Claude Bernard3. In 1961, he approached Marino di Teana and joined the group of Nouveaux réalistes, a movement founded by art critic Pierre Restany8, including Arman, Jean Tinguely, Niki de Saint Phalle and Gérard Deschamps. When he could afford a workshop in 1957, rue Campagne-Première in Paris, he married Rosine Groult-Baldaccini (met at the Beaux-Arts in 1948) with whom he had a daughter, Anna, a year later. He also begins to frequent the world of the In 1968, he created at the National Manufacture of Sèvres a porcelain Ashtray published in fifty copies. Made of porcelain with a semi-matt pearly cover, it represents a plaster mold used for the production of the pieces, and was produced from an original aluminum model. In 1971, during a premiere at the Lido, he found more media than him: Salvador Dalí, the master of extravagance. He debates the same year in Italiques with François Truffaut, Lucien Bodard and Asher Ben...

A Chinese vintage altar vase from the mid 20th century, with celadon crackle finish and flaring neck. We currently have 3 vases available, priced and sold $1,300 each. Created in China during the midcentury period, this tall altar vase charms...

A massive Chinese blue cloisonné vase or urn depicting a colorful imperial phoenix with gilt bronze wires among birds and butterflies in an imperia...

This exquisite Mid-Century Modernist vase showcases the unparalleled artistry of Murano glassmaking, crafted in Italy circa 1970. Hand-blown to perfection, the piece features two dis...

An antique Japanese Meiji Era brass and enamel vase, circa: early 20th century. The baluster form vase is enameled with polychrome images of blossoming flowers and plants and birds made in the Cloisonne technique on a black ground. The border of the base is decorated with a traditional Greek...

A circa 1960's Italian Murano vase. Measurements: Height: 13.5" Diameter: 8"

Pair of circa 1920's French etched mercury glass vases. Sold as pair. Measurements: Height: 12.5" Diameter: 4.5"

The first thing you notice is the magnificent spiral snake handles. This large blue and white Dutch Delft covered jar is fully decorated! The elaborate decoration on the front featu...

These inspired creations lie midway between art and design, defying definition. The new Mantiqueira by Domingos Tótora for Tacchini Edizioni are an original artistic encapsulation of the way nature and craftsmanship elicit a shift towards ethics. The Brazilian designer creates these objects using recycled cardboard...

A simple and elegant pair of ceramic glazed vases with black edging over cream ground by Waechtersbach, circa 1920. Larger vase H 5.25 Diameter 7.25 inches Smaller vase H 4.5 Diamet...

Stunning one of a kind industrial metal well bucket. This unique bucket features industrial riveted seams, and is equipped with a sturdy handle with...

Crystal Cream Wave Form Vase by Forma Rosa Studio Dimensions: D 14 x W 14 x H 28 cm. Materials: Ceramic. Available in Crystal Cream, Mint Blue, and Oxb...

The large center medallion with a tooled gilt scene depicting a cherub and a nymph in a landscape. The central portion of verso consisting of a green ground panel with upturned pinea...

A stunning abstract Haeger beige/ ecru vase, medium size. In great condition, no crazing, chips or cracks. This piece coordinates with four other matching vases, listed separately, s...

Very large (41 inch tall) antique (late 19th century) porcelain vase with cover in the French Louis XVI style with foliate gilt bronze mounts, distinguished by its lovely full length...

This exquisite blue and white Dutch Delft vase was crafted in the early 18th century, circa 1720. Its excellent chinoiserie decoration epitomizes 17th and 18th century Europe's fasci...

Introducing a magnificent Large Meiji Period Japanese Cloisonné Enamel Vase adorned with enchanting iris blossoms. This extraordinary vase encapsulates the essence of Japanese artist...

A set of three white ceramic Kawa Vases by Luft Tanaka Studio. Each item is made by casting porcelain into sewn leather molds and are truly one-of-a-kind. As a result of the product...

Diodoro Cossa vase, ceramic, chartreuse and black, signed. Large scale chunky ceramic vase decorated on both sides with a warrior horseback. Signed: "Cossa Italy" on underside.  

The Branded series is a set of modern design objects which each feature a hand impressed brand that highlights these wholly handmade vessels. For color, each piece features a transpa...

1930s Swedish stoneware bud vase features a rounded gourd shape, a ribbon-style handle, and a narrow bottleneck. The maker's signature is located on the underside.

Gio Ponti for Richard Ginori rare Gran Rosso di Doccia glazed porcelain vase model 380T with a gold body and red at base, rim and inside. Stamped manufacturer's mark to underside 'Ri...

This lovely pair of handpainted 19th-century opaline vases feature gorgeous flowers, each with a bouquet of peonies, tulips, and other flowers on a light blue ground. The glass is s...

This equisential detailed Art Deco Émile Gallé Cameo Glass Vase in Amber and Yellow W/Naturalist Detailing originates from France, Circa 1900. Features a golden base color with amber...

A set of 2 tactile and organic porcelain vases with leather textured exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind. Set...

A pair of large antique Japanese Meiji Era enamel over brass vases attributed to Hayashi Kodenji, Japanese, 1831 to 1915. Circa: 1900s. Unsigned. The baluster form vase is enameled with polychrome images of gold sparrows in blossoming flowers made in the Cloisonne technique. Hayashi Kodenji was a pivotal figure in the history of Cloisonne enamel manufacturer. He was instrumental in the formation and leadership of the Shippo cho enamellers guild, and it is probable that he worked for the Nagoya-based Shippo Kaisha. He exhibited and won prizes at many international exhibitions: Nuremberg 1885 Silver, Paris 1889...

The black jasper ovoid body decorated in white relief with the Apotheosis of Virgil after John Flaxman, the shoulder with snake handles above Medusa masks,...

" Sommerso " Italian Art Glass vase attributed to Flavio Poli. Decorative low vase crafted of thick art glass in hues of deep blue and pink.

French modernist black matte glazed vessel with a contrasting yellow glaze interior. Laval Pottery.

Glass Vase in the Manner of Edvin Ollers for Kosta Boda, Sweden, c. 1940 Hand-blown glass vase with unique, hand-applied decorations. In the manner of Edvin Oller’s unique works. -...

Vintage Awaji pottery vase from circa 1930, featuring iconic Art Deco design with bold repeating concentric forms and elegant dual handles. Finished in a scorching chromium orange gl...

A white marble vase, hand-carved in India, circa 1960. 23 inches tall, approximately 12 inches diameter. Fluted neck. Clean, simple, elegant lines. The vase is composed of three se...

A stoneware vase by Gunnar Nylund for Rostrand, Circa 1950th. Signed R GN. H 9″.

Mid 19th century pair of Sevres-style gilt porcelain covered jars with exterior painted scene design details. Each piece is in good condition. Minor wear consistent with age / use. M...

A Fine quality Sèvres-style ormolu-mounted porcelain bleu vase. The oviform vase flanked by ormolu garlands, finely painted floral design. Date: Late 19th century Origin: French ...

19th century pair of French figural glazed porcelain vases / urns with exterior gilt painted design scene details. Each vase / urn is in good condition. No chips, cracks, or restoration observed. Minor wear consistent with age / use. Each one stands about 19.5 inches tall x 8 inches wide X 4.5 deep pair of French figural porcelain...

1930s, Stockholm. Polished pewter with footed base and sculptural flared mouth. Marked with Firma Svensk Tenn on the underside and designed by Nils Fougstedt.

Sommerso glass vase attributed to Flavio Poli.

A circa 1960's Italian cut glass vase. Measurements: Height: 19" Diameter: 12.5"

With its striking blend of textures and color transitions, this tall stoneware vase brings a refined yet earthy presence to any setting. The form is distinctly sculptural: a smooth, ...

A Pair of Early Empire period French Rhyton-Form Cornucopia Biscuit and Gilt Porcelain Vases with Boar’s heads. These vases are modeled in the form of rhyton-style cornucopias, featu...

Pair of antique patinated bronze vases with variegated green marble pedestals in the Roman neoclassical style featuring finely cast figur...

A Monumental Japanese Kutani porcelain vase, Meiji/Taisho Period, Signed Akiyama sei. The main body is all hand-painted with wonderful ...

Large Pair of Antique Meiji Japanese Cloisonne Enamel Vases Hawks on Cherry Blossom Tree Silver wire High Quality attributed to Hayashi or Ota A pair of antique Japanese Meiji peri...

An antique Thai brown glazed ceramic vase from the early 20th century with petite loop handles, cream colored dotted décor, tapering lines and lighter brown accentuation. Experience a dash of Southeast Asian artistry with this charming antique Thai ceramic vase from the early 20th century. Exuding rustic appeal, this vase showcases a rich brown glaze that beautifully highlights the piece's traditional craftsmanship. At the core of this vase's allure is the intricate cream-colored dotted décor that gracefully trails across the upper body. These delicate specks create a visually engaging contrast against the brown backdrop, contributing to the piece's overall charm and visual depth. The petite loop handles adorning the upper body enhance the vase's uniqueness and provide a tactile dimension. The light brown accentuation at the bottom further contributes to the vase's aesthetic balance and harmony. All these elements together create a distinctive piece that harmonizes rustic simplicity with an inherent sense of elegance. This antique vase has a circular mouth opening measuring 9.75 inches in diameter, ideal for displaying a selection of your favorite flowers or as a standalone statement piece. Its timeless design and earthy colors lend a warm, inviting touch to any space. As a symbol of Thai art...

A pair of antique Japanese brush pots, Meiji era, 1868 to 1912. The exterior of both matched pieces is enameled with polychrome enamel bloss...

Inscribed Loetz Austria.

Pair of Chinese Qing Dynasty style Yongzheng period (20th century) mint green, glazed porcelain vases with globular forms influenced by West Asian cul...

This large English porcelain vase, made during the Regency period, is campana-shaped and beautifully balanced in form. The vase is hand-painted with a lush bouquet of pink and yello...

An antique Thai water jar from the 19th century, with monochrome glazed finish and petite loop handles. Created in Thailand during the 19th century,...

A high quality Japanese amphora shaped enamel over brass vase. The vase is adorned with polychrome enamel medallions depicting a crane bird and blossoming flowers, and an evening lan...

An extremely rare French Art Deco enameled laid on copper and wrought iron decorated vase by, Camille Fauré. The vase is decorated with an enameled geometric design in colors of blue, black, and white further set into a decorated hand forged wrought iron mount. The vase is signed "C.FAURÉ.LIMOGES". - circa 1940s' Measurements: height: 13.5 in. x width: 5 in. x diameter: 5.25 in. Biography: Camille Faurè produced designs for Limoges, long famed for its enamels Born in Perigueux in 1872, he spent a long apprenticeship before setting up his own workshop at Limoges, where he worked for over fifty years. Fauré became Limoges most famous and talented enamel artist. He exhibited in the 1925 International Exhibition in Paris that gave name to Art Deco. His early work, like his Post World War II designs, involved large floral patterns, often in rich colors keeping in line with the Art Nouveau movement. He exhibited through his Paris shop...

1950s, Japan. Japanese ceramic vase with gunmetal glaze. Artist unknown. Artist signature stamped on underside. Best suited for dried flowers or branches. Does not hold water.