Tri-State Area - Porcelain

Late 19th Century Vienna Porcelain Mounted Giltwood Frame Signed J. Feigl 1888 Signed J. Feigl 1888 With a central portrait plaque depicting Marie Antoinette, within a border o...

Pair of Kawa Vessels. 1 x 10inch height and 1 x 12 inch height. Tactile and textured organic porcelain vase with an glossy glazed interior surface. Works well as a pair or individua...

A beautiful and rare pair/set of antique English porcelain hand-painted cows by Chelsea Porcelain company, circa 18th-century, 1756 - 1769, England. Cows/bovine with detailed horns a...

*Two (2) bowls available, each sold separately, as per listing. A beautiful, art-like, Hungarian leaf-form hand-painted hard-paste porcelain bowl from luxury maker, Herand, 2001, H...

A very rare and special palatial pair of late 19th century Sèvres style porcelain mirrors Each mirror is made up of over 20 fantastic individually handcrafted pieces of porcelain....

Discover our new horoscope collection conceived in collaboration with iconic Spanish porcelain maker Sargadelos. Decorative or functional, this horoscope theme capsule of 12 porcela...

Fornasetti Calender Plate 2009 . Porcelain n.42 ,Made in Italy .

A wonderful and important mid-19th century gilt bronze and turquoise sevres porcelain 'Jeweled' three-piece clock set. By Raingo Frères. ...

This is a hand-painted First-Period Worcester Porcelain sugar box from the 18th century. The lively floral design is painted in green, blue, purple, and gilt. We see purple stems and...

A Fine Late 19th Century Gilt Bronze and Sèvres Style Porcelain Vase Covered top with an acorn style finial, above a long decorated spiral neck with raised gilt designs, the body s...

The Following Item we are offering is a Beautiful Museum Quality Painting on Porcelain of a Woman surrounded by Cherubs holding Garland. Magnificently done with Outstanding Detail. Framed in a Beautiful Wooden Frame, inscribed Ch. Chaplin. Taken out of the Penthouse Estate of the President of Prestige Jewelers Upper East Side, New York City. Framed Measurements: 24" H x 33" W Charles Joshua Chaplin (8 June 1825 – 30 January 1891) was a French painter and printmaker who painted both landscapes and portraits. He was an accomplished artist mastering different techniques such as pastels, lithography, watercolor, chalk, oil painting and etching. He was best known for his elegant portraits of young women. Charles Joshua Chaplin was born on 8 June 1825 in Les Andelys, Eure, France. His mother, Olympia Adelle Moisy, was French, whereas his father, John Chaplin, was an art broker from England. Charles Chaplin spent his whole life in France, becoming a naturalized citizen in 1886.[1][2] He studied at the École des Beaux-Arts in Paris from 1840, and he took private lessons in the studio of Michel Martin Drolling, whose apprentices included Paul Baudry, Jules Breton and Jean-Jacques Henner. Later he also taught at the École des Beaux-Arts.[2] In 1845 he entered the Salon de Paris, the official art exhibition of the Académie des Beaux-Arts, as a portrait and landscape painter with the painting Portrait of the Artist's Mother. Chaplin conducted art classes specifically for women at his studio. The American artist Mary Cassatt, the French artist Louise Abbéma and the English artist Louise Jopling were among Chaplin's students. His son Arthur Chaplin was also a painter. Chaplin died on 30 January 1891 in Paris as a wealthy man and is buried in the Père Lachaise Cemetery.[3][4] Chaplin made his debut at the Salon with portraits, but he also painted landscapes, particularly the countryside of Auvergne. His early works, from 1848 to 1851, were painted in a more realistic style, and are characterized by an interest in realism, which was a style that had been reestablished in France by the French Second Republic, that had the motto Liberté, égalité, fraternité, and was ruled for three years by the republican government of France from the 1848 Revolution until the 1851 coup by Louis-Napoléon Bonaparte. Realism was an artistic movement that began in France in the 1850s, after the 1848 Revolution.[5] From the late 18th century Romanticism dominated French art and literature but was spurned by Realists, who revolted against the display of the emotions of the Romantic movement, seeking to depict real and characteristic contemporary individuals and situations with truth and accuracy.[6] Chaplin painted many works in his early days, including floral studies that were displayed at the Salon de las Flores. Later, in the late 1850s, he abandoned naturalism, his earlier style, exchanging it for a more graceful, elegant and supple technique that brought him a certain notoriety in France during his time as a portrait painter; as such he embraced the idyllic and voluptuous and fashionable style of the prominent French painter, François Boucher (1703–1770).[7] He also embraced the tradition of the great English portraitists. He developed his very own style of painting but was inspired by the British painters Joshua Reynolds and Thomas Gainsborough. He used to engrave the works of the Dutch artist Pieter Paul Rubens and gained further influence from his work.[2] Later work Gradually the muddy colours used by Chaplin transformed into white, grey and pink, depicting his models with an opalescent, mother-of-pearl complexion by applying a subtle palette of rosy flesh tones and light greys. After painting portraits and trying his skills on ornamental painting, Chaplin took up genre painting in the 1850s. His favourite subjects are the feminine grace of a young woman’s everyday life. He portrays women in several poses: resting; grooming; singing; and reading. He captures them with lightness and carelessness and accentuates the decorative elements of the composition.[2] Empress Eugénie, the wife of Napoleon III and an admirer of the "Pompadour style", rapidly fell under the enchantment of the painter's neo-Rococo works. Chaplin was among Napoleon III and Empress Eugénie’s favourite court artists. In 1859, when his portrait of Aurora was banned by the judges of the Salon as "too erotically suggestive", Napoléon III defended Chaplin and overturned the disqualification order.[8] He was similarly valued as an interior decorator and was appointed to remodel the decor of Empress Eugénie's rooms.[8] His sensual portraits of women and young girls, often with models posed erotically in hazy surroundings and frequently wearing transparent clothing, attracted the interest of the high society and aristocracy of Paris during the French Third Republic (1870–1940) guaranteeing his success and wealth. He was one of the most popular painters of his time, but nowadays his work is almost unknown, in spite of the fact that his works hang in many major museums around the world.[2] He employed his Rococo style for his mythological scenes and genre scenes paintings. His genre pictures formed a significant part of his work. In 1861, working as a decorative painter. Chaplin painted the doors and several glass panels above them of the Salon des Fleurs in the Tuileries Palace.[3] The Palace was gutted by fire in 1871 and its ruins swiftly demolished.[9] He also undertook decorating work in the Salon de l’Hémicycle of the Palais de l’Elysée.[3] Honours and awards A Song Silenced, Private collection. As a member of the Académie royale de peinture et de sculpture, Chaplin exhibited his paintings at the Salon de Paris, the official exhibition venue of members' work. He began exhibiting his paintings at the French Artists' Salon in 1845 and was represented there habitually each year. These exhibitions made him one of France's most famous portrait artists. Commencing in 1847, his work was exhibited regularly at the Royal Academy in London.[8] During his lifetime he received acclamation for his artistic talents by the award of several medals: a third class medal in 1851; a second class medal the following year; and an Honour Medal...

The wares of the Chelsea red anchor period (1752-1758), when this dish was made, are generally thought to be the finest work produced by the factory...

Magnificent in scale and adorned with opulent detailing were created in 1876 and bear the signature of A. Carrier Hammer, these monumental baluster vases stand at an impressive heigh...

A 19th C. Meissen Porcelain Female Nude Figurine After The Bath, M 193b, R. Ockelmann. This exquisite porcelain sculpture was skillfully created ...

Printed decoration, signed F.L and F. Leger respectively. Marked Porcelaine Apilco France Editions S.E.A.L exclusivity Musée F. Leger Biot. French painter, sculptor and designer Fe...

A Japanese hand-painted porcelain plate from the 19th century, with blue and white landscape and architecture décor. Created in Japan during the 1...

  Decorated with an elegant design of delicate blue cornflower sprigs, this soup tureen was made by Arras Porcelain in Arras, France, in the late 18th century. The cornflower sprigs, handles, and border edging are decorated with beautiful deep twilight blue enamel. The makers of Arras Porcelain specialized in porcelain painted in this entrancing blue called "Bleu d'Arras." The color of the porcelain body is creamy white. The combination of the creamy white ground and the blue decoration is splendid. Natural forms like the tree branch handle and the blue cornflower decorations were the height of French fashion in the last quarter of the 18th century. Made at the Arras porcelain factory of the Delemers family circa 1780, the tureen and its stand are marked in underglaze blue. Dimensions:16" wide x 13" deep x 9.5" tall Condition: Excellent, with some hard-to-see rubbing to the clear glaze on the stand Price: $1,520 The underside of the tureen is marked with the letters "AR" for the Delemers family Arras factory. The underside of the stand is marked "Dele AR" for the Delemers family Arras factory. On 1stdibs, we also have a matching round tureen Item Reference LU866530033982 Background of Arras Porcelain: The Arras Porcelain factory was started in the 1770s by the family Delemers. They were a family of four sisters...

This 18th-century First Period Worcester Porcelain sugar box was hand painted featuring beautiful swags painted with green leaves, purple berries, and two-tone blue and yellow apples. Each swag is tied with a purple ribbon in an elegant bow. Green leaves and two-tone plums hang from each ribbon. The cover finial is crafted as a budding rose painted in gorgeous pinkish purple and yellow with two green leaves. The sugar box's border and cover are both adorned with a band of underglaze blue and a chain of golden ribbons and are gently lobed, which adds visual excitement as light plays over the curved surfaces. Made in England circa 1775, this sugar box is a gem! Dimensions: 5" tall x 4.5" diameter Condition: Excellent Marks: On the underside is the Worcester First Period crescent in underglaze blue (see last image). Early Worcester Porcelain marks are rarely seen—a blue crescent mark (seen here) dates pieces back to the 'First' or 'Dr Wall...

Discover our new horoscope collection conceived in collaboration with iconic Spanish porcelain maker Sargadelos. Decorative or functional, this horoscope theme capsule of 12 porcela...

A beautiful pair of French Porcelain Moon flask vases, made for the Islamic/Moorish Market. Each vase has a moon flask form with a gorgeous turquoise ground. The hand-painted enamels...

Discover our new horoscope collection conceived in collaboration with iconic Spanish porcelain maker Sargadelos. Decorative or functional, this horoscope theme capsule of 12 porcelain plates...

Discover our new horoscope collection conceived in collaboration with iconic Spanish porcelain maker Sargadelos. Decorative or functional, this horoscope theme capsule of 12 porcelain plates...

Discover our new horoscope collection conceived in collaboration with iconic Spanish porcelain maker Sargadelos. Decorative or functional, this horoscope theme capsule of 12 porcelain plates...

Discover our new horoscope collection conceived in collaboration with iconic Spanish porcelain maker Sargadelos. Decorative or functional, this horoscope theme capsule of 12 porcela...

Attractive set of fish plates retailed by Ovington from the 1930's, for use only as display as several have chipped edges. 4 out of 6 have chipping but not severe, great for display ...

Discover our new horoscope collection conceived in collaboration with iconic Spanish porcelain maker Sargadelos. Decorative or functional, this horoscope theme capsule of 12 porcela...

A wonderful late 19th-early 20th Berlin K.P.M. porcelain rectangular plaque Painted landscape scene with two women and their children playing, the background with two men, one playing an instrument. Impressed K.P.M and scepter marks, in the original frame. KPM is an acronym for Königliche Porzellan-Manufaktur Berlin, which translates to “Royal Porcelain Factory in Berlin.” The company was founded in 1763 by Frederick II of Prussia, who bought the factory from its previous owner, Johann Ernst Gotzkowsky, in the wake of its bankruptcy. Frederick II greatly admired the factory’s “white gold,” a type of porcelain so fine and translucent that it closely mirrored the high-quality porcelain made in China. He invested large sums of money into the company and granted it the use of the royal scepter...

Discover our new horoscope collection conceived in collaboration with iconic Spanish porcelain maker Sargadelos. Decorative or functional, this horoscope theme capsule of 12 porcelain plates...

A Large 19th C. Meissen Porcelain Figure of a Fisherman with a Net. As one's gaze ascends, attention is drawn to the fisherman's head, crowned by a wonderfully crafted utilitarian s...

A beautiful pair of antique French Limoges porcelain plates, circa 19th century, France. Plates are predominantly a terracotta hue with a carnation pink center, and a hand-painted go...

Very beautiful vintage Italian white porcelain with gold gilt coffee or tea cup(s) by designer Richard Ginori, Italy, circa mid-20th century, circa 1960s. Colors include: gold gilt a...

A beautiful Austrian Art Nouveau porcelain pink and gold oblong dish, circa early-20th century, Austria. Piece has hand painted design of flowers...

A fine antique Vieux Paris porcelain hand painted dessert set comprised of a pair of footed hand painted serving stands and eight hand painted...

A pair of monumental and rare Antique German hand-painted polychrome enamel and raised gold porcelain plaques depicting orientalist/Turkish women standing in castles of exquisite cra...

A beautiful pair of French Paris porcelain blue and white chinoiserie style open-work vases. Each is beautifully hand painted with tiffany blue chinoiserie figures of a boy and girl in a field...

A fine pair of Early 20th Century Meissen Porcelain models of eagles naturalistically resting on branches. Each Eagle can be seen with their wings spread wide out and their beaks ope...

Fornasetti Calender Plate 2010 Porcelain n.43 . Made in Italy

Pair green pink and gilt grape leaf and rose cups and saucers. Pair antique Derby porcelain breakfast or tea sets in vibrant green and soft pink with gilt vin...

This vintage pair of late 19th century French porcelain statues are signed "France" in very dark blue over the glaze & over, what appears to be, a much lighter blue scepter under the glaze. The stunning pair, a man & a woman, of Paris porcelain statues...

A fine and quite unusual pair of antique French ormolu-mounted Pate Sur Pate porcelain vases, beautifully decorated in the orientalist motif, originally mounted as oil lamps, still h...

A gorgeous pink and gold gilt porcelain German dinner plate charger or wall art, circa early-20th century, Germany. Plate has a heavy gold gilt edge and center; both are embossed wit...

A rare porcelain vase by famed Italian artist, Antonia Campi.

A beautiful porcelain Art Deco coffee or tea cup and saucer, Germany, circa 1960s. Design and colors include: white, terracotta, black and gold - with an elaborate bird design in a r...

A very unusual pair of antique French doré bronze and Chinese Export porcelain, orientalist style, three-light candelabra designed by the outmost renowned French orientalist designer; Edouard Lievre, and finely executed by Ferdinand Barbedienne. Each crafted in rich orientalist design with three very fine hand chiseled ormolu elephant...

A Japanese porcelain charger plate from the 19th century, with hand-painted blue and white blooming tree, rocky formation and bird décor. Created in Japan during the 19th century, th...

Pair of porcelain vases with painted decoration of landscapes with birds, Italian, 1920s.

Meissen Porcelain Art Nouveau Figurine 'Girl with Apple Basket' The porcelain figurine depicts a barefoot young girl standing beside a woven basket filled with apples. She is modele...

A vintage Italian white and blue porcelain bowl by designer Richard Ginori, circa mid-20th century, Italy. Bowl with handles is white glazed Italian...

A Rare and Fantastic Late 19th Century Gilt Bronze Mounted Onyx and Sèvres Style Pedestal Square onyx top above a columnar support painted with...

An Exceptional Pair of Late 19th Century Gilt Bronze Mounted Onyx and Sèvres Style Pedestals Square onyx top above a columnar support painted w...

Pair of antique French Empire red porcelain and ormolu-mounted lamps, attributed to Sèvres. The porcelain bases of the lamps are decorated with ovals depicting bouquets of hand paint...

Six antique porcelain saucers with cobalt blue and gold borders were made in England in the late 19th century. The gilded decoration is simpl...

This pair of Paris porcelain botanical dishes shows a single exquisite plant with purple-pink flowers. The dishes were hand-painted by Feuillet and re...

This First Period Worcester Cup and Saucer is decorated in a delicate floral pattern. Green leaves and flowers are hand-painted in orange, purple, and underglaze blue, which is outli...

Set of Eight Piero Fornasetti for Saks Fifth Avenue Roman Chariot Porcelain Tableware Pieces, comprising: (7) seven coasters and (1) one ashtray, with gilded background, marked "Forn...

This collection of English commemorative ware consists of a 1937 Edward VIII coronation tea set, two 1837 Edward VIII coronation plates, a 1937 Edward VIII coronation flute, and a 1939 plate commemorating George VI and Queen Elizabeth's trip to the United States and Canada. The Coronation tea set consists of a teapot, two cups, each with a saucer, a creamer and a coupe-shaped, open sugar bowl. The teapot, cups, creamer, and sugar bowl all feature Edward VIII's coronation portrait on the front and his seal on the back. The teapot, creamer, and sugar bowl are each circumscribed with gold trim and feature a delightful cracklature. Each piece is stamped "Made in England" and the teapot is also stamped "Lancasters LTD". The two conical-shaped teacups have handles which are decorated with a fine, royal blue line. The rim of each teacup, as well as their saucers, are also adorned with royal blue lines. Each piece is stamped "Made in England". The scalloped edged Edward VIII coronation plate offers a 24-karat gold trim and features Edward VIII's coronation portrait and seal, the back is stamped "L&Sons LTD". The second coronation plate is square with scalloped corners. In the center of the plate is a grisaille portrait...

This pair of soft-paste porcelain pomade jars was made at Mennecy in the mid-eighteenth century, around 1765. These are rare survivors from one of France’s earliest porcelain factor...

A very beautiful pair of polychromed Kutani porcelain Japanese vases, circa early 20th century, Meiji period, Japan. Vases are hand painted and designed with two different sides; one...

A chic set of three (3) red burgundy, gold, and black porcelain coffee or teacups, Midcentury Modern, mid-20th century, 1967. Very good condition as shown in images with no chips not...

A fine famille rose 'peach' dish or charger , with Yongzheng six-character mark within double square on base the porcelain dish of thin translucent sides, nicely enameled on the int...