Tri-State Area - Decorative Art

A mid-20th century Turkish rug with an all-over repetitive floral motif in green and brown on saffron field Measures: 4'3'' x 7'5''.

1995, Danish wool rug depicting "olive grove" by Vincent Van Gogh (1899). This rug was made by Ege Axminster A/S for their 20th century masters collection. The image of "olive grove" was licensed by Van Gogh International B.V. This rug is wonderfully executed and respects the genius of Van Gogh. The colors of this rug are strong and beautiful; browns, various shades of green, pinks, yellows, blues and lilacs are all utilized to wonderful effect. In addition to the work of Vincent Van Gogh, the Ege Art collection has included rugs depicting the art of such greats as Paul Klee, Pablo Picasso, Robert Jacobsen, Andy Warhol and Rene Magritte. iEde rugs are an iconic piece of art that is made for your floor. They can be used to define a space and create a vignette that is unique and emphasizes your artistic side. Owning this rug would be a fun and lasting way to enjoy one of the most brilliant artists of all time. About Ege Axminster: Weaving together timeless Danish design, long-lasting quality, natural comfort and progressive sustainable thinking, Ege Carpets craft wall-to-wall carpets, rugs, carpet tiles...

David Wojnarowicz 3 Teens Kill 4, Danceteria NYC 1983: Rare historic invitation published on the occasion of an early 1980s performance by David Wojnarowicz’s, 3 Teens Kill 4 at Dan...

An early 20th Century Khotan Samarkand Rug with a pictorial design on a pink field 4'' x 7'10''

A late-20th century Gabbeh rug with a checkered colorful border surrounded by a stand-alone tree on a camel ground woven with a souf technique Measures: 2'6'' x 3'11'' Souf rugs...

Antique Persian Heriz Oriental rug, Room size An antique Persian Heriz oriental rug, size 11'3" x 7'8", circa 1920. This handsome hand-woven geom...

A vintage Persian Kerman rug, circa 1930, size: 5'0" x 3'0". This small hand knotted rug features a Classic floral medallion on a serene open i...

An early 20th Century Ivory Ground Persian Kashan room-size rug Measures: 8'8'' x 11'2''.  

Vintage Persian Kerman oriental carpet, size 5'2" H x 3'1" W, circa 1930. This vintage hand-knotted Persian rug features a striking gray green central field, with a central medal...

Accent size pictorial Turkish Sivas carpet from the first quarter of the 20th century. The gray field with a flurry of wild and exotic animals, accents in beige and crimson red. A co...

Antique Ferahan Sarouk Oriental rug, circa 1900, Room size An antique Ferahan Sarouk oriental rug, size 12'3" x 8'7", circa 1900. This lovely hand-knotted wool rug features a cent...

A beautiful original "Barrington Peach" botanical color chromo print (aka, Chromolithography), by artist: J L Macfarland del, circa 19th century, Europe. Item is original, not a repr...

A beautiful original Belgian exotic 'White Calville Apple' botanical color chromo print (aka, Chromolithography), by artist de G. Severeyns, circa 19th century, Belgium. Item is orig...

An antique Persian Heriz Karaja oriental rug, size 4'4 x 3'7, circa 1920. This handsome handwoven geometric rug features multiple medallions in the Classic red primary field. The cen...

Monotype by Harry Bertoia, initialed and numbered 1860 on rice paper set mounted in oiled walnut frame. From the Bertoia Family collection. A beautiful rendering of his sculptures id...

White Bunny Drawing by Oleg Cassini for Playboy October 1979, Signed. Illustration of a woman wearing a white body suit, choker, and hat. Signed by Oleg Cassini. Notice the body suit is in the shape of the head of a bunny with clever use of the 'whiskers'. Approximate Measurements: Length: 11" Width: 14" Property from the Collection of Steven Rosengard, Chicago, Illinois This original drawing was commissioned by Playboy and included in the October 1979 issue of Playboy Magazine (pages 225-227) in a feature that included works from designers such as Bill Blass, Oleg Cassini, Edith Head, Fernando Sanchez, and Monika Tilley, among others, who create their versions of the Playboy bunny costume. Candace Collins can be seen modeling some of the designs in the feature. Oleg Cassini is an icon of twentieth-century fashion. Though born to Russian aristocracy and raised in Italy, he built a fashion empire that was unmistakably American. Cassini is perhaps best known for the hundreds of designs he created for First Lady Jacqueline Kennedy (see images 4-8), but his achievements as a collector, connoisseur, and quintessential twentieth-century man go far beyond Camelot. In 1913, Oleg Cassini was born in Paris to the Russian diplomat Count Alexander Loiewski and Countess Marguerite Cassini, a Russian aristocrat of Italian ancestry who also had an interesting link to America. The daughter of Count Arthur Cassini, Russian Ambassador to the United States during the McKinley and Roosevelt administrations, Marguerite dazzled turn-of-the-century Washington as her father’s official hostess and left her mark on the capital city. Stationed in Denmark when the Russian Revolution toppled the czar, Ambassador Cassini and family were exiled to Switzerland before settling in Florence, Italy, where young Oleg was raised. A true Renaissance man, he spoke Russian, French, and Danish before adding Italian and English; he studied medieval and modern European military history and costume and learned to draw; he learned horseback riding, fencing, and the art of chivalry; and, most importantly, he came to understand the struggles of the Russian titled class and other European aristocrats in the wake of the Russian Revolution and World War I. Countess Cassini started a successful fashion business in Florence, and soon the talented young Oleg was sent to Paris to sketch the latest collections for recreation in Italy. In Rome in his early 20s, Cassini created fashions for high society women and designed for a few films, which planted the seed for his move to Hollywood. The drive to reinvent himself brought Cassini to America in the 1930s; in his autobiography he describes arriving nearly penniless in mid-Depression New York City where his title as an exiled Russian Count meant even less than in war-devastated Europe. Down and out, Cassini struggled for employment, having sketching skills but no knowledge of the wholesale trade required for survival in Manhattan’s Seventh Avenue fashion district. However, he excelled at making connections, and Cassini slowly entered New York society. He was soon joined by younger brother Igor (who had studied in America and travelled with the young Emilio Pucci) and his parents, the once-dazzling Countess and his father, the displaced diplomat still loyal to Russia. The family settled in Washington, D.C., and Igor worked his way up the Hearst newspaper chain to become the famous society columnist Cholly Knickerbocker. In New York, Oleg Cassini married the troubled socialite Merry Fahrney (who would go on to marry eight times), but the marriage ended in scandal for Oleg, and he decided to follow his original intention and head for Hollywood. Despite initial difficulties, Cassini gained access to Hollywood’s elite (partially through his skills on the tennis court), and was soon hired as a designer at Paramount Pictures alongside the redoubtable Edith Head. In her 1941 film debut I Wanted Wings, Veronica Lake wore a memorable Cassini design. That same year, Cassini met and married the newest young Hollywood star on the scene, the beautiful 20th Century Fox–talent Gene Tierney. With the outbreak of World War II, Cassini enlisted in the Coast Guard but was transferred to the U.S. Army Cavalry which allowed officers of foreign birth. He attended basic training at Fort Riley, Kansas, and the horsemanship he learned as a boy served him greatly. He attended Officer Candidate School and reached the rank of First Lieutenant (he also became an American citizen at this time, losing his title of Count). Cassini spent several years posted at Fort Riley, where Tierney joined him before he landed a convenient military post in Hollywood. As Tierney’s career thrived (she played the title role in Otto Preminger’s Laura in 1944), she was able to assert her influence over 20th Century Fox’s head Daryl Zanuck, who hired Cassini as designer for Tierney on her 1946 film The Razor’s Edge, which proved to be a brilliant showcase for his talents. The pair separated the same year and, again seeking reinvention, Cassini re-established himself in New York City as a fashion designer. By 1950, the Oleg Cassini label was born. Combining his knowledge of Old World and modern Europe, Hollywood, the tennis courts of Palm Beach and Newport, and of course, New York City, Oleg Cassini invented a new brand of fashion that was distinctly American and of its moment. For his first collection, Cassini took to the stage, narrating the looks and imbuing the scene with his personality, unusual in an industry where the designers typically remained backstage and the models were called by number over a PA. The first collection was a smash — the president of Lord & Taylor devoted all of their storefront windows to his designs — and by 1955 sales had reached $5,000,000. Oleg Cassini’s career had turned a very positive corner. Cassini spent the early 1950s traversing the country, personally selling his collections to department stores in the interior, something his predecessors had never done, and moving between the Hollywood and New York scenes. Cassini’s brother Igor coined the term “the Jet Set” for this generation that constantly flew from New York to Los Angeles (then a ten-hour flight), Las Vegas, Paris, Rome, and the Riviera. In 1954, Cassini set out to woo Grace Kelly and sent her roses every day. The two were briefly engaged before her marriage to Prince Rainier of Monaco. In December 1960, Cassini’s career-defining opportunity came when he was chosen by Jacqueline Kennedy to design her fashions for the White House. Cassini had long known Joe Kennedy and his war-hero son John, and had first met Jacqueline Bouvier before her marriage in the early 1950s. Invited by President-Elect Kennedy to meet Jacqueline at Georgetown Hospital (she had just given birth to son John Jr.) to present to her drawings of potential dresses and First Lady looks, Cassini worked furiously to prepare a new line for the First Lady. Mrs. Kennedy had always had her clothes made by the top French couturiers of the day, but for the White House she wanted an American designer. Cassini wrote in his autobiography that he told the First Lady: “‘You have an opportunity here,’ I said, ‘for an American Versailles.’ She understood completely what I was trying to communicate; she began to talk excitedly about the need to create an entirely new atmosphere at the White House. She wanted it to become the social and intellectual capital of the nation” (Oleg Cassini, In My Own Fashion, 1987, p. 327). Mrs. Kennedy loved Cassini’s design for a gown to wear to the Inaugural Gala (she had already ordered a dress from Bergdorf’s for the Inaugural Ball), and Cassini was selected as the First Lady’s designer and was soon dubbed the “Secretary of Style.” From 1960 to 1963, Oleg Cassini would design over 300 items for Mrs. Kennedy, creating the “Jackie Look” that contributed not only to a fashion revolution but also the dawn of a new age. Cassini wrote that “Jackie played a very active role in the selection of her clothes. She loved brilliant colors — pistachio, hot pink, yellow, and white among others. Her sense of style was very precise; she would make editorial comments on the sketches I sent her. She always knew exactly what she wanted; her taste was excellent” (Oleg Cassini, In My Own Fashion, 1987, p. 334). After the Camelot years, Cassini’s business flourished and grew into a major industry; his name appeared on everything from couture to tennis-, sport-, and swimwear, car interiors, housewares, and perfume. He collected beautiful and rare artwork, arms and armor, and antique furniture, and lived the lifestyle projected by his image. From this period onward, Cassini also came to live in important homes. Of his Gothic Gramercy Park townhouse on Manhattan’s 19th Street he would write imaginatively, “I walked into the foyer and immediately fell in love. It was a place unlike any other in New York, a sixteenth-century Dutch house transported brick by brick from Europe by the Wells Fargo family in the early twentieth century. There was a vaulted, twenty-foot ceiling in the living room, leaded windows, elegantly carved wood paneling...

Antique Persian Heriz Oriental rug, Room size An antique Persian Heriz oriental rug, size 12'1" x 10'6", circa 1900. This handsome hand-woven geo...

A pair of American metal wall sculptures circa 1970's. Sold individually. Measurements: Height: 62" Width: 20" Depth: 9".

Antique European Needlepoint Tapestry Panels with Courtiers Reveling, circa 1900 An interconnected set of three European Needlepoint Tapestry Panels, antique, circa 1900, size 4'5"H...

Antique Persian Heriz Karaja Oriental rug, size 4'4" x 3'6". An antique Persian Heriz Karaja oriental rug, size 4'4" x 3'6...

Colorful abstract lithograph with iconic geometric motif by Victor Vasarely, American, 1970s (Signed and numbered 137/250). Vasarely is widely considered to be the father of Op Art.

Fascinating early 20th century Turkish Melas carpet in bright yellow and bright red. The vertical design was cleverly woven making this a highly desirabl...

Large decorative wall "clock" plaque (sign). A 20th century reproduction clock sign. Outer edge and hands are metal on wood. Metal studs all around the face as well. Strictly a decor...

This pair of 18th-century English creamware wall pockets is hand-painted in the neoclassical style. Made at Leeds Pottery around 1790, they feature decorative designs in green, blue, and light brown. The molded decoration is raised and showcases a putti (a cherubic figure) holding a flaming brazier, symbolizing winter, with a quiver by his side. The corresponding wall pocket represents autumn, depicting a putti drinking from a jug, also with a quiver at his side. An identical pair can be found in the collection of The V&A Museum, with item numbers 414:1166-1885 and 414:1166/A-1885. Both pieces were acquired by The V&A Museum from Lady Charlotte...

Quatrefoil Stained Glass Window, 19th century, depicting Christ in blessing gesture, mounted between mat board. Image: 16" H x 16.5" W; mat: 20" H x 26.5" W. Provenance: From an Uppe...

Three vintage wooden ironing boards are linked together with beautiful old hinges to create a church-like triptych; then intricately collaged and painted in a phantasmagoria of patte...

A late 19th century Caucasian Kazak rug stitched onto a light blue Turkish Kilim.

Antique Ferahan Sarouk Oriental rug, circa 1910, Small size An antique Ferahan Sarouk oriental rug, size 4'7" x 3'3", circa 1910. This lovely hand-knotted wool rug features an int...

Stellar mid-19th-century Turkish Herekeh Rug. 2' x 4' The Middle East is historically known as a source of beautiful, elegant rugs, and Turkey is one of the most well-renowned sources of those rugs. Of particular interest are the Hereke rugs made in the small coastal town of Hereke, Turkey. Antique Hereke rugs...

Muted elegant vintage painting on what appears to be silk having a Napoleon outfitted in buttoned jacket and ballet slippers. The weathered gilt wood frame and textile with some impe...

Midcentury Abercrombie and Fitch decorative barometer. Chrome and glass decorative barometer in a very clean midcentury style. Dimensions: 6.25" ...

19th century Persian Tabriz Pictorial rug in predominant light blue. Light enough to use as a wall hanging as well Measures: 4'6" x 6'3".

Late 19th Century Turkish Sivas Prayer rug with classic Mihrab Prayer Niche motif. The finest of qualities, for the rug connoisseur. Warm Peach and gold are the dominant colors M...

Fine antique Persian Senneh rug mat Measure: 1'9'' x 2'6'' Antique Senneh rugs are one of the most distinctive of all Persian rugs, even thoug...

A circa 1960's Italian welded Brutalist style metal crowing rooster wall sculpture. Measurements: Height: 21" Width: 17" Dept: 7".

Antique Persian Heriz oriental rug, room size An antique Persian Heriz oriental rug, size 12'4" x 9'0", circa 1910. This handsome hand-woven geo...

Pair of depicting 'Homme and Femme de la Frise' or 'Frisian Man and Woman', people of the Frisian Islands off the coast of the Netherlands. The first showing the man in a wonderful n...

Framed Italian Majolica plaque, Castelli, circa 1750.

This hand-painted Prattware pottery plaque depicts a pair of lions resting side by side, modeled in bold relief with great vitality and charm. Made in England around 1800, the piece...

18th century Italian capriccio depicting ruins based on the Roman Temple of Vesta being visited by a group of Grand Tour travelers. With an arched bridge and another columned structu...

Antique Persian Meshed Oriental Rug, Room size An antique Persian Meshed oriental rug, size 12'8 x 10'2, circa 1920. This handsome hand-woven geometric rug features floral elements...

A Set of 3 large engraving by Giovanni Battista Piranesi depicting 2 neoclassical Pedestals and 1 Neoclassical urns from the copper plate catalogue of Giovanni Battista Piranesi (17...

Vintage Persian Kerman oriental carpet, size 12'0" H x 8'10" W, circa 1940. This vintage hand-knotted Persian rug features a stri...

Each charger depicting a not-unwilling maiden being carried off by centaurs. Signed in Greek and Cyrillic by artist G. Landgraf. As stated in the Royal ...

An George I English needlework picture depicting musicians, maidens, dogs and ducks in the grounds of an estate with detailed renderings of flora an...

Tone Halo I by Facture Resin, Aluminum, Wood L 72 × W 72 × H 2.25 in L182.88 × W182.88 × H 6.35cm A large circular wall object features a soothing hue transitioning between white...

A mid-20th century Souf carpet woven somewhere in Central Iran. 5' x 5'11'' Souf rugs are very rare technique found as they have a raised low and high ...

Brutalist style wall hanging by C. Jere for Artisan House. Torch cut and welded with a patinated brass and gold finish. Excellent original, unaltered condition. Signed "C. Jere" M...

American Art Moderne silver plate trophy with 2 handles on round bakelite base (20th Cent.)

Medusa Shield An original painting by Lynn Curlee The painting is acrylic on canvas stretched upon a circular frame. Painted in 1984. It depicts the severed head of the Gorgon Med...

A one of a kind small finely woven turkish rug. We can also see this piece be used as a wall covering. 4'3" x 5'10"

A lovely incomplete folio featuring 6 of 10 plates from Enrico Baj's mixed-media "Baz Chez Baj" printed edition on wove paper; each print from this limited edition has been signed "B...

Framed and PressedEarly 20th century "Herbier" Botanical Specimens 19" H x 13" W each.  Sold as set of 4. Herbier specimens were collected and pressed from plants found around the w...

A late 19th century Turkish patinated brass wall mounted decorative tray with arabesque motif decoration. Measurements: Diameter: 40.5"

"A vintage Persian Heriz oriental carpet, circa 1930, size 12'0 x 8'8. This handsome hand-woven geometric rug features a rarely found ivory primary field with a stylized repeating br...

An antique Persian Hamadan camel hair oriental rug, circa 1910, size 5'2 x 3'9. This delightful small carpet features a central cartouche with a gul medallion, embedded within a fiel...

Vintage Scandinavian Verner Panton “mira Spectrum” Textile, Country of Origin: Scandinavia, Circa date: Mid-20th Century. Size: 7 ft 9 in x 7 ft 9 in (2.36 m x 2....

Antique Persian Kerman oriental carpet, size 4'0" H x 4'0" W, circa 1920. This antique hand-knotted Persian rug features a striking ivory central field, covered with floral elemen...

Tone halo V by Facture Resin, Aluminum, Wood L 48 × W 48 × H 1.5 in L121.92 × W121.92 × H 3.81cm A large circular wall object features a soothing hue transitioning from a brownish ...

English Victorian Country style (19/20th Century) oak framed embroidery of English setter dog.