Tri-State Area - Paintings

Contemporary French extra extra large abstract painting. White acrylic strokes applied to natural colored paper. Shadow framed in natural wood. Signed on the back by Alexander Clanys.

French Louis XVI (18th Cent) oil painting portrait of a lady in a blue dress with lace trim & flowers in her hair holding a book seated next to a large urn in a stripped carved frame...

Vintage (20th Century) Chinese pen and ink family ancestor portrait capturing nine honorees seated in front of scrolls bearing text framed by curta...

Copy of Orientalist painting of a harem girl lounging on a sofa with pet monkeys.

The three kings miniature painting. Antique Louis XV period painting of the three wise men who paid homage to the King. The three kings on card paper i...

French Art Deco mixed-media painting on panel by Vanvinckenray (School: Beaux-Arts of Brussels). Provenance: Daughter of the artist.

Oil on panel depicting a man in a horse-drawn carriage by acclaimed outsider artist, Bruno Del Favero (b. Italy 1910, d. USA 1995), circa 1970. Fine example showcasing Del Favero's ...

A beautiful example of English family portraits The family of baron Tollemache have owned Helmington hall in Ipswich, England for hundreds of years and served as knights and squir...

Copy of a classical portrait of the Grand Duchess of Russia, Elena Pavlovna, in her Ermine cape with the steppes in background

Copy of a portrait of a Dutch nobleman in ruffled collar

Copy of a portrait painting of a young woman in a white dress and flowers in a classical landscape

Copy of a Spanish Cubist still life painting titled "Nature Morte, 1913" showing an abstracted view of a cello, vase and architectural details Conditio...

Copy of an impressionist landscape painting showing a large red barn in field

A framed Indian ceremonial Hindu deity from the mid 20th century, hand-painted on canvas. Created in India during the midcentury period, this scene, hand-p...

Copy of a dog portrait titled "The Proud Victor" showing a Terrier standing over a vanguished rodent

Great whimsical mid century painting of a clown. Period attire with big expression. Signed Perl '62

A beautiful pair of late 19th-early 20th century kitten paintings. By F. Krantz (German). Oil on canvas, with curious kittens. One painting with four kittens and a mouse trap...

Vibrant Still Life Painting VIGNETTE signed Harpel(?) for Harris Strong. Sure to brighten any space. Great subject matter with visual appeal and focal point. Framed in a minimalist w...

"Harbour View, Marseille". Oil on board painting of the port of Marseille with sloops passing the Cathedral “Nouvelle Major” in an associated lemon gold M...

Hand-picked by buyers at Ann-Morris Inc.

French Louis XVI style (20th Cent) gilt framed oil painting of 18th Century man with 2 ladies in interior (signed).  

Copy of a portrait painting of a gentleman with a gold hoop earring and wearing a medal

Emanuel Oberhauser (Austrian, 1854-1919) an exceptional quality full length oil on canvas painting of a Young Orientalist Queen or Odalisque, 19th c...

Hand-picked by buyers at Ann-Morris Inc.

English Victorian gold framed oil painting portrait of lady with red flower in hair (as is)

Copy of Modern Abstract Expressionist painting showing black image on off white ground (Similar piece: NWL2663)

A beautiful southwestern pastel on paper painting. In very good condition with brown wood frameand white matte. 37" x 29" x 1"

Monica Perez "Let Them Go #3" Original Acrylic Painting on Canvas 2021. W 40" x 60" Monica Perez’s works are expressions of emotion—impulsive, spontane...

Brilliant colors in this Batik painting by NJ Artist Marion Knudsen. Titled Ladies In Hades. Artist signed and framed in a brushed metal frame. This is one of 27 in a collection I wi...

French Victorian gilt framed pink matted colored lithographs of French landmarks (Chateau Fontainebleau, Park de St. Cloud, Bois de Boulogne) (3-PRICED EACH)

Set of two 1960s oil paintings by Luzon (San Francisco, CA, USA), showcasing the impasto technique with which he is commonly associated. Features a Trojan warrior and horse, both rec...

Copy of a painting titled "Portrait with Hat" Showing a man in a cape with feathered plume in his hat

Still life painting (Violin, Flowers), Oil on canvas, by Agnes Weinrich, Signed and dated "22", Unframed: 20" x 16", Framed 27.5 x 23". Agnes Weinrich (1873-1946) was an early female, American modernist artist at a time when there was little interest in Modern Art in the USA and when few women were artists. She was a ground breaker in modern art. She was one of the first American artists to make works of art that were modernist, abstract, and influenced by the Cubist style. She was also an energetic and effective proponent of modernist art in America, joining with like-minded others to promote experimentation as an alternative to the generally conservative art of their time. Despite the quality of her work and despite the energy and skill with which she worked both to develop her own talent and to further the progressive movement in American art, Weinrich received little recognition during her lifetime and is only recently being recognized for her leadership as an important female artist bringing the modern movement to the USA. The painting shown is an important example of her mature phase of her work. Exhibitions This is a selective list of exhibitions in which she participated during her life. Its main source is Louise Noun's article on Weinrich in Woman's Art Journal, supplemented by contemporary news accounts in The New York Times, the Brooklyn Daily Eagle, the New York Evening Post, The Philadelphia Inquirer, and The Christian Science Monitor. 1915 onward: Provincetown Art Association 1917: Pennsylvania Academy of Fine Arts 1917: Pennsylvania Academy of Fine Arts, Philadelphia 1917-23: Society of Independent Artists, New York 1919: Art Institute of Chicago 1920: Boston Arts Club 1926 onward: New York Society of Women Artists 1928: Grace Horn Gallery, Boston 1929: Pennsylvania Academy of Fine Arts, Philadelphia 1932: Boston Public Library 1936: Harley Perkins Gallery, Boston (solo) 1938: Boston Society of Independent Artists 1938: Washington Public Library, Washington, D.C. 1939: Corcoran Gallery Biennial, Washington, D.C. 1939: Fogg Art Museum Twentieth Century Club, Boston 1939: Witherstine Gallery, Boston 1939: Institute of Modern Art, Boston 1945: Woljeska Gallery, Brooklyn, New York    Detailed Biography: Agnes Weinrich was born in 1873 on a prosperous farm in south east Iowa. Both her father and mother were German immigrants and German was the language spoken at home. Following her mother's death in 1879 she was raised by her father, Christian Weinrich. In 1894, at the age of 59, he retired from farming and moved his household, including his three youngest children—Christian Jr. (24), Agnes (21), and Lena (17), to nearby Burlington, Iowa, where Agnes attended the Burlington Collegiate Institute from which she graduated in 1897.[1][2][3] Christian took Agnes and Lena with him on a trip to Germany in 1899 to reestablish links with their German relatives. When he returned home later that year, he left the two women in Berlin with some of these relatives, and when, soon after his return, he died, they inherited sufficient wealth to live independently for the rest of their lives. Either before or during their trip to Germany Lena had decided to become a musician and while in Berlin studied piano at the Stern Conservatory. On her part, Agnes had determined to be an artist and began studies toward that end at the same time.[1][4] In 1904 the two returned from Berlin and settled for two years in Springfield, Illinois, where Lena taught piano in public schools and Agnes painted in a rented studio. At this time Lena changed her name to Helen. In 1905 they moved to Chicago where Agnes studied at the School of the Art Institute of Chicago under John Vanderpoel, Nellie Walker, and others. In 1909 Agnes and Helen returned to Berlin and traveled from there to Munich, where Agnes studied briefly under Julius Exter, and on to Rome, Florence, and Venice before returning to Chicago.[5] They traveled to Europe for the third, and last, time in 1913, spending a year in Paris. There, they made friends with American artists and musicians who had gathered there around the local art scene. Throughout this period, the work Agnes produced was skillful but unoriginal—drawings, etching, and paintings in the dominant academic and impressionist styles. On her return from Europe in 1914, she continued to study art, during the warm months of the year in Provincetown, Massachusetts,[1] where she was a member of the Provincetown Printers art colony in Massachusetts,[6] and during the colder ones in New York City. In Provincetown she attended classes at Charles Hawthorne's Cape Cod School of Art and in New York, the Art Students League.[ In 1930 Weinrich put together a group show for modernists at the GRD Gallery in New York. The occasion was the first time a group of Provincetown artists exhibited together in New York. For it she selected works by Knaths, Charles Demuth, Oliver Chaffee, Margarite and William Zorach, Jack Tworkov, Janice Biala, Niles Spencer, E. Ambrose Webster, and others. Although she had led a full and productive life devoted to development of her own art and to the advancement of modernism in art, she did not cease to work toward both objectives. She continued to work in oil on canvas and board, pastel and crayon on paper, and woodblock printing. Her output continued to vary in subject matter and treatment. For example, Still Life with Leaves, circa 1930 (oil on canvas, 18 x 24 inches) contains panels of contrasting colors with outlining similar to Knaths's style. Movement in C Minor, circa 1932 (oil on board, 9 x 12 inches) is entirely abstract. It too relates to Knaths's work, both in treatment (again, outlined panels of contrasting colors) and in its apparent relationship to music, something in which Knaths was also interested. Fish Shacks...

Copy of interior scene painting titled "Women at Cafe"

George Washington Nicholson 1832-1912 Original Oil on board Striking sunset over the water with two sailboats. Signed lower left Image size: 14”x 10.5” With frame: 18”X 14” Bo...

Beautiful mid century painting of river running through the mountains. Fabulous colors capturing natures beauty in a period composition. Nicely framed in contrasting black and gold. ...

Italian Neo-classic oil on canvas of a dark landscape with horses and figures in the foreground with a gilt frame. Chips on frame

Brilliant colors in this Batik painting by NJ Artist Marion Knudsen. Titled Red Bow. Artist signed and framed in a brushed metal frame. This is one of 27 in a collection I will be li...

Copy of a portrait in a classical manner of the Rospigliosi boy scion dressed as cupid; Four of four in a series

Copy of landscape titled "Edge of the Nile" showing group of men and camel by waters edge under palm tree, sailboat in background

Copy of classical painting showing interior of Paris Opera House boxes full of Royals in formal dress.

Unframed Collection painted scientific illustrations of various insects from the early 20th century: Each measures approximately: 8" x 6" ...

Oil on panel by acclaimed outsider artist, Bruno Del Favero (b. Italy 1910, d. USA 1995), circa 1970. Fine example showcasing Del Favero's aptitude for creating fantastical landscapes. Contrasting oxen / bulls and flamingos with a castle backdrop creates an imaginary context removed from reality. Del Favero's marriage of fantasy and whimsy beautifully suits his Naïve painting style. Singed on verso. Bio from the Philadelphia Museum of Art: Born Princeton, Michigan, 1910; died Greenwich, Connecticut, 1995 Bruno Del Favero moved from Michigan to northern Italy with his parents at age five, returning in 1928 and settling in Greenwich, Connecticut, where he married and remained for the rest of his days. He made his living as a mason, chauffeur, and landscape gardener. It is not known exactly when or why he began to paint his delicate and mysterious landscapes, but he was exhibiting in local art shows by the early 1970s and took himself seriously enough as an artist to join the Greenwich Art Society. He maintained a studio in the basement of his home, but never shared his art with his wife and five children. After the artist's death his family introduced his work to New York dealers Shari Cavin...

A finely rendered opaque watercolor on wasli depicting a seated scholar reading beneath a floral border, in subdued tones with touches of gold. Mughal. Framed under glass. OS: 20 ...

"Follow The Leader," a large framed blue oil and acrylic painting by Renée Rey, shows that the connection between nature, technology and people are paramount...

Romantic large moody oil on canvas still life of fruit and flowers with particularly tantalizing green grapes. Handsomely framed in mahogany molding with gold filet. Not signed.

Copy of a portrait in a classical style of the young Rospigliosi boy scion dressed as a member of the Swiss Guard; Two of four in a series

Sst of 20 Renaissance (17th century) engraved, hand-colored etchings for Johann Bayer's book 'Uranometria', a star atlas, in wooden frames with white mat....

PAIR of English Renaissance style tapestry portraits of a nobleman and lady both wearing large white lace collars in gilt frames (19th Cent)

Copy of a hunt scene painting showing Arabs on horse flying their falcons for sport at water's edge

Contemporary French artist Perrine Blaise paints on thin slices of wood. Weathered effect in shades of blue with sage green, white and tan slices. Abstract shapes. Newly framed in wh...

English Renaissance style (19th cent) ebonized framed oil painting portrait of 17th century lady in brown dress with scroll design.

Copy of an 18th Century portrait of Russian royal Pavel Pavlovic in a brown suit showing him in seated at desk in front of statue of a lady with a simple dark gold frame Condition: ...

Copy of a painting showing a herd of sheep at feeding time

A large antique Japanese hand-painted village landscape scene set in custom frame under glass. This large antique Japanese village landscape painting captures the tranquil beauty of ...

The Honorable John Maler Collier (British, 1850-1934) was an important artist who painted portraits, dramatic themes, and landscapes. Maler painted in the Pre-Raphaelite style, and was one of the most prominent portrait painters of his generation. He was educated at the Eton School and studied art in Munich and Heidelberg, as well as at the Slade School under Poynter and in Paris under Laurens. He also was encouraged by Millais and Alma-Tadema. Presented is a large hillside and river landscape signed oil painting by Collier. Framed it measures 48" wide, 30.5" high and 3" deep. Canvas is 42" wide and 24" high. Frame has very light wear. Painting is in very fine condition. Collier was one of the 24 founding members of the Royal Society of Portrait Painters, of which he became Vice President and was also a member of the Royal Institute of Oil Painters. He exhibited no fewer than one hundred and thirty paintings at the Royal Academy and one hundred and sixty five at the Royal Society of Portrait Painters, as well as many others in galleries throughout the country and abroad. He was the author of The Primer of Art (1882), A Manual of Oil Painting (1886) and The Art of Portrait Painting (1905). He was awarded the O.B.E. in 1920 and he was the subject of The Art of the Honourable John Collier...

"You So Sweet" (2023) by Lowell Boyers is a luminous, high-energy composition-an explosion of color that feels both intimate and cosmic. Against an inky black ground, bursts of hot ...

Copy of a painting titled "The Furlet" (1638) a portrait of the artist's second wife semi nude with a fur cloak

Italian Neo-classic engravings of architecture in a gold frame (18th/19th Cent)

La Roche Laffitte hand-painted fish on silk mounted on handmade pith paper.