United Kingdom - Sculptures

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KAWS, Clean Slate (Bronze) (Artist's Proof), 2022 Bronze Sculpture 14.5 x 7.1 x 7.4 cm (5.7 x 2.8 x 2.9 in) AP number 30/50 - aside from a main edition of 250 Signature and Date...

Bob is an elegant figurative bronze sculpture by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised Egyptian-infl...

Jessy is an elegant figurative bronze sculpture by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised Egyptian-in...

Scarlett is an elegant figurative bronze sculpture by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised Egyptian...

HUGO G. URRUTIA B. 1974, Mexico Hugo G. Urrutia is a multidisciplinary artist-designer, interested in the cross-pollination between art and architecture. His artwork challenges the...

Fabio is an elegant figurative bronze sculpture by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised Egyptian-in...

Cody is an elegant figurative bronze sculpture by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised Egyptian-inf...

John is an elegant figurative bronze sculpture by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised Egyptian-inf...

John is an elegant figurative bronze sculpture by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised Egyptian-inf...

Carl is an elegant figurative bronze sculpture by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised Egyptian-inf...

Key is a fired clay constructed, painted and mounted on MDF sculpture by Patricia Volk, dimensions are 55 × 31 × 31 cm (21.7 × 12.2 × 12.2 in). It is a unique signed piece and comes...

Hold is a unique fired clay constructed and painted sculpture by contemporary artist Patricia Volk, dimensions are 42 × 70 × 30 cm (16.5 × 27.6 × 11.8 in). The sculpture is signed an...

Hanging Free is a unique Turkish lilac marble and rope sculpture by contemporary artist Peter Brooke-Ball, dimensions are 48 × 27 × 25 cm (18.9 × 10.6 × 9.8 in). The sculpture come...

Semi Truck T10 by David E. Peterson features sculpture as abstract painting. This 3-dimensional wall sculpture looks bright, contemporary and amazing. Davi...

Variation on a Theme II: Avoidance is a unique bronze, steel and oak wood sculpture by contemporary artist Peter Brooke-Ball, dimensions are 23 cm × 24 cm × 24 cm (9.1 × 9.4 × 9.4 in...

Hold (2) is a unique fired clay constructed and painted sculpture by contemporary artist Patricia Volk, dimensions are 33 × 55 × 30 cm (13 × 21.7 × 11.8 in). The sculpture is signed...

Family I is an elegant figurative bronze sculpture portraying parents and a babe in arms by Nando Kallweit. There is an intimacy to the piece that celebrates the shared joy and prot...

Colourfield by EDMUND DE WAAL (b. 1964) Ten glazed porcelain vessels Largest 9.2 high x 19.9 cm in diameter (3 ⁵/₈ x 7 ⁷/₈ inches) Impressed with the ar...

This stunning sculpture of a torso has been created from ball bearings, with a beautiful pearlized finish that change colour in the light, making this piece beautifully unique. Meti...

Damien Hirst (b.1965) Abacus - The Dream is Dead 2007 silver 14.5 x 14 x 21 cm incised, titled and numbered ‘Abacus Damien Hirst The Dream is dead 2/12’ (on the verso) edition 2/12 Price: $85,000 USD Provenance: White Cube, London Private collection, New York Sale: Christie’s London, 29 June 2011, lot 114 Private collection, London (acquired at the above sale) Notes: ‘I remember I was thinking that there were four important things in life: religion, love, art and science. At their best, they’re all just tools to help you find a path through the darkness. None of them really work that well, but they help. Of them all, science seems to be the one right now. Like religion, it provides the glimmer of hope that maybe it will be all right in the end.’ (D. Hirst, quoted in conversation with S. O’Hagan in New Religion Damien Hirst, exh. cat., British Council, London, 2006, p. 5) Born in 1965 in Bristol, Hirst grew up in Leeds and subsequently went to Goldsmith's College in London. Between 1988 and 1990 he curated a series of exhibitions of work by his contemporaries including the highly acclaimed group shows Freeze, Modern Medicine and Gambler. In his own work Hirst has continually challenged the boundaries between art, science, the media and popular culture. A 12-foot tiger shark, a cow and her calf sawn in two, pharmaceutical bottles...

Influenced by the Pop Art movement, Erik Salin's figurative artistic approach diverts objects from their context creating wonderful eye catching art and scu...

Goblets is a unique wall sculpture by Joanne Tinker, depicting goblets made of recycled foil wrappers. This work is a one-off but commissions are welcome. Joanne’s work is heavily in...

Roman marble altar fragment with cupid Provenance: Nicolas Koutoulakis (1910-1996), Paris and Geneva

This Incredible bright red pop art sculpture. Perfect for adding a splash of colour to any space. Influenced by the Pop Art movement, Erik Salin's figurat...

"Stitched Up" by Katharine Morling – Porcelain Sculpture Installation of Sewing Machine - This piece is offered as a commission. Please allow about 8-10 weeks. Delicate yet bold, Th...

Little Halley 8 is a bronze sculpture by contemporary artist Richard Perry, dimensions are 17.5 × 18 × 15.5 cm (6.9 × 7.1 × 6.1 in). The sculpture is signed and comes with a certifi...

Original Sculpture. Fantastic sculpture made entirely from nails with a beautiful pearlized finish that changes colour in different light This sculpture sits on a steel base. Incr...

ANNE-VALÉRIE DUPOND (b. 1976, France) Anne-Valérie Dupond, born in 1976, studied at Marc Bloch University in Strasbourg, and obtained her Master’s degree in Fine Arts in 2000. Since...

Fawn Hawthorn Laser Cut Paper Hawthorn Tree Attached with Pins Fawn Hawthorne is an original paper cut artwork by Emma Levine. The neutral tones give this piece a calming effect. Em...

Assemblage is a Fired clay constructed and painted sculpture by Patricia Volk, dimensions are 35 × 90 × 40 cm (13.7 × 35.4 × 15.7 in). It is a unique signed piece and comes with a c...

Silvered bronze with marble base

Original Sculpture, Artist Proof, edition of 9 Fantastic sculpture made entirely from nails, this unique sculpture has been Chromed to create a beautiful shine. Each nail has been ...

Original work by Emma Levine, ‘Hot Oak.’ A bright, colourful hot pink silk background with a laser cut paper oak tree attached with pins. 53cm x 53cm – Framed Silk, paper, entomology...

This remarkably fluid terracotta bozetto was made in preparation for Pietro Pacilli’s most important public commission, a large-scale marble statue of San Camillo de Lellis for the nave of St Peter’s Basilica in Rome. Expressively modelled, this terracotta sculpture is a rare and significant work made by a major Roman sculptor at a transformative moment of European sculpture. Pacilli began his working life on the great Baroque decorative projects initiated in the seventeenth century, but he found success as a restorer of ancient sculpture working to finish antiquities for a tourist market, becoming an important figure in the emergence of an archaeologically minded Neoclassicism. Pacilli trained Vincenzo Pacetti and provided important decorative work for the Museo Pio-Clementino, at the same time he is recorded restoring some of the most celebrated antiquities excavated and exported during the period. Pacilli was born into a family of Roman craftsmen, his father Carlo was a wood carver, and Pacilli is recorded working with him on the Corsini Chapel in San Giovanni Laternao as early as 1735. In 1738 his terracotta model of Joseph and Potiphar’s Wife won the first prize in the second class of the sculpture concorso at the Accademia di San Luca, this is particularly notable as Bartolomeo Cavaceppi came third. He worked as a carver and stuccoist completing works for the churches of San Marco and SS. Trinita dei Domeniciani Spagnoli. Pacilli operated as a sculptor and restorer of antiquities from his studio at the top of the Spanish Steps, close to Santa Trinita dei Monti, where he is listed as a potential vendor to the Museo Pio-Clementino in 1770. In 1763 Pacilli completed a silver figure of San Venanzio for the treasury of San Venanzio. He is recorded as Pacetti’s first master and it was evidently through Pacilli that he began to acquire his facility as a restorer of ancient sculpture. Pacilli, at his studio ‘poco prima dell’Arco della Regina alla Trinita dei Monti,’ exercised, what the nineteenth-century scholar, Adolf Michaelis called ‘rejuvenating arts’ on several important pieces of classical sculpture, including in 1760 the group of a Satyr with a Flute for the natural brother of George III, General Wallmoden, Hanovarian minister at Vienna. In 1765, Dallaway and Michaelis record that Pacilli was responsible for the restorations, including the addition of a new head, to the Barberini Venus which he had acquired from Gavin Hamilton. The Venus was then sold to Thomas Jenkins, who in turn passed it on to William Weddell at Newby Hall. In 1767 Pacilli exported a series of ancient busts ‘al naturale’ including portraits of Antinous, Julius Ceaser and Marus Aurelius, also a statue of a Muse and a Venus. As early as 1756 Pacilli seems to have been operating as an antiquarian, helping to disperse the collection of the Villa Borrioni. Pacilli supplied sculpture to notable British collectors, including Charles Townley, who on his first trip to Italy purchased the Palazzo Giustiniani statue of Hecate from Pacilli. Pacilli was involved with the Museo Pio Clementino from its conception, supplying busts of Julius Ceaser and a Roman Woman as well as completing stucco putti surmounting the arms of Pope Bendedict XIV to signal the entrance to the new Museo Critiano. In 1750 Il Diario Ordinario del Chracas announced that Pacilli had begun work on a sculpture of San Camillo de Lellis for St Peter’s. Camillo de Lellis founded his congregation, the Camillians, with their distinctive red felt crosses stitched on black habits in 1591. Having served as a soldier in the Venetian army, Camillo de Lellis became a novitiate of the Capuchin friars, he moved to Rome and established a religious community for the purpose of caring for the sick. In 1586 Pope Sixtus V formerly recognised the Camillians and assigned them to the Church of Santa Maria Maddalena in Rome. Camillo de Lellis died in 1614 and was entombed at Santa Maria Maddalena, he was canonised by Benedict XIV on June 26, 1746. It was an occasion that prompted the Camillians to make a number of significant artistic commissions, including two canvases by Pierre Subleyras showing episodes from San Camillo’s life which they presented to Benedict XIV. In 1750 Pacilli was commissioned to fill one of the large niches on the north wall of the nave with a sculpture of San Camillo. The present terracotta bozetto presumably had two important functions, to enable Pacilli to work out his ideas for the finished sculpture and at the same time to show his design to the various commissioning bodies. In this case it would have been Cardinal Alessandro Albani and Monsignor Giovan Francesco Olivieri, the ‘economo’ or treasurer of the fabric of St Peter’s. Previously unrecorded, this terracotta relates to a smaller, less finished model which has recently been identified as being Pacilli’s first idea for his statue of San Camillo. Preserved in Palazzo Venezia, in Rome, the terracotta shows San Camillo with his left hand clutching his vestments to his breast; the pose and action more deliberate and contained than the finished sculpture. In producing the present terracotta Pacilli has expanded and energised the figure. San Camillo is shown with his left hand extended, his head turned to the right, apparently in an attempt to look east down the nave of St Peter’s. The model shows Pacilli experimenting with San Camillo’s costume; prominently on his breast is the red cross of his order, whilst a sense of animation is injected into the figure through the billowing cloak which is pulled across the saint’s projecting right leg. The power of the restrained, axial contrapposto of bent right leg and outstretched left arm, is diminished in the final sculpture where a baroque fussiness is introduced to the drapery. What Pacilli’s terracotta demonstrates, is that he conceived the figure of San Camillo very much in line with the immediate tradition of depicting single figures in St Peter’s; the rhetorical gesture of dynamic saint, arm outstretched, book in hand, head pointed upwards was perhaps borrowed from Camillo Rusconi’s 1733 sculpture of St. Ignatius...

Sandra Shashou Tower - Balance 5, 2024 Herend, Royal Stuart Harlequin, Wedgwood , Royal Albert and Winton Porcelain Roses, Jesmonite, White Base, Resin, 135 x 37 cm 53 1/8 x 14 5/8 in

Limited edition sculpture, Artist proof, edition of 9 Fascinating Sculpture. Each Key is intricately welded together to form this perfect form, this special edition has been chromed...

Joe is an elegant figurative bronze sculpture by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised Egyptian-infl...

You scream Sculpture by Zoe Moss Plaster Resin Limited Edition out of 25 Comes with a Certificate of Authenticity by the artist

Mathurin Moreau 1822-1912, was a French sculptor in the classic academic style. His father was also a sculptor and his siblings. Mathurin first received a medal at the Salon in 1848,...

Cog (Naples) is a fired clay constructed and painted sculpture by Patricia Volk, dimensions are 34 × 50 × 50 cm (13.4 × 19.7 × 19.7 in). It is a unique signed piece and comes with a...

Theia is a unique ink, paint and wax on Carrara marble sculpture by contemporary artist Richard Perry, dimensions are 20.5 × 23 × 19 cm (8.1 × 9.1 × 7.5 in). The sculpture is signed...

Random is a unique fired clay constructed, painted and mounted on MDF sculpture by contemporary artist Patricia Volk, dimensions are 98 × 21 × 21 cm (38.6 × 8.3 × 8.3 in). The sculp...

18th Century European School St George Slaying the Dragon Wood, gilded 8 inches in height, 6 3/4 x 4 inches base This 18th century carved and gilt wood statuette depicts the moment ...

Mixed Media Pop Art Sculpture. Bright red and white sculpture of a love stamp This colourful and exquisitely finished sculpture is perfect for adding that wow factor to any space.

Helena by Nando Kallweit Bronze sculpture, edition of 7 Dimensions: 150cm tall with Oak plinth 33cm tall Combined height 183cm

Fantastic sculpture made entirely from nails. Presented on a solid slate base

Original Aircraft Sculpture - Created in Bronze 2nd in the series of the Herringkel in the Aerogenic series of sculptures, This piece is a mela...

En Amore II is a bronze figurative sculpture about love and companionship by Nando Kallweit. The sculpture is of two elongated, abstract figures in close communion. The minimalist...

Care is a fired clay constructed, painted and mounted on MDF sculpture by Patricia Volk, dimensions are 63 × 43 × 36 cm (24.8 × 16.9 × 14.2 in). It is a unique signed piece and come...

ALFRED DRURY, RA (1856-1944) The Age of Innocence Signed: A DRURY Bronze on green marble base Height including base 45.5 cm., 18 in. Born in Islington...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Loneliness Vaccine Sculpture by Zoe Moss Plaster Resin Limited Edition out of 25 Comes with a Certificate of Authenticity by the artist

"Girl in the Clouds”, by ceramic dynamo Katharine Morling is a porcelain free standing sculpture, depicting an woman riding a horse. She wears a crown made of textile as they maneuve...

This bronze sculpture is an exquisitely detailed representation of the god Dionysos, whose cult was one of the most popular in ancient times. Here, the god is nude, with a mantle that gently lies on his right leg. He is holding a bunch of grapes with his left hand, and a rhyton (drinking horn) with the right. The god is youthful and joyfully gazes forwards, with a crown of ivy leaves set upon his long flowing hair. These features clearly resemble those of the life-size Roman marble sculpture of Dionysos exhibited at the British Museum, acc. no. 1861,0725.2 . This statuette was probably part of a larger composition and used as a decorative element applied to a piece of furniture. Its finely wrought details, as well as the attractive olive-green patina led to its inclusion in the collection of the Fitchburg Art Museum for thirty years. PROVENANCE English Private Collection (Sotheby’s, London 17-18 July 1985, Lot 204) Royal Athena...

Bronze Cog is a bronze sculpture by Patricia Volk, dimensions are 46 × 46 × 46 cm (18.1 × 18.1 × 18.1 in). The signed piece, it is part of a limited edition of 9 editions and comes ...

Stunning original mirror made by the artist, with 144 uniquely handmade terracotta tiles. Signed by the artist in one of the tiles. This large, striking mirror has a great Brutalist and Modernist feel. Another slightly smaller mirror of the same style is available on our page. Year: unknown (Ron was active from the mid 1960s to the early 2000s) Colour: Tuscan red...

Melody II is a figurative bronze sculpture in a relaxed pose by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylise...

Plaster, raised pins and later coloured to simulate terracotta Height: 32 3⁄4 inches (83.5 cm). Full of elegance and liveliness, it conveys the consummate ability of the artist. Be...

Ceramic Edition 129 of 130 9.5 x 9.5 x 7.5 cm (3.7 x 3.7 x 3 in) Artist's stamped signature, the Limoges France stamp, dated and numbered on the underside New, as issued. Minor imper...