United Kingdom - Paintings

England, circa 1950 A fine gouache of a large amaryllis, with two resplendent flowers and a blue butterfly perching on a leaf at the stem, framed in a double cracquelle bordered ivo...

MID-CENTURY OIL ON BOARD PAINTING DEPICTING A COUNTRYSIDE SCENE A loose and sketchy depiction of a mountainous landscape with purple hills in the background behind a lush green-yell...

KPM style porcelain plaque of Orientalist Bazaar scene German, 20th century Measures: Frame: Height 78cm, width 53cm, depth 5cm Plaque: Height 60cm, width 35cm, depth 0.5cm This fin...

A striking, energetic piece of original abstract artwork dating from the 1960s/70s. Acrylic and oil have been used to create bold lines and brushwork on the canvas giving the piece a...

18th Century Oil on Canvas Heraldic Funerary Hatchment Painting, Memento Mori Painting, Vanitas Skull Painting, Vanitas Painting. A large high quality 1...

1979 Edition 96/100 Soft-ground etching from one copper plate printed in black. On buff BFK Rives mould-made paper. Signed and dated in red, lower centre From the series ‘In the Muse...

A Large oil on canvas painting of a ship in heavy seas. With a god frame and thick applied paint with some flaking and losses. Scribed on the rear of the painting has 'Alex Cromarty...

A stunning set of four Japanese silk mounted vertical hanging scrolls. Dating from C.1920 Taisho Period. The watercolour and ink on silk depicts a larg...

Alfred Duke, Oil On Canvas, Hounds Jumping Over A Hedge. A very atmospheric oil on canvas of a group of foxhounds following the scent. The pack of fox hounds are jumping over a hedge...

A Rare four-fold screen The panels by Maud Earl The screen of rounded rectilinear form and constructed from mahogany, with two pierced broken swan-neck pedi...

Oil on Canvas, 1961 by Simone Andeani 'Pont Notre Dame' This painting won the Silver medal at the Paris Salon in 1961 and depicts a sand barge under the Notre Dame bridge with the C...

We are proud to offer an exquisite early 20th century French hand lettering trade sign. This is truly a unique piece of trade sign retail art in our opi...

VINTAGE ORIGINAL OIL ON CANVAS PAINTING A stylish scene, a simple white porcelain coffee cup, saucer and a glass goblet of water sit on a hexagonal ebonised tray. A large spray of ...

An Elegant Lady Admiring her Present By Auguste Toulmouche (1829-1890) An Oil on Canvas work depicting a well-heeled young lady, seated in her pink gown, admiring her new bracelet a...

An early 17th century painting in oil on canvas from the Spanish School depicting the Lamentation of Christ. In this moving depiction of the Lamentation Christ...

A late XVII Century Italian School head of a young man (Circle of Guido Reni). A sensitively rendered portrait figure in profile, echoing soft modelling and restrained elegance chara...

A almost life size depiction of a human skeleton holding a length of chain, with a banner at the base. We believe the piece to be Italian from the language used within the banner, ...

Patrick Nasmyth (Scottish, 1787- 1831) Figures in a Landscape Signed and dated, 'P. Nasmyth / 1810, lower right corner oil on canvas Held in a giltwood frame. Provenance The Co...

Watercolour on paper of a Seagull Signed Paul-Louis Barruel encased in ebonies frame. Dimensions Height 27 Inches Width 22 Inches Depth 1.5 Inches.

Stunning period Cubist oil painting on canvas with strong Futurist undertones, carries Cyrillic script as part of the composition. Visceral quality to the brushwork and application o...

Rowland Fade, 1939-2017 is best known for his abstract forms and innovative approach to art. This painting was created around 1969, is a mixed media piece...

Set of 3 Framed 19th Century Watercolours - Pastoral Landscape Scenes, each mounted on card and glazed and framed. All the paintings are in the style of William Hull...

A pair of domestic conversation pieces, one showing a girl teasing kitten with her mother's skein of silk, the other a mother dressing daughter for fancy dress party. Both oils on c...

A Pair of "Pompeian" Interior Scenes By Egisto Sarri of Florence Executed in oil on canvas, and housed in matching hand-carved giltwood frames, depicting intimate domestic life of t...

Oil on canvas portrait painting of a lady in wearing a red necklace in the original gilt frame American 1879

VINTAGE ORIGINAL OIL ON CANVAS PAINTING Depicting a central vase bursting with hydrangeas on a kitchen table surrounded by a wealth of different fruits including grapes, plums, app...

About the Artist: Guillaume Dulac (1883-1929) is a French artist born in the 19th century. He was a close associate of other well known artists such as Charles Camoin and Albert Marq...

Oil on Canvas gilt-framed still life of fruit, signed Thomas Hooper. Dimensions Height 18 Inches Width 25 Inches Depth 2 Inches

An American reverse-glass painting of the ship ‘Hurricane’ of Boston, of rectangular form showing a three masted sailing ship flying the Stars and Stripes and signalling flags from h...

Midcentury American Dorothy Draper-esque Hollywood Regency bedroom design painting, in oil or acrylic on paper. Gilt wood frame. Dimensions: width 77.5cm, height 58.5cm

British artist Riduan Tomkins 1941-2009. Attended Poole School of Art, 1958–60; West of England College of Art, Bristol, 1960–2; Wimbledon School of Art, 1964–5; and the Royal Colle...

Oil on canvas European 1900s Very good original condition

A charming 1930's swedish oil painting on canvas of an interior scene. The flowers in a vase are painted in tones of gold, orange and yellow are on a table in the foreground beside a...

Pair of signed still life paintings oil on canvas Pair of early 20th century still life paintings of fruit. Finely painted, with lovely colour and line. Oil on canvas....

Wonderfully textured West Country coastal scene in oil using palette knife signed by Bristol artist, Arthur E. Milne. Milne was a painter of landscapes, portraits and flower pieces in oil, watercolour and pastel. Capturing the mood of the rugged West Country coast with his technique of laying on thick layers with visible palette-knife strokes. Signed bottom right Arthur E.Milne, complete with labels on the reverse. Arthur Edwards...

This beautiful Limoges enamel plaque depicts a knight in full armour. He is portrayed turning towards the viewer, as though he is about to unsheathe his sword. The knight stands...

A 1930s futurist watercolor painting of a motorbike race by Italian futurist artist Aris Bacci. Mounted in original geometric cream mottled frame, with stun...

A very attractive set of three late 18th Century Dutch landscape paintings. Oil on canvas, mounted to boards and set in to later frames. Circa 1790.

Early 18th century portrait of a gentleman, William Woodhouse of Rearsby Hall. Superbly painted, oil on canvas in nice conditi...

"The Knockout" Oil on board, by Russian artist Vladimir Grigorevich Vlasov 1927-1999 in orignal painted grey frame. Signed in Cyrillic and dated '83 in the bottom right hand corner. ...

Aurelio Arteta Errasti (2 December 1879, Bilbao - 10 November 1940, Mexico City) was a Basque painter who worked in several styles; including Symbolism, Cubism and Social Realism. ...

Rare Early 19th century Capriccio view of Rio de Janeiro Painting Probably painted circa 1810 by one of Jean-Baptiste Debret, Italian Students. Painted on Sailcloth. Historical Context of Early 19th Century Portuguese Colonial Brazil 1.1 Transition from Colony to Empire During the early 19th century, Brazil underwent a seismic shift in its political status. Originally a colony under the Portuguese Empire, the arrival of the Portuguese Royal Court in Rio de Janeiro in 1808 rapidly elevated the city’s cultural and political importance. By 1815, Brazil was declared a kingdom united with Portugal, setting the stage for the emergence of the Empire of Brazil in 1822. This period of transformation—often termed the transitional period from colony to empire—fueled a wave of artistic production in cities like Rio de Janeiro. 1.2 European Artistic Influence in Brazil With the French Artistic Mission in Rio (initiated in 1816) and the presence of various Portuguese and European artists, Brazilian art of the early 1800s began to reflect diverse influences, from neoclassical painting to the early rumblings of romanticism. Painters such as Jean-Baptiste Debret, and Nicolas-Antoine Taunay, and local luminaries like Manuel de Araújo Porto-Alegre contributed to the fine arts tradition in Brazil. Their works featured scenes of local life, portraits of Brazilian society, and imaginative vistas—sometimes referred to as “capriccios,” in which real elements were combined with artistic liberties to create an idealized panorama. 1.3 Rio de Janeiro as Cultural and Political Hub Rio de Janeiro, often called the Imperial capital after Brazil’s independence, was home to foundational institutions like the Imperial Academy of Fine Arts (Academia Imperial de Belas Artes). Later evolving into the Escola de Belas Artes (School of Fine Arts in Rio), these academies nurtured the talents of emerging painters, who found patronage under the Royal Court and, subsequently, the Imperial Court. The city’s significance was further enhanced by the construction of significant buildings, the modernization of infrastructure, and the mingling of European courtly customs with the traditions of local inhabitants. . Description of the Octagonal Oil on Canvas: A Capriccio View of Rio de Janeiro 2.1 Composition and Layout The most striking characteristic of this 19th-century Brazilian art piece is its octagonal shape, a relatively unusual format that draws the viewer’s gaze toward its centre. The composition showcases Rio de Janeiro’s shoreline in the early 1800s, brimming with merchant ships and smaller boats anchored near the shore. On the sand, there is a bustling crowd of local people—men and women carrying food and goods on their heads, loading and unloading boats, and engaging in everyday commerce. The backdrop of soaring mountains suggests Rio’s iconic topography, embodying the landscape that famously defines the city. 2.2 Architectural and Religious Landmarks On the left side, one can discern the silhouette of a church believed to be Santa Lucia, a significant religious structure in the heart of early 19th-century Rio. This element provides viewers with a tangible reference point, linking the scene to an actual location. However, because this painting is labelled as a “capriccio,” the artist might have taken creative liberties by rearranging or amplifying certain features of the city. The melding of real and idealized elements is characteristic of these imaginative vistas. 2.3 Evoking Daily Life in Colonial Rio One of the painting’s greatest appeals lies in its portrayal of daily life during the colonial era. Men and women from various backgrounds populate the scene. Some appear to be carrying goods on their heads, a common practice in Brazil that has persisted through different centuries. Others appear to be haggling or trading near small vessels, revealing the commercial pulse of an active port city. This focus on local people, combined with the grandeur of merchant ships, captures the tension and synergy between the every day and the extraordinary—a hallmark of Brazilian colonial painting that balances the grand narratives of empire with the rhythms of ordinary life. 2.4 An Amalgamation of Neoclassical and Romantic Influences Although academic art in early 19th century Brazil was highly influenced by neoclassicism, the onset of romanticism can be spotted in the emotional portrayal of the sky, the lively palette, and the dramatic emphasis on nature’s beauty (the mountains, in particular). This duality reflects the fine arts tradition in Brazil during the transitional phase when artists were embracing multiple styles. As part of the School of Rio or the Rio de Janeiro school, painters often integrated academic techniques learned from European masters with emerging local subjects and influences. 3. Institutions and Artistic Movements 3.1 Imperial Academy of Fine Arts Originally known as the Royal School of Sciences, Arts, and Crafts, the Imperial Academy of Fine Arts in Rio de Janeiro was instrumental in shaping 19th-century Brazilian art. Influential artists and teachers from Portugal, France, and other European nations congregated at the Academy, imparting their expertise to native students. As the monarchy consolidated power, the Academy enjoyed royal patronage, leading to the creation of Imperial Academy-style works that combined European academic rigour with Brazilian-themed subject matter. 3.2 Impact of the French Artistic Mission The French Artistic Mission, which arrived in 1816, played a pivotal role in introducing advanced European artistic techniques, thereby elevating the overall quality of painting in Brazil. Artists like Jean-Baptiste Debret not only documented Brazilian society but also spearheaded the development of a local visual identity that aligned with both academicism and the national context of a blossoming empire. Debret, alongside others such as Nicolas-Antoine Taunay, mentored Brazilian artists, sowing the seeds of what would become the Brazilian academic art movement. 3.3 Religious, Historical, and Landscape Paintings In addition to everyday scenes and historical compositions, religious iconography remained crucial throughout Portuguese colonial and imperial Brazil. Churches were omnipresent in cityscapes like Rio de Janeiro. Many colonial-era Brazilian portraits...

18th Century Portrait Miniature - Style of William Wood (1768 -1809) , A young girl, bust length, with long curling brown hair and wearing a white dress, sky background. Watercolour....

A mid century abstract still life, of fruit, fish and jug set against a harbour backdrop of boats and sea. Well executed and unsigned piece framed in whitewash...

A six panelled screen of the late Baroque period Oil on canvas, depicting a panoramic view of a Capriccio north European landscape, perhaps Schlesweig-Holstein, with distant views of the sea, the ruined castles, peasants, and a lady of quality mounted, within a running arched canopy...

Antonio Correggio’s The Mystic Marriage of St. Catherine This stunning 18th-century copy draws inspiration from the masterpiece The Mystic Marriage of Saint Catherine, originally pa...

Stan Natchez (Shoshone/Paiute, b.1954) Horses and Navajos on a 5 dollar bill Mixed media on canvas (detached from stretcher) Signed 236cm x 111cm Provenance: Property from a Private...

Rare and large classical Trompe-l'oeil meissen porcelain plaque. German, 19th century. Measures: frame: height 60 cm, width 55 cm, depth 5 cm. plaque: height 45 cm, width 40 cm. ...

Stan Natchez (Shoshone/Paiute, b.1954) Buffalo against gold Mixed media on canvas (detached from stretcher) Signed on the reverse 158cm x 207cm Provenance: Property from a Private C...

Set of four Ship lithographs, depicting the ships, Narcissus, Bellerophon, Monarch and Warrior, published by Griffin and Co. Encased in ebonised frames...

Oil on canvas painting features a dynamic scene of a woman riding a white horse. The background is awash in all shades of blue, creating a sense of motion and energy. The woman is dressed in an eye-catching orange dress, and her hair flies behind her as she rides. The painting is framed in a beautiful gilded wood frame, adding an elegant touch. It is a work of art by the talented Lebanese artist...

A large and detailed, early 20th century portrait painting of a cockerel. Belgium, c.1925 Painted and signed by Paul Henri Schouten, renowned for his finely observed oil studies of ...

Unusual abstract oil on board by Sidney Siegal (1913-1978), entitled 'Gift Box.' This stunning painting has rich warm tones that would brighten any room. and its 3d quality also adds...

This is a large vintage landscape painting. An Austrian, gilt framed oil on canvas of the low Alpine region, dating to the late 20th century, circa 1970. Strikingly framed landscap...

Eugène Marcel Mougin (1895–1981) was a French Post-Impressionist painter, known for his landscapes, often created using a knife technique. Born in Paris on June 28, 1895, Mougin died...

We are delighted to offer for sale this lovely original 19th century Dutch oil on canvas of an old man with very grey hair and an almost Irish looking hat which is part of a suite ...

Pair Antique 19th Century Indian Miniature Mica Paintings C.1830 Indian Company School A pair of 19th Century Indian mica gouache paintings on mica. Depicting the water carrier and of a Purdah bullock...

After Raphael's Grand Duke's Madonna Grand Duke's Madonna after Raphael, a stunning 19th-century oil painting from the renowned Berkley Collection. This remarkable artwork, inspire...

A beautiful antique Impressionist style oil painting, depicting a lovely river scene. It was likely made in England, it is signed by the artist N. Tremain (possibly Nicola Tremain). ...

Painting Abstract On canvas Signed Gabriele Dali Dated 1970 Italy