USA - Portrait Paintings

"Big Ben in Garden" Antique Dog Portrait of a Bulldog Arthur Wardle (England, 1864-1949) Pastel on paper Circa 1900 13 x 9 (17 x 12) inches Though he made his reputation with large...

"Just Think of It" is a moody, figurative oil painting that layers soft pale blues against deep grays and black, creating a quiet tension. A stylish man sits at the edge of a couch, ...

6128 Portrait of a French woman Set in a gilt frame Image size 15.5x19.5"

Hand signed by the artist on verso. Hand Painted Unique Silkscreen on Canvas. Artwork is in excellent condition. Canvas is not stretched. Certificate of authenticity included. All...

Artist: Francesco Paolo Michetti, Italian (1851 - 1929) Title: Rosella Year: circa 1900 Medium: Oil on Canvas, Signed Size: 30 x 20 inches [76.2 x 50.8 cm] Framed: 40 x 30 inches [10...

"Triple Elvis" (Denied) Silkscreen Painting by Charles Lutz Silkscreen and silver enamel paint on canvas with Artist's Denied stamp of the Andy Warhol Art Authentication Board. 82 x 72" inches 2010 This important example was shown alongside works by Warhol in a two-person show "Warhol Revisited (Charles Lutz / Andy Warhol)" at UAB Abroms-Engel Institute for the Visual Arts in 2024. Lutz's 2007 ''Warhol Denied'' series gained international attention by calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on the full-length Elvis Presley paintings by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando. This is the rarest of the Elvis works from the series, as Lutz sourced a vintage roll of 1960's primed artist linen which was used for this one Elvis. The silkscreen, like Warhol's embraced imperfections, like the slight double image printing of the Elvis image. Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's most recently presented an installation of new sculptures dealing with consumerism at Frank Lloyd Wright's Fallingwater House in 2022. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project is "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers. Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." Leonard Bernstein in: Exh. Cat., Boston, The Institute of Contemporary Art and traveling, Elvis + Marilyn 2 x Immortal, 1994-97, p. 9. Andy Warhol "quite simply changed how we all see the world around us." Kynaston McShine in: Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13. In the summer of 1963 Elvis Presley was just twenty-eight years old but already a legend of his time. During the preceding seven years - since Heartbreak Hotel became the biggest-selling record of 1956 - he had recorded seventeen number-one singles and seven number-one albums; starred in eleven films, countless national TV appearances, tours, and live performances; earned tens of millions of dollars; and was instantly recognized across the globe. The undisputed King of Rock and Roll, Elvis was the biggest star alive: a cultural phenomenon of mythic proportions apparently no longer confined to the man alone. As the eminent composer Leonard Bernstein put it, Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." (Exh. Cat., Boston, The Institute of Contemporary Art (and traveling), Elvis + Marilyn 2 x Immortal, 1994, p. 9). In the summer of 1963 Andy Warhol was thirty-four years old and transforming the parameters of visual culture in America. The focus of his signature silkscreen was leveled at subjects he brilliantly perceived as the most important concerns of day to day contemporary life. By appropriating the visual vernacular of consumer culture and multiplying readymade images gleaned from newspapers, magazines and advertising, he turned a mirror onto the contradictions behind quotidian existence. Above all else he was obsessed with themes of celebrity and death, executing intensely multifaceted and complex works in series that continue to resound with universal relevance. His unprecedented practice re-presented how society viewed itself, simultaneously reinforcing and radically undermining the collective psychology of popular culture. He epitomized the tide of change that swept through the 1960s and, as Kynaston McShine has concisely stated, "He quite simply changed how we all see the world around us." (Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13). Thus in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original superstar artist, Double Elvis is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and the lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age. The source image was a publicity still for the movie Flaming Star, starring Presley as the character Pacer Burton and directed by Don Siegel in 1960. The film was originally intended as a vehicle for Marlon Brando and produced by David Weisbart, who had made James Dean's Rebel Without a Cause in 1955. It was the first of two Twentieth Century Fox productions Presley was contracted to by his manager Colonel Tom Parker, determined to make the singer a movie star. For the compulsive movie-fan Warhol, the sheer power of Elvis wielding a revolver as the reluctant gunslinger presented the zenith of subject matter: ultimate celebrity invested with the ultimate power to issue death. Warhol's Elvis is physically larger than life and wears the expression that catapulted him into a million hearts: inexplicably and all at once fearful and resolute; vulnerable and predatory; innocent and explicit. It is the look of David Halberstam's observation that "Elvis Presley was an American original, the rebel as mother's boy, alternately sweet and sullen, ready on demand to be either respectable or rebellious." (Exh. Cat., Boston, Op. Cit.). Indeed, amidst Warhol's art there is only one other subject whose character so ethereally defies categorization and who so acutely conflated total fame with the inevitability of mortality. In Warhol's work, only Elvis and Marilyn harness a pictorial magnetism of mythic proportions. With Marilyn Monroe, whom Warhol depicted immediately after her premature death in August 1962, he discovered a memento mori to unite the obsessions driving his career: glamour, beauty, fame, and death. As a star of the silver screen and the definitive international sex symbol, Marilyn epitomized the unattainable essence of superstardom that Warhol craved. Just as there was no question in 1963, there remains still none today that the male equivalent to Marilyn is Elvis. However, despite his famous 1968 adage, "If you want to know all about Andy Warhol, just look at the surface of my paintings" Warhol's fascination held purpose far beyond mere idolization. As Rainer Crone explained in 1970, Warhol was interested in movie stars above all else because they were "people who could justifiably be seen as the nearest thing to representatives of mass culture." (Rainer Crone, Andy Warhol, New York, 1970, p. 22). Warhol was singularly drawn to the idols of Elvis and Marilyn, as he was to Marlon Brando and Liz Taylor, because he implicitly understood the concurrence between the projection of their image and the projection of their brand. Some years after the present work he wrote, "In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star...So you should always have a product that's not just 'you.' An actress should count up her plays and movies and a model should count up her photographs and a writer should count up his words and an artist should count up his pictures so you always know exactly what you're worth, and you don't get stuck thinking your product is you and your fame, and your aura." (Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), San Diego, New York and London, 1977, p. 86). The film stars of the late 1950s and early 1960s that most obsessed Warhol embodied tectonic shifts in wider cultural and societal values. In 1971 John Coplans argued that Warhol was transfixed by the subject of Elvis, and to a lesser degree by Marlon Brando and James Dean, because they were "authentically creative, and not merely products of Hollywood's fantasy or commercialism. All three had originative lives, and therefore are strong personalities; all three raised - at one level or another - important questions as to the quality of life in America and the nature of its freedoms. Implicit in their attitude is a condemnation of society and its ways; they project an image of the necessity for the individual to search for his own future, not passively, but aggressively, with commitment and passion." (John Coplans, "Andy Warhol and Elvis Presley," Studio International, vol. 181, no. 930, February 1971, pp. 51-52). However, while Warhol unquestionably adored these idols as transformative heralds, the suggestion that his paintings of Elvis...

John Tarantola's original nude portrait "Baby's Breath and Roses" (2023) is a surrealist oil on panel painting that depicts an athletic nude male figure, with a silhouette of another...

Vincente Romero The Glance Original pastel on Ingres paper 2022 Hand signed is lower left corner Image Size: 25.5 x 19.5 inches Framed Dimensions: 33 x...

Karen Offutt's (US based) "Spark" is an original, handmade oil painting that depicts a nude female on an abstracted background. The painting is framed, with overall dimensions of 18 ...

Suzy Smith's "Let Them Eat Cake" is an original, handmade oil painting that depicts a portrait of a female nude with a crown set against a backdrop inspired by a Wayne Thiebaud cake...

Ohio-born painter William J. Forsyth (1854-1935) spent most of his life in Indianapolis and initially trained at the Indiana School of Art. But by 1882 Forsyth wanted to hone his drawing and rendering skills abroad. He enrolled at the Royal Academy in Munich, Germany. Fellow Hoosier students in Munich included artists T. C. Steele and J. Ottis Adams, which helped the new arrival’s transition. Forsyth painted figures like this one while in Munich. One intriguing indication that this piece may have been done during the artist’s Academy period is that a very similar portrait of a remarkably similar sitter was described at auction as "German School, 1891" with the inscription "G. Büttner/Munich '91." However, while there Forsyth shifted his interest to landscapes under the influence of American artist J. Frank Currier...

Karen Offutt's (US based) "Luster" is an original, handmade oil painting that depicts a portrait of a woman on an abstracted background. The painting is framed, with overall dimensio...

Portrait oil Painting, women, nude, figurative art, Impressionism Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2024 Sty...

Mark Beard Collegiate Swim Match Oil on canvas Signed in red upper right corner

Elegant Victorian original oil portrait of Mrs. Rogerson by John Charlton Robert Azensky Fine Art is pleased to offer this fine example of Victorian portraiture of Mrs. Frances Mary...

A Rare and Important Treasure: 11 Oil Painting Panels in a Majestic Fan Shape Signed by Significant 19th-Century Austrian Artists, Featuring Isidor Kaufmann A magnificent and unique artistic achievement, this rare and important assemblage of 11 oil painting panels forms a majestic fan shape, uniting the work of significant 19th-century Austrian artists in a singular, breathtaking display. Each oil on panel is signed by the artist, showcasing a rich variety of subjects—ranging from evocative landscapes to compelling portraits—all rendered in the refined and masterful techniques characteristic of the era. Bringing together the talents of Isidor Kaufmann, Adolf Kaufmann, Carl Reichert, Emma (Edle von Seehof) Müller, Ernst Novak, Johann Hamza...

5055 Antique German female oil portrait in a period frame on board Signed T.H.Fischem Berlin 91 Image size 19.5x16.5"

Suzy Smith's "Meringues" is an original, handmade oil painting that depicts a portrait of a female nude set against a backdrop inspired by a Wayne Thiebaud pie painting...

E. Salazar Texas Artist Image Size: 40 x 30 Frame Size: 47 x 37 Medium: Oil on Canvas "Quanah Parker"

Serge Marshennikov's "Sleeping Beauty," is an original, handmade hyper realistic oil painting on stretched canvas that depicts a feminine model in a...

John Baker’s “Studio Sketch of Ella” is an acrylic painting on canvas with collage 20 x 16 inches in creams and browns. The painting is from the “Studio Visitors” series. When Ella a...

Signed lower center, "Mancini"; additionally signed verso and painted circa 1975. Figurative oil in crimson, vermilion, jade, and deep blue, showing a young woman wearing a hat with...

American School, Portrait of a Woman, Oil on Board, depicting a woman in pearl earrings and elegant dress, apparently unsigned, giltwood frame. Image: 11.25" H x 8" W; frame: 16" H x...

a mid century Judaica painting of a Rabbi wearing a Tallit prayer shawl. In the Modernist manner of Maurice Kish, Tully filmus or William Gropper. ...

JAMES WOLANIN "Summer Love" Acrylic & Gloss Varnish on Panel 36 x 36 inches ______________________ James Wolanin’s paintings transport the viewer to an effervescent, candy coated w...

Frame: 27 X 21 Image: 23.5 X 17.5 Barry Leighton-Jones was born in London, England in 1932 and is a direct descendant of the Victorian artist and President of the Royal Academy, Lor...

"2/3" by Conrado López is a delicate yet expressive 2024 artwork, utilizing acrylic, gold leaf and oil on a canvas sized at 15.75 x 15.75 in (40 x 40cm). This piece is a prime exa...

Dave Seeley's (US based) "Erica #1" is an original, handmade oil painting that depicts a reclining nude model on a black couch with a white sheet. Dave Seeley is a figure painter l...

Presenting an exceptional ealry oil painting by American artist Ron Blumberg (1908-2002). The Broken Mirror, is an original oil on canvas, signed, dated...

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop cu...

A charming and antique oil portrait of a young boy shown seated beside his spaniel and gazing directly towards the viewer. American School, unsigned, and painted circa 1850.

This painting by artist Ray Simonini titled "Meryl" is a 12x16 farm animal oil painting on canvas featuring a portrait of a white sheep against a colorful green background. Afternoon...

An Introspective 1930s Modern Portrait, "Acolyte" by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). Dry watercolor on board. Artwork size: 15 x 12 inches (Framed size: 18 ...

Ale Casanova's "Untitled II" is an original, handmade oil painting that depicts a nude male model stretching on a couch. Alejandro Casanova was born in ...

"Oracle" (2024) by Allen Williams is an original oil painting on a sealed illustration board that depicts an eerie portrait of a nude female figure. Thi...

Antique English portrait oil painting. Oil on canvas. Signed. Framed. Measuring: 31 by 36 inches overall, and 25.5 by 30.5 painting alone. In excellent original condition. Handsomel...

Nicely painted American school modernist portrait. Oil on canvas. Framed. Ready to hang excellent condition.

This painting depicts a pop art portrait of a woman in Haute Couture Chanel Sunglasses with the lettering "OMG" repeated on the right side of her face. A commentary on the social lan...

This 19th-century Indian miniature painting is composed in the Mughal style and depicts a meeting of the Hindu god Krishna and his shakti Radha, also known as the Supreme Goddess. To...

A large & charming oil on canvas self portrait circa 1920, by the celebrated Salamagundi member & American-Belarusian artist, Abraham Jacob Bogdanove (1886–1946), the painting circa ...

"Untitled" is a dramatically placed individual who appears to be withdrawing into herself surrounded by a soft pinkish color. She has a sad look in her non-reflective eyes. This pain...

Halloween - an iconic American painting by James Torlakson who is known for his photorealist oil paintings, watercolors and aquatint intaglio etchings. Torlakson’s photorealism subj...

Zoa Ace's (US based) "I'm Late" is an original, handmade mixed media collage on wood that is unframed and ready to hang. About the Artist: "My work is figurative and deals primarily...

5191 After on American Folk art oil painting of 1st half 18th century painting by Linda Baxter signed and described on verso Oil painting on solid thick wide pine board 17" wide

This striking oil portrait is framed at 21 x 25 inches, and is ready to hang. Artist Autobiography: Born in Honolulu, Hawaii, 1958, my family moved every two years thereafter from C...

Signed lower right, "Di Gesu", for Victor Di Gesu (American, 1914-1988); further signed and titled verso, and bearing original exhibition label. A substantial figural oil showing V...

Lebanese American artist Sally K.'s captivating floral portraits are both mesmerizing and empowering. Her pop-realistic paintings are inspired by strong, feminine women, celebrating ...

20th century Jewish Chassidic Rabbi with fur hat portrait, Judaica Oil Painting

A finely detailed oil painting portrait of a French military officer in dress uniform with sword, unsigned, and housed in a period decorative gilt gessoed frame with a London Freeman...

Morgan Cameron’s (US based) “The Horseman” (2024) is an oil painting on panel that depicts a surreal portrait of the headless horseman on his steed in the bright moonlight. About th...

John Tarantola's original nude portrait "Blake of Night" (2012) is a beautiful surrealist oil on panel painting that depicts an athletic nude male figure crawling forward on a slab o...

Anita Zotkina’s “Woman” is a 20 x 16 x 0.7 inch oil on canvas painting that contrasts shadow and light through bold, symbolic imagery. A female profile emerges in soft blues and pink...

Rolf Stoll (American, 1892-1978) Kae Dorn Cass, 1940 Oil on canvas Signed upper right 32 x 25 inches 38 x 31 inches, framed Exhibited: The 27th Annual May Show, Cleveland Museum of Art, Cleveland, OH, 1940 This work won first prize for oil painting- Portrait category Provenance: Collection of Kae Dorn Cass's niece Kae Dorn Cass Rolf Stoll Rolf Stoll, a painter of figure subjects, landscapes and floral still lifes, was an important member of the Cleveland art scene during the second quarter of the century. He was also an influential teacher, as well as one of Ohio’s foremost portrait painters. Rolf Stoll was born in Heidelberg, Germany, in 1892. As a boy, he attended a military academy, during which time he developed an interest in art. He received his early formal training at the Academy of Fine Arts in Karlsruhe and at the Academy of Fine Arts in Stuttgart. He emigrated to the United States in 1912, settling in New York City. A decade later, after studying at the school of the National Academy of Design and supporting himself by working as a commercial artist, Stoll decided to leave New York. Upon the recommendation of Warren Pryor, one of his teachers, he decided to move to Cleveland, Ohio. After arriving in Cleveland, Rolf Stoll continued to work as a commercial artist. However, in 1926, he joined the faculty of the Cleveland School of Art, where he taught drawing. Two years later Stoll was appointed head of the school’s portrait painting department. A talented portraitist, Stoll’s sitters included industrialists, community leaders and many prominent members of Cleveland and Ohio society, as well as over twenty faculty members from Case Western Reserve University. Stoll also gave portrait classes at the John Huntington Polytechnic Institute from 1926 to 1953. In his male portraits especially, he was admired for his ability to convey the dignity of his sitter’s professional position without sacrificing individuality. As noted by one contemporary reviewer, Stoll was a “master of rich color, a searching student of human types, a forceful portrayer of all that the face reveals of the mind and the soul.” In addition to his activity as a portraitist, Rolf Stoll painted figure subjects and floral still lifes. He was also known for his views of the Ohio countryside...

Aixa Oliveras's (US based) "Desvelada" is an original, handmade oil painting that depicts a model laying in bed looking at her cell phone. This piece i...

Wang Kun's "Portrait of Qiang Woman" is an oil painting created in 2023 that depicts a traditional Qiang woman. kun Wang(王琨), was born in Jilin Province of China in 1970. His legs...