USA - Animal Prints

ARTIST: Salvador Dali TITLE: La Quete du Graal Viviane et Lancelot di Lac MEDIUM: Etching EDITION NUMBER: XV/XXV SIGNED: Hand Signed by Salvador Dali PUBLISHER: Pamela Verlog ...

Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Newfoundland France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portraits...

Great Grey Owl, limited edition photograph, signed, Platinum/Palladium Print My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s lan...

Andy Warhol illustrated advertising poster New York, 1979: 1970s Andy Warhol illustrated "Lighthouse Footwear Reptile Shoes," poster (New York, 1979). An elegant & well-sized vintage...

Raoul Dufy, French (1877 - 1953) - The Serpent, Year: c. 1911, Medium: Woodcut on laid paper, Image Size: 8 x 7.5 inches, Size: 11.25 x 8.75 in. (28.58 x 22.23 cm), Description: Fr...

This is an original John James Audubon hand-colored lithograph entitled "Golden Eagle", No. 3, Plate 12 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowe...

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...

Works by Jon Corbino (1905-1964) feature drama. Here he's showing us the chaos produced by a major earthquake in rural Montana in 1936 -- an actual historical event. The horses (ear...

This is an original rare and extremely collectible first octavo edition John James Audubon hand colored royal octavo lithograph entitled "Red-throated Diver", No. 96, Plate 478, from...

This is a contemporary black and white photograph of Northern California Wild Mustangs. "They represent the ultimate expression of American freedom" 40 x 50 Unsigned print Printed o...

Theophile Alexandre Steinlen, French/Swiss (1859 - 1923) - Artiste Animaliers, Year: 1981, Medium: Poster with Embossed Cat Blindstamp, Size: 20.5 x 25 in. (52.07 x 63.5 cm), Prin...

Artist: Kitagawa Utamaro the First (Japanese, 1753 - 1806) Publisher: Tsutaya Jūzaburō (Japanese, 1750 - 1797) Page Size: 10 x 15 in. Frame Size: 16 x 22 in. An Edo Period color woo...

Beautiful Serigraph print on paper by the Cuban artist Manuel Mendive. El Reposo, 2021 Lithograph 23,5 x 29 in Ed. 10 of 100 Signed and numbered by the artist. Manuel Mendive is an ...

Signed lower right, 'Keiko Minami' (Japanese, 1911-2004) and inscribed, lower left, with number and limitation, '26/50'. Japanese painter and printmaker, Keiko Minami became well kn...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With ...

Salvador Dalí Le Chateau de Gala (Gala's Castle) from After 50 Years of Surrealism Original etching, hand colored 1974 Image size: 15 3/...

Greyhound 1773-1802 Engraving 14 x 10 inches Framed: 24 x 21 inches

Medium: etching and aquatint Edition of 120 Year: 2023 Image Size: 4 x 5 inches Signed, titled and numbered by the artist. The view west from Cypress Island off the coast of Washin...

Woodcut woodblock (small possibility it is a Silkscreen Serigraph) print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an a...

John James Audubon was born in Haiti in 1785. Most of his childhood was spent in France, where he first took interest in birds and drawing. He came to the U.S. at age 18, and made ma...

Etching with aquatint on heavy laid paper, 7 x 9 1/4 inches (172 x 233 mm), full margins. Signed in the plate, lower right image area. Minor corner loss, top right, and a 1/4 inch ed...

This is an original John James Audubon hand-colored lithograph entitled "Migratory Squirrel, No. 7, Plate XXXV", from John James Audubon's Quadrupeds of North America, published in P...

Le Soir: Cerf et Herons (The Evening: Stag and Herons) Lithograph printed with brown tint stone, 1858 From: Animaux et Paysages d’apres Nature Published by Goupil, 1858 Signed in the stone lower left, Karl Bodmer Pinx. et lith. (see photo) Published by Goupil et Cie, Paris, with their blindstamp center, below image Printed by Bertauts, Paris (see photo) Condition: Excellent One stain verso, not visible on recto Full sheet Image size: 11 1/4 x 18 inches Sheet size: 17 3/4 x 24 3/4 inches Reference: Delteil 70 IFF 22, No. 1 Karl Bodmer (1809—1893) Painter, draftsman, and printmaker. Although he spent only two years in the United States and its territories, Bodmer's depictions of Western Indians...

Artist: John James Audubon (American, 1785-1851) Title: "American Anhinga - Snake Bird" (Plate 420, No. 84) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 10" x 6.69" Image size: 6.63" x 4.63" Condition: Minor toning to sheet and some faint discoloration in margins. Old glue staining along right binding edge as normal. It is otherwise in very good condition with strong colors Notes: Provenance: private collection - Cleveland, OH. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs. The preceding 1836 Havell edition of this work has a different title: "Black-bellied Darter", (Plate: CCCXVI - 396, No. 64). Based on a drawing inscribed "New Orleans 1822 - redrawn ... 1836". This conspicuous bird had various names including "water turkey" and "Bec à Lancette". The Anhinga, sometimes called snakebird, darter, American darter, or water turkey, is a water bird of the warmer parts of the Americas. The word anhinga comes from a'ñinga in the Brazilian Tupi language and means "devil bird" or "snake bird". To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With experience as an art director in ci...

Grizzly Bear Portrait An rare look into the eyse of an apex predator 36x48 Edition of 12. Signed by Shane. Printed on archival paper and using archival inks Framing available. In...

Erwin Rambow, American (1925 - 2013) - Owl, Medium: Poster, Image Size: 15 x 15 inches, Size: 19.5 x 15.5 in. (49.53 x 39.37 cm), Frame Size: 21.5 x 17.75 inches

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With ...

Plate 20 from "Formes et couleurs; vingt planches en couleurs contenant soixante-sept motifs décoratifs" by Auguste H. Thomas. Paris: A. Levy, Librarie Centrale des Beaux-Arts, circa...

linocut, edition of 15 This artwork measures 36"h x 24"w and ships unframed. Bio // Jesse Shaw (b.1980) is a printmaker from Tennessee primarily working in relief prints carved from linoleum blocks. His work is based in the narrative, satirical, political, and social commentary tradition of the graphic print. Jesse is currently working on a series of fifty prints depicting the epic story of America. Prints from his “American Epic” series of linocut prints...

LEONOR FINI Cat Duo 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Mel Chin, American (1951 - ) - Self-Portrait (Bison and Hare), Year: 1996, Medium: Etching on BFK Rives, signed, numbered and dated in pencil, Edition: 25, Image Size: 11 x 21.5 ...

This artwork titled "Le Cirque (The Circus) III" is an original colors lithograph on Arches paper by noted French artist Camille Hilaire, 1916-2004. It is hand signed and inscribed I...

Friends for Life Bruce Weber’s photographs of the dogs always by his side The photographer and filmmaker Bruce Weber is associated with a wide array of imagery: humanist portraits of artists, actors, and athletes; fashion spreads charged with emotion, irreverence, and nostalgia; lyrical tributes to eroticism and an arcadian vision of the American landscape. All these things—and golden retrievers, too. Since the very beginning, Weber has been accompanied on his travels by a pack of these benevolent canines, who have populated his photographs for fashion campaigns, prominent magazines, and the pages of his personal scrapbooks in equal measure. The Golden Retriever...

A La Queue (Join the Queue) original etching from the series Naughty Dogs of Paris showing a line of five dogs of various breeds trailing a small Chihuahua on a leash who is turning her head towards the queue. This original etching is in excellent condition, hand signed by the artist and published by Sidney Lucas. paper size 13.75 x 29.25 image size 8.50 x 24 Boris O'Klein ( 1893-1985 ) immigrated to France from Russia with his family when he was a young boy. He settled in Paris after World War I and became a prolific artist well known for his watercolors and etchings of dogs getting into mischief. His images are often risque and are considered very humorous. They have been referred to as the Naughty or Dirty Dogs of Paris.

The Curly Coated Retriever 1887 Etching

This is an original framed 19th century hand-colored folio-sized lithograph entitled "Diphogena Aurora" (Bolivian Rainbow Hummingbirds) by John Gould, from his "Monograph of the Trochilidae, or Family of Hummingbirds", published in London in 1853. The print depicts two Bolivian Rainbow hummingbirds feeding on the nectar of small flowers on a branch. This striking framed Gould hand-colored lithograph is presented in a antiqued gold frame, a gold-colored fillet, and a light tan French mat, embellished with a mint-colored broad band. The frame measures 32" high, 25.5" wide and 1.25" thick. The hand-coloring is enhanced by the use of gum-arabic paint on the hummingbirds heads and necks, giving them an iridescent appearance. The descriptive text page from Gould's original publication is included. It is affixed to the back of the frame in a clear sleeve. The piece is in excellent condition. There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront. John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches". Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia". John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time. In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With experience as an art director in ci...

Woman and White Cat Will Barnet, American (1911–2012) Date: 1971 Screenprint, signed, titled and numbered in pencil Edition of 45/200 Image Size: 23.25 x 20 inches Size: 26 x 22 in. ...

Artist: Slonem, Hunt Title: Azure Sky Bunnies Series: Bunnies Date: 2025 Medium: Lithograph on Paper Unframed Dimensions: 16" x 24" Framed Dimensions: 22" x 29" x 1.25" Signat...

Roy Lichtenstein The Red Horsemen, aka The Equestrians (with COA from the 1984 Olympic Committee), 1982 Limited Edition Lithograph and offset Lithograph on Parsons Diploma Parchment...

"Sandwich Tern' Antique Hand Colored Lithograph Delicately rendered naturalist drawing of a sandwich tern from the 1903 edition of "A History of British Birds" by F.O. Morris. This...

Leonor Fini (Argentine-French, 1907 - 1996) was an independent and visionary artist whose work defied categorization within Surrealism, despite her association with its key figures i...

ABOUT THIS PIECE: The cat is a photographic series shot in Milan for Vogue Bambini in January 2016. ABOUT THIS ARTIST: Carolina Mizrahi creates fantasy ...

Rainer Fetting, (Germany, 1949-) Wolf, 1984 Screenprint serigraph in colours, on wove paper, the full sheet. Hand signed and numbered 34.5 X 49 inches Rainer Fetting (Born 1949 in Wilhelmshaven, West Germany) is a German painter and sculptor. Rainer Fetting was one of the co-founders and main protagonists of the Galerie am Moritzplatz in Berlin, founded in the late 1970s by a group of young artists (mainly painters) from the class of Karl Horst Hödicke at the former Berliner Hochschule für Bildende Künste (Berlin Art Academy, today known as Universität der Künste). This group of artists, known as the “Moritzboys” and including, among others, Salomé, Bernd Zimmer, and Helmut Middendorf, subsequently achieved international acclaim as the “Junge Wilde” or “Neue Wilde” in the early 1980s. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). The Junge Wilde painted their expressive paintings in bright, intense colors and with quick, broad brushstrokes very much influenced by Professor at the Academy of Art in Berlin, Karl Horst Hödicke They were also known as the Neue Wilde. Artists included; Austria: Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, Hubert Scheibl...

Artist: Bernard Buffet, French (1928 - 1999) Title: Rooster Year: 1953 Medium: Lithograph mounted on Board, signed in the plate Image Size: 15 x 10 in. (50.8 x 36.83 cm) Frame: 22 x ...

This is an original John James Audubon hand-colored lithograph entitled "Florida Rat", No. 1, Plate IV", from John James Audubon's Quadrupeds of North America, published in Philadelp...

“Carrier Pigeon,” 2012, Limited edition silkscreen print by Baltimore street artist Gaia. Three-color hand-pulled silkscreen on Coventry Rag, 100% Cotton Archival Paper. Edition 25/...

This artwork titled "Young Loons, 1990 is an original color lithograph by Canadian Inuit noted artist Pitaloosie Saila. 1942-2021. It is hand signed, titled, dated, located, described and numbered 34/50 in pencil by the artist. The subject size is 38.75 x 23.25 inches, sheet size is 44 x 30 inches, framed is 51.75 x 37.25 inches. Custom framed in a metal frame, with grey/blue backing. It is in excellent condition. About the artist: Pitaloosie was born in 1942 on the southwest coast of Baffin Island near what is now the community of Cape Dorset. She spent her childhood years in various hospitals in Quebec and Ontario for treatment of tuberculosis. She learnedEnglish during this time, and recalls the difficulty she experienced in relearning her native language upon her return to Baffin Island in 1957. She is now one of the few of her generation who speak both English and Inuktitut fluently. Pitaloosie began drawing in the early 1960’s, and quickly established herself as a versatile and intelligent graphic artist. Over the years, she has become a familiar presence in the Kinngait Studios, and her work has been included in annual print collections since 1968. Since the late 1960’s, Pitaloosie has made frequent trips to southern Canada to attend exhibitions and conferences. In 1967, she spent several weeks in Toronto while her husband, the well-known sculptor Pauta Saila, participated in an International Sculpture Symposium. Subsequently, she has visited Halifax, Toronto, Ottawa, Kansas City and Vermont. Her work has been featured in solo drawing exhibitions, and in 1977, Canada Post issued a stamp depicting her print, Fisherman’s Dream. Her 1985 lithograph entitled In the Hills represented the Northwest Territories in the centennial celebration of the National Parks of Canada. Amnesty International, the international human rights organization, selected a drawing by Pitaloosie entitled Mother and Child to use for their 1990 Christmas card. She was also one of nine featured artists in the acclaimed exhibition Isumavut: The Artistic Expression of Nine Cape Dorset Women, which opened at the Canadian Museum of Civilization in the fall of 1994 and continues to travel to other venues. Pitaloosie’s husband, Pauta, passed away in Cape Dorset in June of 2009 at the age of 93. In 2004, both she and Pauta were appointed members of the Royal Canadian Academy of the Arts, in recognition of their life’s work and contributions to Canadian art. Selected Exhibitions: • 2019 60/60, Feheley Fine Arts, Toronto • 2016 Pitaloosie Saila: A Print Retrospective, Feheley Fine Arts, Toronto • Toronto • 2003 The Inuit 2004 Sanaasimasiatok/Fine Works: Sculpture from Cape Dorset, Feheley Fine Arts, Icon: Selections from Private Collections, Feheley Fine Arts, Toronto • 1996-1997 Pitaloosie & Pauta, McMichael Canadian Art Collection, Kleinburg, ON • 1994 – 1995 Isumavut: The Artistic Expression of Nine Cape Dorset Women, Canadian Museum of History, Gatineau, QC • 1993 – 1994 Contemporary Inuit Drawings, Muscarelle Museum of Art, College of William and Mary, Williamsburg, VA • 1991 – 1992 In Cape Dorset We Do It This Way: Three Decades of Inuit Printmaking, McMichael Canadian Art Collection, Kleinburg, ON • 1989 – 1991 Kenojuak Ashevak...

Printed on Dark Paper a magnificent piece. this is an etching with embossing on black wove, J Barcham Green paper Publisher Styria Studio, chopmark lower left Adja Yunkers b. 1900...

1STDIBS EXCLUSIVE American Horse Power by Shane Russeck Icon is a brand I’ve admired and respected for years. They are the pinnacle of the custom car world. Being a huge vintage car...

Leonor Fini (Argentine-French, 1907 - 1996) was an independent and visionary artist whose work defied categorization within Surrealism, despite her association with its key figures i...

Artist: Slonem, Hunt Title: Snow Cloud Bunnies Series: Bunnies Date: 2025 Medium: Lithograph on Paper Unframed Dimensions: 16" x 24" Framed Dimensions: 22" x 29" x 1.25" Signa...

Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Yellow-belied Marmot", No. 27, Plate CXXXIV, from Audubon's "Viviparous Quadrupeds of North Amer...

Artist: Pablo Picasso Title: Le Picador (II) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Frame Size: 18 1/4" x 20 3/4" Sheet ...

Artist: Walasse Ting Title: Black Cat - Midnight Cat Year: 1981 Medium: Lithograph on Arches Archival Paper   22'' x 30'' Edition: Signed in pencil and marked AP Walasse Ting (DING...

William Robinson Leigh, 'Foul Rope (Left)', etching, c. 1920, edition unknown but small. Signed in pencil and signed in the plate, lower left. A superb, richly-inked impression, in dark brown ink, on buff wove Umbria paper, the full sheet with margins (1 1/2 to 2 3/4 inches); slight toning at the sheet edges, otherwise in excellent condition. Very scarce. Archivally matted to museum standards, unframed. Image size 14 7/8 x 11 15/16 inches (378 x 303 mm); sheet size 20 3/8 x 15 3/8 inches (518 x 391 mm). ABOUT THE ARTIST Born near Falling Waters, West Virginia, on a plantation a year after the Civil War and raised in Baltimore, William Robinson Leigh (1866 - 1955) became one of the foremost painters of the American West. His career spanning some seventy-five years, Leigh created some of the most iconic depictions of the Western landscape, with admirers referring to him as ‘The Sagebrush Rembrandt.’ The son of impoverished Southern aristocrats, Leigh received his first art training at age 14 from Hugh Newell at the Maryland Institute, where he was regarded as the best student in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama. In 1896, Leigh began working as a magazine illustrator for Scribner's and Collier's Weekly Magazine in New York City. He also painted portraits, landscapes, and genre scenes. Leigh's trips to the Southwest began in 1906 when he agreed to paint the Grand Canyon with William Simpson, Santa Fe Railway advertising manager, in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, and his primary interests were the Hopi and Navajo Indians. In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and created sketches, many of which he later converted into large canvases such as ‘Lower Falls of the Yellowstone’ (1915) and ‘Grand Canyon of the Yellowstone’ (1911). In 1926, he traveled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience, wrote and illustrated 'Frontiers of Enchantment: An Artist's Adventures in Africa'. In 1933, he wrote and illustrated 'The Western Pony'. His adventures were chronicled in several popular magazines, including Life, the Saturday Evening Post, and Colliers. For many years, Grand Central Art Galleries at the Biltmore Hotel handled his work exclusively in New York. In 1953, Leigh was elected an associate member of the National Academy of Design and became a full Academician in 1955. In March 1999, the Historical Center of Cody, Wyoming, held an exhibition of his field sketches and finished works depicting his experiences near Cody early in the century. Between 1910 and 1921, when he often painted in the Carter Mountain vicinity, these years were considered pivotal to his artistic development and devotion to the Western landscape. Leigh's work is held in many museum collections of American Western art...

Jeff Koons Monkey Train beach towel 2008: A highly decorative limited edition 2008 Jeff Koons Monkey Train towel. Measuring 70x60 inches - this work would look outstanding framed. This outstanding Jeff Koons Monkey Train collectible...

Original Stan Galli "Pacific Northwest" United Air Lines Vintage Poster – Stunning Mid-Century Travel Art. Archival linen backed in excellent condition, ready to frame. Grade A. ...