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Item Ships From: USA
Elizabeth, Countess of Northumberland: Mezzotint After a Painting by J. Reynolds
By Joshua Reynolds
Located in Alamo, CA
This is an 18th century mezzotint portrait of Elizabeth, Countess of Northumberland, Baroness Percy by Richard Houston after a painting by Joshua Reynolds, published in London by Robert Sayer in 1763. It is a rare, full length portrait of Elizabeth, who was known as Lady Betty. Lady Betty stands, facing to the right, holding her coronet, and wearing her peeress’s ermine and velvet robes over a brocade dress. In the background are a column, a billowing drape, and the grounds of Alnwick Castle...
Category

Mid-18th Century USA - Interior Prints

Materials

Mezzotint

THE MAIN ATTRACTION Hand Drawn Lithograph, Surrealist, Moon, Tree Onstage
By Michael Hasted
Located in Union City, NJ
THE MAIN ATTRACTION is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid fr...
Category

1980s Surrealist USA - Interior Prints

Materials

Lithograph

The Heidelberg Tun: A Framed 17th Century Engraving of a Huge Wine Cask
Located in Alamo, CA
"The Heidelberg Tun" is a 17th century engraving by an unknown artist. It depicts a famous huge ornamental wine cask that resided in the wine cellar of Heidelberg Castle. The cask shown here, built in 1664, is the second of four Heidelberg Tuns; the first was destroyed during the Thirty Years' War, between 1618 and 1648. This cask was built in 1664 when Karl Ludwig ordered Heidelberg cellar master...
Category

Late 17th Century Old Masters USA - Interior Prints

Materials

Engraving

The German Chapel in St. James Palace, A 19th Century Hand Colored Engraving
By Charles Wild
Located in Alamo, CA
A hand-colored engraving of the interior The German Chapel, St. James Palace in London, England from 'The History of the Royal Residences of Windsor Castle, St. James Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore', commissioned by the British Royal Family. The work is one of the finest depictions of interiors ever published. The engraving was created by Daniel Havel (1786-1826) after a painting by Charles Wild (1781-1835) and published by William Henry Pyne (1770–1843) in 1819. The print is presented in a gold-colored wood museum style frame and an elaborate light grey French mat with highlighted gold and royal blue bands. A certificate of authenticity from Trowbridge Gallery...
Category

Early 19th Century Victorian USA - Interior Prints

Materials

Aquatint

Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea
By Peter Milton
Located in Middletown, NY
Interiors I: Family Reunion 1984 Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107] Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...
Category

1980s American Modern USA - Interior Prints

Materials

Engraving, Etching

Toast
Located in San Francisco, CA
This artwork titled "Toast" c.1990, is an original color serigraph by American artist Rickey Jewell Hohimer, 1946-2021. It is hand signed, titled and numbered 98/300 in pencil by the artist. The image size is 23.75 x 9.5 inches, framed size is 30.25 x 16.25 inches. The artwork is in excellent condition, the frame is slightly damaged, and will be replaced by a new similar black frame when sold. This will bring the over all condition to excellent. About the artist: Although formally trained with a MFA in painting, Rickey Jewell Hohimer has used the styles of Van Gogh and Gaughin to reach for the spontaneity and simplicity of today's folk art. Hohimer creates figures which are not photos of reality; they are romantically stylized to encourage straightforward emotional responses both to the colorful images and to the situations in which they find themselves. Each of Hohimer's paintings lays out a basic story line to which viewers add their own details. "I want the viewer to become personally involved. My paintings offer a change from those which encourage extensive intellectualizing about what the artist is trying to convey. I want viewers to smile -- to enjoy the whimsical nature of what they are experiencing -- to feel it, not to analyze it. His jazz paintings are stories on canvas of inspired musicians spontaneously making music of the moment. Life in the jazz age is clubs and nightlife beckoning to musicians to produce jazz art...
Category

Late 20th Century American Modern USA - Interior Prints

Materials

Screen

Farmers enjoying a barn dance with a violinist and a bagpiper.
By Adriaen van Ostade
Located in Middletown, NY
Etching on cream laid paper mounted to a cream laid paper support, 9 x 12 7/8 inches (230 x 327 mm), thread margins. Three small areas of light skinning with one extremely small hole...
Category

Mid-17th Century Old Masters USA - Interior Prints

Materials

Etching, Laid Paper

Rare Albright Knox museum poster (hand signed and inscribed to renowned curator)
By Dan Flavin
Located in New York, NY
Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...
Category

1970s Abstract Geometric USA - Interior Prints

Materials

Pencil, Lithograph, Offset

"Toy Horse Dance" Japanese Woodblock Triptych with Beauties and Mt Fuji
Located in Soquel, CA
"Toy Horse Dance" Japanese Woodblock Triptych with Beauties and Mt Fuji Vibrant three-panel woodblock print by Utagawa Toyohiro (Japanese,...
Category

Early 20th Century Edo USA - Interior Prints

Materials

Ink, Rice Paper, Woodcut

Songbird
By Pati Bannister
Located in San Francisco, CA
This artwork titled "Strawberies" 1990 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 45/485 in pencil by ...
Category

Late 20th Century Romantic USA - Interior Prints

Materials

Lithograph

David Burdeny - Bedroom Desk, Havana, Cuba, Photography 2014, Printed After
By David Burdeny
Located in Stamford, CT
All available sizes editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 What makes Burdeny’s Cuba series different...
Category

2010s Contemporary USA - Interior Prints

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, C Prin...

Peter Green Astral Form 1969 Signed Limited Edition Woodcut
Located in Rochester Hills, MI
Artist: Peter Green Title :Astral Form Year:1969 Edition: Signed, Dated and marked 19/30 Paper Size = 26½" x 38½" inches Type: Woodcut Born in 1933, Peter Green studied at Brighto...
Category

1960s Modern USA - Interior Prints

Materials

Woodcut

Emilio Sanchez "Puerta en San Juan" Lithograph
By Emilio Sanchez
Located in New York, NY
Emilio Sanchez Puerta en San Juan, c. 1965 Lithograph Image: 21 1/2 x 13 1/4 in. Sheet: 18 3/4 x 12 1/4 in. Framed: 29 1/4 x 20 3/4 x 1 in. Edition 17 of 50 Numbered, titled, and si...
Category

1960s Modern USA - Interior Prints

Materials

Lithograph

A Rare 19th Century Honore Daumier Caricature from the "Types Parisiens" Series
By Honoré Daumier
Located in Alamo, CA
This is a rare 19th century satirical lithograph by Honoré-Victorin Daumier entitled "Types Parisiens, L'InstItuteur: Votre fils me fera honneur!....c'est un joli sujet!!!", No. 24 (Parisian Types, The Institutor: Your son will be my honor! ... it's a nice subject !!), published in Paris in the satirical magazine La Caricature, May 24, 1840 by Aubert et Cie. It depicts a man presenting his son to another man, presumably a teacher or school headmaster, who politely states that it would be an honor to take care of such a nice boy, as he watches the boy picking his nose. An apparent teaching poster or map hangs on the wall in the background. This rare Daumier lithograph...
Category

Mid-19th Century Other Art Style USA - Interior Prints

Materials

Lithograph

A Pair of Framed 19th Century Colored Lithographs of Tudor Scenes by Joseph Nash
By Joseph Nash
Located in Alamo, CA
This is a pair of framed 19th century tinted lithographs with hand-coloring entitled "Gallery Over the Hall, Knowle, Kent" and "Terrace Bramshill, Hants" by Charles Joseph Hullmandel (1789-1850) after drawings by Joseph Nash (1809-1878), from "Mansions of England in the Olden Time", published in London in 1839-1849. Nash's publication consists of a series of views of Tudor domestic architecture, which Nash said depicted "the most characteristic features of the domestic architecture of the Tudor Age, and also illustrating the costumes, habits, and recreations of our ancestors." The scenes of the aristocratic ladies and gentlemen (including Henry VIII and Queen Elizabeth I), who are depicted inhabiting the rooms of these great houses, were taken directly from the portraits on the walls. Charles Joseph Hullmandel, was involved in the creation of these lithographs. He was a famous British lithographer, who invented the "lithotint" process, which he named and patented in 1840. This technique, allowing for greater nuance and value gradation than pure lithography, was an ideal means of expression for Nash's historically rich and picturesque depictions of Tudor mansions and their inhabitants. Hullmandel is also remembered for creating many lithographs from the paintings by J. M. W. Turner. The "Gallery Over the Hall" depicts a great hall with children playing with skittles (wooden pins resembling bowling pins), a doll and what looks to be a St Charles spaniel, while a lady in Tudor attire watches over them next to a massive stone fireplace. Adults are watching from in the distance while a man bows...
Category

Late 19th Century Romantic USA - Interior Prints

Materials

Lithograph

David Feinstein, Visitors Day, WPA lithograph of NYC Public School
Located in New York, NY
David Feintstein is a master draughtsman working in the genre of everyday life in New York City. His style is highly original, especially in this work. Here he's used Visitors' Day (...
Category

1930s American Modern USA - Interior Prints

Materials

Lithograph

GLORY Signed Linocut on Black Arches, Standing Profile Black Woman Portrait
By Elizabeth Catlett
Located in Union City, NJ
GLORY is a hand pulled, original limited edition relief / linocut print by the American and Mexican woman artist, printmaker and sculptor, Elizabeth Catlett. GLORY was created using ...
Category

Early 2000s Contemporary USA - Interior Prints

Materials

Linocut

Opera
By Ludwig Favre
Located in New York, NY
ABOUT THIS PIECE: Ludwig captures the monumental architecture of Paris with the romantic eye of a Parisian. Favre is known for his soft palette, interesting crops and large scale pho...
Category

2010s USA - Interior Prints

Materials

Photographic Paper

VICTOR VASARELY - OEUVRES PROFONDES CINETIQUES VII
By Victor Vasarely
Located in Pembroke Pines, FL
Artist: Victor Vasarely Title: Profound Works VII Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher...
Category

1970s Op Art USA - Interior Prints

Materials

Screen

Velasquez Les Menines by Salvador Dali 1974 Lithograph
By Salvador Dalí­
Located in Paonia, CO
Velasquez Les Menines is one of six graphics from the series Changes in Great Masterpieces published by Sidney Lucas, 1974. Master Dali has given us a...
Category

1970s Surrealist USA - Interior Prints

Materials

Lithograph

The Sphinx Pyramid, Giza, Egypt: Original 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Side View of the Great Sphinx" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published ...
Category

1840s Realist USA - Interior Prints

Materials

Lithograph

View of Cairo, Egypt: A 19th C. Framed Hand-colored Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Tombs of the Memlooks, Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publis...
Category

1840s Realist USA - Interior Prints

Materials

Lithograph

Early Work (Hand Signed by Richard Serra) Zwirner Gallery poster Minimalist art
By Richard Serra
Located in New York, NY
Richard Serra Early Work (Hand Signed), 2013 Offset lithograph (Hand Signed by Richard Serra) Boldly signed by Richard Serra on the front 18 × 24 inches Unframed This print was published on the occasion of the eponymous exhibition at David Zwirner in 2013. It depicts Richard Serra in his studio in 1968. The print was hand signed by the artist on the occasion of his opening at Zwirner Richard Serra Biography Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite für Wissenschaften und Künste, Federal Republic of Germany (2002); Leone d’Oro for lifetime achievement, Venice Biennale, Italy (2001); Praemium Imperiale, Japan Art Association (1994); Carnegie Prize (1985); a National Endowment for the Arts Fellowship (1974); and a Fulbright Grant (1965). In 2013 in New York, David Zwirner presented Richard Serra: Early Work, a critically acclaimed exhibition that brought together significant works from 1966 to 1971. The accompanying catalogue extensively covers this period of the artist’s career with a compendium of archival texts and photographs and an essay by Hal Foster...
Category

2010s Minimalist USA - Interior Prints

Materials

Permanent Marker, Lithograph, Offset

Judy Jessica , Art Deco Lithograph, Woman Artist, Salon d Automne, Paris, AIC
By Nura Ulreich
Located in Santa Cruz, CA
A mid-century. stone lithograph titled 'Judy and Jessica' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. A brigh...
Category

1940s USA - Interior Prints

Materials

Paper, Lithograph

Scene Galante au XVIII eme Siecle #2
By Antoine Calbet
Located in San Francisco, CA
This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left. About the artist. Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert. Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime. Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration . Selected museums and collections Dallas , Dallas Museum of Art : Back woman...
Category

Mid-20th Century Realist USA - Interior Prints

Materials

Aquatint

Le Talon Aigville - In Celebration of Pride Month
By Laurent Schkolnyk
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. This mezzotint was created by Laurent Sckolnyk and was meant as an homage to the mo...
Category

Late 20th Century Contemporary USA - Interior Prints

Materials

Mezzotint

The Root of King’s Evil, NB To cure the Constitution of this evil, the axe ...
By George Cruikshank
Located in Middletown, NY
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor. London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...
Category

Early 19th Century Victorian USA - Interior Prints

Materials

Watercolor, Etching

Sewing Circles
By Carol Wax
Located in New Orleans, LA
A play on words provides the title for this image -- a circle created out of the deconstructed parts of Singer IV This image is #37 from an edition of only 50, referenced as Firos 78...
Category

1990s American Modern USA - Interior Prints

Materials

Mezzotint

Telephone (The iPhone of the early 20th Century)
By Laurent Schkolnyk
Located in New Orleans, LA
This is an artist's proof (xv/xv) of an early telephone that is signed and numbered by the artist in pencil Schkolnyk was born in Paris, France in 195...
Category

1980s American Modern USA - Interior Prints

Materials

Mezzotint

Candle Light (a serene sacred shrine for decency and peace with Asian feel)
By Masahiro Arai
Located in New Orleans, LA
"Candle Light" is a lithograph signed, dated, titled and editioned in pencil. It is #2 from an edition of 65 and was an exclusive publication of Stone and Press. Shadow and light are...
Category

1990s Modern USA - Interior Prints

Materials

Lithograph

Original "Othello" (and Desdemona) vintage lithographic theater poster
Located in Spokane, WA
Original vintage poster for Othello, horizontal format; linen-backed. Full lithograph from the 1920. Stafford & Co., England. Brilliant, scarce stone lithograph of Othello with a dagger and sleeping Desdemona in the climactic scene of Shakespeare’s tragedy. This is an Art Nouveau period English poster for a production of the Shakespeare play Othello. S Co Ltd, Stafford & Co Ltd, Netherfield, 1920s printed this poster. Excellent condition. Othello, a Moorish general of Venice, has just promoted Cassio as his lieutenant; Iago, who was hoping for the promotion himself, plots against both Cassio and Othello to exact revenge. Othello has secretly married Desdemona, the beautiful daughter of Venetian senator Brabantio, and Iago is determined to use Desdemona as the means of his revenge. William Shakespeare's tragedy "Othello," which has been adapted into numerous films, plays, and other media since its original publication in 1622. This is an Original Vintage Theater Poster...
Category

1920s Art Nouveau USA - Interior Prints

Materials

Lithograph

New Orleans Go Greyhound original vintage travel poster
Located in Spokane, WA
Orignal NEW ORLEANS GREYHOUND vintage travel poster; larger format size. Excellent condition that has acid-free archival linen backing; ready to frame. This image is from the old French Quarter section of New Orleans. It features two women entering into the courtyard and in the background, the old stairs leading to the upstairs area. A bright and colorful image that would compliment any room or office. A great New Orleans vintage poster...
Category

1960s American Modern USA - Interior Prints

Materials

Offset

Desirable Garden, by Yuji Hiratsuka
By Yuji Hiratsuka
Located in Palm Springs, CA
Signed, titled, and numbered by the artist. Extravagant multi-colored blossoms fill the image in this etching by Yuju Hiratsuka. While Hiratsuka's images have some resemblance to tr...
Category

2010s Contemporary USA - Interior Prints

Materials

Etching, Aquatint

General Washington Saying Farewell to His Officers in Fraunces Tavern, New York
By Samuel Chamberlain
Located in Soquel, CA
General Washington Saying Farewell to His Officers in Fraunces Tavern, New York This etching, 'General Washington Saying Farewell to His Officers in Fraunces Tavern, New York', was ...
Category

1930s American Impressionist USA - Interior Prints

Materials

Laid Paper, Etching

Bibliotheque Sainte Genevieve
By Ludwig Favre
Located in New York, NY
THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre continues his series on empty architectural spaces with the Reading Room of the Bibliotheque Sainte Genevieve...
Category

2010s USA - Interior Prints

Materials

Photographic Paper

FIVE GEISHA WITH FANS Signed Lithograph Asian Women Shoji Screen, Lime Yellow
By Walasse Ting
Located in Union City, NJ
FIVE GEISHA WITH FANS is an original hand drawn lithograph printed on archival Somerset printmaking paper, 100% acid free, by the renowned Chinese born artist Walasse Ting (DING XION...
Category

1980s Contemporary USA - Interior Prints

Materials

Lithograph

Chris Ware New Yorker Cartoonist Limited Edition Thanksgiving Print NYC
By Chris Ware
Located in Surfside, FL
This is one print – printed in full color on 15" x 20" heavy cream-colored paper. It is from a limited edition series of 175, the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not. The page with the hand signature is included here as a photo for reference only it is not included in this sale. Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style. Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'" While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue. Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb. Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character. Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012. Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle. In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul. Awards and honors Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories. Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007. Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...
Category

Early 2000s American Modern USA - Interior Prints

Materials

Color

Enchanted Doorway, Venezia (La Porta della Carta, Venezia 29)
By John Taylor Arms
Located in Plano, TX
Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29). 1930. Etching. Fletcher catalog 227 state ii. 12 3/8 x 6 9/16 (sheet 15 13/16 x 9 15/16). Edition 148 in this state (...
Category

1920s American Modern USA - Interior Prints

Materials

Etching

Listen
Located in San Francisco, CA
This artwork titled "Listen" 1998 is an original color lithograph on paper by noted American artist David Hollowell, b.1951. It is hand signed and num...
Category

Late 20th Century Surrealist USA - Interior Prints

Materials

Lithograph

North View of St. Paul s Cathedral, London English School, 19th century
Located in Middletown, NY
London: Tallis & Co., 1851 Lithograph on cream wove paper, 11 3/4 x 15 3/4 inches (297 x 398 mm), with vaulted margins at the top sheet edge. Significant toning, and some edge wear. ...
Category

Mid-19th Century English School USA - Interior Prints

Materials

Handmade Paper, Lithograph

RABBI TEACHING Signed Lithograph, Rabbi and Young Boy, Jewish Art, Judaism
Located in Union City, NJ
RABBI TEACHING is an original hand drawn, limited edition lithograph printed by hand in black ink on archival Arches printmaking paper 100% acid free from a hand drawn lithography st...
Category

1970s Contemporary USA - Interior Prints

Materials

Lithograph

The So-Called Tempio della Tosse, Near Tivoli. Interior Upright
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse) "Temple of the Cough" Etching, 1764 Signed in the plate From: Vedute di Roma...
Category

1760s Old Masters USA - Interior Prints

Materials

Etching

Flowers by the Window, Mid Century Cubist Still-Life Limited Edition Lithograph
By Fausto Maria Casotti
Located in Soquel, CA
Vibrant cubist still life, a hand signed limited edition lithograph print by Fausto Maria Casotti (also known as Cauri) (Italian, b. 1924). Bold colors and blocky shapes characterize...
Category

Mid-20th Century Cubist USA - Interior Prints

Materials

Paper, Ink

Winners and Loosers
Located in San Francisco, CA
This artwork titled "Winners Loosers" is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed and inscribed/n...
Category

Late 20th Century American Realist USA - Interior Prints

Materials

Lithograph

Scene Galante au XVIII eme Siecle #1
By Antoine Calbet
Located in San Francisco, CA
This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left. About the artist. Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert. Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime. Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration . Selected museums and collections Dallas , Dallas Museum of Art : Back woman...
Category

Mid-20th Century Realist USA - Interior Prints

Materials

Aquatint

Les Belles et La Bête I: The Rehearsal
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...
Category

1970s American Modern USA - Interior Prints

Materials

Archival Paper, Engraving, Etching

William B. Sharp, The Wedding, 1946, lithograph
Located in New York, NY
William Bertrum Sharp (1924-1984) served in the Armed Forces during World War II and is considered among the first artists to attend art school under the GI Bill. He studied (proba...
Category

1940s American Modern USA - Interior Prints

Materials

Lithograph

Un Sculpteur de Paris
By Arthur William Heintzelman
Located in Middletown, NY
Etching and drypoint on cream laid Van Gelder Zonen watermarked paper, 8 7/8 x 6 1/2 inches (220 x 164 mm), full margins. Signed, titled, and inscribed "ed. 100" in pencil, lower mar...
Category

Early 20th Century Modern USA - Interior Prints

Materials

Laid Paper, Drypoint, Etching

Howard Hodgkin hand-colored Early Evening in the Museum of Modern Art
By Howard Hodgkin
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, and hand painting in grey, to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract. Early Evening in the Museum of Modern Art, by Howard Hodgkin. Signed by the artist, numbered, and dated 79 lower center in red crayon. Soft-ground etching printed from the same plate as 'Late Afternoon in the Museum of Modern Art', with hand coloring in black gouache on Grey BFK Rives mould-made paper. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Wide areas of deep black pigment contrast urgent swipes of ink. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each impression in the edition unique. Part of a series of four prints reflecting on a visit to...
Category

Late 20th Century Abstract USA - Interior Prints

Materials

Gouache, Etching

La Messe (The Mass), after Caravaggio
Located in Middletown, NY
Chiaroscuro woodcut with underlying engraving on cream laid paper, printed from two blocks in brown and olive. 10 1/4 x 12 3/4 inches (260 x 321 mm) (plate), full margins with the text printing clearly below in black ink. In very good condition with scattered surface soiling and several minor flecks of light discoloration in the margins, especially in the area of the lower right corner, well outside of image area. Unobtrusive notations in pencil in the margin and on the verso. All condition issues are consistent with age. After a drawing of the same title by Polidoro da Caravaggio...
Category

Mid-18th Century Old Masters USA - Interior Prints

Materials

Laid Paper, Engraving, Woodcut

Picasso at Vauvenargues 1962 by David Douglas Duncan
Located in San Francisco, CA
David Douglas Duncan: 1916-2018. Well listed photographer who had rare access to Picasso. He took numerous photos of the master at work, and at pl...
Category

1960s USA - Interior Prints

Materials

Offset

Sleeping Car
By James L. Hendershot
Located in New Orleans, LA
Associated American Artists published "Sleeping Car" by James Hendershot. This image shows a rail car filled with passengers and conductors. This exhibit...
Category

Late 20th Century American Modern USA - Interior Prints

Materials

Lithograph

VICTOR VASARELY - OEUVRES PROFONDES CINETIQUES III - 1973
By Victor Vasarely
Located in Pembroke Pines, FL
Artist: Victor Vasarely Title: Profound Works III Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher...
Category

1970s Op Art USA - Interior Prints

Materials

Screen

Synagogue Duke s Palace Houndsditch by Th. Sunderland after Pugin Rowlandson
By Thomas Rowlandson
Located in Middletown, NY
A faithful architectural rendering of the earliest Ashkenazi synagogue constructed in London; built about 1690, and subsequently destroyed in the Blitz, 1941. London: Rudolph Ackerm...
Category

Early 19th Century English School USA - Interior Prints

Materials

Handmade Paper, Engraving, Aquatint

"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate)
By John Taylor Arms
Located in Soquel, CA
"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate) Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail. Titled, signed, dated, and inscribed along the bottom edge: Sketch, Saint Aignon, Chartres John Taylor Arms 1950 The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes" Presented in a wood frame with an off-white mat. Frame size: 12.5"H x 9.25"W Image size: 7"H x 4.5"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...
Category

1940s Victorian USA - Interior Prints

Materials

Paper, Ink, Drypoint, Etching

London Dandies-or- Monstrosities of 1816, Scene, Hyde Park, from Monstrosities
By George Cruikshank
Located in Middletown, NY
London: Thomas McLean, 1818. Third Edition. Etching with hand coloring in watercolor on cream wove paper (published August 1st, 1835), 9 7/8 x 14 inches ...
Category

Early 19th Century Victorian USA - Interior Prints

Materials

Watercolor, Etching

Joseph Hirsch, (Cutting the Beard)
By Joseph Hirsch
Located in New York, NY
A man with lots of whiskers is trimming his facial hair while looking in a mirror. The male figure and his beard are carefully drawn but Hirsch has cleverly just briefly sketched in ...
Category

Mid-20th Century Ashcan School USA - Interior Prints

Materials

Lithograph

Radical Parliament; "Plan to Assassinate Her Magestie s Ministers."
By George Cruikshank
Located in Middletown, NY
An image of the last major insurrection in Great Britain, known as Guy Fawkes's Cato Street Conspiracy. London: Thomas Mclean, 1835. Etching with hand colo...
Category

Mid-19th Century Victorian USA - Interior Prints

Materials

Watercolor, Etching

Ben Messick, Coffee and Donuts (Sinkers Java)
By Ben Messick
Located in New York, NY
Ben Messick perfectly captures the world of the 'Ashcan' period: Everyday life, local characters, people we could still meet today. He could draw like a son-of-a-gun! The date of 194...
Category

Mid-20th Century Ashcan School USA - Interior Prints

Materials

Lithograph

The Silent Pie
By John Sloan
Located in Middletown, NY
Etching on cream wove paper, 5 3/8 x 4 1/4 inches (135 x 107 mm), signed in the plate, lower right. Third state (of 3), from the novel The Flower Girl, vol. 2. by Paul de Kock. In go...
Category

Early 20th Century American Modern USA - Interior Prints

Materials

Handmade Paper, Etching