USA - Sculptures

"Diamond Ambrosia" Figurative Sculpture 7.5 x 7 in Ed. of 3 by Colin Burn Diamond Ambrosia Limited Edition Life-Cast Diamond Sculpture Limited Edition - 3 Only Edition: Artist Proof...

a mesmerizing sea of light amber, emerald and aqua color tones, from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's unique...

Carter’s work often morphs the human figure with animal, creating mythological creatures and extraordinary fictional compositions. Her work explores themes of duality, transformation...

This is a mid 20th century mod abstract large bronze sculpture by Wolfgang Behl (German/American, 1918-1994). The sculptural group titled "The Family" features a mother and father with two children. Numbered 20/20. Signed. 21" H x 10 1/4" x 10 1/4 Wolfgang (Johann Wolfgang) Behl (1918 - 1994) was active/lived in Connecticut, Illinois / Germany. Known for Sculpture and as an architectural carver. A carver,designer, and teacher, Wolfgang Behl was born in Berlin, Germany where he studied at the Berlin Academy of Fine Arts. His teacher was otto Hitzberger, sculptor and architecture carver. I have seen some his work, particularly in carved wood compared to Constantin Brancusi although this one seems way more reminiscent of Alberto Giacometti. In 1939, Behl came to the United States and taught briefly in Pennsylvania at the Perkiomen School and in Rhode Island at the Rhode Island School of Design. There in 1943, he won the Joseph N. Eisendrath prize for sculpture. He also became a friend of Louis Mayer, sculptor from Milwaukee. In 1944, Behl took a job as Art Director at the Lake Forest Academy in Lake Forest, Illinois, and he also began a one-year teaching assignment at the Layton School of Art in Milwaukee. The last years of his life until his death were in Hartford, Connecticut. Source: Peter C. Merrill, "German-Immigrant Artists in Early Milwaukee" Originally from Berlin, Germany, Mr. Behl immigrated to the United States in 1939 and became a citizen in 1947. He studied with Waldemar Raemisch at the Academy of Fine Arts in Berlin, and later at the Rhode Island School of Design. He began teaching at the Hartford Art School in 1955, retiring in 1983 to devote his time to sculpting. Mr. Behl had exhibitions throughout the United States and Germany. Some of his solo exhibitions include the Arts Exclusive in Simsbury from 1976 to 1981, and the Bertha Schaefer Gallery in New York City from 1950 to 1973. He showed at the New Britain Museum of American Art, in New Britain, Connecticut in 1969. He also had several retrospectives, including one at the Greater Hartford Jewish Community Center in West Hartford until the end of this month. His works in bronze have a German Expressionist quality to them a pathos found in the works of Kathe Kollwitz and the Expressionist movement. He was known for his classically inspired, but often surrealist sculpture. Among his most-well known pieces are a series of sculptures done for the University of Connecticut Health Center. Several examples of Behl’s work are found on the campus of the University of Hartford. He was included in the show Monumentality in Modern Sculpture at the Contemporary Arts Museum Houston, Texas, 1957. Artists featured in the exhibition: Kenneth Armitage, Hans Arp, Ernst Barlach, Wolfgang Behl, Dorothy Dehner, Edgar Degas, José de Rivera, Max Ernst, Alberto Giacometti, Joseph Glasco, Julio González, Paul Granlund...

This piece titled "MJ-b61a71b56ed1" is a crafted original piece by Tuft the World as part of the inaugural collection of TTW Editions. This piece measur...

Abstract geometric three-dimensional wood wall sculpture in pale grey, light blue, light taupe, and beige, with accents of stormy blue "In, Out, Over, and About", hand-carved woode...

Yayoi Kusama Set of 3 Pumpkins: Yellow and Black, Red White and Red Black Naoshima: An iconic, vibrantly colored pop art set - these small Kusama pumpkin sculptures feat...

Date: circa 1980 Green Onyx sculpture on marble base, signature inscribed at base Size: 45 x 10 x 10 in. (114.3 x 25.4 x 25.4 cm)

KAWS Black Holiday Companion (KAWS Taipei) This figurative vinyl sculpture features KAWS' signature character COMPANION in a resting seated position. Published by All Rights Reserve...

Artist: Mel Ramos, American (1935 - ) Title: Mixed Nuts Year: 2008 Medium: Enamel on Steel, signed and numbered in marker Edition: 125, 25 AP Size: 28 in. x 20 in. x 1.5 in. (71.12 c...

Sara Fine-Wilsons “Tinge” is a gestural 17 x 17 x 8 inch ceramic sculpture in pale cream, light gray and white with iron speckles. In this graceful and evocative sculpture individual...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Greg Chann Agis, 2025 acrylic and ink 16 x 13 x 2.5 in. (cha037)

Waylande Gregory (1905-1971). Nude Reclining, ca. 1950's. Painted composite cast from original sculpted in 1930's. Casting sanctioned and approved by the artist during his lifetime in partnership with MPI, Museum Pieces Incorporated. Very few examples were produced and even fewer survive. Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's Nautch Dancer, and his Burlesque Dancer. He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his Burlesque Dancer at about the same time as Nautch Dancer. As with the Nautch Dancer, he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for Burlesque Dancer, a clue to her identity is revealed in the sculpture's earlier title, Shimmy Dance. The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the Star Spangled Banner and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the Burlesque Dancer sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his Kansas Madonna. But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of Kansas Madonna. The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of Kansas Madonna totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture...

LABUBU, Kasing Lung, LABUBU, Big into Energy "Have A Seat" Blind Box Unopened Mint Condition Japan, 2025 ABS/PVC/Polyester 6 7/10 × 3 7/10 × 2 7/10 in 17 × 9.4 × 6.9 cm From an open...

Dale Chihuly (born September 20, 1941, American) " Mirage Chandelier Ceiling" over 600 pieces of Blown Glass (packaged in 72 boxes) Year 2005 Dimensions 48" x 194" x 163", Stu...

Tony Hochstetler's "Seated Frog Fountain" (2015) is an original handmade bronze sculpture that depicts a frog sitting on a rock. TONY HOCHSTETLER is a sculptor of unusual animals an...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Jean-Michel Basquiat 1000% Bearbrick Vinyl Figure: A nicely sized (27 inch), highly collectible Bearbrick Basquiat statue piece, trademarked & licensed by the Estate of Jean-Michel ...

There is a metaphorical interplay between the natural imagery international artist, Jennyfer Stratman, uses and its multiple meanings. While the human figure features strongly, it is...

Charming and uncommon cast-iron folk art figure depicting a young black boy riding atop an alligator, rendered in vibrant hand-painted colors and cast in two joined halves typical of...

Yoshitomo Nara is a Japanese artist best known for his paintings of children and animals that appear simultaneously sweet and sinister. A contemporary of Takashi Murakami, Yoshitomo ...

Tete de Femme after Modigliani, produced by Austin Productions in 1961. Austin Productions started in Brooklyn in 1952 and began manufacturing reprodu...

Alexsander Danel (Estonian, 1940-2001) Brutalist Panther Sculpture, 1996 Signed 'Danel' and 'Austin Sculpture' to back leg 13.5 x 16.5 inches Alexsander Danel was born in Estonia and graduated from both the Moscow Industrial Arts School and the Moscow Fine Arts Academy. He earned many awards and distinctions in the Soviet Union, including "Best Work of the Year" in 1973 for his monumental work commemorating the history of the Russian Wars, installed in Kirov. Alexsander Danel emigrated to the U.S. in 1976, after spending a year in Rome where he sculpted set designs for Fellini's "Cassanova" and the Napoli Theater production of "Aida". After settling in New York, he completed commissions for Rockefeller Plaza and Radio City Music Hall. In 1992, he held his first one person show exhibiting computer generated...

"ART DISEASE Pillsbox" Acrylic, glass, Capsules 24x18x2" - (wall hanging or lays flat)

Framed in a clear acrylic shadowbox, Catherine Latson's contemporary wall-mounted fiber sculpture Specimen 25 reads as an artistic rendition of a beautiful sea specimen. Rich, jewel-...

This 5.5" x 8.5" ceramic wall sculpture was created by Brian Bosworth. This is a contemporary piece that demonstrates sophisticated glazing techniques and compositional balance. The ...

Anna Kruhelska, a talented visual artist and practicing architect from Lodz, Poland, merges her expertise in both fields to create captivating artworks. With a background in major ar...

Viga 1, 2, 3 4 is a group of sculptures by contemporary artist Tom Price. These sculptures are made of resin, tar, steel, wood. Overall dimensions are 242 × 180 × 45 cm (95.2 ×...

This piece titled "Portal I" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 14.5"h x 9.5"w. Born in Mexico City, A...

"Sunday Mornings" is an original piece by Sarah Detweiler made from acrylic paint and photo transfer on memory foam-stuffed leather; printed cotton. This piece measures approximately...

KAWS Holiday Changbai Mountain (KAWS white Changbai): A beautifully composed snowy-white KAWS COMPANION published to commemorate KAWS' ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Linear 2, Size: 34" x 60" x 3'' inch,86 x153x8 cm...

Artist: Jeff Koons Title: Balloon Dog (Blue) Year: 2021 Medium: Porcelain with metallic chromatic coating Dimensions: 15 3/4 x 18 7/8 x 6 3/16 inches (40 x 47.9 x 15.7 cm) Edition: 7...

Nativity Scene with Blessed Mary, Kneeling Joseph, Angel, One Shepherd, One King, Manger, Baby Jesus, and Two Animals. The figures range in height from 18.5" to 12"; animals are 3" ...

Yayoi Kusama Original Limited Edition hand signed and numbered Pumpkin (Red), 1998 Painted cast resin on ceramic tile in the original wood box, display plate and paper box Signed and...

Artist: Anthony Quinn Title: Song of Zorba Year: 1984 Medium: Bronze sculpture on marble base, signature and year inscribed Size: 24 in. x 20 in. x 9 in. (60.96 cm x 50.8 cm x 22.86...

An exceptional 4 column tower work by Vasa Mihich. Great colors used on this piece which tend toward the pastel. Great for an entryway or room that has a lot of natural light. On ...

III (Wish #1, Wish #2, Wish #3) Set of 3 Wishbones - Peter Norton Christmas Gift Fanciful set of three different wishbones by Lorna Simpson (American, b. 1960). Three wishbones, one...

Retaining a fine patina and in overall good condition. Signed with initials SB. I believe the edition size was 7 But I cannot find a mark. Stanley Bleifeld (1924 – 2011) was an American sculptor. Stanley Bleifeld was born and raised in Brooklyn, New York, Bleifeld earned bachelor of fine arts, bachelor of science in education and in 1949 a master of fine arts degree in painting at Tyler School of Art of Temple University. After a trip to Rome in 1959 or 1960 he gave up painting for sculpture. He began his fine-art career as a painter. However, a visit to Italy and exposure to the bronzes of Donatello, Michelangelo, and Ghiberti changed his direction He worked with the Art Foundry of Massimo del Chiaro and alongside artists such as Lucchesi, Harry Marinsky, Fernando Botero, Igor Mitoraj and Ivan Theimer. Many of his early pieces were religious subjects, and reflected both painting and sculptural techniques in bas reliefs* that had "liquid landscapes in undulating reliefs and free-flowing portraits reminiscent of classical fragments" (166-167). He later turned from these abstract pieces to more realistic figures in bronze. Bleifeld was a National Academician in Sculpture, and a member of the National Academy of Design, and helped set policy for that organization. He was also President of the National Sculpture Society. Past presidents of the society have included John Quincy Adams Ward, James Earle Fraser, Chester Beach, Wheeler Williams, Leo Friedlander, Neil Estern, and Cecil de Blaquiere Howard. The first woman to gain admission into the NSS was Theo Alice Ruggles Kitson, in 1893. She was followed a few years later by Enid Yandell and Bessie Potter Vonnoh in 1898; Janet Scudder in 1904; Anna Hyatt Huntington in 1905 and Evelyn Longman and Abastenia St. Leger Eberle in 1906. In 1946, Richmond Barthé was likely the first African-American to be admitted. In 1994, the NSS held their first exhibition outside the United States at the Palazzo Mediceo Di Seravezza in Italy. Titled “100 Years of the National Sculpture Society of the United States of America in Italy” it ran from the 16th of July through the 4th of September and was curated by Nicky and Stanley Bleifeld along with Costantino Paolicchi, Lodovico Gierut and Paolo Giorgi. Among the 60 notable American sculptors whose work was selected for the exhibition were Stanley Bleifeld, Andrew DeVries, Neil Estern, Leonda Finke...

Jean-Michel Basquiat Bearbrick Vinyl Figures: Set of two (400% & 100%) c.2023: A unique, timeless collectible trademarked & licensed by the Estate of Jean-Michel Basquiat. The partne...

Celadon 3 from Chloe Hedden’s Fold Series envelops the viewer in the quiet drama of form, color, and materiality. Created from hand-dyed linen on linen, the piece merges tonal subtle...

"Inspiratio, Atelier" by Richard MacDonald captures a powerful moment of harmony between two dancers—a male and female form united in perfect poise. With one arm each extended skywar...

"Guided Spirit" (maquette) Abstract, Tabletop Size, Metal Sculpture by Kevin Barrett Bronze Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculptu...

A hyper-realistic glass sculptor, Dylan's playful creations deceive the eye with their lifelike appearance. Whether mimicking water balloons or plastic bags filled with water housing...

Linda Stein, Knight of Tomorrow 542 - Contemporary Metal Stone Wood Sculpture Linda Stein started her Knights of Protection series after she was forced to evacuate her New York downtown studio for a year post-9/11. Stein’s Knights function both as defenders in battle and symbols of pacifism. The series references popular and religious icons such as Wonder Woman, Princess Mononoke...

American artist Chris Maynard gives homage to nature through the plumage of birds -using feathers acquired from legal sources such as zoos and private aviaries all naturally shed by ...

This piece, titled "Neighborling Maquette 29" is an original free-standing sculpture by Seth Clark as part of his newest solo exhibition, "Passing Through". Clark's deteriorating st...

A new middle class began to emerge in Colonial America and a migration into urban areas began. Unlike farmhouses, these new homes were elegant two-store homes designed in the new Georgian style, imitating the lifestyle of the upper middle class of England. The interiors consisted of a passageway down the middle of the house with specialized rooms off the sides, such as a library, dining room, sitting room or a primary bedroom. Unlike the multi-purpose space of the farmhouse, each of these rooms served a separate purpose. This new middle class had leisure time to entertain guests. In this sitting room, the Kupjacks have replicated this stately room with upholstered furniture, a working fireplace, decorative ceramics and silver accent pieces. This miniature room is presented in a custom leather bound case with faux books on either end as if it could be placed in a bookshelf. the room can also be installed in a wall. Kupjack Miniatures Late Colonial Sitting Room, Boston MA, 1760, circa 2009 mixed media 14.25h x 28.75w x 15.25d in 36.20h x 73.03w x 38.73d cm KJK003 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...

Artist: KAWS, Title: Share (Black) Series: Toys Date: 2020 Medium: Sculpture Unframed Dimensions: 12.5" x 6" Signature: Stamped Edition: Open Edition KAWS (American, b.1974...

Klaus Ihlenfeld (b.1934) Untitled (Flower Form), sculpted phosphor bronze-coated copper sounding sculpture, early 1970s. Exhibited: Klaus Ihlenfeld - Recent Sculpture at Albright College - Campus Center Gallery from Feb. 18 - March 18, 1973.. Welded bronze. 15 h x 12.5 inches w. Signed with initial on base. Provenance: Albright College Museum collection. Excellent condition. Klaus Karl Otto Ihlenfeld. He was born in Berlin, Germany in 1934. He studied art at the Hochschule für Bildende Künste and completed graduate work with the metal sculptor Hans Uhlmann. He visited the US in 1957 for the first time living in Durham, NC, where he befriended Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Through this friendship in 1960 he met and worked with the metal sculptor Harry Bertoia in Barto, PA. He joined the Staempfli Gallery in NYC and entered in many group and one-man shows. He has been an Artist-in-Residence in Ogden, Utah; Huntington Museum of Art in West Virginia, Penn State University at University Park; the Colorado State University in Denver; and Shippensburg University. He has large commissions at Kutztown University, Pottstown Hospital, and a monumental relief sculpture at the Emigrant Savings Bank in NYC. He has traveled extensively in Spain, Greece, and Mexico. He is living and working on a farm in Barto, PA welding bronze and forged iron metal sculptures and painting watercolors. Group Shows: North Carolina Museum of Art in Raleigh, NC - 1957 Solomon R. Guggenheim Museum in New York City - 1962 Staempfli Gallery in New York City - 1962, 1964 and 1965 Gallery Ludwig Lange in West Berlin, Germany - 1977 Gallery Herbert Remmert and Dr. Barth in Dusseldorf in West Germany - 1981 Jack Savitt Gallery in Macungie, PA - 1981 and 1984 Heinz Ortleb Gallery, West Berlin, Germany - 1992 Central Bucks Chamber of Commerce Show at the James A. Michener Art Museum in Doylestown, PA - 1997 Berks Art Alliance Show at the Reading Art Museum in Reading, PA - 1997 Mayfair Festival of the Arts at the Allentown Art Museum - 1998 Baum School of Art in Allentown, PA - 1997 Schwenkfelder Library and Heritage Center Art Show in Pennsburg, PA - 2001 Reading Public Museum in Reading PA, 2014 Solo Shows: Kutztown University in Kutztown, PA - 1960 and 1965 Allentown Art Museum in Allentown, PA - 1960 and 1961 Staempfli Gallery in New York City - 1962 Penn State University in University Park, PA - 1964 and 1972 Berks Art Alliance in Wyomissing, PA - 1966 Bertha Eccles Art Center in Ogden, Utah - 1967 Mansfield University in Mansfield, PA - 1967 Huntington Museum of Art in Huntington, WV - 1971 Shippensburg University in Shippensburg, PA - 1972 Albright College in Reading, PA - 1973 Ianuzzi Gallery in Scottsdale, AZ - 1974 Gallery Heimat 85 in West Berlin, Germany - 1977 Jack Savitt Gallery in Macungie, PA - 1981 College Misericordia in Dallas, PA - 1983 Schwenkfelder Library and Heritage Center in Pennsburg, PA, 2013 Periodical Reference: Kaye, Ellen "The Obsessive Collector," Philadelphia Inquirer Sunday Magazine Sptember 21, 1986 pp. 32-33. Chronology: 1-30-1934 Born in Berlin, Germany. Father, Kurt Ihlenfeld, Lutheran pastor, novelist, critic and publisher was born in 1901 in Colmar, Alsace Lorain. Mother, Annie Stuhlmann, was born in 1905 in Breslau, Lower Silesia. 1940 - 1950 Public schools in Berlin; Löwen, Lower Silesia; Coswig, Radebeul, Glaubitz, Saxony. Königin Luise-Gymnasium in Dahlem, Berlin. First artworks, drawings and paintings; few sculptures. 1950 - 1956 Studied at the Hochschule für Bildende Künste in West Berlin, Germany. Graduate work with metal sculptor Hans Uhlmann. For 2 years maintained own studio at the Academy. Friendship with writer Günter Grass, and painter F. S. Sonnenstern. Met painters: Max Pechstein, Karl Schmidt-Rottluff, Carl Hofer, Max Kaus, and sculptors: Bernhard Heiliger, Renee Sintenis, and Richard Scheibe. Opened own gallery in the Kurfürstendam area of Berlin. 1954 Traveled to West Germany, France, Barcelona, Spain (Balearic Islands), and Menorca for 3 months. 1957 First visit to the United States in Durham, NC. Participated in a group show at the Museum of Art, Raleigh, NC. Friendship with Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Work with metal sculptor Harry Bertoia in Bally, PA. Started own metal sculptures in Bertoia Studio. Traveled to Mexico and throughout the US. Visited Monte Alban, and Mitla-Oaxaca. Started collecting works of pre-Columbian art. Also African and South Pacific works of art and the works of children. 1958 Returned to West Berlin, Germany to open own workshop and gallery. Cooperation with his brother Bertram Ihlenfeld and brother-in-law, violinist Heinz Ortleb. Precise metal sculptures in various medias. 1959: Motion picture of the development of sculptures: Spiel in Stahl (Play in Steel), filmed by Dr. Hans Cürlis shown at the Bergamo Film Festival in Italy, in West Germany, and German Embassies in South America. 1960 Second visit to the United States. Cooperation with sculptor Harry Bertoia in Bally, PA. Friendship with Brigitta Valentiner Bertoia. Worked on large commissions. Met painter Willem DeKoonig, gallerist Georg W. Staempfli in New York City, and furniture maker George Nakashima in New Hope, PA. First one-man show of sculptures at Kutztown State College, Kutztown, PA. One-man show of sculptures at the Allentown Museum of Art under Director Hirsch. 1961 Traveled and studied archeological sites in Mexico (Monte Alban, Mitla-Oaxaca; Colima, Nayarit, Sinaloa, Patzcuaro, etc.). Collected pre-Columbian art in Mexico and New York City. Second one-man show at the Allentown Museum of Art (sculptures) under Director Caldwell. 1962 One-man show at Staempfli Gallery in New York City. Participated in various group shows at the gallery: "Twenty Sculptors" and "Recent Acquisitions". Met artists Marcel Duchamp and Salvador Dali; sculptors Alexander Calder and Alexander Lieberman. Participated in a major exhibition at the Solomon R. Guggenheim Museum in New York City entitled "Modern Sculpture from the Joseph H. Hirshhorn Collection". 1963 Married Patricia A. Lambert of Springfield, PA. Harry Bertoia was their best man. 1964 One-man show at the Pennsylvania State University, University Park, PA and a group show "Stone, Wood and Metal" at Staemplfi Gallery in New York City. First child, Paul Vincent born. 1965 Entered group show at Staempfli Gallery "Stone and Crystal". One-man show of graphics at Kutztown State Teachers College in Kutztown, PA. One-man show at Wyomissing Art Alliance, Reading, PA. 1966 Commissioned for a fountain sculpture at Kutztown State Teachers College, Kutztown, PA. Birth of twins, Phillip Sydney and Naomi Andrea. 1967 Artist-in-Residence at the Bertha Eccles Art Center, Ogden, Utah (received a grant from the National Endowment of the Arts). Met sculptor Larry Elsner. One-man show at Mansfield State College, Mansfield, PA. Fourth child born, Douglas Robinson. 1968 - 1969 Commissioned to create a large relief sculpture for the Emigrant Savings Bank at 5 East 42nd Street in Manhattan, New York City entitled: Heavenly Bodies, 250 ft. X 32 ft. (weighing 8 tons). Moved to the estate "Iron Masters Mansion", Barto, PA. 1970 - 1971 Artist-in-Residence at the Huntington Museum of Art, Huntington, WV (received a grant from the National Endowment of the Arts). One-man show at the Huntington Museum of Art. A movie was made of the exhibition by the Huntington Television Station. Met A. Moretti, sculptor of glass figures. One-man show at the old Sears and Roebuck mansion in Haverford, PA. 1971 - 1972 Artist-in-Residence at the Pennsylvania State University, University Park, PA (received a grant from the National Endowment of the Arts). Classes for drawing and experimental sculpture. One-man show at the Chambers Building and the Hetzel Union Building. Also Artist-in-Residence at Shippensburg State College, Shippensburg, PA. Commissioned to execute a sculpture for the new Library at the Shippensburg State College. Death of father, Kurt Ihlenfeld. 1973 Invitation to lecture and work with sculpture classes at Colorado State University, Denver, Colorado. One-man show at Albright College, Reading, PA. 1974 - 1976 Years of increased studies and work. Acquisition of a farm in Barto, PA. Built a new workshop. Works and lives with his wife and four children at the Barto, PA farm. New sculptures in iron, bronze, brass and wood. Traveled to Belgium, West Germany and Switzerland. One-man show at Gallery Heimat 85, West Berlin, Germany. One-man show at the Ianuzzi Gallery, Scottsdale, Arizona. Friendship with sculptor Tom Althouse and paintress Jane Mitchell. 1977 - 1981 Traveled to West Berlin. Works exhibited at Gallery Heimat 85, West Berlin. Also exhibited at Gallery Ludwig Lange. New workshop opened at parent's house in West Berlin. Many sculptures in steel, iron and bronze, some are represented at the Gallery Herbert Remmert and Dr. Barth, Düsseldorf, West Germany. Visited the Island of Korfu in Greece. New graphics. First visit to Italy. A fire at the farm destroyed two buildings, also 38 sculptures (created from 1950 to 1979), reliefs, graphics, correspondences, and various art collections. 1981 - 1984 One-man show and group shows at the Jack Savitt Gallery, Macungie, PA. One-man show at Misericordia College, Dallas, PA. 1984 - 1985 Change of direction. Painting in watercolor dominates sculptural work. Also greater interest in collecting other artists' work. One-man show at the James A. Caplan estate in Villanova, PA. 1989 Represented in the June 1989 Colonial Homes magazine. The article and photographs described the artist's life and his collections. 1992 Traveled to Europe, mainly living and working in Germany and Belgium. One-man show in Liegé, Belgium. Sculptures, drawings and paintings shown at the Heinz Ortleb Gallery, Berlin. Death of mother, Annie Ihlenfeld, in Berlin. 1994 - 1996 Restored a large barn at the farm with his son Phillip for extensive art collections and completed sculptures. Created sculpture garden at farm. 1996 Created many new bronze and brass sculptures during the winter months. Participated in the Central Bucks Chamber of Commerce Sculpture Show. Study tour to Bermuda with his wife. The semi-tropical plants and landscapes inspired new works. 1997: Traveled, study-tour, to St. Lucia, near Martinique, in the West Indies with his wife. This tropical environment was most inspiring. Participated in the Central Bucks Chamber of Commerce Sculpture Show at the James A. Michener Art Museum in Doylestown from June 13 to September 7, 1997. 1998 Entered the Berks County Art Alliance juried art show in the fall at the Reading Art Museum, Reading, PA. 1999 Travels and studies with family members of ruins near Oaxaca City, Oaxaca, Mexico (Monte Alban, Mitla, Dainzu, Teotitlan del Valle, Lambityeco, San Jose El Mogote, Yagul), the Rufino Tamayo Museum of Pre-Columbian Art, and the Regional Museum of Anthropology in Oaxaca City, in May. This is one of the most productive years in metal sculpting - forged iron and steel (many large scale works) all welded, new watercolors and art acquisitions. 2000 Sculptures entered in the Baum School Art Auction, Allentown, PA. 2001 Entered a group show of sculpture and paintings at the Schwenkfelder Library and Heritage Center, Pennsburg, PA. Continues to create new sculptures in iron, bronze, brass and wood. Also has continued to produce a wide variety of watercolor & other graphics large and small. 2002 Study tour to the Key West, Cozumel, Tulum, Belize and Nassau. Continues to produce many sculptures in bronze and iron. 2003 - 2004 Visited Niagara Falls, the Finger Lakes, Thousand Islands, Rockport, Maine and Concord, Massachusetts. Many inspirations for water colors and sculptures. 2005 - Exploring Maryland during the summer. First grandchild born in July, which was an extraordinary event. Painting many watercolors and continuing to work in forged iron. 2006 Sculptures entered in the PA Sinfonia Orchestra Art Auction, Allentown, PA. Continues to produce a wide variety of watercolors and bronze sculptures. Acquired over 200 African artifacts. Sculptures sold at David Rago Auctions...

Daniel Arsham Eroded Turbo 911 Holographic Label of Authenticity Edition of 500 ERODED 911 TURBO reimagines the iconic 1986 911 Turbo ( 930 ) as a relic from a future archaeological...

This piece is Vacuum formed with metal cards, painted and fabricated to be physically 3-D. All Yuki's works represent the 2-D while tricking our eyes in the 3-D physical world.

"She Carried Water", 2019 (Abstract Free Standing Tabletop Sculpture in Shades of White, Grey and Black) 31 x 12 x 8 inches Precision board, Venetian plaster, pigments, beeswax The ...

Introducing a one-of-a-kind collaboration between visionary artist Dustin Yellin and the iconic 1800 Tequila. This exclusive collection features six meticulously designed, limited edition bottles, each a fusion of art and craft, encapsulating Yellin's unparalleled creative vision. Dustin Yellin is a trailblazing contemporary artist renowned for his innovative approaches to visual storytelling. Born in Los Angeles, California, Yellin's work has captivated audiences worldwide, combining elements of painting, sculpting, and collage to create captivating three-dimensional narratives. With a career spanning over two decades, Yellin's creations have been featured in prestigious galleries, museums, and private collections, solidifying his place as a leading force in the contemporary art scene. Dustin Yellin draws inspiration from a myriad of sources, weaving together a tapestry of influences that shape his distinctive artistic voice: Nature's Symphony: Yellin's fascination with the natural world permeates his work. He often captures the harmonious dance between organic forms, textures, and colors, seamlessly integrating them into his creations. Cultural Alchemy: Yellin's global travels have exposed him to a rich tapestry of cultures and traditions. His art reflects a profound respect for cultural diversity, showcasing a harmonious blend of influences from around the world. Surreal Dreamscapes: Yellin's art transcends conventional boundaries, inviting viewers into surreal dreamscapes where reality intertwines with the ethereal. His work challenges perceptions and invites contemplation. Social Commentary: Yellin's pieces often serve as a poignant commentary on contemporary issues, shedding light on societal complexities and provoking thoughtful reflection. Kinetic Energy: Movement and dynamism infuse Yellin's art, giving it a sense of vitality and energy that captivates the observer, inviting them to explore the depths of each creation. Number of Bottles: Six (6) EMPTY Limited Edition Bottles Bottle Specifications: Handcrafted, individually sealed bottles...

C. Jeré ( or Curtis Jere) is a metalwork artist of wall sculptures and household accessories. C. Jeré works are made by Artisan House. Curtis Jer...

"Lucy" by Carole Eisner Abstract, Outdoor Sculpture in welded steel Carole Eisner has worked with scrap and recycled metal for 40 years creating elegant, abstract forms welded in st...

This piece titled "Fault Lines: Bantam #B8" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2”h x 1.5”w x 1.5”d and ships with th...

"Pearl Royale Chess Set" 14K White Gold Diamonds Ed. of 3 by Colin Burn Medium: 18K White Gold, Diamonds, Sapphires South Sea Pearls Limited Edition - 3 Only Edition: Artist Proof 1/1 NOTE: preparation time may take up to 12 weeks. Pearl Royale Limited Edition Chess Set Crafted in solid 18K white gold and pave set with more than 510 carats of fine diamonds, the Pearl Royale stands as the world’s most opulent chess set ever created. This unique and lavish chess set radiates pure opulence through the finest quality materials, design, and workmanship. Handcrafted with a luxurious regal feel the Pearl Royale is symbolic in its design to the renowned 1849 Staunton standard chess set. Limited edition with only three sets being created, each being hallmarked, numbered, and authorized by the artist. Each solid 18K white gold chess piece is painstakingly paved’ set with the highest quality fine diamonds, AAA South Sea pearls, and Ceylon Blue sapphires, sitting atop a crystal glass board embellished with solid 18K white gold, pearl, and diamond set corners. The underside of each piece is intricately designed and channel set with the same quality fine diamonds and finished with smooth polished edges to glide effortlessly across the crystal glass board. Crafted as part of the artist's Limited-Edition Pearl Royale contemporary art collection, this truly unique chess set is sure to be realized as one of the world’s finest jewelry artworks ever created. Exquisite Staunton With championship origins, the Staunton design has been the world standard since 1849. Inspired by this legacy, the artist has paid homage to this royal standard, meticulously dressing and bringing each of his pieces to life with lavish regalia, fit for Kings and Queens. Artists Inspiration: As a young child I regularly played chess with my cousins so my parents gave me a beautiful Staunton chess set which I really loved. Growing up in the 60’s 70’s my generation was exposed to Hollywood movies of epic battles, it was popular for us kids to have collections of toy soldiers which made chess a popular game as it embodied the same spirit and challenge. Thinking back on that fun times I was drawn to the idea of creating the world’s most beautiful chess set and in 2008 I finally put pen to paper to commence the design. At the time I was doing a lot of work with beautiful South Sea pearls, so they became the inspiration for my design to embody the heads of each piece and bring life to the characters. It was perfect as I could use both black and white pearls to define each side of the chess set. It was also important for my design to be Staunton-inspired as this has become the standard for chess sets since 1849 and the only chess set allowed in the world championships. I wanted to create the most beautiful chess set within this royal standard and it had to be dressed in all its regalia, with the world’s most beautiful diamonds and rich blue sapphires fit for kings and queens. My overall dream was to create the world’s finest chess set for the world’s greatest players to do battle! - Colin Burn The high-quality gems sourced and used in making the Limited-Edition Pearl Royale Chess Sets are GIA certified. Established in 1931, GIA is the world’s foremost authority on diamonds, colored stones, and pearls. A public benefit, non-profit institute, GIA is the leading source of knowledge, standards, and education in gems and jewelry. South Sea Pearls The Australian and Tahitian South Sea pearls are internationally regarded as the finest and most prestigious pearls in the world. Among the largest and rarest of cultured pearls, they feature a distinctive lustre and superior strength, endowed by their thicker layers of nacre. The Limited-Edition Pearl Royale Chess Set, features both silver white Australian and peacock black Tahitian South Sea pearls of AAA quality. Fine Diamonds The Limited-Edition Pearl Royale Chess Set features over 510 carats of the finest white diamonds ethically sourced and certified from the worlds leading diamond suppliers. Ceylon Sapphires Ceylon, which is now known as Sri Lanka, is one of the best-known sources for sapphire gems, particularly the Ceylon blue sapphire. Sri Lanka has produced sapphires for many years and a few of the most famous sapphires include the 423 carat Logan Blue Sapphire, the 563 carat Star of India...

Kupjack Miniatures Medieval French Charter-House Library, Normandy France, circa 1425, 2012 mixed media 16.50h x 27.75w x 15d in 41.91h x 70.48w x 38.10d cm KJK002 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...