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Item Ships From: USA
Spoon to Shell 915 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Located in New York, NY
Linda Stein, Spoon to Shell 915 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Spoon to Shell 915 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...
Category
2010s Contemporary USA - Abstract Sculptures
Materials
Metal
Spoon to Shell 833 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Located in New York, NY
Linda Stein, Spoon to Shell 833 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Spoon to Shell 833 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...
Category
2010s Contemporary USA - Abstract Sculptures
Materials
Stone, Metal
#53
Located in Dallas, TX
cold rolled steel wall sculpture
Category
2010s Abstract USA - Abstract Sculptures
Materials
Steel
$4,100
Return Wind, contemporary paper sculpture by Mutsumi Iwasaki
By Mutsumi Iwasaki
Located in Wilton, CT
Materials: Handmade paper, paper string, wax
After working as a textile artist for nearly two decades, in 1998, Iwasaki began making both baskets and her own paper. In 2000, her new...
Category
2010s Contemporary USA - Abstract Sculptures
Materials
Paper, Wax
Blue Morpho, Abstract blue tones, geometric wooden carved modern wall sculpture
By Hugo Garcia-Urrutia
Located in Dallas, TX
"Blue Morpho" is a contemporary and parametric wall sculpture with gorgeous blue tones. Made from oil lacquer paint and carved Baltic birch wood, this ...
Category
2010s Contemporary USA - Abstract Sculptures
Materials
Plywood, Lacquer, Oil, Birch
"Year of the Monkey", Figurative Porcelain Sculpture with Colorful Glaze
By SunKoo Yuh
Located in St. Louis, MO
The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian be...
Category
2010s Contemporary USA - Abstract Sculptures
Materials
Ceramic, Clay, Porcelain, Glaze
Contemporary, Abstract Ceramic Sculpture, Glazed Stoneware Platter, Jose Sierra
Located in St. Louis, MO
Contemporary, Abstract Ceramic Sculpture, Glazed Stoneware Platter, Jose Sierra
José Sierra is a self-taught artist and ceramicist, born in Mérida, Venezuela in 1975. His work draws...
Category
2010s Contemporary USA - Abstract Sculptures
Materials
Ceramic, Stoneware, Glaze
$3,040 Sale Price
20% Off
Abstract Post-Modern Roman Ruins Mixed Media Wall Sculpture, "Classic Series"
Located in Soquel, CA
Wonderful post-modern wall sculpture that is part of artist Jack Reilly (American, b. 1950) "Classics Series" solo exhibition held at the Boritzer-Gray Gallery in October, 1989 at Los Angeles. This unique piece juxtaposes classical motifs with 3 dimensional stacked geometrically modern shapes and hues. The combination of linear structure and color field painting with illusionary space resulted in a unique synthesis of abstraction and pictorial depth, which was sometimes referred to as "Abstract Illusionism." Signed and dated on verso "Jack Reilly, October 1989." Image size: 19"H x 29"W x 3.5"D
Reilly's early work reflected various influences of prominent artists of the time including Frank Stella, Elsworth Kelly...
Category
1980s Post-Modern USA - Abstract Sculptures
Materials
Mixed Media, Canvas, Acrylic Polymer, Acrylic
$3,080 Sale Price
20% Off
"Arc III", Abstract Sculpture in Steel Metal and Cast Glass, Industrial
By Albert Paley
Located in New York, NY
Arc III, 2017 by Albert Paley
Sand cast glass, steel
Internationally renowne, and influential metal sculptor, Albert Paley forges ferrous metal into pieces that combine organic form...
Category
2010s Abstract Expressionist USA - Abstract Sculptures
Materials
Metal, Steel
Bodies at Rest #4, Small Ceramic Abstract Sculpture, Rust
By Paige Stewart
Located in SEATTLE, WA
Bodies at Rest #4, is a one-of-a-kind, ceramic abstract figurative sculpture by Paige Stewart in a rustic, distressed glaze is an abstracted figural form that captures how the laws o...
Category
2010s Abstract Geometric USA - Abstract Sculptures
Materials
Ceramic, Glaze
"Swarming Bulge", Abstract, Gestural, Ceramic, Cream, Stoneware, Sculpture
By Sara Fine-Wilson
Located in Franklin, MA
Sara Fine-Wilson's “Swarming Bulge" is a gestural 22 x 7 x 6 inch ceramic sculpture in cream and warm gray. It is hand built and wheel constructed in white stoneware. Individual hand formed details are layered over the entire surface creating a graceful and fluid form. The surface is coated in a warm cream matte glaze that becomes darker gray and glossy along the edges that have been caught during the soda firing process. The glaze emphasizes the contrast between surfaces and edges. Fine Wilson’s ceramic work contains elements of both raw and refined surfaces including cracks, ruptures and pooling of glaze.
Sara Fine-Wilson is a contemporary sculptor based in the Boston area...
Category
Early 2000s Abstract USA - Abstract Sculptures
Materials
Stoneware, Glaze, Ceramic
"Louise II", Acrylic on Wood, Geometric Abstract Sculpture
By NDA
Located in Philadelphia, PA
"Louise II" is an original piece by NDA made from acrylic on cut wood. This piece measures 24"h x 26.75"w and is signed en verso. The visible florescent glow comes from the back pain...
Category
21st Century and Contemporary Contemporary USA - Abstract Sculptures
Materials
Wood, Acrylic
"Louise III", Acrylic on Wood, Geometric Abstract Sculpture
By NDA
Located in Philadelphia, PA
"Louise III" is an original piece by NDA made from acrylic on cut wood. This piece measures 28.5”h x 27.25”w and is signed en verso. The visible florescent ...
Category
21st Century and Contemporary Contemporary USA - Abstract Sculptures
Materials
Wood, Acrylic
"Untitled VIII", Acrylic on Wood, Abstract Sculpture, Geometric Abstraction
By NDA
Located in Philadelphia, PA
"Untitled VIII" is an original piece by NDA made from acrylic on cut wood. This pieces measures 24.5"h x 24"w.
NDA is a public and gallery artist based out of Philadelphia. Although...
Category
21st Century and Contemporary Contemporary USA - Abstract Sculptures
Materials
Wood, Acrylic
"Untitled V", Acrylic on Wood, Abstract Sculpture, Geometric Abstraction
By NDA
Located in Philadelphia, PA
"Untitled V" is an original piece by NDA made from acrylic on cut wood. This pieces measures 42.25”h x 22.25”w.
NDA is a public and gallery artist based out of Philadelphia. Althoug...
Category
21st Century and Contemporary Contemporary USA - Abstract Sculptures
Materials
Wood, Acrylic
"Untitled IV", Acrylic on Wood, Abstract Sculpture, Geometric Abstraction
By NDA
Located in Philadelphia, PA
"Untitled IV" is an original piece by NDA made from acrylic on cut wood. This pieces measures 28.5”h x 21.25”w.
NDA is a public and gallery artist based out of Philadelphia. Althoug...
Category
21st Century and Contemporary Contemporary USA - Abstract Sculptures
Materials
Wood, Acrylic
"Untitled II", Acrylic on Wood, Abstract Sculpture, Geometric Abstraction
By NDA
Located in Philadelphia, PA
"Untitled II" is an original piece by NDA made from acrylic on cut wood. This pieces measures 23.75" in diameter.
NDA is a public and gallery artist based out of Philadelphia. Altho...
Category
21st Century and Contemporary Contemporary USA - Abstract Sculptures
Materials
Wood, Acrylic
Kiss, Contemporary Ceramic Sculpture by Mirkò Guida
By Mirko Guida
Located in Long Island City, NY
Artist: Mirkò Guida (Italian, b. 1980)
Title: Kiss
Year: 2006
Medium: Painted terracotta artistic vase, signed and dated
Size: 31 x 19 x 13 in. (78.74 x 48.26 x 33.02 cm)
Category
Early 2000s Cubist USA - Abstract Sculptures
Materials
Ceramic, Terracotta
$7,000 Sale Price
20% Off
"Adorning Links 4"
By Roxana Azar
Located in Philadelphia, PA
"Adorning Links 4" is an original piece by Roxana Azar made from digital print on acrylic, stainless steel. This pieces measures 23" x 2.5"w and comes with a signed Certificate of Au...
Category
21st Century and Contemporary Contemporary USA - Abstract Sculptures
Materials
Stainless Steel
"Suncatcher 3" Iridescent, UV print on acrylic, abstract botanical, hanging
By Roxana Azar
Located in Philadelphia, PA
"Suncatcher 3" is an original piece by Roxana Azar made from digital print on digital Print on acrylic, nylon chain. This pieces measures 53"h x 18"w and comes with a signed Certifi...
Category
21st Century and Contemporary Contemporary USA - Abstract Sculptures
Materials
Nylon, Paint, Acrylic Polymer
"Minimal Black
White 3" Geometric Abstract Minimalist Wooden Sculpture
By Scott Woodard
Located in Houston, TX
Black and white geometric abstract sculpture by Houston, TX artist Scott Woodard. The sculpture consists of three layers of wood in different geometric shapes. Signed, titled, and dated by the artist at the back.
Artist Biography: Scott Woodard is a local Houston, TX artist who has exhibited in a variety of Houston galleries since 2007. He was a regular at the annual Dia de los Muertos exhibit put on by the Lawndale Art Center through the mid to late 2000s. While his work had been focused on sepia tones, he has recently taken his art in a new direction...
Category
2010s Contemporary USA - Abstract Sculptures
Materials
Acrylic, Wood
Liz Sweibel, Untitled (Scrapings #2), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint.
Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect.
Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives.
Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...
Category
2010s Abstract Expressionist USA - Abstract Sculptures
Materials
Wood, Paint, Found Objects
Abstract Form
Located in New York, NY
Abstract Form is a mid-century modern sculpture by Dutch artist Leo De Beer, exemplifying his commitment to uncovering form from within. Rendered in a styl...
Category
1970s Abstract USA - Abstract Sculptures
Materials
Marble
"Mystery Box (Boîte mystère)" Ben Vautier, Fluxus Movement Conceptual Sculpture
By Ben Vautier
Located in New York, NY
Ben Vautier
Mystery Box (Boîte mystère), 1965
Painted wood with letterpress label
3 13/16 × 2 3/4 × 2 7/16 inches
Ben Vautier was a French artist known for his text-based paintings...
Category
1960s Conceptual USA - Abstract Sculptures
Materials
Wood, Paper
Multicolor Brown Vase, Contemporary Blown Glass Sculpture by David Ruth
By David Ruth
Located in Long Island City, NY
Multicolor Brown Vase
David Ruth, American
Date: circa 1981
Blown Glass, Signed
Size: 8.5 x 3.25 x 3.25 in. (21.59 x 8.26 x 8.26 cm)
Category
1980s Abstract USA - Abstract Sculptures
Materials
Blown Glass
Abstract Wall Sculpture "Synopsis" - Early Hologram Effect
By Halvorsen Vever, Elsbeth
Located in Soquel, CA
"Synopsis" by Elsbeth Halvorsen Vever (American, b. 1929). Box sculpture combines aluminum, sand, bone, glass and a magnifier. Signed "Elsbeth Vever 1982" on verso. Image, 24.50"L x 13.75"H x 4"W.
Using bone as the central image Elsbeth has assembled an optical and visual experience. One view is the magnification and juxtaposition of the floating effect of the curvature in the stainless steel background; stand back and it's a hologram effect. The first image shows clearly the hologram effect available to the eye of the viewer.
From a review of her show of box constructions in Providence, Rhode Island: "Viewing her box constructions is a lot like a walk in the moonlight. What we know, or think, to be true in the hard brightness of daytime reality dissolves into an amorphous space of multiple possibilities and perspectives."
Born in Purdys, New York, Elspeth Halvorsen is the daughter, granddaughter, and mother of professional artists. She has studied at prestigious academic and artistic institutions includingthe New School for Social Research, the Art Students League, and the Académie de la Grande Chaumière. In 1955, she moved to Provincetown, Massachusetts, establishing her home and studio in the former residence of Mark Rothko. Provincetown not only remains her home but also acts as a personal, social, and artistic source of inspiration for her work.
Shortly after arriving in Provincetown, Halvorsen and her husband, the late Tony Vevers...
Category
1980s Abstract Expressionist USA - Abstract Sculptures
Materials
Stainless Steel
$1,480 Sale Price
20% Off
Jo Yarrington, Mute-Ability_Composition 1, 2019_acrylic, steel, player piano rol
By Jo Yarrington
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual USA - Abstract Sculptures
Materials
Steel
24 inch Red Figure Eight on Column
By Roger Phillips
Located in New York, NY
Roger Phillips (American, 1930-2022)
Figure Eight on Open Rectangle, 2006
Signed: Roger Phillips 2006 #2/6 on edge of base
Stainless steel and painted aluminum
90 x 33 x 47 1/2 inche...
Category
2010s Kinetic USA - Abstract Sculptures
Materials
Enamel, Stainless Steel
Jo Yarrington, Mute-Ability_Composition 3, 2019_acrylic, steel, player piano rol
By Jo Yarrington
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...
Category
2010s Conceptual USA - Abstract Sculptures
Materials
Steel
Patricia Miranda, Sentinella, 2020, Battinger lace, synthetic dyes, cast plaster
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist USA - Abstract Sculptures
Materials
Fabric, Dye, Plastic
Gil Scullion, You First, 2017, 20 sheets of stacked hand-cut paper
By Gil Scullion
Located in Darien, CT
Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box
Gil Scullion’s conceptual text-based work has been featured in exhibi...
Category
2010s Conceptual USA - Abstract Sculptures
Materials
Paper
Westside Highway Cast Iron Roundel Art Deco - Rene Paul Chambellan
Located in Miami, FL
This sale is for one of them of the Cast Iron Roundels. However, we have 3 Cast Iron Roundels from the Old West Side Highway in Manhattan if you want to buy all three... reach out to us. . Each retains its original industrial paint. If the paint is removed, the clear shape of the iron cast will be removed. Each roundel has a different image and story. They were designed in 1928 by Rene Paul Chambellan...
Category
1920s Art Deco USA - Abstract Sculptures
Materials
Iron
$2,000 Sale Price
20% Off
Patricia Miranda, Lamentations for Rebecca; 2020, lace, cochineal dye, thread
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist USA - Abstract Sculptures
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
EQUIVALENCE 118- Acrylic on cut Linen - Abstract Geometric Painting
By Linda King Ferguson
Located in Signal Mountain, TN
This painting on cut linen canvas by Linda King Ferguson depicts a diamond shaped canvas that is color-blocked into three main sections. The topmost triangular portion of the canvas ...
Category
2010s Abstract Geometric USA - Abstract Sculptures
Materials
Linen, Acrylic
$1,620 Sale Price
20% Off
"Quiet", Abstract, Gestural, Ceramic, White, Cream, Teal, Stoneware, Sculpture
By Sara Fine-Wilson
Located in Franklin, MA
Sara Fine-Wilson's "Quiet" is a gestural 17 x 12 x 7.5 inch ceramic sculpture in white and cream with accents of teal. It is constructed out of white stoneware and layered semi matte...
Category
2010s Contemporary USA - Abstract Sculptures
Materials
Stoneware, Glaze
"Pitcher Form with Intestines", Porcelain Sculpture, Anatomical, Glass Accents
By Bonnie Seeman
Located in St. Louis, MO
Bonnie Seeman grew up in Miami, Florida with a propensity towards anatomy illustration and the dazzling colors and rich foliage of the Miami landscape. Developing her technique with...
Category
2010s Contemporary USA - Abstract Sculptures
Materials
Ceramic, Clay, Porcelain, Glass
Miss Bugs Treatment - Luxury Social Emoji Sculpture Social Commentary Street
By Miss Bugs
Located in Draper, UT
Treatment - Luxury Social Emoji Sculpture
INCLUDES BOTH SYRINGES
Do No Harm Volume 1 Handmade Sculpture Emoji Addictions 2020 "PINK", 2019
Handma...
Category
2010s Street Art USA - Abstract Sculptures
Materials
Resin, Plastic, Screen
Israeli Pop Art Abstract Cutout Trees Kinetic Gilt Sculpture Menashe Kadishman
By Menashe Kadishman
Located in Surfside, FL
Renowned Israeli sculptor Menashe Kadishman (1932-2015),
CONTINUUM, 1979,
revolving metal sculpture,
Dimensions 16.5 x 10 x 9.25 inches.
Hand signed and numbered on dedication pla...
Category
1970s Modern USA - Abstract Sculptures
Materials
Metal
Lip Service, Contemporary Ceramic Sculpture by Joe DiStefano
Located in Long Island City, NY
Lip Service
Joe DiStefano, American (1940–2020)
Ceramic Vase, Signed
Size: 8 x 14 x 6.5 in. (20.32 x 35.56 x 16.51 cm)
Category
1980s Abstract USA - Abstract Sculptures
Materials
Ceramic
Drape Midnight Blue 121 (dark folds slick metallic smooth wall sculpture art)
By Ted VanCleave
Located in Quebec, Quebec
Drape in Midnight Blue by Ted VanCleave transforms a single sheet of metallic leather into a sinuous, process-driven study of material and form. Its creased, crinkled, and softly wri...
Category
2010s Pop Art USA - Abstract Sculptures
Materials
Leather, Spray Paint
Drape Champagne 114 (folds pop slick metallic smooth leather wall sculpture art)
By Ted VanCleave
Located in Quebec, Quebec
Drape 114 Champagne by Ted VanCleave transforms a single sheet of metallic leather into a sinuous, process-driven study of material and form. Its creased, crinkled, and softly wrinkl...
Category
2010s Pop Art USA - Abstract Sculptures
Materials
Leather, Spray Paint
Drape 113 (light pink folds rose pop slick metallic smooth wall sculpture art)
By Ted VanCleave
Located in Quebec, Quebec
This light-pink wall sculpture by Ted VanCleave transforms a single sheet of metallic leather into a sinuous, process-driven study of material and form. Its creased, crinkled, and so...
Category
2010s Pop Art USA - Abstract Sculptures
Materials
Leather, Spray Paint
Spoon to Shell 880 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Located in New York, NY
Linda Stein, Spoon to Shell 880 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Spoon to Shell 880 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...
Category
2010s Contemporary USA - Abstract Sculptures
Materials
Metal
Spoon to Shell 906 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Located in New York, NY
Linda Stein, Spoon to Shell 906 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Spoon to Shell 906 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...
Category
2010s Contemporary USA - Abstract Sculptures
Materials
Metal
Spoon to Shell 911 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Located in New York, NY
Linda Stein, Spoon to Shell 911 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Spoon to Shell 911 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...
Category
2010s Contemporary USA - Abstract Sculptures
Materials
Metal
Jo Yarrington, See-matics - Voice, 2019, acrylic, 9 x 22 inches
By Jo Yarrington
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...
Category
2010s Conceptual USA - Abstract Sculptures
Materials
Plexiglass
The Time of Our Time Has Come and Gone, 2018, Gaffer tape on floor
By David Borawski
Located in Darien, CT
David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford.
A multi-media installation artist, his work...
Category
2010s Conceptual USA - Abstract Sculptures
Materials
Tape
Patricia Miranda, Lamentations for Ermenegilda; 2020, lace, cochineal dye, thread
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist USA - Abstract Sculptures
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
Red and Black Vase, Contemporary Blown Glass Sculpture by David Ruth
By David Ruth
Located in Long Island City, NY
Red and Black Vase
David Ruth, American
Blown Glass, Signed
Size: 10 x 3.25 x 3.25 in. (25.4 x 8.26 x 8.26 cm)
Category
1980s Abstract USA - Abstract Sculptures
Materials
Blown Glass
Large Modern Organic Abstract Entangled Wood and Rebar Metal Sculpture
Located in Houston, TX
Large modern abstract mixed media sculpture featuring a finely sanded piece of wood twisted in coiled rebar. The organic wood entangled in the manmade metal offers subtle commentary ...
Category
Late 20th Century Modern USA - Abstract Sculptures
Materials
Metal
Keys to My Heart: Black and white porcelain ceramic pop art surreal sculpture
By Katharine Morling
Located in Dallas, TX
"Keys to My Heart" by Katharine Morling – Black and white porcelain sculpture of pop art surreal key chain with six handmade keys, charms and a locket.
Delicate yet bold, "Keys to M...
Category
2010s Contemporary USA - Abstract Sculptures
Materials
Ceramic, Clay, Porcelain, Slip, Ink
Closed Form by Toshiko Takaezu (INV# NP3927)
By Toshiko Takaezu
Located in Morton Grove, IL
Toshiko Takaezu
Closed Form (INV# NP3927)
4.5 x 5 x 5"
date unknown
signed by artist
Toshiko Takaezu (June 17, 1922 – March 9, 2011) was an American ceramic artist and painter. She ...
Category
2010s Contemporary USA - Abstract Sculptures
Materials
Glaze, Porcelain
Liz Sweibel, Untitled (Splinter 2 ), 2014, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
Liz Sweibel primarily makes sculpture, installations, and drawings. She uses a spare, personal language of abstraction to explore liminal spaces and unseen forces: wind, history, va...
Category
2010s Minimalist USA - Abstract Sculptures
Materials
Wood, Paint, Found Objects
"Golden Oracle" Abstract, Bronze Metal Sculpture, Large-Scale, Outdoors
By Hans Van de Bovenkamp
Located in New York, NY
"Golden Oracle" by Hans Van de Bovenkamp
Large-scale, abstract outdoor sculpture in bronze
Renowned for his monumental sculpture created primarily for open-air public locales, Hans ...
Category
2010s Abstract USA - Abstract Sculptures
Materials
Metal, Bronze
Untitled abstraction
By Bill Barrett
Located in New York, NY
Bill Barrett is one of today’s foremost sculptors, exhibiting his unique metal and bronze sculptures in numerous exhibitions since the mid 1960’s. Barrett’s sculptures are predicate...
Category
2010s Abstract USA - Abstract Sculptures
Materials
Bronze
Jose Soto, FOCUS II, 2016, Birch, Paint
By Jose Soto
Located in Darien, CT
FOCUS is a public art sculpture about the viewer’s growing visual perception and bodily experience. It consists of two large rectangular-shaped pieces, one placed in a vertical posit...
Category
21st Century and Contemporary Abstract Geometric USA - Abstract Sculptures
Materials
Birch, Paint
Jazz Musicians, Terracotta Vase by Mirkò Guida
By Mirko Guida
Located in Long Island City, NY
Artist: Mirkò Guida (Italian, b. 1980)
Title: Jazz Musicians
Year: circa 2007
Medium: Painted terracotta jug, signed
Size: 27.5 x 9 x 9 in. (69.85 x 22.86 x 22.86 cm)
Category
Early 2000s USA - Abstract Sculptures
Materials
Terracotta
Transitional Spaces
By Hadi Tabatabai
Located in Laguna Beach, CA
Hadi Tabatabai is known for his delicate, meticulously executed pattern-based works in mixed media. Tabatabai, who holds degrees in industrial technology and painting, is known for e...
Category
2010s Minimalist USA - Abstract Sculptures
Materials
Thread, Acrylic
Diane Englander, White Form on Red Wood, 2018, scrapwood and acrylic, 12 x 13 in
By Diane Englander
Located in Darien, CT
Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires that the prettiness of an initial surface is made ugly, or there’s a conscious choice to avoid balance in the composition.
Hers is a largely intuitive process, the materials entice her. Inspiration from the world that we don't call “art” is where she finds her muse: a wall, a landscape, a window shade transfused with light, a stretch of sand and shadow. Most influential are predecessors like Burri, Vicente, Tapies, Motherwell, Rauschenberg, medieval cloisonné, Vermeer, Breughel, and many, many more.
A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC government; and several years as a lawyer at a large NYC law firm.
“I was brought up going to galleries and museums, a sometimes reluctant attendant to my parents’ passion for looking and for collecting. My own expressive energy must have simmered internally for years, occasionally emerging in photography, in quilt-making, in other tentative explorations, and certainly in providing opportunity and materials for my children to create. Not until those children were nearly grown did I come unequivocally to the need to make art myself.”
In late 2006 Diane began making collages that started her on her current path; in late 2007 she left her consulting job to focus on her artwork full-time.
She has studied with Bruce Dorfman at the Art Students League in New York, and has had solo exhibits at the Alexey von Schlippe...
Category
2010s Abstract Geometric USA - Abstract Sculptures
Materials
Acrylic, Wood
Yvette Cohen, Thin Air 2
3, 2011, oil, shaped canvas, wood dowel, Minimalist
By Yvette Cohen
Located in Darien, CT
Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...
Category
2010s Minimalist USA - Abstract Sculptures
Materials
Canvas, Wood, Oil
