USA - Textiles

A visually stunning Japanese embroidery tapestry circa 1890s-1900s late Meiji period, presented with a linen matt with gold trim in a gilt wood frame. The design showcases a flying p...

A striking Japanese embroidery tapestry circa 1890s Meiji period presented in a gilt wood frame under glaze. The design features four dragons coiling and slithering in the clouds. The most auspicious mythological creature, dragon was a very popular motif in Japanese textile art. Viewing this particular piece, one is struck by the superb craftsmanship with the profuse use of silver threads in satin stitches and complex chain stich coiling that create the background. The slight relief technique was also used on parts of the dragon heads, rendering the piece a strong sense of dimension and motion. The textile itself measures about 32.5"x46". Japanese Meiji textiles were widely exhibited in the west during turn of the 20th century at the international exposition. It was used to showcase the Japanese aesthetics with the techniques at their pinnacle. These expositions solidified the country's images overseas and felled the Japanese craze in the west, which turned out to be a long-lasting influence on the western art. Many pieces were purchased and stayed in the west. As there is no brocade border present, the piece is likely the main part with the central motifs of a larger tapestry and was later framed for display. For two similar dragon tapestries...

A Japanese formal Kimono made with a very fine black linen gauze augmented with applied modern circle pattern. The garment was hand-stitched and dated to circa 1930-50s. The black ga...

A finely embroidered silk military rank badge panel framed in a wood frame circa late Qing dynasty 19th century. The square rank badge is known in Chinese as Buzi which was displayed...

Antique Turkman Bokhara rug, small size An antique Turkman Bokhara rug, size 4'7" x 3'10", circa 1900. This handsome hand-woven geometric rug features a symmetrical design allover...

A spectacular antique Chinese embroidery panel dated from Qing dynasty (circa 19th century), professionally framed with linen mat, pur...

Antique Spanish rug, Room size, circa 1920 A one-of-a-kind antique Spanish Carpet, hand-knotted with short wool pile. This beautiful rug is a unique double-faced carpet...

On offer is a set of five Japanese textile art panels called Oshi-E circa Meiji Period (1868-1912). This unusual set of panels depict various aspects of daily life in Edo time with beautiful details. Some of these panels are snapshots of the buzzling commercial activities at the marketplace, providing insight into the signages, architecture, costumes and how people interacted within a historical and pictorial context. Other panels depict daily leisure activities such as lounging in the park or visiting friends. The realistic rendering and attention to details are not short of "photographic" quality. From the signage of the shops to the motions and attires of the individual characters, from the hairstyle, small ornaments, down to the facial expression, were all recorded in great details. Each panel was signed with the artist's name Yukihana in Kanji with a red seal. These panels are unframed and await your custom touch (framing with inner gilt spacer and mat costs about 250-500 depending on the material chosen, see a framed example in the last picture of a single framed panel we have for sale). We offer them for sale individually, but it will be great for a collector to consider the whole set so that they can stay together. The Oshi-E (also known as kiritori zaiku) is a type of ornamental textile art dated back to the Muromachi period (1392-1573). It started among the elite aristocratic women in Kyoto before spreading wider in the Japanese society. Throughout Edo and Meiji period, Oshi-E were sometimes used to make offerings to the altars in the temple and in the late 19th century, it was exported to the west along with the other embroidery textile art. Oshi-E was made by using silk wadding to create a relief design. Various silk fabric swaps and sometimes wires and tassels, often recycled from older kimonos...

Vintage Spanish Savonnerie rug, room size, circa 1930. A one-of-a-kind vintage European Savonnerie Oriental carpet, hand-knotted with sh...

Vintage Arabian Mughal leather shoes with gold embroidered curled toe. Amazing vintage Mughal Middle Eastern Moorish gold embroidered shoes with gold t...

A framed Japanese woven textile circa late 19th century of Meiji Period. Likely a fragment of a priest robe or kesa, the multi-paneled textile was finely woven with gold foiled threads that depicts a five-clawed dragon slithering in the clouds and water...

A pair of fine Korean silk embroidered rank badge (Hyungbae in Korean) from Joseon Dynasty circa late 19th century. A matching pair of Hyungbae like these ...

Taking a cue from the undulating shapes of our indigo velvet pillows, Wave is a bold and artful design, seen here in Silver gray. Pigment printed on 100% Belgian Linen. Designed in N...

Late 19th Century Chinese Silk & Metal Embroidery 1' 9'' x 12' 9''-53 x 387

Japanese horse trapping, "Uma-No-Haragake", Tsutsugaki, cotton, Meiji period This type of haragake is called yuiage ("tied up"). The central portion covered the belly of the horse an...

This framed silk brocade tapestry is one half of a magnificent Qing-dynasty chair panel, or chair strip. Because traditional Chinese seating was not upho...

A beautiful piece with an incredible history. This exquisite hand-embroidered tapestry was created in Japan and purchased by an American man who taught English. The scene depicts a t...

An exceptional and visually arresting vintage Uchikake wedding kimono from the late Meiji to early Taisho period (circa 1910s–1930s), originally designed for ceremonial bridal wear. ...

A fine Korean silk embroidered rank badge (Hyungbae in Korean) from Joseon Dynasty circa late 19th century. The badge features a design of double flying cr...

Bakshaish is a town on the banks of the Talke Rud River in the Heriz region of Northwest Persia. Situated in the mountainous region 60 miles east of the large city of Tabriz, Bakshai...

Antique Leather and purple velvet suede Mughal Moorish Turkish Shoes with Gold Embroidered. A pair of rare late 19th century early 20th hand stitched and...

Early 20th child Middle Eastern Efe Zeybek Jacket. Kid Efe Zeybek Costume Turkish authentic ethnic vest. Dark brown red velvet with gold foliates and gold trim. Open sleeves, red cotton lining. Antique collector red velvet jacket with gold Middle Eastern Moorish style embroidery. Small tiny Turkish antique vest...

Antique Asian Ottoman style vest in emerald green velvet decorated with elaborate gold thread, trimmed with gold metallic thread. Elegant vest handmade embroidery on green silk velve...

A striking vintage hand-woven Ikat textile panel from Indonesia, dating to the mid-1900s. This artisanal piece features a bold abstract design, achieved through the meticulous process of warp ikat—a technique in which the threads are selectively tie-dyed before weaving to create complex, interlocking patterns. Woven from natural cotton fibers, this panel likely originates from the Lesser Sunda Islands in eastern Indonesia, possibly from the culturally rich island of Sumba. The intricate craftsmanship and dynamic geometric forms reflect traditional Indonesian textile artistry while offering a timeless, global aesthetic. Ideal for display as wall-mounted tribal art, this textile adds texture, heritage, and warmth to any interior, whether as a centerpiece in modern spaces or a complementary accent in eclectic or traditional décor. Dimensions: 21” x 48” Date of Manufacture: Mid 20th Century Place of Origin: Indonesia Material: Cotton Condition: Good The Persian Knot Gallery, SKU: 2250 vintage Indonesian Ikat, handwoven Ikat textile, tribal textile art, Sumba Ikat panel, mid-century Indonesian fabric, antique Ikat wall hanging, abstract woven textile, Lesser Sunda Islands textile, ethnic home decor, Indonesian cotton Ikat, tribal wall art, global decor textile, vintage woven panel, traditional Indonesian fabric, hand-dyed Ikat textile, Southeast Asian textile art, collector Ikat, woven abstract art, Indonesian heritage textile, bohemian wall hanging, Indonesian Ikat Textile...

An antique Tibetan Thankga depicting Amitabha and surrounding deities, circa late 19th century. The center Amitabha is in a meditation form holding a black beggar's bowl. In the Mahayana Tradition of Buddhism, Amitabha is a celestial Buddha: the Buddha of Infinite Light and the principal Buddha in Pure Land Buddhism, a branch of East Asian Buddhism...

Hand embroidered and quilted textile from North India. Large Mughal silk and metal threaded tapestry Fanciful Asian folk designs this distinctive quilt wor...

African Batik Cloth Natural Hand-woven Hand-Printed Cotton Fabric Ghana 10 yards. Colors are organic earth tone beige and light brown in geometric design. Non waxed fabric circa 1950s. Hand made in Ghana Africa. Museum Quality Original Long Piece. 380 inches, (30 ft 10 yards Long) x 46 inches Inches Wide( 4ft). Could be use to make pillows or upholstery. History of Batik in Africa: Batik, a traditional fabric art technique, has a rich history in Ghana, West Africa. The practice of batik involves using wax to create intricate patterns on fabric, which is then dyed to achieve the desired design. While batik has its origins in Asia, particularly in Indonesia, it has been embraced and adapted by various African countries, including Ghana. In Ghana, batik-making can be traced back to the mid-20th century when it gained popularity as a form of traditional textile art. The craft was introduced by artists and artisans who were inspired by the vibrant and expressive nature of batik. These early practitioners experimented with different designs, colors, and patterns, infusing local themes and motifs into their creations. Over time, batik became an important part of Ghanaian culture and identity. It is not only used for clothing but also for various decorative and functional items such as wall hangings, tablecloths, and accessories. The art form often reflects the rich cultural heritage of Ghana, incorporating symbols, proverbs, and traditional stories into the designs. Ghanaian batik artists often employ a combination of traditional and contemporary elements, creating a unique fusion of styles. The process of making batik involves applying hot wax to the fabric using various tools to create the desired patterns. The wax acts as a resist, preventing dye from penetrating the waxed areas. After dyeing, the wax is removed, revealing the intricate designs on the fabric. Today, batik-making in Ghana continues to thrive as both a traditional craft and a form of artistic expression. Many artisans and designers draw inspiration from Ghana's diverse cultural landscape, incorporating elements from different regions and ethnic groups into their batik creations. The art form has also gained international recognition, with Ghanaian batik products being sought after both locally and abroad. In summary, the history of batik in Ghana is a testament to the creativity and adaptability of artists who have embraced and transformed this traditional technique into a vibrant and culturally significant art form within the country. HISTORY OF BATIK In the mid-nineteenth century, the Belanda Hitam, or "Black Dutchmen," are said to have introduced batik to West Africa after serving as indentured soldiers for the Dutch in Indonesia. Returning from their conscriptions with trunks of fine Javanese batik, the opulent patterns captured the imagination of their friends and relatives. However, textile history is complex, and only a handful of recruits returned to West Africa with batik due to delayed payments. Batik, with roots traced to Egyptian mummies, is a tradition found globally, from Southeast Asia to Japan and India. Europeans, particularly the Dutch, played a significant role in industrializing batik from the seventeenth century onward. In West Africa, Dutch Scholar Ineke van Kessel suggests that batik arrived from India over trans-Saharan routes. Local populations, like the Yoruba in Nigeria, incorporated wax printing into their textiles. European traders brought wax and non-wax fabrics to West Africa in the seventeenth century, targeting a population ready for their consumption. European designers adapted prints for the African market...

Vintage Moorish Moroccan blue caftan, circa 1970s. Vintage Moorish Maxi Dress kaftan in Excellent condition never worn. Made in Morocco and imported for Mr...

A spectacular antique Chinese embroidery panel dated from (circa 19th century), professionally framed with linen mat, purchased from A...

A Chinese Qing dynasty period cinnabar lacquer leather pillow from an antique opium bed, with hand painted floral motifs. Created in China during the...

Vintage Samarkand Suzani, Uzbekistan embroidered textile red and black Tashkent Suzani from Samarkand Uzbekistan, 1950. Overall good condition for its age and use some stains. "Suzani" means needlework and these embroideries are some of the most characteristic forms of textile art from Central Asia. The mastery of color and the dynamic sense of movement they convey continue to add depth and joy to contemporary interiors. A high level of creative variation and the individuation of each flower are what make each piece unique. Measures: 67.5" x 57". The Silk Road Bukhara: Like scattered pearls along the vast expanse of the Great Silk Road, the cities of Uzbekistan glisten radiantly under the unforgiving sun. This nation, nestled in a picturesque oasis, holds a treasure trove of historical artifacts, owing to its advantageous position at the heart of the ancient Silk Road network. In the year 138 BC, a transformative era commenced as China graciously opened its borders to trade, giving rise to caravans that embarked upon this illustrious route. These trading pathways served as conduits not only for the exchange of goods and craftsmanship but also for the intermingling of cultures, beliefs, and wisdom. Even today, within the ancient walls of cities like Samarkand, one can still discern the echoes of bustling voices, the melodious jingle of camel harnesses...

A large Pichhavai painting depicting Krishna, represented in multiple places with female Gopis dancing and offering, great colors, the composition is enclosed in a lush green forest ...

A Japanese silk embroidery Fukusa panel circa 1890-1910s toward the end of Meiji Period. On the deep blue satin background, the artist showcases a clump of bamboos in a realistic sty...

A beautiful Japanese textile art panel with an embroidered dragon on a swirling cloud background, nicely framed with a linen matt in an antique-fi...

A rich and luxurious kain limar songket, shoulder cloth for a woman, ikat dyed and woven silk (limar) with supplementary weft woven metallic gold thread brocade (songket), circa 1900...

Hand embroidered in Japan, this large framed silk embroidered wall art was made in Meiji era, approximated 1900s. Very detailed hand embroidere...

An exquisite and visually commanding vintage Uchikake wedding kimono from Japan, dating from the late Meiji to early Taisho period (circa 1910s–1930s). Traditionally worn by brides ...

A Japanese festival Kimono robe circa late 19th to early 20th century (end of Meiji Period) for fishing ritual. Made in a cotton fabric, the kimono was elaborately decorated by Tsuts...

Moroccan Kaftan Black Velvet Vest with Gold Embroideries This Moroccan traditional kaftan is embroidered and embellished with gold trim. Evening Moroccan ...

A finely embroidered Japanese silk Fukusa panel presented in a beautiful silk-lined giltwood frame (newly framed and glazed), circa late 19th century of Meiji Period. Fukusa is a traditional Japanese textile art used to wrap and present gifts at important occasions. Depending on the occasion, the panel itself can be a very fine textile art on its own. On the deep blue background, this elaborate textile art depicts an old couple standing on a bridge with three bystanders, flanked by pine trees with hills afar. The couple is Jotomba (Joo and Uba are their respective names), characters in the Legend of Takasago, one of the oldest Japanese mythologies, who are associated with old pines. The legend goes as: "At Takasago Shrine there is a very old pine tree, the trunk of which is bifurcated; in it dwells the spirit of the Maiden of Takasago who was seen once by the son of Izanagi who fell in love and wedded her. Both lived to a very great age, dying at the same hour on the same day, and since then their spirits abide in the tree, but on moonlight nights they return to human shape to revisit the scene of their earthly felicity and pursue their work of gathering pine needles. His pine tree is called “The Pine of Suminoe” while hers is "Takasago pine". In Japan, Takasago couple...

African Mali indigo textile circa 1950. Handwoven, vegetable dyed cotton. We only select the best. This soft textile was sourced in the spirit of Wabi-Sabi, a Japanese philosophy th...

Antique hand-knotted rug from Eastern Turkey, circa 1940. Size: 3 ft 9 in x 6 ft 5 in. Traditional Turkish design and hearth colors in pink, rust, grey and beige. Flat pile rug w...

A vibrant vintage silk Suzani embroidery from Uzbekistan, this hand-crafted textile showcases the rich cultural heritage of Central Asian artisanship. Originally created as a decorative tent panel, this piece features six large medallions intricately embroidered in silk threads on a bold red cotton ground. The floral motifs come alive in vivid hues of crimson, green, ivory, yellow, and purple, arranged in symmetrical, meditative patterns. The intricate detailing and radiant palette highlight the traditional craftsmanship and ceremonial significance of Suzani textiles, often associated with blessings, protection, and prosperity. This visually captivating panel can be displayed as wall art, used as a table runner, or integrated into a layered textile arrangement for a touch of cultural sophistication. A collectible and visually impactful textile that brings story, color, and artisan texture into refined interiors. Dimensions: 24” x 128" Date of Manufacture: 2nd Quarter of the 1900s Place of Origin: Uzbekistan Material: Silk embroidery on cotton Condition: Wear consistent with age and use The Persian Knot Gallery, SKU 1674 vintage Uzbek Suzani, silk embroidery Suzani, red background Suzani, Central Asian textile art, Suzani tent panel, hand-crafted Uzbek textile, embroidered medallion Suzani, floral silk embroidery, collectible Uzbek embroidery, traditional Suzani decor, Suzani wall hanging, Uzbek table...

Large antique framed Chinese black silk folk art textile / tapestry panel or table runner embroidered with brown, gold and blue flowers / leaves. ...

Elegant Moroccan hooded burnous cape in off-white fine wool with black and ivory passementerie trim and closure a long tassel on hood, the caftan is fully Lined.The burnus (also call...

An lavishly decorated Turkish coat likely from the Ottoman Empire period circa 19th century, presented in a shadow box gilt frame with dark blue fabric lining. The jacket was made fr...

19th Century Set of 3 Framed Chinese Kesi Textiles ( 1' x 1'3" - 30 x 38 )

Originally purchased from Hong Kong, this Chinese antique embroidery presented in a museum quality. This textile was a roundel design likely from the center front of a noble woman's...

This pair of artisan-designed pillows was made by hand from a vintage Japanese obi patterned with orange wave-like swirls against a metallic silver field. ...

These Moroccan silk slippers are handmade to perfection the inside sole is crafted of soft leather. hand-sewn leather sole. You won't want to take ...

1950s vintage silk sari tapestry quilt patchwork. 1950s Vintage Silk Sari Textile Quilt Patchwork made in India. Handcrafted quilt patchwork made from antiqu...

Beautiful 19th century indigo textiles from Africa, made into fabulous pillows. Antique textile on both sides with concealed zipper and inserts included. Large collection available. ...

A Noh costume made from magnificent silk twill brocade woven with metallic gold threads circa 1930s. The robe is identified as "Atsuita", made for male actors in the Noh play. The luxuriant fabric has a deep blue background with golden interlocking hexagon pattern that resembles tortoise shells, the symbol of longevity. The motifs showcase three auspicious symbols in repetitive patterns: roundels of coiled dragon, phoenix and peony. The kimono robe...

Antique Chinese - Textile Size: 4'3" x7'6"

This enchanting antique tapestry beautifully illustrates the remarkable depth and richness that was perfected by French artisans of the 19th-20th century. A remarkable Tapestry displ...

Hand embroidered and quilted textile from India. Backed with black linen. Fanciful Asian folk designs this distinctive quilt work is a true sen...

Qing Dynasty silk embroidery rank badge decorated with a Mandarin duck, denoting an official of the Seventh Rank. Badges with ducks are re...

Handwoven Bogolan mud cloth textile from Mali, Africa, Bambara. It is a handwoven tribal cotton fabric traditionally dyed with fermented mud. Woven Afr...

Elegant Moroccan caftan orange color embroidered with gold trim, circa 1970s. This long maxi dress kaftan trim is embroidered and embellished with pearls entirely by hand. One of a k...

Middle Eastern end of the bed quilted textile with appliqué, elegant Moorish design in black, deep red and beige. Ideal to use as a tablecloth on a centre or console table, on the ba...