USA - Vitrines

An elegant and high quality French 19th century Transitional st. Tulipwood, Ormolu and Marble vitrine cabinet. This handsome cabinet is raised by Tulipwood cabriole legs fitted with ...

Louis XV Style Gilt Metal Mounted Mahogany Vernis Martin Bowfront Vitrine, 20th century, the glazed door enclosing two adjustable glass shelves and a silk lined wood shelf, decorated...

A French elm vaisselier from the 19th century, with open shelves, lower buffet and scalloped accents. Created in France during the 19th century, this elm vaisselier hutch features na...

A magnificent Italian 18th century giltwood, polychrome and white Carrara marble Baroque console vitrine from the Piedmont region. This unique and extremely decorative console is rai...

Iconic Mid Century Curved Vitrine Showcase with tufted Naugahyde base circa 1940-1950 of American origin. Vitrine has storage behind/below the 1950's gr...

19th Century French gilt bronze vitrine.

Gorgeous Vintage / Antique French, Carved Wood, Walnut, Glass Display Cabinet, Vitrine! Vitrine, Display Cabinet, French, Carved Walnut Vintage / Antique, 1900's, 20th Century!! ...

Karges Fine Fruitwood Mid Century Modern Beveled Glass Breakfront Cabinet MINT

Artist/Designer; Manufacturer: unknown Marking(s); notes: no marking(s) apparent Country of origin; materials: Austria; wood Dimensions (H, W, D): 68"h, 29.75"dia Additional Informat...

A handsome French 19th century Louis XV st. Tulipwood, Kingwood, Ormolu and Brèche Violette marble cabinet/vitrine. The stunning three door cabinet is raised on a scalloped base with...

Antique French Gold Bronze Mounted Mahogany Demilune Vitrine, Circa 1890.

A monumental antique Louis XV style gilt bronze mounted vitrine cabinet by Manoy of Brussels. This large and impressive vitrine features marquetry inlays, four glazed doors and exten...

A Great Quality Late 19th Century Louis XVI Style Gilt Bronze Mounted Vitrine By François Linke François Linke. The rectangular paneled top with three-quarter gallery, above a conf...

A stunning and extremely high quality French 19th century Louis XVI st. Belle Époque period Kingwood, Tulipwood, ormolu and Brèche Polychrome de St. Bernard marble cabinet vitrine si...

Available in NY

Please message us with your zip code to request a more reasonable domestic U.S. shipping quote. Vintage Hollywood Regency Gold Gilt Diamond Shaped Etagere Curio Display Cabinet. Ite...

Asian Chippendale 4 Doors Carved Teak 5 Shelves 2 Bottom Drawers 72" Tall Curio Cabinet Showcase MINT!

Artist/Designer; Manufacturer: Hermes, attributed Marking(s); notes: no marking(s) apparent Country of origin; materials: country of origin unknown; gilded metal, composite Dimension...

PRESENTING an OUTSTANDING, IMPORTANT and UNIQUE 19C French Empire Style Buffet/Vitrine by AME Fournier. Pieces by A.M.E. Fournier are EXTREMELY RARE and ...

A stunning and very high quality French 19th century 1st Empire period flamed mahogany, ormolu, and giltwood vitrine cabinet. The vitrine is raised by impressive giltwood ball feet b...

With a Christies, New York auction sticker on the back. The cabinet with carved cornice and openwork frieze. Carved sinuous floral vine supports flank the glass door with mullions in a light brown stain. The interior in pale green paint with three shelves. The lower cabinet with metal mounts (broken...

A spectacular and rare pair of Italian early 19th century, circa 1810, First Empire Period vitrines. Each crouch mahogany vitrine is raised on bun feet below two sets of double cabin...

Antique English chippendale mahogany table vitrine, circa 1890.

A beautiful and most elegant Italian 19th century Neo-Classical st. patinated and giltwood cabinet vitrine. The vitrine is raised by circular tapered fluted legs with handsome giltwo...

An early 19th Century, antique German pair of Biedermeier display cabinets made of hand crafted shellac polished, partly veneered Cherrywood, in good condition. Each of the cupboards...

Just the right amount of arc makes this custom, English-made mahogany* cabinet pleasing to the eye while optimizing storage and display in a piece that is only 22" deep at its center...

Stunning vintage mid-century modern to modern chrome & mirrored one-piece etagere or room divider with lower enclosed cabinet portion in the style of DIA or Ello. Beautiful condition...

18th Century Venetian finely carved giltwood and painted table vitrines. Could be electrified and mounted as wall sconces.

Classic iron and glass vitrine from Argentina, made in the 1920s. Two doors open wide. 4 glass shelves. Glass on all sides. Mirrored bottom. Gorgeous display cabinet. Great vintage c...

This early 1900s French Louis XV–style oak vitrine exemplifies the graceful curves and refined ornamentation associated with the period. Crafted from solid oak, the cabinet features ...

Solid oak, ornately carved. Large glass vitrine with interior shelves above 2 doors with interior shelves. Austro-Hungarian circa 1860/80. Part of ...

A stunning and large scale complimentary pair of Italian 19th century Venetian style giltwood vitrines. The most impressive and uniquely shallow vitrines are each raised by a bombée ...

A Lovely Early 20th Century Louis XV Style Gilt Bronze Mounted Parquetry Vitrine Table By François Linke François Linke The oval shaped table with a beveled glass top encircled by ...

Italian Carved Wood Compact One Door Compact Vitrine Display Cabinet MINT

A fine late 19th century Louis XVI style gilt bronze-mounted double vitrine cabinet By Henri Picard The vitrine fitted with a nice inset marble top, the upper cabinet with a long single drawer and bronze women busts on the corners. The bottom part with ram heads and centered with cornucopia and a lions mask. Stamped HPR, for Henri Picard, on the back of some bronzes. The important fondeur and doreur Henri Picard worked in Paris from 1831-1884, most notably for the Emperor Napoléon III. He was based in Paris at 6, rue Jarente from 1831 to 1839, before moving to 10, rue de la Perle...

A rare and important Art Deco period Century of Progress Display Cabinet designed by Wolfgang Hoffmann (Austrian, 1900-1969) for Romweber Company, Batesville, Indiana, United States of America. circa 1933-1936 Created for the 1933 Chicago World's Fair, one piece design, having a rectangular showcase top with glass panel sides and a pair of sliding glass doors, over solid wood chest fitted with four drawers affixed with horizontal pulls, flanked by cabinet doors, opening to shelved interior. Rosewood, mahogany, richly figured blonde - golden birch or primavera, and glass. Signed, original label to drawer interior, featuring 1933 World's Fair mark impressed. **Please note, at the time of writing this, a matching sideboard - buffet (shown in last photo) is currently available separately** Provenance / Acquisition: Property from the important and iconic collection of Mr. James I. Rafftesaeth Jr., Dallas, Texas Acquired from highly reputable auction house, Heritage Auctions, Dallas, Texas. 2022 Design Signature Auction catalog #8091 History: Wolfgang Hoffmann was born in Vienna, Austria in 1900. He is the son of famous architect, pedagogue and Wiener Werkstatte cofounder, Joseph Hoffmann (1870-1956). Early on, following his father’s s interests, he was trained in the decorative arts and design. Wolfgang Hoffmann once reminisced, “I spent eight years at the Realschule, then three years went to a special architectural school, where I perfected my technical knowledge of architecture and general construction. From this school, I was graduated to the Kunstgewerbeschule [Studying under Oskar Strnad and Josef Frank in Vienna]. After finishing this school, I had one and a half years of practical in a well known architect’s office. Thereafter I worked in my Father’s office for two years”. Hoffmann met his future wife, Polish immigrant Pola (1902-1984) when they were both studying at the Kunstgewerbeschule. Joseph Urban (1872-1933) was needing an assistant for his architectural business in New York and contacted his friend and colleague, Joseph Hoffmann in Vienna. Hoffmann recommended his son Wolfgang. Urban hired him and sent a first class passage ticket to Vienna for Wolfgang to travel to New York. Wolfgang married Pola and traded his ticket for two tickets to America in steerage, arriving in New York City in December of 1925. Leaving the Urban office after nine months, Wolfgang and Pola formed an independent design practice with offices on Madison Avenue in Manhattan with the purpose of creating contemporary interiors and industrial designs. Early work included theaters, stores, and apartments mostly in New York City. During the late 1920’s and early 1930’s the Hoffmanns designed custom furniture for private clients. Some of these examples were shown in the February 1929 issue of House and Garden. Curiously, the examples’ design was attributed to Urban and the production to Pola Hoffmann, Inc. Established in the fall of 1928, the American Designers’ Gallery was “devoted exclusively to showing objects and interiors for practical use… by fourteen American architects and designers”. Its members included the Hoffmans and Urban as well as ceramist Henry Varnum Poor (1888-1971), architect Raymond Hood (1881-1934), artist designer Winold Reiss (1886-1953), graphic designer Lucien Bernhard (1896-1981), decorator Donald Deskey (1894-1989), and architect Ely Jacques Kahn (1884-1972). The Hoffmanns’ work was included in the American Designers’ Gallery’s two showcase events, its 1928 and 1929 exhibitions. Their dining alcove at the 1929 event featured a bench with a dinette table and two chairs in American walnut designed by Wolfgang and a rug by Pola. Lucien Bernhard, fellow Austrian immigrant who settled in New York a year before the Hoffmanns, operated the gallery and decorating service Contempora with Munich resident Bruno Paul (1874-1968). The Hoffmanns, occasionally participating with Contempora, designed a number of outstanding interiors, including the constructivist living room of 1930 for Mrs. O.R. Sommerich at 40 East 66th street. In 1934, Donald Deskey commissioned Wolfgang to design birchwood furnishings for the eclectic apartment at 625 Park Avenue belonging to Helena Rubinstein. In 1931, Wolfgang exhibited his work at the Pennsylvania Art Museum and the Museum of Modern Art in New York City. The same year, with Kem Weber (1889-1963) he organized the second and final exhibition of AUDAC- “Modern Industrial and Decorative Arts”- at the Brooklyn Museum. At this event, the Hoffmanns showed the dining room previously included in the American Designer’s Gallery’s 1929 exhibition in the Chase Bank Building lobby at 145 West 57th Street in Manhattan. In 1932 Wolfgang was asked to assist Urban in developing the color scheme for the 1933-34 Chicago World’s Fair “A Century of Progress”. He was also commissioned to design the interior and furniture for the fair’s lumber industries house. There he executed its living and dining rooms furnished by Kroehler Manufacturing Company of Chicago; the boys’ room by Shower Brothers...

Antique RJ Horner Diminutive Oak Display Vitrine China Cabinet with Mirrored Back, Curved Glass and Carved Foliate Elements, C1910 Measures- 51''H x 33.5''W x 16.5''D This antique vi...

Charming Mirrored Art Deco Wall Display from the 1940's. Shaped like a bird house, handmade of wood painted bright white with slightly Folksy/ Fr...

A sensational and extremely high quality French early 19th century Louis XIV st. Ebony, ormolu and brass cabinet vitrine in the manner of André Charles Boulle...

Circa 1900 French bronze mounted mahogany vitrine, In the Louis XVI style, with 3 sides of glass panels and the original lock and key. The electr...

Pair of nice mid-century modern bleached or cerused chestnut wall units curio cabinets for John Stuart. Solid brass hardware. Interior cabinets lights.

An elegant and high quality French 18th century Regence period Kingwood, ormolu, and brass cabinet vitrine. The vitrine is raised by scalloped shaped supports and a straight base wit...

Handsome iron and glass vitrine made in the 1930s in Buenos Aires. All original iron and glass frame. Newly made thick glass shelves with notched corners to fit snugly inside. Fantas...

This elegant 19th century French vitrine is designed in the manner of Louis XV, with flowing decorative ormolu trim that accents the highly polished veneer. A framed beveled glass li...

1900s French Provincial Oak Vitrine. This tall and graceful vitrine reflects the understated charm of French provincial design, crafted from solid oak with a beautifully weathered, n...

This 1890s French Provincial oak vitrine showcases the rustic elegance and craftsmanship of late 19th-century rural France. The upper section features three glass-fronted doors with ...

This stunning vitrine is made in the Biedermeier style. It's constructed with burl wood and has Roman columns on its ends. It has 2 doors and 3 glass shelves for plenty of display sp...

A most impressive and large scale French 19th century 1st Empire period mahogany, ormolu, and marble cabinet vitrine. The cabinet is raised by a straight mottled design base showcasi...

This exceptional English vitrine features the stylistic elements associated with the famed English furniture designer Thomas Sheraton, considered one of the three most influential En...

Louis XVI style showcase from the early 19th century. It presents a beautiful geometrical marquetry on the facade as on the ribs. The hunting trophy decorations of this marquetry are...

Discover the elegance of the Mid Century Modern Vintage Desk Vanity Table by Meredew Danish Style, available exclusively at Mid Century Traders. This stunning universal vanity can al...

A 19th century marquetry vitrine or display cabinet from Switzerland. Made of walnut with inlaid veneers of maple and elm. Large sculptural crown with hand-carved scrolls and inlaid ...

Antique French Louis XV Mahogany & Satinwood Mirrored Vitrine with Floral Marquetry & Lower Drawers C1890 Measures- 60.25"H x 25"W x 14.5"D A striking antique French vitrine from the...

An exquisite French Ormolu-mounted mahogany and glass vitrine cabinet, attributed to Francois Linke, circa 1880. Although unsigned, the jewel-like quality ormolu bronze mounts throughout, especially the corinthian columns, and the best mahogany and craftsmanship of the period, confirms our attribution to Francois Linke, who was almost certainly one of best furniture makers of the Belle Epoque period alongside Paul Sormani, Henry Dasson, Alexandre Chevrie...

Dimensions: H: 66 1/2in W: 31 1/4in D: 15 3/4in This French Louis XVI Style Ebonized and Ormolu Mounted Vitrine or Display case is made of the highest quality and is perfect for yo...

This François Linke attributed Louis XV style vitrine is an exceptional example of fine French craftsmanship, showcasing the opulence and artistry for which Linke became world-renown...

For a 1983 exhibition of Venini glass at The Heller Gallery these unique cases were designed by the Venini company and made in Italy. Three semi-circular glass shelves (22" x 15.75")...

French Empire ormolu-mounted vitrine cabinet pedestal, circa 1840. Very good quality bronze mounts of typical Empire period heads. Very useful pedestal open vitrine...

Stunning biedermeier tiger maple veneered vitrine. Features a glass door and glass gallery sides, four shelves, two of which are adjustable with shelf pins. Metal tag on door inter...

This fine Edwardian Adams era walnut and satinwood inlaid vitrine, circa 1900, is a superb example of English craftsmanship and refined neoclassical design. With its elegant proporti...