Vermont - Furniture

A Trio of Young Women Are Dancing in a meadow of colorful flowers - Vibrant Colored Hand Painting A framed oil painting on canvas panel by Self Taught Outsider Surrealist Folk Arti...

A Gathering At The Green Dolphin Inn - Vibrant Colored Hand Painting An oil painting on canvas panel by Self Taught Outsider Surrealist Folk Artist Gloria Antoinette Laposka (19...

Made to order, and perfect for hanging in an entryway or in a powder room, this decorative mirror features a woven frame with an undulating, dimensional effect. Hand formed stoneware frame...

A Boisterous Drink At The Inn - Vibrant Colored Hand Painting An oil painting on canvas panel by Self Taught Outsider Surrealist Folk Artist Gloria Antoinette Laposka (1922-201...

Complete Arts And Crafts Set Hand Forged Iron Fireplace Tools, Four Pieces Handsome Heart and Curved Masterwork Design Dark original patina from good age; light use wear. Dimens...

Vintage pair (2) Folk Art or Outsider Art Portraits of Native Americans. The female displays braided hair and a necklace with pendant of possible an acorn or shell; the male with a ...

Unda Form sculpture by Dust and Form Dimensions: D 27 x W 25 x H 12 cm Materials: vermont imperial Danby marble In Latin, the word “unda” is used to describe water, specifically...

Odyssey welded steel Measures: 18.5 x 19 x 18 in. Rooted in industrial materiality and abstract expression, Odyssey invites the viewer into a narrative of motion and emergence. A spiraling steel ribbon unfurls around a central, columnar form—ribbed and machined with mechanical precision—suggesting a journey inward or upward. A sharp, angular plane rises nearby like a sentinel or waypoint, introducing tension and verticality. The contrast of machined and hand-forged surfaces echoes the balance between human intention and mechanical force. With a commanding presence on its rough-edged steel base, Odyssey reflects on structure, evolution, and the persistence of form through time. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...

Portal welded steel Measures: 8.5 x 12.5 x 17.5 in. This abstract steel sculpture explores the balance between solidity and openness. A vertical arm rises from an irregularly shaped base, terminating in a cantilevered form that projects outward. The composition is simple yet evocative, suggesting movement or transition—an architectural gesture frozen in time. Surface textures, visible welds, and the rawness of the metal emphasize the hand of the maker and the industrial origins of the material. The work invites contemplation of spatial tension, negative space, and the quiet power of restraint. Both grounded and reaching, it speaks to themes of structure, memory, and impermanence. Artist statement: I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form. Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental. Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon (b. 1966, Ridgewood, NJ) lives and works in Vermont. He studied business at the University of Denver and earned an MFA in creative writing from the University of Washington. During his time in Seattle, he worked at David Gulassa...

Venus welded steel Measures: 12-1/2 x 17-1/2-37 in. This vertical steel sculpture presents a commanding, almost anthropomorphic figure, assembled from industrial components and softened by age-worn patina. A central oval form anchors the piece—suggesting a torso—while angular extensions imply limbs or mechanical appendages. The upward-reaching element at the top introduces a sense of gesture or alertness, reinforcing the piece’s totemic quality. Sturdy yet expressive, the work balances raw materiality with suggestive figuration. Its posture hints at motion held in pause, evoking associations with tools, guardians, or relics of an unknown past. Artist Statement I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form. Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental. Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon (b. 1966, Ridgewood, NJ) lives and works in Vermont. He studied business at the University of Denver and earned an MFA in creative writing from the University of Washington. During his time in Seattle, he worked at David Gulassa...

Succession welded steel Measures: 6-1/4 x 13-1/2 x 5-1/2 in. This minimalist steel sculpture features a rhythmic progression of three arching forms, each rising from a shared rectangular base. Varying slightly in scale and curvature, the arcs evoke a sense of motion—like a wave cresting and falling, or stages in a structural evolution. The oxidized surfaces lend a rich patina, highlighting the tactile character of the metal and the passage of time. Balancing repetition with variation, the work engages the viewer through its quiet presence and industrial materiality. It is at once architectural and organic, a study in form, balance, and endurance. Artist statement: I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form. Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental. Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon...

Monument welded steel, found objects 20.5 x 16 x 4 in. Monument stands as a stark, enigmatic structure—part signal, part shrine. With its twin-columned base and vertical shaft crowned by a cantilevered horizontal arm, the piece recalls ancient markers or industrial relics repurposed for reverence. The form is at once rigid and reaching, grounded yet gestural.Its silhouette suggests a memorial to unseen histories—a tribute to labor, endurance, or forgotten architectures. The off-center balance and weathered presence give it a sense of quiet authority, as though it were a relic unearthed from a future past.With minimalist economy and ritual poise, Monument invites contemplation on permanence, presence, and the symbols we choose to elevate. Artist Statement I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form.Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental.Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon...

Tortoise welded steel, found objects 17 x 10 x 4 in. In Tortoise, Scott Gordon evokes the steady, grounded presence of its namesake through an abstracted, almost calligraphic form. ...

Geisha wood, wire, sheet metal 8.25 x 18 in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. ...

The fire tools set, an original design offered exclusively by Vermontica, is designed and produced in Vermont by Scott Gordon. A sculptural element for the hearth that stands apart. Features walnut...

Chinese extraordinary natural stone "painting" with hardwood frame Sea and Mountains IV This Chinese extraordinary natural stone "painting" of a mountain range in white and gray colors is called a dream stone Shih-hua. They are cut from historic Dali marble found in the Cangshan mountains of western China. These mysterious mountains, unique in the world, are known for yielding incredible and fantastic natural landscaped works of art created over tens of millions of years from mineral inclusions that affected the process of ancient organic material which transformed into limestone and finally resulted in marble- a metamorphic hard stone. This art form is centuries of years old since the Ming dynasty. Dream stones became favored art in the west particularly since the 19th century when French collectors named them Pierres de reve. This thin marble stone "painting" is approximately 1/4" thick and is cut from a large slab of rough material revealing incredible patterns in soft white and gray colors. Its weight is surprisingly modest- easily hung with standard hardware. On occasion, private collectors would invite an artisan to inscribe a poetic description onto their more important dream stones and in this case the artists' seal mark and calligraphy translation reads: Dimensions: Frame 12 inches high and 20 inches wide. Site 7.5 inches high and 16.25 inches wide. Provenance: Private Chinese collection, Yunnan, China. History of "White and Gray" dream stone paintings...

Extraordinary natural stone work of art, one of a kind. This Chinese extraordinary natural stone "painting" suggestive of a group of mountain peaks landscape features light and dark colors, white, cream, yellow and dark green. This is called a dream stone Shih-Hua. They are cut from historic Dali marble found in the Cangshan Mountains of western China. These mysterious mountains, unique in the world, are known for yielding incredible and fantastic natural landscaped works of art created over tens of millions of years from mineral inclusions that affected the process of ancient organic material which transformed into limestone and finally resulted in marble- a metamorphic hard stone. It is a round cut stone and is set in a circular mat- the image suggests the appearance of a planet. This art form is centuries of years old since the Ming dynasty. Dream stones became favored art in the west particularly since the 19th century when French collectors named them Pierres de reve. This thin marble stone is approximately 1/4" thick and is cut from a large slab of rough material revealing incredible patterns in soft white and gray colors. Its weight is surprisingly modest- easily hung with standard hardware. On occasion, private collectors would invite an artisan to inscribe a poetic description onto their more important dream stones and in this case the artists' seal mark and calligraphy translation reads: Dimensions: Frame: 15.5 inches high and 29 inches wide. Site: 8 inches by 18 inches Provenance: Private Chinese collection, Yunnan, China. History of dream stone "moon light" works of art: Moonlight...

Pillar light by Dust and Form Dimensions: D 15.2 x 29.2 H cm Materials: porcelain Origin Form Collection in three finishes: Hand-sanded (our classic,...

Unique Unda Form by Dust and Form Dimensions: W 24.7 x D 27' x H 12 Materials: black Belgian marble. Special black Belgian marble Unda form. It is one of its kind and has a stun...

Unique being form by Dust and Form Dimensions: D 14 x 10 H cm Materials: Porcelain Origin Form Collection in three finishes: Hand-sanded (our classic, smooth, bare finish) Ivory...

Unique listening form by Dust and Form Dimensions: D 16.5 x 15 H cm Materials: Porcelain Origin Form Collection in three finishes: Hand-sanded (our classic, smooth, bare finish)...