Washington D.C. - Paintings

Appealing painting by Brazilian-born artist Elizabeth Freire. Work is acrylic on canvas. Signed on reverse and titled "Archetypes". B&W photo is of Ms. Freire with renowned sculptor Etienne Martin...

Original acrylic on canvas painting by Padme titled "Transformation". Padme (Megan Sievert) was raised as a global nomad attending international schools in Zambia Pakistan, Norway,...

In the heart of it they push against everything even the blurred dream whispering within. :: Painting :: Abstract Expressionism :: This piece comes with an official certificate o...

Original painting by Padme from her "Vortex" series. Padme (Megan Sievert) was raised as a global nomad attending international schools in Zambia Pakistan, Norway, Venezuela, and ...

Artist: James, Clarence Title: World Cup Date: 2025 Medium: Acrylic, Aerosol, Oil Stick on Canvas Unframed Dimensions: 40" x 30" Signature: Signed lower right corner Edition: ...

Artist: Slonem, Hunt Title: Whalen Date: 2025 Medium: Oil on wood Unframed Dimensions: 20" x 16" Framed Dimensions: 24.5" x 20.5" Signature: Signed by Artist on Verso Edition:...

Artist: Cooper, Kim Title: Jack Date: 2025 Medium: Acrylic on canvas Unframed Dimensions: 30" x 30" Signature: Signed Edition: Unique

Artist: James, Clarence Title: Can We Love Date: 2024 Medium: Acrylic, Aerosol, Oil Stick on Canvas Unframed Dimensions: 40" x 30" x 1.5" Signature: Signed by Artist on Verso E...

Photorealist oil painting by Manon Cleary (1942-2011). Painting is signed on reverse Manon Cleary and titled Unicorn #3. Manon Cleary had a remarkable ability to draw and paint with photographic fidelity, but she was also known as a charismatic teacher at the University of the District of Columbia and as a free spirit whose exuberant life may have been her most enduring work of art. Since the 1970s, Ms. Cleary had been at the center of a group of artists in Adams Morgan. She exhibited her meticulous artwork throughout the city and around the world, but she also became known for her striking presence, her colorful love life and the rats she kept as pets. As an artist, Ms. Cleary borrowed classical techniques from her deep study of Renaissance masters to create paintings and drawings memorable for their frank realism and sometimes disturbing themes. In addition to her many nude self-portraits, Ms. Cleary made erotically charged paintings of flowers. She took inspiration from a painful personal history in a series of works depicting the terror of rape and, in later years, of not being able to breathe without mechanical assistance. Critics considered her a leading figurative artist of the photo-realist school, in which painters render their subjects with camera-like precision. In fact, Ms. Cleary occasionally won awards for photography when adjudicators didn’t realize her works were free-hand creations. She was “widely acknowledged to be among the best, if not the best, of the city’s figurative painters,” Washington Post critic Michael O’Sullivan wrote in 2006. “There is a tension between the cool, clinical detachment of photography and painting’s warm idealization of form.” Ms. Cleary exhibited her art in galleries and museums from Moscow to Paris to Hickory, N.C., but Washington was her home for the past 42 years. In 1974, she settled in the decrepit Beverly Court apartments on Columbia Road NW, where a coterie of artists soon grew up around her. She painted her walls purple, and her fourth-floor apartment — even with the pet rats — became something of a bohemian salon. “She was a star,” painter Judy Jashinsky told the Washington City Paper in 2004. “She was stunning, beautiful; long, brownish–black hair; real thin; wore . . . little sundresses and sandals. She was just very cool, and there was always a crowd around her.” Ms. Cleary had a long list of male admirers, including several whose confrontational attempts at “performance art” led to their arrests. She had a brief marriage in 1981 to a Danish artist known as Tommy — “just Tommy,” Ms. Cleary said — whom she divorced in less than a year. As a kind of graphic homage to her various lovers, Ms. Cleary made a series of intimately revealing portraits that were featured years later on the HBO program “Real Sex.” She met her second husband after a gallery opening in Baltimore. By way of introduction, Kijek, a dancer, stripped naked at a crowded party, walked up to Ms. Cleary and said, “Wouldn’t you like me to pose for you?” They were married in 2001. In spite of her unconventional life, Ms. Cleary was more than a mere provocateur. After a day of teaching at UDC, she would return to her studio, with its windows painted over to block out sunlight, and work late into the night, with a bottle of Dr Pepper at her side. She took nude photographs of herself from every angle, then painstakingly created lifelike images that seemed alive with the warmth of human flesh. After studying in Rome in her youth, she developed what she called “an obsession” with Caravaggio, an iconoclastic painter who lived from 1573 to 1610. She often copied paintings at the National Gallery of Art and, in her own work, blended Renaissance styles with a distinctly modern sensibility. Manon Catherine Cleary was born Nov. 14, 1942, in St. Louis. Her father was a doctor, and her identical twin sister, Shirley...

Watercolor by Willem De Looper (1932-2009). Painting is signed "de Looper" and dated 76' lower right. Painting measures 20" x 8". Willem De Looper was a Washington D.C. abstract...

Original painting by Padme from her "Vortex" series. Padme (Megan Sievert) was raised as a global nomad attending international schools in Zambia Pakistan, Norway, Venezuela, and H...

After the fall of stars there will be thorns, things that bleed, a geometry of flesh, lucid, even. A departure. :: Painting :: Abstract Expressionism :: This piece comes with an...

Artist: Moore, Eric Title: iFeel Date: 2025 Medium: Acrylic on Shaped Urethane Unframed Dimensions: 45" x 45" Signature: Signed by Artist on Verso Edition: Unique

Artist: Cooper, Kim Title: Tate Date: 2025 Medium: Acrylic on Canvas Unframed Dimensions: 24" x 24" Signature: Signed Edition: Unique

"A Different Beat" by Washington DC artist Jeanne Cosimano. Painting in gouache and chalk on paper and dated 2022. Artist is known for her dynamic composit...

A song of disappearances skips into infinity that can be measured only once. As the delicate roar of ghosts expands geometrically, there is an invisible hush, like a kiss ...

"Horseman" by Washington DC artist Jeanne Cosimano. Painting in gouache on paper and dated 2021. Artist is known for her dynamic compositions and skillful ...

Acrylic on canvas painting by Joe Shannon (b.1933). Titled "Three Business Men" signed and dated 1972. New York Times art critic Grace Glueck observed tha...

Acrylic on canvas painting by Joe Shannon (b.1933). Titled "Reprimand" signed and dated 1970. Corcoran Museum label on reverse. New York Times art crit...

One of a kind painting by Noche Crist (1909-2004). Noche Crist was an American artist born in Romania. Acrylic painting is made with plaster on wood, which gives the painting a wonderful texture and depth. Painting is signed and titled on reverse "The Fountain of Youth...

This piece is a second version of an earlier painting (also available on Zatista). I completed it while doing my artist residency at Palette 22 Restaurant. What is special to me abou...

Slab with single dark Eye. Red-hearted robot struts Desert of shadows. :: Painting :: Modern :: This piece comes with an official certificate of authenticity signed by the artist ...

Painting titled "Totem" and dated 2021 by Jeanne Cosimano. Painting is gouache on paper and framed. The painting was recently included in a solo exhibition at Gallery 2112...

Painting titled "Disco Inferno" by Jeanne Cosimano. Wonderful vibrant gouache on paper and dated 2020. Frame is included. This work was recently featured in a solo show at Gallery 2112...

Artist: Houben, R.T. Title: Abe Lincoln 5 Dollar Date: 2025 Medium: Acrylic and foil on canvas Unframed Dimensions: 40" x 30" Signature: Signed Edition: Unique

Wonderful painting by Washington DC artist Jeanne Cosimano. Painting is titled "Tuesday" and dated 2021. Artist is known for her dynamic compositions and ski...

Painting titled "Window into Studio" and dated 2023 by Jeanne Cosimano. The painting is gouache on paper, frame is included. This work was recently included in a solo exhibition at Gallery 2112...

Acrylic on canvas painting by Washington DC artist Joe Shannon (b.1933). The painting is titled "In Bad Spirits" and dated 1969. The painting was exhibit...

One of a kind painting by Noche Crist (1909- 2004). Noche Crist was an American artist born in Romania. Painting is on casein paint on plaster on board. Catalogue of a postumous retr...

Painting titled "Ode to Angelo - Fall Sunflowers" by Maryanne Pollock. Mixed media on D'Arches paper, signed and dated 2022 on reverse. Measurements are 22" x 30". Maryanne Pollock...

Earthly Flavors is one of the twenty-odd pieces I did while participating in Palette 22 Restaurant's artist-in-residence program. Amorphous islands of yellow, pink and blue dominate ...

Fine Mess 22.0 x 30.0 x 1.25, 5.0 lbs Oil Paint on canvas Hand signed by artist Description: An original oil painting by Craig Moran. This Abstract Expressionist style painting us...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

One of a kind painting by Noche Crist (1909- 2004). Noche Crist was an American artist born in Romania. Acrylic painting is made with plaster on wood, which gives the painting a wonderful texture and depth. Painting is signed and titled on reverse "La Ronde...

One of a kind painting by Noche Crist (1909- 2004). Noche Crist was an American artist born in Romania. Acrylic painting is on plaster on wood which gives the painting a wonderful te...

Photorealist oil painting by Manon Cleary (1942-2011). Painting is signed on reverse "Cleary". Painting is stretched on aluminum stretcher and dates to the 1990s. Manon Cleary had a remarkable ability to draw and paint with photographic fidelity, but she was also known as a charismatic teacher at the University of the District of Columbia and as a free spirit whose exuberant life may have been her most enduring work of art. Since the 1970s, Ms. Cleary had been at the center of a group of artists in Adams Morgan. She exhibited her meticulous artwork throughout the city and around the world, but she also became known for her striking presence, her colorful love life and the rats she kept as pets. As an artist, Ms. Cleary borrowed classical techniques from her deep study of Renaissance masters to create paintings and drawings memorable for their frank realism and sometimes disturbing themes. In addition to her many nude self-portraits, Ms. Cleary made erotically charged paintings of flowers. She took inspiration from a painful personal history in a series of works depicting the terror of rape and, in later years, of not being able to breathe without mechanical assistance. Critics considered her a leading figurative artist of the photo-realist school, in which painters render their subjects with camera-like precision. In fact, Ms. Cleary occasionally won awards for photography when adjudicators didn’t realize her works were free-hand creations. She was “widely acknowledged to be among the best, if not the best, of the city’s figurative painters,” Washington Post critic Michael O’Sullivan wrote in 2006. “There is a tension between the cool, clinical detachment of photography and painting’s warm idealization of form.” Ms. Cleary exhibited her art in galleries and museums from Moscow to Paris to Hickory, N.C., but Washington was her home for the past 42 years. In 1974, she settled in the decrepit Beverly Court apartments on Columbia Road NW, where a coterie of artists soon grew up around her. She painted her walls purple, and her fourth-floor apartment — even with the pet rats — became something of a bohemian salon. “She was a star,” painter Judy Jashinsky told the Washington City Paper in 2004. “She was stunning, beautiful; long, brownish–black hair; real thin; wore . . . little sundresses and sandals. She was just very cool, and there was always a crowd around her.” Ms. Cleary had a long list of male admirers, including several whose confrontational attempts at “performance art” led to their arrests. She had a brief marriage in 1981 to a Danish artist known as Tommy — “just Tommy,” Ms. Cleary said — whom she divorced in less than a year. As a kind of graphic homage to her various lovers, Ms. Cleary made a series of intimately revealing portraits that were featured years later on the HBO program “Real Sex.” She met her second husband after a gallery opening in Baltimore. By way of introduction, Kijek, a dancer, stripped naked at a crowded party, walked up to Ms. Cleary and said, “Wouldn’t you like me to pose for you?” They were married in 2001. In spite of her unconventional life, Ms. Cleary was more than a mere provocateur. After a day of teaching at UDC, she would return to her studio, with its windows painted over to block out sunlight, and work late into the night, with a bottle of Dr Pepper at her side. She took nude photographs of herself from every angle, then painstakingly created lifelike images that seemed alive with the warmth of human flesh. After studying in Rome in her youth, she developed what she called “an obsession” with Caravaggio, an iconoclastic painter who lived from 1573 to 1610. She often copied paintings at the National Gallery of Art and, in her own work, blended Renaissance styles with a distinctly modern sensibility. Manon Catherine Cleary was born Nov. 14, 1942, in St. Louis. Her father was a doctor, and her identical twin sister, Shirley Cleary-Cooper, is an artist in Helena, Mont. She was a 1964 graduate of Washington University in her home town and, for the rest of her life, was proud of having been a member of the Pi Phi...

Painting by Maryanne Pollock titled "Alizarin Maze lll". Work is signed and dated 2020 on reverse. Maryanne Pollock received her BFA from Tyler School of Art in Philadelphia and Ro...

Painting by Brazilian-born artist Elizabeth Freire. Work is acrylic on canvas. Signed on reverse and titled "What is the world if not a flo...

Artist: James, Clarence Title: I am (mantra) Date: 2024 Medium: Acrylic, Aerosol, Oil Stick on Canvas Unframed Dimensions: 40" x 30" x 1.5" Signature: Signed by Artist on Verso...

Artist: Flowers, Halim Title: Color of Love (Lyft Up Love) Date: 2025 Medium: Acrylic and oil sticks on canvas Unframed Dimensions: 48" x 36" Signature: Signed Edition: Unique...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Moulimois depicts his environment in New Caledonia and adds fantasy in a perfect magic realism.

Painting by Maryanne Pollock titled "Alizarin Maze ll". Work is signed and dated 2019 on reverse. Maryanne Pollock received her BFA from Tyler School of Art in Philadelphia and Rome...

Painting by Maryanne Pollock titled "Beige Haze". Work is signed and dated 2020 on reverse. Maryanne Pollock received her BFA from Tyler School of Art in Philadelphia and Rome, Ital...

Artist: La Pun, Campbell Title: Chanel No. 5 - Opulent Date: 2025 Medium: Aerosol on Panel Unframed Dimensions: 40.5" x 28.6" Signature: Signed Edition: Unique

Artist: James, Clarence Title: A Life Date: 2023 Medium: Acrylic, Aerosol, Oil Stick on Canvas Unframed Dimensions: 26" x 22" Signature: Signed Edition: Unique Clarence’s art...

Devil's casino. Bright, lusty jackpot colors. Rivulets, circles :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Rea...

Side hustle of a Wild thing on the run whistling Colors mad as dirt. Note: This painting is not framed. :: Painting :: Abstract Expressionism :: This piece comes with an officia...

Artist: La Pun, Campbell Title: LV Ali - Agent Series: Ali Date: 2025 Medium: Aerosol on Panel Unframed Dimensions: 57.5" x 40.5" Signature: Signed Edition: Unique

Artist: Flowers, Halim Title: Declining Newd Wombman Date: 2023 Medium: Acrylic and oil sticks on canvas Unframed Dimensions: 48" x 36" Signature: ...

Artist: James, Clarence Title: I am 1. We are all Date: 2024 Medium: Acrylic, Aerosol, Oil Stick on Canvas Unframed Dimensions: 40" x 30" x 1.5" Signature: Signed by Artist on ...

It rests in expanse Of sunflower yellow. Blue Iris, purple arch. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: R...

A number of sources inspired this painting, including scribbles, distortions of images from past paintings, and graffiti from a building in downtown Oslo. What I love about this pain...

This piece was based on a collage composed of cut-up photographs of graffiti and paintings. Acrylic paint on linen. :: Painting :: Abstract :: This piece comes with an official cert...

Peculiar tree. Fur, saw blade teeth. Shadows make Creatures in the sky. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the arti...

After The Rain - 2023 - Oil on Cradled Board –16 H x 16 W x .75 Inches and ready to hang Visiting my old neighborhood in Washington DC on a rainy day is like stepping back into ...

Yellow siren sprouts Rubbery pink leg. Toothless Mouths, metallic sky. The painting's surface is masonite. This painting is not framed. :: Painting :: Abstract Expressionism :...

Delicate mystiques. Connected, disconnected. Ghosts float in thin air. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist...

K Street Washington DC - 2019 - Oil on Cradled Board ΓÇô16 H x 16 W x 1.5 Inches and ready to hang Cradled with a solid wood frame, the panel won't flex, stretch, or warp. The edg...