Wyoming

UNIQUE PRINT SILVER GELATIN - silver gelatin print mounted on diebond and framed in black frame. THE MONTE-CARLO SERIES (1980), Early works from 1980, Executed in 2011. Shot in abandoned 19th century villas in and around Monaco and Monte-Carlo between 1980 and 1982, the photographs feature young women in the artist's intimate circle of friends playfully posing in eccentric vintage attire...

JESSE FALES, 3 Bowls (Aspen Bark Ceramics Collection) white stoneware and white being brown shiny glaze, 2024. Diameter of Large Bowl: 12 inches, Height 5 inches 2 other bowls are ...

JESSE FALES, 3 Nesting Bowls (Aspen Bark Ceramics Collection) white stoneware and white being brown shiny glaze, 2024. This handcrafted bowls the simplicity, strength, and beauty o...

JESSE FALES, BigHorn Sheep Big Vase, Salt fired, porcelain and stoneware. Glazed only on the inside. Inside the vase: Canadian Geese (on the top inside) Measures as follows: 25.5 in...

JESSE FALES, Spotted Cream Horse Vase, white stoneware and glaze, 2024. This handcrafted vase or candleholder pot channels the simplicity, strength, and purity of the white horse. ...

JESSE FALES, White Horse Vase, white stoneware and glaze, 2024. This handcrafted vase or candleholder pot channels the simplicity, strength, and purity of the white horse. Handmade i...

The project Pink Freud and the Pleasant Horizon stems from Andre von Morisse’s interest in the powerful influence of Freud, Darwin, and Christ on ideas about psychological, scientific and spiritual motors of human life and on popular culture since the 20th century. The exhibition at ART 3 focuses on the impact of Sigmund Freud theories on contemporary society. Von Morisse is particularly concerned with the moment when society ceased to treat shared responsibilities and values as fundaments of its organization, and became atomized by bringing needs of the individual to the fore. A pivotal figure in this transition was Freud’s nephew, Edward Bernays (1891-1995). An American born in Vienna, he became the father of public relations. Bernays combined the psychoanalytical ideas of his uncle with theories of crowd psychology to pioneer the PR industry's use of social sciences to design public persuasion campaigns. He developed techniques of manipulating public opinion while serving Woodrow Wilson during WWI and later worked for the biggest US companies. He was the one responsible for the 1920s smoking campaign targeted at women. Born in Norway in an artistic family and educated in the US, von Morisse turns his acute insight rooted in the European tradition of intellectual irony to examination of American visual and popular culture. His imagery combines cartoon aesthetics with surrealism and pop-art, employing icons of mass culture and history of art for a playful exploration of the consumerist era. ABOUT ANDRE VON MORISSE ANDRE VON MORISSE (Norwegian, b. 1966 in Oslo, Norway, lives and works in the US) Von Morisse is a conceptual painter, interested in exploring aspects of human psychology and how we interact with the world. With his work End of a New Dawn, reviewed by Jonathan Goodman in Art in America (Oct. 2005, p.180), he was the Winner of the Best New Contemporary Artists Award 2005 at the Kunstnerenes Hus Museum in Oslo, Norway. End of a New Dawn explores relationship between painting and photography “reversing" the traditional roles of the two mediums by using paintings as the starting point for an elaborate and intricate photographic process. Andre von Morisse was born in Oslo, Norway in 1966 and came to America in 1978. In 1990, he graduated cum laude from the Art Center College of Design in Pasadena, CA and moved to New York in 1991. His works were featured in many group shows in galleries and museums in the US: Kunstnerenes Hus Oslo, Norway; The Gibbes Museum of Art, Charleston, SC; Mobile Museum of Art, Mobile, AL; Leigh Yawkey Woodson Art Museum, Wausau, WI; Museum of Southwest Texas, Midland, TX ; Art Museum of South Texas, Corpus Christi, TX. He had solo exhibitions with Silas Von Morisse Gallery (2016 & 2018), McKenzie Fine Art (2005 & 2003), and James Graham and Sons (2000, 1997) in New York, NY. His work was reviewed in: Artsy (2018), Artcritical (2018), Two Coats of Paint (2018), Artnet news (2017), The Vienna Psychoanalyst (2016), Photograph (2016), New York Times T Magazine (2014), ELLE Girl Japan (2014), Blouin Art Info (2014), Luxe Immo (2013), Art News (2007), The Morning News...

JESSE FALES, White Horse Vase, white stoneware and glaze, 2024. This handcrafted vase or candleholder pot channels the simplicity, strength, and purity of t...

A painting by Irving Norman. "American Street Scene" is a macabre social surrealism city scape, oil on canvas in a bold palette of reds, blues, and yellows by artist Irving Norman. T...

The painting is comprised of two horizontal canvases bolted together. This work is part of earlier works done by the artist in the 1990's when he was...

A print by Shepard Fairey. “Commanda” is a contemporary, popular culture offset print on paper in black, red, yellow, and white by American street artist Shepard Fairey. The artwork ...

This painting is unframed and is made of two panels. The project Pink Freud and the Pleasant Horizon stems from Andre von Morisse’s interest in the powerful influence of Freud, Darw...

Framed Size: 59 x 81 x 1 3/4 inches; Painting Size: 50 x 72 x 1 3/4 in. The work is in a mahogany stained wood frame that was custom designed by the artist. Signed on the Reverse. This work is from the artist earlier works from the late 1990's. It was exhibited in 2000 at James Graham...

With this painting von Morisse portrays a young man swimming peacefully in a green water Lake with his head above the water. It symbolizes the 90% of the ...

This is a UNIQUE print in large scale silver gelatin print photography, mounted on disband and framed in a black frame same as in the image featured here. The image showing the showroom is to show the scale of the work "In Situ". The image on the showroom image is of another work no longer available. TITLE: On Top of The World - Villa Prince Rainier, Eze-sur-Mer, France (THE MONTE CARLO SERIES). 1980-2011 Image size: 30 x 45 1/4 in. Framed size: 43 5/8 x 57 7/8 x 2 1/4 inches Unique Print in silver gelatin print mounted on disband and framed THE MONTE-CARLO SERIES (1980), Early works from 1980, Executed in 2011. Shot in abandoned 19th century villas in and around Monaco and Monte-Carlo between 1980 and 1982, the photographs feature young women in the artist's intimate circle of friends playfully posing in eccentric vintage attire...

This large photograph is UNIQUE. Only one was made in that large size. The photograph is a silver gelatin print mounted on disband and framed in a back wooden frame. The image in the living room shows the scale and size of the work (different image on the photo). THE MONTE-CARLO SERIES (1980), Early works from 1980, Executed in 2011. Shot in abandoned 19th century villas in and around Monaco and Monte-Carlo between 1980 and 1982, the photographs feature young women in the artist's intimate circle of friends playfully posing in eccentric vintage attire...

This is a beautiful small painting on wood panel in artist frame. Cole’s work, From Tokyo to Berlin, is the culmination of three years of travel (from 2015 to 2018) both east and we...

A painting by Irving Norman. "Bacchanal" is a macabre social surrealism painting, oil on canvas in a dark palette of reds, blues, and blacks by artist Irving Norman. The artwork is u...

Andrew’s Refrain (Abstract painting) Acrylic on wood panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palett...

The Big Spill (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palet...

After Midnight (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “...

The Admiral’s Wedding (Abstract painting) Acrylic on canvas - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palet...

After Midnight (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “...

Truce (Abstract painting) Acrylic on canvas - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives and d...

The Delegation (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with pale...

Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives and drywall tools rather ...

Great Blue Herons and their offspring in a Rookery lit by the first morning light. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signe...

A painting by Gertrude Partington Albright. "Below Twin Peaks" is a landscape painting, oil on canvas in an earth-tone palette by artist Gertrude Partington...

A sculpture by Seth Kaufman. "Lignum Spire" is a contemporary sculpture, bronze with green patina by American Conceptual artist Seth Kaufman. Seth Kaufman lives and works in Southern California. He teaches sculpture and design at Art Center College of Design in Pasadena, CA. Kaufman has had solo exhibitions at, Long Beach University Art Museum, Long Beach, CA; Finesilver Gallery, San Antonio, TX and Post Gallery, Los Angeles, CA. His works have been included in numerous two-person and group exhibitions such as, “Installations Inside/Out 20th Anniversary Exhibition,” Armory Center for the Arts, Pasadena, CA; “Natural Artifice,“ Torrance Art Museum, Torrance, CA; “Extreme Materials,” Memorial Art Museum, Rochester, NY; “Seth Kaufman – John Morris,” Anthony Meier...

"Untitled" is a cast metal sculpture made by Italian/American architect and urban planner, Paolo Soleri. The total size is 9 1/2 x 6 x 3 inches. The work is stamped by the artist. S...

A print by Shepard Fairey. “Alto Arizona” is a contemporary, popular culture screenprint in black, red, and white by American street artist Shepard Fairey. The artwork is signed iin pencil, lower right, "Shepard Fairey 10", lower middle, "EAY 10" (Ernesto Yerena...

A mixed media piece by Donna Huanca. "Gatorade" is a contemporary plaster and 3D paint on canvas in a palette of white by process-oriented, American artis...

"Stelae No. 5" is a painting by Bay Area Figurative artist Nathan Oliveira. The painting is signed and dated lower right, "Oliveira 98". The framed piece measures 67 1/2 x 55 3/4 x 2 in. A Californian whose work is of preeminent importance during the post war period, Oliveira is most often associated with Park, Diebenkorn and the other artists with whom he sketched early in his career. Yet it was not an oversight when Oakland Museum director Paul Mills chose not to include Oliveira in the 1957 exhibition “Contemporary Bay Area Figurative Painting.” All came to figuration by initiating a sophisticated dialogue with abstraction, yet it is Oliveira, the often characterized ambivalent loner among Bay Area artists whose work is most often compared to Alberto Giacometti, Francis Bacon, or Willem de Kooning with whom he shared walls and space at The Images of Man exhibition held in New York at the Museum of Modern Art in 1959. During the early years, Oliveira’s lone figures often suggested an existential angst similar to that of Giacometti, but there was also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig. Through and through, flesh to bones, and bones to dust Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...

A painting by Fiona Rae. "Untitled (yellow, red + brown)" is a contemporary abstract painting, oil on canvas in a colorful palette of reds, blues, and browns by female artist Fiona R...

A sculpture by Felipe Castaneda. "Pensando" is a contemporary figurative white marble sculpture by Mexican artist Felipe Castaneda. The artwork is signed in the lower right, " F. Cas...