New Arrivals: Portrait Paintings

Title A Beautiful Mind - Sunbird Serenade Portrait Painting Sunbird Color Earth Delight Contrast Abstract Soulful large portrait by Karnish. The earth reflects in her eyes, the Hu...

A vibrant painting depicting a city junk collector on his rounds with a horse and cart. It captures a moment of modern city life in New York City. Cecil Bell (1907 -1970) was b...

French oil painting on panel “Dog lying in front of fireplace” 19th century Thematically, the work aligns with 19th-century realism, which focuses on everyday, non-heroic subjects. ...

Chicago Modernist, William Schwartz, painted this dynamic landscape of an artist painting en plein air. He studied at the Art Institute of Chicago shortly after emigrating to the Un...

Oil and tempera on paper realized by Sirio Pellegrini in 1960s. Includes a wooden frame realized by the Artis cm. 61x46. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo...

Oil on cardboard realized by Sirio Pellegrini in 1968. Hand signed lower right. Includes a beautiful wooden frame, one-of-a-kind realized by the Artist cm. 59x68.5.

Karen Offutt's "Languishing" is an original, handmade painting that depicts a nude female figure covered by a sheer black fabric with peonies in the foreground. About the Artist: K...

Portrait of a Lady in an White Silk Dress & Red Drapery Signed and Dated 1739 John Vanderbank (1694–1739) This is an exceptional, rare, and highly desirable late work by John Vander...

Francisco Sanchis Cortés – Woman with Red Flower Medium: Oil on canvas Canvas dimensions: 73 × 54 cm (28.7 × 21.3 in) Framed dimensions: 91 × 72 cm (35.8 × 28.3 in) Signature: Signe...

Artist: Jack Graves III (American, 1988-) Title: "Princess Diana Icon" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2017 Medium: O...

“Secrets Together” is a contemporary figurative painting depicting two women seated side by side, created by French artist Natalya Mougenot as part of her ongoing Women series, dedic...

Michael Sheets (American, born 1947) Signed: SHEETS 1981 (Lower, Right) " Break Time ", 1981 Acrylic on canvas 32" x 48" Housed in a 1/2 Silver Me...

An almond-eyed brunette is depicted sitting pensively next to a window. She looks Mediterranean, perhaps Italian or Greek, and has a captivating face that one can fall in love with. ...

A vibrant painting depicting a magician pulling doves from his hat for an enthusiastic audience. It captures a moment of modern city amusement that many artists, from Degas to Picas...

Portrait of a Woman by Jacqueline Boisselot, French late 20th century 11 x 9 inches oil on canvas, unframed condition: very good and ready to enjoy provenance: from a private collect...

Oil on canvas realized by Sirio Pellegrini in 1969. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his childhood years in R...

Portrait of a Woman signed by Jacqueline Boisselot, French late 20th century 22 x 18 inches oil on canvas, unframed condition: very good and ready to enjoy provenance: from a private...

Portrait of a Longhaired Pointer dog, also called German Longhaired Pointer or German Longhaired Vorsteh, monogrammed and dated “A.D. 1895”, oil on canvas mounted on cardboard, mount...

Willem Steelink Jr. Dutch, 1856-1928 Woman Playing with a Kitten Oil on board 9 ¾ X 7 ¾ in. w/ frame 13 ¾ X 11 ¾ in. Signed "Wilm. Steelink" upper right Willem Steelink Jr. (16 Jul...

Mecano is a painting on paper by French contemporary artist Christophe Dupety, dimensions are 50 × 64 cm (19.7 x 25.2 in). The artwork is signed, sold unframed and comes with a certi...

Dogon is a unique oil on canvas painting by contemporary artist Christophe Dupety, dimensions are 55 × 46 cm (21.7 × 18.1 in). The artwork is signed, sold unframed and comes with a ...

Robert Philipp American, 1895-1981 Portrait of a Young Woman Oil on canvas 8 ¾ by 10 ¾ in, w/ frame 15 ¾ by 17 ⅝ in Signed "Philipp" lower right Sometimes referred to as “America’s...

Oil on cardboard realized by Sirio Pellegrini in 1969. Hand signed. Includes a wooden frame realized by the Artist. cm. 39x34. Sirio Pellegrini, born in Rome on March 1, 1922, of ...

“Flamingo Interlude” is a contemporary figurative painting depicting a woman and a flamingo, created by French artist Natalya Mougenot as part of her ongoing Women series, dedicated ...

Chittrovanu Mazumdar - Untitled Acrylic on Canvas, 33 x 47 inches (Framed & Delivered) Chittrovanu Mazumdar’s acrylic on canvas is a powerful meditation on fragmentation and memory,...

Title: Ain't no Sunshine when She's Gone! Portrait Contemporary Bold Abstract Unique Large Intense Ain't no Sunshine when she's gone... “Are we to paint what's on the face, what...

Wasim Kapoor - Rickshaw Oil on Canvas 56 x 56 inches (unframed size) (Framed & Delivered) In this poignant grayscale composition, Wasim Kapoor pays homage to Mother Teresa, capturin...

“Tropical Bond” is a contemporary figurative painting depicting a woman and a parrot, created by French artist Natalya Mougenot as part of her ongoing Women series dedicated to emoti...

Love Mirror, True Experiences magazine cover, February 1937 by Female Illustrator and Pupl Artist Georgia Warren Oil on canvas 17 x 13 inches (43.2 x 33.0 cm) Signed lower left: War...

Alessio (or Alesso) Baldovinetti (Florence, 1427 – Florence, 1499) circle Saint George and the Dragon Oil on panel 32 x 42 cm Framed 47 x 57 cm Provenance: Hampel Munich, 31 ...

Artist: Jack Avetisyan Title: The Creator Medium: Charcoal on Paper Year: 2021 Style: Portrait Expressionism Dimensions: 24" x 18" x 0. 1" inch (61 x 45 x 0.2cm) Presentation: Unfram...

Carl Jacob Frankenbach hand signed drawing pencil on paper 20 x 18 cm "Frankenbach, Carl Jacob, German painter, draftsman, illustrator, *October 17, 1861, Oberrod near Idstein, †N...

Formally documented in The Life and Letters of John Burroughs (Vol. II, p. 168), this monumental canvas is not merely a portrait; it is a primary historical document. Painted in 1911...

Thomas Hudson (Devon 1701 - London 1779) Portrait of a senior naval officer, c. 1750s Probably a captain or admiral; half-length, holding a telescope, with a warship beyond Oil on canvas 91.3 x 71.1 cm.; (within frame) 114.3 x 93.8 cm. (Unsigned) Provenance: Christie’s, London, 22 November 1985, lot 105 (as Thomas Hudson); Private collection, United Kingdom; Haynes Fine Art, Broadway, Worcestershire; Where acquired, private collection, United States, 16 August 1988; Neal Auction, New Orleans, 14 September 2025, lot 302 (as Attributed to Thomas Hudson); Where acquired by Haveron Fine Art. Literature: Bridgeman Art Library, The Bridgeman Art Library (London: The Library, 1995), p. 89 Christie’s, London, Important English Pictures (London: Christie’s, 22 November 1985) Archival: Witt Library, Courtauld Institute of Art (no. 061487); Heinz Archive and Library, National Portrait Gallery, 1725-50, Thomas Hudson: Men Authentic (1) (Box) This attractive and quintessential half-length is exemplary of Hudson’s leading portrait practice, produced at the height of his decade-long dominance over the London market beginning in 1749. Typical of Hudson's 1750s output, the portrait was likely made after his five-week visit to Rome and Naples, and bares the stylistic merits of this continental excursion. Indeed, the trip seemed to fortify a gradual refinement of Hudson’s technique: namely the emphasis of directional brushstrokes, which sensitively follow the contours of the facial features. The resulting feathery quality is combined here with a striking chiaroscuro effect, which Hudson borrowed directly from Rembrandt. Amalgamating the rich colouring of the Rococo with a mannered Baroque posing, Hudson renders the senior naval officer with a characteristic presence. Resting one hand assuredly at his hip, the finely worked telescope illustrates the officer’s seniority; the warship sailing on the horizon beyond provides further indication of his commanding rank. The telescope is held by a hand modelled with sculptural poise, and the typically Van Dyck manner (seen elsewhere, e.g. Princess Amelia Sophia Eleonore of Great Britain, YCBA B2001.2.246) further illustrates Hudson's studied grounding. Despite the apparent stylistic placement of the work, an earlier date is possible, since the officer wears civilian clothes and not the naval officer’s uniform first introduced in 1747 (which officers afterwards invariably chose to be shown in). The officer has previously been suggested as Edward Henry Sartorius, of the prominent naval Sartorius family; however, this identification is improbable on biographical and documentary grounds. Hudson was regularly commissioned by leading naval officers, and produced highly satisfactory portraits praised for their great likeness and genteel swagger. He charged 24 guineas for a standard 50 x 40 inch half-length in the 1750s period, and the present work (somewhat smaller in size) would have cost not much less. Comparable works include those of Admirals of the Fleet George Anson, 1st Baron Anson, and Sir John Norris; Admiral Sir George Pocock; Admiral Sir Peter Warren; Vice-Admiral The Honourable John Byng; and Rear-Admiral Richard Tyrrell. The present portrait is particularly similar in composition to Hudson’s Portrait of a Flag Officer of The White Squadron, which similarly employs the narrative device of a telescope held at a dynamic angle across the composition, with a warship to the left side of the officer’s retracted arm. Thomas Hudson (Devon 1701 - London 1799) Thomas Hudson rose to become the leading British portraitist of the mid-18th century, albeit in close competition with his Scottish counterpart Allan Ramsay. Born in Devon, Hudson studied alongside George Knapton under Jonathan Richardson the Elder (marrying his daughter in 1725, expressly against Richardson’s wishes), and inherited a dignified formality jointly derived from Van Loo. His work is first recorded in 1728, and between 1730-40 he practised in Bath and the West Country, where in addition to portrait commissions, he was employed to retouch and reline old pictures. He returned permanently to London thereafter, and devised a series of stock poses to which he would return with variation throughout his career. Beginning in 1745 with the death of Richardson and the departure of Van Loo, Hudson became the city’s most successful portraitist, and embarked on ambitious defining works such as his Portrait of Theodore Jacobsen ‒ not drastically unlike the continental heights of Pompeo Batoni in conception. Profiting from his success, he relocated from Lincoln’s Inn Fields to a house in Great Queen Street previously inhabited by Van Loo, and one door down from Kneller’s old rooms. An exceptionally productive period began in 1749 which lasted until the late 1750s. Among this output were highly praised portraits of the Prince and Princess of Wales, commissions for most of the preeminent aristocrats, and superlative group portraits including Benn’s Club of Aldermen, and those of the Thistlethwayte, Marlborough and Radcliffe families. Hudson relocated to King Street, Covent Garden, operating a prolific studio operation which resulted in some four hundred paintings ‒ of which at least eighty were engraved. A prodigious assembly of young pupils included Sir Joshua Reynolds (1740-3), Joseph Wright of Derby (1751-3, 1756), Richard Cosway, John Hamilton Mortimer, and the drapery painters Joseph and Alexander van Aken (also employed by Ramsay). As one later reviewer expressed: ‘Hudson, his art may well display to sight / Who gave Mankind a Reynolds and a Wright’ (Miles, ‘Introduction’). The ambitious young Reynolds made many drawings from classical statuary under Hudson’s instruction, and wrote home that, ‘While doing this I am the happiest creature Alive (sic.)’ (Sweetser, p.12). However, he was later dismissed from his pupilage some two years prematurely for refusing to carry a painting to Van Aken’s studio in the rain. It was at this point that Reynolds returned to Plymouth (Devonport), and produced some thirty portraits of the local gentry (including one example presently owned by Haveron Fine Art). Hudson was one of a number of artists who congregated in Old Slaughter’s Coffee House, alongside Hogarth, Ramsay, Hayman, and Rysbrack. Together they supported Thomas Coram’s Foundling Hospital, of which they each belonged to the 600 governors (in whom Hudson met many of his future clients), and promoted the building as London’s first public space of artistic exhibition. He visited the Netherlands and France for five weeks in 1748 accompanied by St Martin’s Lane colleagues, and was arrested with Hogarth for making drawings of the Bastille fortifications. He afterwards stayed in Rome and Naples in 1752 with Roubiliac, meeting Reynolds twice on the return journey. He returned to England and bought a house at Cross Deep, Twickenham (upstream from Pope’s villa), and made an effective museum of the space. He lived there with his second wife, a wealthy widow named Mrs Fynes. Having been involved with early attempts to establish a royal academy of the arts, Hudson exhibited at the Society of Arts in 1761 and 1766, although he had effectively retired from painting by the latter date. His last painting was in 1767, and he died at Twickenham in January 1779 aged seventy-eight. Hudson was also exceptional for the extensive collection of artworks which he amassed during his lifetime. The collection was thoroughly impressive in extent, and included outstanding Old Masters: Breughel, Canaletto, van Dyck, Hals, Holbein, Kneller, Lely, Michelangelo, Parmigianino, Poussin, Raphael, Rembrandt, Rubens, Tintoretto, Titian, Vasari, and Velázquez. His earliest recorded purchase was in 1741, and he spent heavily at the sale of his father-in-law, even buying works jointly with Van Aken. Likewise, at the posthumous 1750 sale of Van Aken, Hudson spent £215 on the second day (nearly half that day’s sale total). As a pupil, Reynolds had been sent to bid for Hudson in Lord Oxford’s sale of 1742, and proudly recalled having been greeted with a handshake by Hudson’s friend Pope at another picture sale. Hudson also collected extensively from within his own generation, acquiring works by contemporaries including Gainsborough, Reynolds, Richardson, Rysbrack, Vanderbank, and his predecessor Van Loo. Following his death, the works were dispersed in two sales at Messrs. Langford, with the finer works sold at Christie’s in 1785 after the death of his second wife. However, his connoisseurship was not without flaw ‒ having outbid Benjamin Wilson for a Rembrandt drawing, Wilson etched and printed a new ‘Rembrandt’ plate...

Portrait of a Woman in Pink Blouse French, mid 20th century oil on canvas, unframed canvas: 24 x 20 inches Provenance: private collection, Paris Condition: sound and original conditi...

Portrait of the Madonna in Prayer 17th Century Italian School oil on board, framed framed: 6.75 x 6 inches board: 5 x 4 inches Provenance: private collection, England Condition: ver...

This painting captures a quiet yet emotionally charged moment where symbolism gently emerges from everyday life. A woman embraces a black cat whose direct gaze creates an immediate p...

Portrait of a Young Lady, probably British c.1730–1740 Attributed to Jeremiah Davison (c. 1695–1745) What makes this portrait immediately compelling is its directness: the sitter’s ...

Artist: Jack Avetisyan Title: Crisis of Inspiration Medium: Charcoal on Paper Year: 2019 Style: Portrait Expressionism Dimensions: 17" x 18" x 0. 1" inch (43 x 45 x 0.2cm) Presentati...

Portrait of a Yorkshire Terrier Dog English, late 19th century oil on board, framed framed: 7 x 6 inches board: 5.75 x 4.5 inches Provenance: private collection, UK Condition: very ...

“Inner Calm” is a contemplative, expressive painting that captures a quiet moment of introspection and emotional balance. Part of Natalya Mougenot’s ongoing series dedicated to Women...

A better society is not built solely by wealth or power, but by shared values. By the courage to love without condition, the strength to treat all as equals, and the wisdom to honor ...

A better society is not built solely by wealth or power, but by shared values. By the courage to love without condition, the strength to treat all as equals, and the wisdom to honor ...

Signed lower left V . Igoshev. Dated 1961 Old labels from soviet period gallery. Painted in 1961, this work belongs to Vladimir Igoshev’s celebrated cycle dedicated to the Indigenous...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bey...

This piece is a visual meditation on the silent resilience of the African woman. Her expression speaks of unvoiced stories; layers of strength, contemplation, and inherited dignity. ...

Ojú lárí, ọ̀rẹ́ ǹ dénú, this Yoruba proverb, which translates to "We only see faces, but true friendship is from within," emphasizes that real connection lies beneath the surface; it...

What binds us together isn't just blood; Love binds us, Nature binds us, and Time binds us together. The beauty of this all is that the Bond that binds us together is the inseparabl...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bey...

Ecstasy is a mirror, not of how we appear but how we are, when the world falls away, and only feelings remain. To be in ecstasy is to let go of control, fear, the grip of the mind, ...

This painting, Holy Trinity, symbolizes the Holy Spirit of the universe, the earth, the moon, and a black hole. It evokes reflection on life and death. This painting offers a prophet...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Ecstasy is a mirror, not of how we appear but how we are, when the world falls away, and only feelings remain. To be in ecstasy is to let go of control, fear, the grip of the mind, ...

Art measures 19.68 x 19.68 inches Frame measures 27.55 x 27.55 inches Framed in a high-quality contemporary wooden moulding. Color: Gold patinated All art frames show signs of wea...

This painting, Holy Trinity, symbolizes the Holy Spirit of the universe . It evokes reflection on life and death. This painting offers a prophetic prediction and warning to all human...

Watching, Waiting, Anticipating reads like a quiet psychological tableau framed as a window into inner life. Divided panes reveal fragments of a face—eyes hovering, partially conceal...

Today's highly touted ultra-contemporary fine art market has crashed. Why? The artist's lack of talent, concepts, and basic technical skills was overrated and, in some cases, acutely...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

“Three as One” is a contemporary figurative painting by French artist Natalya Mougenot, continuing her recent body of work centered on bond, connection, and human presence. Neither e...