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New Arrivals: Landscape Prints

Vintage, New and Antique Landscape Prints

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Everyday Life of the Army - Lithograph by Auguste Raffet - 1838
Located in Roma, IT
Lithograph realized in 1838. Image dimension 15x27 cm. The scene depicts a group of figures crossing a river by boat, with rowers guiding the craft. In the background, a large troo...
Category

1830s Modern Figurative Prints

Materials

Lithograph

Troupe en marche escortant des convois - Lithograph by Auguste Raffet - 1838
Located in Roma, IT
Lithograph realized by Raffet in 1838. Signed and dated in the plate. Image dimension 20x29 cm. The composition captures a striking juxtaposition between land and water. In the foreground, a large wooden boat...
Category

1830s Modern Figurative Prints

Materials

Lithograph

Vue du Marché de Lisbonne - Lithograph by Auguste Raffet - 1844
Located in Roma, IT
Lithograph realized by Raffet in 1846. Signed and dated in the plate. Image dimension 19x42 cm. A finely detailed lithograph by Auguste Raffet, depicting the bustling market of Lis...
Category

1840s Modern Figurative Prints

Materials

Lithograph

Village Scene in Dagestan - Lithograph by Auguste Raffet - 1841
Located in Roma, IT
Lithograph realized by Raffet in 1841. Signed and dated in the plate. Image dimension: 24x32 cm. This fine lithograph by Auguste Raffet depicts a detailed village scene in the Cauc...
Category

1840s Modern Figurative Prints

Materials

Lithograph

STILL LIFE - Reptiles - Signed Facsimile, Ltd /450
By M.C. Escher
Located in Paris, IDF
M.C. ESCHER (1898-1972) Still life with reptiles, 2008 Facsimile after the original woodcut from 1943 Signed in the plate Numbered / 450 copies (the number you can see can be differ...
Category

20th Century Modern Landscape Prints

Materials

Color

London Sakura-Hand painted Limited Edition-British Awarded Artist-Edition #6/10
Located in London, GB
This painting captures the early spring in Shizico Yi’s garden, where the Cherry Prunus stands as the season’s first joyful announcement. Painted en plein air, it reflects the raw fr...
Category

2010s Abstract Impressionist Abstract Prints

Materials

Metal

Original Eriac Cyclomoteurs Paris to Tokio vintage French motorcycle poster
Located in Spokane, WA
Original Vintage Poster: Eria Cyclomoteurs - Paris to Tokyo 18,000 km. Endurance Race, Archival linen-backed and ready to frame. Printer: Rocher Studio. Creator: Unknown (attribu...
Category

1940s Art Deco Figurative Prints

Materials

Lithograph

Vue du châteaux de Chenonceaux
Located in Fairlawn, OH
Vue du châteaux de Chenonceaux Lithograph, 1843 Letterpress signature lower left corner Signature of the printer lower right corner After Pierre Justin Ouvrié (1806-1879) Published b...
Category

1840s Romantic Landscape Prints

Materials

Lithograph

50x40 Pillars of Creation James Webb Telescope Space Photography NASA Photo Art
Located in Los Angeles, CA
The WEBB imagery is of the most important imagery every taken. The finest museum quality WEBB images available. Printed on archival paper using archival inks. 50x40 Edition of 150 ...
Category

21st Century and Contemporary American Modern Color Photography

Materials

Archival Ink, Archival Pigment

Spring Landscape - Lithograph by Franco Azzinari - 1980s
Located in Roma, IT
Lithograph on paper realized by Franco Azzinari in 1980s. Hand signed and numbered in pencil. Edition of 130. Excellent condition.
Category

1980s Contemporary Figurative Prints

Materials

Lithograph

Il Pomeriggio di Fratel Coniglietto - Lithograph by Antonio Saliola - 1990s
Located in Roma, IT
Lithograph realized by Antonio Saliola in 2000s. Edition of 217/250. Hand signed and numbered in pencil. Excellent condition. Italian painter and printmaker Antonio Saliola is ce...
Category

1990s Contemporary Figurative Prints

Materials

Lithograph

Italian Post Modern Pop Art Lithograph Silkscreen Valerio Adami Galerie Maeght
By Valerio Adami
Located in Surfside, FL
Titled Ledoux, color limited edition lithograph. Hand signed by artist in pencil to right hand corner, 101/150 to left. 19.5" X 14" print view area. This is done in a Postmodernis...
Category

1980s Post-Modern Landscape Prints

Materials

Lithograph

Vue prise près de la Tête de Pont - Lithograph by Auguste Raffet - 1844
Located in Roma, IT
Lithograph on wove paper. Signed and dated in the plate. Image dimension 19x42 cm. A sweeping and atmospheric composition by Auguste Raffet, master of lithographic detail, depicti...
Category

1840s Modern Figurative Prints

Materials

Lithograph

Éléphants d’Afrique (Souvenir du Luxembourg)-Lithograph by Auguste Raffet - 1879
Located in Roma, IT
Etching in laid paper. A highly detailed etching by Léon Gambard, depicting a majestic herd of African elephants gathered at a watering hole under a vast, expansive sky. The animals...
Category

1870s Modern Figurative Prints

Materials

Lithograph

Urban Landscape - Print by Ernesto Piccolo- 2000s
Located in Roma, IT
Lithograph on wove paper. Edition of 150. Hand signed and numbered in pencil. This vibrant lithograph by Ernesto Piccolo depicts a sunlit Mediterranean village, rendered in lumino...
Category

Early 2000s Contemporary Landscape Prints

Materials

Lithograph

Crimée – Le Quartier Tatar à Moudjou - Lithograph by Auguste Raffet - 1840
Located in Roma, IT
Lithograph on wove paper. Signed and dated in the stone lower right. This lithograph by Auguste Raffet, one of the most celebrated French lithographers of the 19th century, depicts...
Category

1840s Modern Figurative Prints

Materials

Lithograph

Making Camp
By Thomas Hart Benton
Located in Columbia, MO
Thomas Hart Benton (American, 1889 - 1975) was a painter, muralist, and printmaker whose sinuous, rhythmic style came to define the Regionalist movement. His paintings and lithograph...
Category

20th Century American Modern Landscape Prints

Materials

Lithograph

French Quarter (Golden Hour)
By Kristin Moore
Located in New Orleans, LA
Archival pigment ink print on Hahnemuhle cotton paper. Each print is uniquely hand embellished by the artist with acrylic paint and prismacolor. Edition 1 of 5. Kristin Moore says o...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Acrylic, Rag Paper, Archival Pigment

Drue
By Leonora Carrington
Located in Columbia, MO
Leonora Carrington (British-Mexican 1917 - 2011) was a painter, writer, and key figure in Surrealism whose work explored the sacred, the mystical, and the magical in everyday life. B...
Category

20th Century Surrealist Landscape Prints

Materials

Lithograph

Roger de La Fresnaye, The Entrance to the Village, 1968 (after)
By Roger de la Fresnaye
Located in Southampton, NY
This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled L'entree du village (The Entrance to the Village), from the album Roger de la Fresnaye, III, Collection Pierr...
Category

1960s Cubist Landscape Prints

Materials

Lithograph

Whataburger Sunset
By Kristin Moore
Located in New Orleans, LA
Archival pigment ink print on Hahnemuhle cotton paper. Each print is uniquely hand embellished by the artist with acrylic paint and prismacolor. Edition 3 of 5. Kristin Moore says o...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Acrylic, Rag Paper, Archival Pigment

Roger de La Fresnaye, The Louis-Philippe Table, 1968 (after)
By Roger de la Fresnaye
Located in Southampton, NY
This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled La table Louis-Philippe (The Louis-Philippe Table), from the album Roger de la Fresnaye, III, Collection Pier...
Category

1960s Cubist Landscape Prints

Materials

Lithograph

David Roberts “Approach of the Simoon - Desert of Geezah” “
By David Roberts
Located in San Francisco, CA
David Roberts: 1796-1864. Very important and well Listed 19th century Scottish artist. He has had Auction results for paintings in excess of $1 million. Nevertheless, he is most reco...
Category

1850s Realist Landscape Prints

Materials

Lithograph

View of Saint Peter (Rome) - Etching by Franco Marzilli - 1980s
By Franco Marzilli
Located in Roma, IT
Etching hand colored realized by Franco Marzilli.  Hand signed and numbered. Edition of 81/99 Very Good condition. This delicate etching by Italian artist Franco Marzilli captures...
Category

1980s Contemporary Landscape Prints

Materials

Etching

Texas Special
By Kristin Moore
Located in New Orleans, LA
Archival pigment ink print on Hahnemuhle cotton paper. Each print is uniquely hand embellished by the artist with acrylic paint and prismacolor. Edition 2 of 5. Kristin Moore says o...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Acrylic, Rag Paper, Archival Pigment

Over the Hollywood Hills and Far Away
By Kristin Moore
Located in New Orleans, LA
Archival pigment ink print on Hahnemuhle cotton paper. Each print is uniquely hand embellished by the artist with acrylic paint and prismacolor. Edition 1 of 5. Kristin Moore says o...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Acrylic, Rag Paper, Archival Pigment

Souvenir de Voyage (Memory of a Journey)
By René Magritte
Located in Milwaukee, WI
Image size: 18.25 x 15 in Paper size: 23.63 x 17.07 in Frame size: 32.38 x 29.13 in Color lithograph after the 1961 gouache on paper by René Magritte, plate-signed by Magritte an...
Category

2010s Surrealist Landscape Prints

Materials

Lithograph

Il Pomeriggio di Fratel Coniglietto - Lithograph by Antonio Saliola - 1990s
Located in Roma, IT
Lithograph realized by Antonio Saliola in 2000s. Edition of 217/250. Hand signed and numbered in pencil. Excellent condition. Italian painter and printmaker Antonio Saliola is ce...
Category

1990s Contemporary Figurative Prints

Materials

Lithograph

Landscape - Etching by Franco Marzilli - 1980s
By Franco Marzilli
Located in Roma, IT
Etching hand colored realized by Franco Marzilli.  Hand signed and unnumbered. Very Good condition. This delicate etching by Italian artist Franco Marzilli captures the lyricism o...
Category

1980s Contemporary Landscape Prints

Materials

Etching

Griffith Park and a Palm Tree
By Kristin Moore
Located in New Orleans, LA
Archival pigment ink print on Hahnemuhle cotton paper. Each print is uniquely hand embellished by the artist with acrylic paint and prismacolor. Edition 2 of 5. Kristin Moore says o...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Rag Paper, Archival Pigment, Acrylic

Mosquée et Palais de Khan à Bakhchisarai - Lithograph by Auguste Raffet - 1840
Located in Roma, IT
Lithograph on wove paper. Signed and dated on plate. This evocative lithograph by Auguste Raffet, one of the most accomplished French lithographers of the 19th century, depicts the...
Category

1840s Modern Figurative Prints

Materials

Lithograph

Roger de La Fresnaye, The Cowherd, 1968 (after)
By Roger de la Fresnaye
Located in Southampton, NY
This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled Le Bouvier (The Cowherd), from the album Roger de la Fresnaye, III, Collection Pierre Levy, 1968, originates ...
Category

1960s Cubist Landscape Prints

Materials

Lithograph

Lakeshore, landscape by lake, by Trevor Southey
By Trevor Southey
Located in Palm Springs, CA
Signed, titled and numbered by the artist from an edition of 60. Nostalgic scene of a lakeshore cabin with boat. Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940....
Category

1980s Contemporary Landscape Prints

Materials

Etching, Aquatint

Roger de La Fresnaye, Face, 1968 (after)
By Roger de la Fresnaye
Located in Southampton, NY
This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled Visage (Face), from the album Roger de la Fresnaye, III, Collection Pierre Levy, 1968, originates from the ed...
Category

1960s Cubist Figurative Prints

Materials

Lithograph

Roger de La Fresnaye, The Romanian Woman, 1968 (after)
By Roger de la Fresnaye
Located in Southampton, NY
This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled La Roumaine (The Romanian Woman), from the album Roger de la Fresnaye, III, Collection Pierre Levy, 1968, ori...
Category

1960s Cubist Figurative Prints

Materials

Lithograph

Roger de La Fresnaye, Shepherdess, 1968 (after)
By Roger de la Fresnaye
Located in Southampton, NY
This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled Gardeuse de moutons (Shepherdess), from the album Roger de la Fresnaye, III, Collection Pierre Levy, 1968, or...
Category

1960s Cubist Figurative Prints

Materials

Lithograph

Roger de La Fresnaye, The Conquest of Air, 1968 (after)
By Roger de la Fresnaye
Located in Southampton, NY
This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled La Conquete de l'air (The Conquest of Air), from the album Roger de la Fresnaye, III, Collection Pierre Levy,...
Category

1960s Cubist Landscape Prints

Materials

Lithograph

Roger de La Fresnaye, Military Scene, 1968 (after)
By Roger de la Fresnaye
Located in Southampton, NY
This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled Scène militaire (Military Scene), from the folio Roger de la Fresnaye, III, Collection Pierre Levy, 1968, ori...
Category

1960s Cubist Landscape Prints

Materials

Lithograph

Chaim Soutine, Landscape at Cagnes, from Soutine, I, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Chaim Soutine (1893–1943), titled Paysage a Cagnes (Landscape at Cagnes), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the sweeping emotional vigor and expressive distortions that define Soutines landscape vision, capturing in lithographic form the turbulent rhythm, chromatic intensity, and psychological tension characteristic of his mature periods in Cagnes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Paysage a Cagnes (Landscape at Cagnes), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Unsigned and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a moment of renewed international interest in his oeuvre. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural dynamism of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Andre Derain, Port of Collioure, from Fauves, VII, 1972 (after)
By André Derain
Located in Southampton, NY
This exquisite lithograph after Andre Derain (1880–1954), titled Port de Collioure (Port of Collioure), from the folio Fauves, VII, Collection Pierre Levy, 1972, originates from the ...
Category

1970s Fauvist Landscape Prints

Materials

Lithograph

Hand Colored Etching - Nostalgia Railroad - Last
By Cuca Romley
Located in Los Angeles, CA
This beautiful hand colored etching imaginatively depicts a historical time / place of the nation’s first transcontinental railroad where Union P...
Category

1980s Contemporary Landscape Prints

Materials

Archival Ink, Etching

A Los Toros Avec Picasso (Set of Three Unframed)
By Pablo Picasso
Located in Washington, DC
Artist: Pablo Picasso Title: La Pique (I), Jeu de la Cape (III), Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Set of three transfer lithographs Date: 1961 Edition...
Category

1960s Animal Prints

Materials

Lithograph

Chaim Soutine, Still Life with Turkey, from Soutine, I, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Chaim Soutine (1893–1943), titled Nature morte a la dinde (Still Life with Turkey), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological intensity that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 20 x 26 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1899–1943) Title: Nature morte a la dinde (Still Life with Turkey), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 20 x 26 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...
Category

1960s Modern Still-life Prints

Materials

Lithograph

Andre Derain, Hyde Park, from Fauves, VII, 1972 (after)
By André Derain
Located in Southampton, NY
This exquisite lithograph after Andre Derain (1880–1954), titled Hyde Park (Hyde Park), from the folio Fauves, VII, Collection Pierre Levy, 1972, originates from the edition publishe...
Category

1970s Fauvist Landscape Prints

Materials

Lithograph

Georges Braque, Landscape at L Estaque, from Fauves, VII, 1972 (after)
By Georges Braque
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Paysage a L'estaque (Landscape at L'Estaque), from the folio Fauves, VII, Collection Pierre Levy, 1972, originates ...
Category

1970s Fauvist Landscape Prints

Materials

Lithograph

I Love New York 1981-View From my Terrace, Vintage
Located in Brooklyn, NY
David Lingwood’s "I Love New York" offers a serene, nostalgic glimpse into the iconic New York City skyline as seen from the artist’s own terrace apartment in the 1970s. Rendered wit...
Category

1980s Contemporary Landscape Prints

Materials

Offset

Chaim Soutine, The Hare at the Green Shutter, from Soutine, I, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...
Category

1960s Modern Landscape Prints

Materials

Lithograph

In the Port of Bretagne - Original Lithograph
Located in Paris, IDF
Yvonne CHEFFER DELOUIS In the Port of Bretagne Original lithograph Unsigned On vellum 36 x 55 cm (c. 14.1 x 21.6 in) Excellent condition
Category

Late 20th Century Modern Landscape Prints

Materials

Lithograph

Groenland - Original Handsigned Etching
Located in Paris, IDF
Matthieu PERRAMANT Groenland Original etching Signed in pencil Numbered / 50 copies On vellum 13 x 13 cm (c. 5.11 x 5.11 in) and open format 13 x 26 cm (c. 5.11 x 10.23) Excellent ...
Category

Late 20th Century Modern Landscape Prints

Materials

Etching

Chaim Soutine, Death in Pieces, from Soutine, I, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Chaim Soutine (1893–1943), titled Morte Au Morceau (Death in Pieces), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological intensity that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 20 x 26 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1899–1943) Title: Morte Au Morceau (Death in Pieces), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 20 x 26 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...
Category

1960s Modern Still-life Prints

Materials

Lithograph

Andre Derain, London, The Thames and Big Ben, from Fauves, VII, 1972 (after)
By André Derain
Located in Southampton, NY
This exquisite lithograph after Andre Derain (1880–1954), titled Londres, La Tamise et Big Ben (London, The Thames and Big Ben), from the folio Fauves, VII, Collection Pierre Levy, 1...
Category

1970s Fauvist Landscape Prints

Materials

Lithograph

Chaim Soutine, Hanging Hare, from Soutine, I, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Chaim Soutine (1893–1943), titled Lievre pendu (Hanging Hare), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Lievre pendu (Hanging Hare), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Chaim Soutine, Still Life with Pipe, from Soutine, I, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Chaim Soutine (1893–1943), titled Nature morte a la pipe (Still Life with Pipe), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 20 x 26 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Nature morte a la pipe (Still Life with Pipe), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 20 x 26 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...
Category

1960s Modern Still-life Prints

Materials

Lithograph

Chaim Soutine, The Rooster, from Soutine, I, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Coq (The Rooster), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Coq (The Rooster), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Unsigned and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Chaim Soutine, Landscape at Cagnes, from Soutine, I, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Chaim Soutine (1893–1943), titled Paysage a Cagnes (Landscape at Cagnes), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the sweeping emotional vigor and expressive distortions that define Soutines landscape vision, capturing in lithographic form the turbulent rhythm, chromatic intensity, and psychological tension characteristic of his mature periods in Cagnes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Paysage a Cagnes (Landscape at Cagnes), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a moment of renewed international interest in his oeuvre. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural dynamism of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Old Salty
By Max Hayslette
Located in Kingston, WA
The product is a fine art print by artist Max Hayslette, titled "Old Salty." Signed by the artist in 2014, this contemporary seascape print features a landscape orientation and is pr...
Category

2010s American Impressionist Landscape Prints

Materials

Archival Paper, Giclée

Madeleine in Hendaye - Original Handsigned Lithograph
Located in Paris, IDF
Yvonne CHEFFER DELOUIS Madeleine in Hendaye Original lithograph Signed in pencil Numbered / 275 copies On vellum 56 x 76 cm (c. 22 x 29.9 in) Excellent condition
Category

Late 20th Century Modern Landscape Prints

Materials

Lithograph

View of Saint Peter (Rome) - Lithograph by Franco Marzilli - 1980s
By Franco Marzilli
Located in Roma, IT
Lithograph hand colored realized by Franco Marzilli. Edition of 80/99. Hand signed and numbered in pencil. Good condition with slightly diffuse foxing.
Category

1980s Contemporary Landscape Prints

Materials

Lithograph

Il Pomeriggio di Fratel Coniglietto - Lithograph by Antonio Saliola - 2000s
Located in Roma, IT
Lithograph realized by Antonio Saliola in 2000s. Edition of 217/250. Hand signed and numbered in pencil. Excellent condition. Italian painter and printmaker Antonio Saliola is ce...
Category

Early 2000s Contemporary Figurative Prints

Materials

Lithograph

“Windsor Castle, 1990” HM King Charles III Signed Lithograph, Edition of 295
Located in Yardley, PA
An excellent original signed lithograph depicting the legendary Windsor Castle by HM King Charles III (b. 1948). “The third lithograph to be produced was the very dramatic Windsor C...
Category

1990s Impressionist Landscape Prints

Materials

Paper, Lithograph

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