Recognized Dealers Art

From the Series Guerreros One-of-a-kind Photomontage on archival paper Overall size: Sheet Size: 27.5 in. H x 39 in. W Individual size: Sheet Size: 27.5 in. H x 19.5 in. W Unframed ...

A Charming, 1950s Mid-Century Modern Studio Portrait, "Young Girl in Blue" by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Artwork size: 20 x 16 inches, oil on canvas. ...

In the Kingdom of Transience, everything is temporary, subject to constant change. Everything is unstable and volatile like the wind. The precariousness of our existence reminds us t...

Julie London - Portrait Julie London Jazz Singer Beverly Hills Hotel Hollywood by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. J...

Hunt Slonem "Score Field of Dreams" Blue and Gold Butterflies A pair of butterflies gestured in white on a gold and blue scored background in a vintage frame Unframed: 10 x 8 inches...

Hunt Slonem "Chinensis" Multicolor Bunnies Multiple black outline rabbits on a metallic background. Unframed Hunt Slonem is a well-renowned American artist known for his neo-express...

This colourful contemporary abstract painting is by Carol Sutton. In the 1970s, the paintings of a young Carol Sutton caught the attention of one of America’s best-known art critics...

Foliage lit with sea blue and white on a fresh celadon ground are rendered in layered expressive brushwork by Jennifer Hornyak. The bold colors and flattened picture plane in this in...

John Thomas Serres (1759-1825) Fisherfolk unloading the days catch Oil on canvas Canvas Size - 17 x 25 in Framed Size - 22 x 30 in John Thomas Serres, a luminary in the realm of mar...

Joan Miro, Untitled, 1981 (from Lithographie IV) Original color lithograph on Rives vellum paper 12 1/2 x 9 3/4 in. (32 x 25 cm), unframed Edition of 4000 (Published by Maeght in 198...

The artist explored nature and how the body can be part of these landscapes with the help of the model Marisa. He did not hesitate to brave the climate and landscapes of Iceland. Th...

This figurative steel indoor sculpture challenges cultural norms about women. The finely detailed, provocative sculptures of Derya Ozparlak have secured her a unique place in the wo...

Peter Monamy (London 1681-1749) A Calm with a Man of War firing a Salute Oil on canvas Canvas Size 14 1/4 x 17 1/4 in Framed Size 20 x 24 in Peter Monamy was an acclaimed British marine painter of the late 17th and early 18th centuries, renowned for his evocative depictions of seascapes and naval scenes. Born in 1681 on Guernsey, one of the Channel Islands, Monamy displayed an early affinity for art, which was shaped by the maritime culture of his homeland. His works vividly capture the drama and grandeur of the sea, marking him as one of the prominent marine artists of his time. At a young age, Monamy moved to London, where he likely apprenticed with a sign painter. His artistic skills flourished during this period, influenced by Dutch marine painters such as Willem van de Velde the Younger...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

This playful pop art-inspired large indoor sculpture is by Calgary’s Alexander Caldwell. Stainless steel balls in various sizes are welded to create...

Robert Vale Faro, 'Sylvan Maze', color lithograph, 1946, edition 20. Signed, dated, titled and numbered '112' and '11/20' in pencil. A fine, richly-inked impression with fresh colors, on heavy, off-white wove paper; full margins (1 to 1 1/2 inch), in excellent condition. Image size 13 11/16 x 9 11/16 inches; sheet size 16 1/8 x 12 5/16 inches. Scarce. Matted to museum standards, unframed. ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...

A Fabulous, Surrealist 1946 Mid-Century Modern Abstract Portrait of a Young Man by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Titled "Introspective Stare", the drawing is ...

"My work explores the relationship between the tyranny of ageing and urban spaces. With influences as diverse as Brancusi and Buckminister Fuller, new synergies are crafted from simp...

The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from th...

Frida at the Barbizon Plaza Hotel by Lucienne Bloch is a black and white portrait of Mexican painter Frida Kahlo sitting in a chair under her self portrait hanging on the wall. Im...

This is one of a series of colourful abstract expression paintings by Milly Ristvedt. For more than six decades, Milly Ristvedt has explored the power of colour as a visual language...

Oil on Canvas Canvas Size: 13 x 18 inches Framed Size: 20 x 25 inches Signed Lower Left

Created by Donald Judd as an aquatint on wove paper, Untitled, 1978-79 is hand-signed and numbered in pencil, measuring 40 x 29 ½ (101.6 x 74.9 cm.), unframed, and is from the editio...

Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride...

A Fabulous, 1950s Mid-Century Modern Still Life Painting of a Colorful Bouquet of Spring Flowers by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Completed in the vibrant,...

Joseph Fleischmann, 'Whaling' (Hartingers Wandtafeln: Zoologie T. XXXII), monumental vintage color lithograph, 1900. Signed in the matrix, lower right. A superb, beautifully nuanced impression, on cream wove paper, the full sheet with margins (1 1/2 to 2 3/16 inches), in very good condition. Sheet size 28 x 38 1/2 inches (711 x 978 mm). The full sheet, unmounted and unmatted—shipped carefully rolled and protected. Rendering by A. Berger after Joseph Fleischmann. Published by Carl Gerold’s Son, Vienna, 1900. This Artic whaling scene depicts a Greenland whale in the foreground pursued by whalers. A whaling ship is seen in the background and at right, another whale among icebergs with seagulls overhead. The print by Albert Berger...

Recalling images of snow and ice, this modernist wall sculpture is by Cheryl Wilson Smith. The Canadian artist lives where the road ends in Northern Ontario surrounded by lakes, rock...

Amalia Polleri, 'Untitled (Sleeping Children)', Conté crayon on cream wove drawing paper, signed and dated '43 in ink beneath the image, lower right; with 1/4 margins all around. Arc...

Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...

Hunt Slonem "Randy Redo" Multicolor Bunny A single rabbit gestured in black on a multicolor background in a vintage frame. Unframed: 10 x 8 inches Frame...

Margo Humphrey, 'The Garden (Adam and Eve)', reductive color woodcut, 1989. Signed, dated, and annotated 'A/P' in pencil. Signed and dated in the image, lower right. A fine, richly-inked, artist's proof impression, with fresh, vivid colors, on BFK Rives, heavy, off-white wove paper; the full sheet with margins (1 to 1 3/8 inches), in excellent condition. Archivally sleeved, unmatted. Scarce. Image size 27 1/4 x 39 1/8 inches (692 x 994 mm); sheet size 29 1/2 x 42 inches (749 x 1,067 mm). ABOUT THIS WORK "Humphrey continued to reinterpret stories from the Bible with African American figures. In 1989 she published the woodcut print 'The Garden' at Magnolia Editions in Oakland, CA. For this rare foray into relief printmaking, she employed the reductive method, which uses only one block that is successively carved for each color segment, reducing the block with each cutting. Technically challenging, this lush and elaborate print is a testament to Humphrey’s skills as a printmaker. A youthful Adam and Eve are depicted in a luxuriant tropical landscape. Here, Humphrey chooses not to include the traditional symbols of humanity’s downfall but instead portrays them as being protected by angels in an atmosphere of idyllic bounty. ...Although Humphrey challenges traditional representation of Christian themes, her images are not iconoclastic but present a broader, more inclusive engagement with religious spirituality." — Adrienne L. Childs, 'Margo Humphrey, The David C. Driskell Series of African American Art: Volume VII,' Pomegranate Communications, Inc., 2009, page 71. ABOUT THE ARTIST American printmaker, illustrator, and art teacher Margo Humphrey was born in Oakland, California, in 1942. She earned a BFA in Painting and Printmaking from the California College of Arts and Crafts and a Master of Fine Arts degree in Printmaking from Stanford University. Humphrey began teaching in 1973 at the University of California Santa Cruz and has since taught at the University of Texas at San Antonio, the San Francisco Art Institute, and the School of the Art Institute of Chicago. She has also taught at the University of the South Pacific in Suva, Fiji; Yaba Technological Institute of Fine Art, Ekoi Island, Nigeria; the University of Benin in Benin City, Nigeria; the Margaret Trowell School of Fine Art in Kampala, Uganda, and the Fine Art School of the National Gallery of Art, Harare, Zimbabwe. In 1989, she was appointed Department Head of Printmaking at the University of Maryland in College Park. Humphrey has worked in lithography, monoprint, and woodcut with significant printmaking ateliers, including the Rutgers Center for Innovative Print and Paper, the Bob Blackburn Printmaking Workshop, and the Tamarind Institute in New Mexico. She was one of the earliest African-American woman artists to distinguish herself as a lithographer in a highly technical, male-dominated profession and was the first to have her prints published by Tamarind in 1974. Humphrey’s imagery combines historical perspective, autobiography, and fantasy to illuminate her experience as an African American woman. Bold, saturated color, animated figures, and syncopated rhythmic arrangements are hallmarks of Humphrey's oeuvre. Though Humphrey labels her distinctive style "sophisticated naive," the narrative complexity and technical skill of her works attest to her artistic virtuosity. Joyful, expressive, and at times humorous, her works offer engaging commentary on the presumptions of American culture and myth while embracing her personal vision of authenticity and spirituality. She developed her 1987 work The Last Bar-B-Que, a vividly colored transformation of the Last Supper, following a three-year period during which she examined portrayals of the iconic subject by artists from Pietro Lorenzetti to Emil Nolde. Her narrative work The Garden, a monumentally scaled reductive woodcut, is a further example of an archetypal subject—Adam and Eve in the Garden of Eden—debunked and rendered with fresh, life-affirming vibrancy. Since her first solo exhibition in 1965, Humphrey’s works have been exhibited internationally. They are held in major institutions, including the Museum of Modern Art, The Smithsonian American Art Museum, the Philadelphia Museum of Art, the Hampton University Museum, the Victoria and Albert Museum (London), the Museum of Modern Art, Rio de Janeiro, and the National Gallery of Modern Art, Lagos. In 1996, she was invited to be part of the World Printmaking Survey at the Museum of Modern Art, New York. In 2011, Hampton University Museum mounted a 45-year retrospective of Humphrey’s work Her Story: Margo Humphrey Lithographs and Works on Paper, jointly curated by Robert E. Steele, executive director of the David Driskell...

Trio Color aquatint, 1938 Edition 250 printed on Montval wove paper with Maillol watermark From: Les Fleurs de Mal III (12 color aquatints) Published by Ambrose Vollard, 1940, Paris ...

HENRI de TOULOUSE-LAUTREC (French 1864 - 1901) EROS VANNE (Cupid Exhausted), 1894 (Delteil 74; Adhemar 81; Adriani 92) Original lithograph, cover of music / song sheet words by Maur...

Signed and numbered by the artist, edition of 10. From the Colophon page: "This book is dedicated to the mosaic floor of the Basilica of San Marco in Venice. The most beautiful cap...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

Hunt Slonem "2 Blue Diamond Dust" Bunny Couple A pair of rabbits gestured in blue and white on a dark blue Diamond Dust background in a vintage frame Unframed: 14.5 x 11.5 inches Fr...

This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the ser...

Fifth Avenue Bridge. 1928. Drypoint. McCarron 72. 9 7/8 x 12 (sheet 12 3/4 x 15). Edition of 108 recorded impressions. A rich impression printed on cream laid paper, with full margin...

Half-blood Horse, head raised by Antoine-Louis BARYE (1796-1875) A bronze sculpture with a dark brown patina Signed on the base " Barye " Cast by " F. Barbedienne fondeur " (with th...

For the 1994 Pirelli Calendar shot on the Paradise Island in the Bahamas, photographer Herb Ritts set out to capture in a series of nudes what he called “the gentle innocence” of Kat...

Lyonel Feininger, “Kreuzende Segelschiffe 2 (Cruising Sailing Ships 2)” 1919, Woodcut. Prasse W175. Edition 275 unsigned for portfolio Die tunlte Jahresgabe des Kreises graphischer ...

The Parable of the Prodigal Son, Mo. III, The Return Etching, 1881 Signed and dated in the plate (see photo) From: The Prodigal Son (four plates and title plate) This being an impre...

Hunt Slonem "8" Pink Bunnies Multiple rabbits gestured in black on a pink background in a vintage frame. Unframed: 25.5 x 31.5 inches Framed: 29 x 35 inches *Painting is framed - Pl...

A Visually Striking, early 1950s Abstract, Surrealist Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a colorful interior ...

The watercolor artwork titled "Afternoon Tea" by Ashley Snyder transports viewers into a charming Victorian parlor, where the ambiance exudes an aura of ...

One of a kind Photomontage on archival paper Sheet size: 40 in. H x 27.5 in. W Unframed The root of these unique photographic works by the artist Celso Castro occurred when the arti...

Untitled Double Page Illustration for DLM Color lithograph, 1968 Unsigned as issued in DLM Published in Derriere le Miroir (Behind the Mirror), calle...

A dynamic, colorful 1930s painting of a boxing match in Mexico by famed Chicago Modern artist Francis Chapin. Painted during one of the artist's early trips to Mexico, an exceptional painting showing Chapin's steadfast interest in sporting scenes, particularly boxing matches. Image size: 12 x 28 inches. Framed size: 15 1/2 x 31 1/2 inches. Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington and Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Cahiers d'art, Surrealist Composition 1 Pochoir, 1934 Unsigned as issued in Cahier's edition Published in Cahier's d'art, 1934 Unsigned Edition of 1200 There was also a pencil signed...

A vibrant, Modern 1950's watercolor of a young male bather kneeling against a sunny Mediterranean beach by notable French artist Andre Delfau. Painted most likely near Marseille in ...

Lou Barlow (Louis Breslow), 'Tenant Farmers', color wood engraving, 1936, edition 25. Signed, titled, and numbered '15/25' in pencil. A superb, richly-inked impression, with fresh c...

FRANCES H. GEARHART (1869 – 1958) FISH MARKET 1930 Color block print, Signed and titled in pencil. Image 11 x 9 inches. Full sheet with deckle edges 14 3/...

This golden light-filled contemporary painting is by Sasha Rogers. The Canadian artist is captivated by the effect of creating what appears to be a ‘horizon’ line in her work that di...

Doves in various shades of blue and white create perched lines atop a small black repetitive figure resembling the face of a spider monkey, known throughout Slonem’s oeuvre as "Guard...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

007 Catches Ursula, 1962 - Ursula Andress Sean Connery Dr No James Bond The original James Bond, 007, Scottish actor Sean Connery catches original Bond Girl, Honey Ryder, played by...

A Fine, 1930s Modern Academic Figure Study of a Seated Young Male Nude Model (Torso) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1...

Richard Barrett Davis (1782-1854) Mr Ward on Quicksilver Oil on canvas Canvas Size - 25 x 30 in Provenance with Ackermann & Son, London; where purchased by the present owner. Born...

Collecting Seashells Oil on canvas, 12 1/4 x 16 1/4 inches (31.1 x 41.3 cm) Framed dimensions: 17 3/4 x 21 5/8 inches Signed lower left: W.E. Norton Born in 1843 to a family of Bost...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...