Recognized Dealers Art

Jhelum River in Kashmir, 1961 - Luxury Sailing Watercraft by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Digital C-Type print. Edition of 150. Printed Later. ...

A charming, vibrant, early Mexican city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Depicting a quiet, picturesque view of the rooftops and cathedral...

Night Shadows. 1921. Etching. Levin 82. 7 x 8 3/8 (sheet 10 x 13 7 1/16).s Series: Six American Etchings: The New Republic Portfolio, 1924. Edition approximately 500-600. Illustrate...

This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the ser...

Naoko Matsubara, 'Drop of Life' for the portfolio 'Solitude', color woodcut, 1971. A fine impression with fresh, vivid colors, on cream laid Japan paper, the full sheet with margins,...

This contemporary mixed-media landscape featuring a tree is by Peter Hoffer. Internationally recognized for his ethereal and romantic landscapes, Peter Hoffer has, in recent years, ...

In celebration of Lincoln Center’s Summer for the City 2025 festival, Lilian Martinez has created the image, Calla Lily Dancer. Known for her colorful, bold style, Martinez combines...

FRANCISCO GOYA (1746 - 1828) MADRE INFELIZ (Unhappy Mother) circa 1811-13. (Delteil 169; Harris 170) Aquatint with etching, Plate 50 From Los Disastres de la Guerra. (Disasters of ...

A Charming, Colorful 1950s Mid-Century Modern Harbor Scene of Martha's Vineyard by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Painted near the artist's longtime studio ...

This example of Hunt Slonem's most well-known motif comes complete with a lovely golden frame sourced by Hunt himself. Slonem's artistic trajectory has always been characterized by ...

Beneath a deep blue, cloudy sky, the bright colours of what appears to be a tropical landscape –red, yellow, purples and green pop from the canvas in this beautiful composition by Pa...

Edward Landon 'River View, color serigraph, 1942, edition 50, Ryan 159. Signed in pencil in the image, lower right. Titled, dated, and annotated '9 COLORS – 50 PRINTS' in the screen,...

J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. Kennedy 52 state iv; Glasgow 62. state i. 10 1/8 x 7 1/2 (sheet 15 5/16 x 9 3/4). Series: "Sixteen Etchings or Scenes on the Thame...

This contemporary glass wall sculpture was created by Cheryl Wilson Smith. The artist is known for her ethereal glass pieces that are often inspired by the rugged natural beauty that...

John Frederick Herring Snr (Surrey 1795-1863 Kent) The Pharaoh's Horses Oil on canvas Painting Size - 32 x 32 in Framed Size - 39 x 39 in Provenance Frost & Reed, London, where pur...

In the portraits of The History of Sex, taken in 1996 in the Netherlands, the camera looks directly at the models, who respond in kind. Eyes first seems to be the guiding principle o...

Dale Nichols, 'Partners', lithograph, edition 250, 1950. Signed in pencil. A fine, richly-inked impression, on cream wove paper; the full sheet with margins (7/8 to 1 5/8 inches); tw...

Vintage poster for the 1982 Summer Festival season of the San Francisco Opera. David Hockney designed the whimsical sets and costumes for the San Francisco Opera's production of Igor...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

NORBERTINE VON BRESSLERN-ROTH (1891 1978) KAMPF (BATTLE - LOBSTER and OCTOPUS) c. 1928 Color linoleum cut Signed in pencil. Image 8 5/8 x 8 11/16” In excellent condition and full ...

The contemporary cerulean-blue glass tabletop sculpture is by Cheryl Wilson Smith. Cheryl Wilson Smith is known for her uniquely beautiful glass work—its form, color and texture is ...

This contemporary landscape painting was created by a Canadian artist. A lone tree takes centre stage in this lovely landscape by Peter Hoffer. Huron captures the glory of fall colo...

A Fine 1940s, Mid-Century Modern Academic Figure Study Portrait of a Handsome, Seated Male Model Wearing a Suit by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1940s charcoal...

Peter Milton’s Hidden Cities: Continuum transforms the grandeur of the Galleria Vittorio Emanuele into a layered meditation on architecture, memory, and the passage of time. The Gall...

This is an original unsigned print for selection to the 1994 Pirelli Calendar, shot by Herb Ritts. Certificate of Authenticity and provenance will be provided. There were 4 x prints...

A charming, vibrant, early Mexican city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Titled "Old Church, San Miguel de Allende (Spanish Plaza)", the p...

This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the ser...

A Fine 1930s Modern Academic Figure Study Drawing, Seated Male Nude Model (Back) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1930s...

This impressive circular architectural sculpture was created by Jeffrey Gillmor. An experienced metal artisan, this outdoor piece—a circle cut from a square is forged from etched steel and has a rust-coloured patina. Gillmor favours minimalist forms and finds inspiration for his work in nature’s colours, textures and shapes. World We See allows the viewer to not only see through the expansive ‘portal’ but walk through it as well. This is the largest of three similar sculptures in a series, each cut from the same four face plates of steel, producing another sculpture from the inside of the last. This piece is in an edition of 5 and is available on commission. Please allow 6-8 weeks for delivery upon completion. “The World we see and live in is much more complex than I feel it has to be, so we need to keep (everything) in perspective, keep basic positive values ... as we pass through the circle of life.” Jeff Gillmor...

A Fine, 1930s Modern Academic Anatomical Figure Study Drawing of a Seated Male Nude Model (Torso) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well exe...

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

Rocky Inlet, Monhegan, Maine Oil on canvas mounted on phenolic resin, c. 1940 Unsigned Signed with the estate stamp on the reverse (see photo) Condition: Excellent, recently cleaned ...

This contemporary, figurative, Corten steel outdoor sculpture is by Mississippi sculptor Jason Kimes. Forged from corten steel, the piece has naturally taken on a weathered, rusted p...

This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the ser...

The project is based in the contrast of the two images, the air waybill and the postage stamp, from different times but similar in their function. The artist seeks to enlighten the c...

A colorful, vibrant 1930s winter scene painting Saugatuck, Michigan by famed Chicago Modern artist, Francis Chapin (Am. 1899-1965). Depicting the Old Fish House on the left, with a ...

Karl Michel, 'Der Gartner' (The Gardener), woodcut, c. 1925. Signed, titled, and numbered '15/50' in pencil. Signed in the block, lower left and right. A fine, richly-inked impression on buff wove paper, with full margins (1 1/2 to 2 3/4 inches), in excellent condition. Matted to museum standards, unframed. Scarce. Image size 5 1/4 x 3 7/8 inches (133 x 98 mm); sheet size 10 x 7 3/4 inches (254 x 198 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919 - 1933). In 1920, his work was featured in the influential German graphic design magazine Das Plakat...

Formidable and eye-catching, this outdoor sculpture is by Viktor Mitic known for his provocative contemporary artwork. This is one of a series of abstract ‘tower-like’ sculptures—eac...

This lyrical and elegant contemporary sculpture is by David Chamberlain whose work is collected and admired around the world. Hand forged in patinated bronze and steel, the flowing c...

Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. Throughout his artistic career, Castro has exalt...

Medium: Etching Year: 1985 Edition of 60 Image Size: 16 x 24 inches A powerful, intimate etching/drypoint of a nude male by Trevor Southey titled "Heartcry." Rendered with lively, e...

Jeremy Guy's new sculpture series are available in Mirror Polished Stainless Steel, Gold Finish or Painted in Black or White. This Zephyr sculpture can be ordered in multiple sizes, ...

From the iconic Flowers portfolio of ten individual floral prints created by Andy Warhol in 1970, Flowers #71 is an original color screenprint, hand-signed in ballpoint pen, and numb...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

IVER ROSE (1899-1972) BREAD LINE ca. 1935 Lithograph, signed, titled and no. 22/85 in pencil. Image 15” x 17 3/8. Large margins, sheet 18 x 22”. Generally good condition. Some slig...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

Flora 09 is a vibrant Digital C-Type print in a Limited Edition of 15 in this size by contemporary photographer duo Tortora & Travezan. Photography duo Tortora & Travezan create vib...

PIERRE-AUGUSTE RENOR (1841 - 1919) SUR LA PLAGE, a BERNEVAL (D.: S. 5) Drypoint on laid paper. The plate was created in c. 1892. Plate 5 3/8 x 3 3/4". Sheet 11 1/4 x 10 1/8". This...

Von Pantz Pool, 1985 - Nude Swimmer Portrait Laura Hawk Swimming Pool Water by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. Vo...

Boris Lovet-Lorski, Untitled (Portrait of an African Woman), lithograph, edition 250, 1929. Signed and numbered 13 in pencil. Number 13 of Volume 2, a series of 10 lithographs publis...

This contemporary landscape painting that features a moon is by Aron Hill. They are known for their distinctive use of simple, bold form and bright colours. The work of Aron Hill of...

This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the ser...

Oil painting measures 12 x 9; frame dimensions measure 19 3/8 x 16 3/8 x 3. Housed in an elegant gold-tone frame with decorative edges. Illegible signature, lower right. Support patc...

Charles Turzak, 'Dancers', 1939, wood engraving, edition 100. Signed, titled, and numbered 72/100 in pencil. A fine, richly-inked impression, on off-white Japan paper, with full marg...

Karl Michel, 'Mehr Sonne fur 1924. Viel Gluck Wunscht Karl Michel U. Frau', woodcut, 1924, edition 20. Signed, dated, and numbered 'op. 162' and '15/20' in pencil. Signed in the image, lower left. A fine, richly-inked impression on buff wove paper, with full margins (1 1/2 to 2 3/4 inches), in very good condition. Printed by the artist. Scarce. Matted to museum standards, unframed. New Year's Greeting – English translation: "More Sun for 1924. Good Luck Wishes from Karl Michel and his Wife." Image size 4 5/8 x 4 3/4 inches (118 x 121 mm); sheet size 7 3/4 x 10 inches (198 x 254 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat...

American West (B&W) 2021 ARCHIVAL PIGMENT PRINT Unframed Sizes: 40 x 60 in (101.6 x 152.4 cm) - Edition of 10 + 2 AP (Artist Proofs) SILVER GELATIN PRINT Unframed Size: 11.3 x 17 i...

A Striking, 1945 Mid-Century Modern Figure Study of a Standing Female Nude African-American Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A beautifully drawn and i...

Harry Hall (1814-1882) Redan with jockey up signed and dated 'Harry Hall/ 1865:6' (lower right) Oil on canvas Canvas Size 28 x 36 in Framed Size 35 x 43 in Harry Hall (c. 1814–1882...

This tall, blue, green, abstract, totem, bronze, outdoor sculpture was created by Viktor Mitic, a Canadian sculptor known for his inspired work. Intricately designed abstract shapes ...

This stunning contemporary vessel was hand-built from clay by Susan Collett. Her intricately detailed vessels are sculptural and created by twisting, squeezing and shaping paper cla...