Recognized Dealers Art

Castelloland works with objects whose uniqueness is fundamental to the narrative of each story, as each image reacts and develops through the interaction between the word and the object. This series is composed of more than 30 photographs and the stories that connect them, which oscillate between fiction and reality. The artistic work of Paloma Castello, giving life or a different narrative to the past of an object. She is interested in playing with memory and relating it to the present, creating an atmosphere between reality and fiction. Castellos' family and social origins have a powerful influence on her work. She grew up surrounded by objects and anecdotes inherited from her ancestors that inspire endless surreal stories. Her work arises from these experiences; They are evidence of her “autofiction.” Paloma Castello presents us with a work full of nostalgia. Her artistic work represents the soul of her proposal: inherited objects discovered or found that have become the tip of the iceberg of her past. They are elements that she collects, remembers and then classifies following a method that frames her anachronistic attitude that shows the youth of her art. It also shows that experimentation on herself is common for an artist just starting her career. Without a doubt, this resource, valid and true, becomes the path that determines the author's experimental character. From the series Castelolland 34 Castelloland digital photographs...

J. Becquet, Sculptor Etching & drypoint, 1859 Unsigned as issued From: The Thames Set Printed on this Japanese tissue Rich impression Condition: Excellent Plate/Image size: 9 7/8 x 7...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

'Bucking Bronco' is a black and white photographic print by Michael Ormerod. Featured in the 2024 posthumous solo exhibition, 'Michael Ormerod: Vanishing Point'. Michael Ormerod w...

From the 50th Anniversary Portfolio (1902 - 1952). Printed circa early 1950s by Brett Weston under Edward's supervision.

Steppin' in High Fashions, Colorado is a Photographic Color Print on Hahnemuhle paper in this size of 20" x 24" in an edition of 20. Michael Ormerod was a British photographer with ...

The Whales Back. 1925. Etching. Giardina catalog 95 stateiii. Image: 6 1/2 x 12 (sheet 10 x 16). Trial proof, prior to the edition of 90. Illustrated in Fine Prints of the Year, 1927. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. The scene is probably Westport or Cos Cob, Connecticut. The scene is probably Westport or Cos Cob, Connecticut. Kerr Eby...

Hercules in Halkidiki, 2019 Acrylic on canvas 53 5/32 H x 55 1/8 W in. 135 H x 140 W cm (reproduced at page 130, in the catalogue 'Mythical Flesh' by Mark Gisbourne, Diana Dochia - P...

The powerful architectural form of this contemporary sculpture was created by Jah Qube—a collaboration between Toronto-based artist Javid Jah and Alex Akbari, a masterful fabricator....

This pastel is unframed

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..” Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry Nichols...

Rhododendron Denny Hybrid by Giles Revell This is an Archival Pigment Print available in this size of 50cm x 50cm in a limited edition of 25 prints. In Cartographic Colour, Giles ...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

Seal with a Kiss is a lithograph on paper, 9 x 9 inches image size. From the edition of 395, numbered 60/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silver-t...

A Sandstorm on the Little Colorado River, Arizona. 1920. Soft-ground etching. Seeber 189. 6 7/8 x 9 3/4 (sheet 9 5/8 x 13). Edition 40, #6. Series: Desert Set. Illustrated: American ...

Glass artist Cheryl Wilson Smith’s grandmother used to create hand-stitched quilts from cut squares of fabric. This beautiful wall sculpture with its patchwork pattern, and its soft ...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

DORR BOTHWELL ( 1902 - 2000) MALLORCA Serigraph, Signed, titled and numbered 8/25 in pencil. Signed and dated in the print. Image. 13 1/8 x 9 inches, sheet 19 7/8 x 12 3/4 inches. ...

Cary Grant in the Rain, 1957 - Cary Grant Portrait Black and White Photograph Classic American actor Cary Grant poses elegantly and with panache, even in the rain. 16" x 20" print ...

Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride...

"Stingaree" by artist David Everett is polychromed mahogany, and measures 43 3/8 x 40 1/4 x 21 1/2 inches. It is signed "© D EVERETT 2017". It depicts a mother and child, pelican and...

This contemporary white ceramic vessel is handmade. Loren Kaplan creates uniquely beautiful ceramics. Her elegant forms are inspired by nature; each design has found the sweet spot ...

A 1930 graphite on pencil drawing of Surrealist still life of an egg beater by notable artist Jan Matulka. Image size: 8 1/2" x 11". Archivally matted to...

Flora 01 is a vibrant Digital C-Type print in an Edition of 15 in this size by contemporary photographer duo Tortora & Travezan. The trompe l'oeil effect of the printed floral backd...

Alice Teichert’s luminous paintings are created using shiny, colourful gels meticulously applied in layers. Her work is influenced by a background i...

Flora 06 is a vibrant Digital C-Type print in an Edition of 15 in this size by contemporary photographer duo Tortora & Travezan. Arching across this opulent floral backdrop our mode...

This contemporary indoor sculpture’s geometric steel form is coated in bright white. Quebec artist Claude Millette has received international acclaim for his striking minimalist mo...

Untitled 01, 2015 - 2016 Mixed technique: oil paint, adhesive on OSB (Signed on reverse) 8 15/32 H x 5.9 W in 21 H x 15 W cm Zsolt Berszán’s work speaks of repulsion and fascination...

Original cover for The Saturday Evening Post, published March 30, 1929. J.C. Leyendecker's holiday covers, particularly his iconic New Year's baby, were instrumental in driving The...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

Standing Female Nude Drypoint, c. 1910 Unsigned Estate authentication on verso (see photo) Estate authentication verso by Frances Frieseke Kilmer (Mrs. Kenton Kilmer, 1914-1998) (see photo) Probably depicts the artist's wife, the artist's favorite model Extremely rare original drypoint by Frieseke Printed with selective inking to highlight the figure Condition: excellent Image/Plate size: 10 x 6 5/8 inches Frame size: 19 1/4 x 15 3/4 inches Provenance: Estate of the Artist By descent to his daughter Frances Hirschl & Adler Gallery, Stock No. APG 1106.3D-B (see photo) Biography Frederick Carl Frieseke was born on April 7, 1874, in Owosso, Michigan. After studying for a short while at the Art Institute of Chicago and the Art Students League in New York, Frieseke left for France in 1898, and almost all of his career was spent as an expatriate, with ties to the United States maintained through his New York dealer, William MacBeth, and by occasional visits to America. Following the pattern of innumerable young Americans, he enrolled at the Academie Julian where he studied with Benjamin Constant (1845-1902) and Jean-Paul Laurens (1838-1921). He appears to have had at least brief contact with and to have been influenced by James McNeill Whistler, who had recently opened his Academie Carmen in Paris. By 1900 Frieseke was spending summers in the town of Giverny, made famous by the residence of Monet and subsequently by other artists, among them many Americans. In 1906, the year after his marriage to Sarah O'Bryan, he leased a house once occupied by the American Impressionist Theodore Robinson. Although the property was adjacent to Monet's, Frieseke had only limited contact with the French master. Instead he apparently found Pierre Auguste Renoir the most influential of all the Impressionists. Frieseke's Giverny house and garden, as settings for a series of female models, provided nearly all of his subject matter for the next thirty years, although in 1930 he made a series of watercolors of Florida scenes remembered from his childhood and painted some Swiss landscapes. After World War I, the artist and his family settled in Normandy. Frieseke's career falls roughly into three stages. In the first, figures most clearly show his academic training and draughtsmanship. Gradually these evolve into the most common images of the next decade, comprised of loosely-applied blotches of bright color. The vast majority of these show their subjects in the garden, standing among the flowers, taking tea, or just basking in the sun. Others include models in colorful, light-filled interiors. In Frieseke's latest paintings, the figures very often appear indoors, their forms are given greater solidity, and the brushwork is less broken. At the height of his career, in the 1910s and early 1920s, Frieseke was perhaps the most popular of all living American artists. He received numerous awards and medals and saw his work purchased by private collectors and major museums. Decades after the initial introduction of Impressionism by Monet and his contemporaries, Frieseke assumed this style for his work, choosing to ignore the newer artistic movements of the early twentieth century. Nevertheless, his paintings were acclaimed in both the United States and in Europe. In 1904 he won a silver medal at the St. Louis Universal Exposition and a gold medal at Munich. He was elected a member of the Société National des Beaux Arts in 1908 and the National Academy of Design in 1912. Seventeen of his canvases were featured at the Venice Biennale in 1909 and he won the Grand Prize at the Panama-Pacific International Exposition in 1915. He was commissioned to execute several murals, including one for the New York store of John Wanamaker, one of his most loyal patrons. He died on August 28, 1939, at his home in Normandy, in the town of Le Mesnil sur Blangy. In the decades following his death, however, after artistic tastes had changed considerably, his work was nearly forgotten until it received renewed attention as interest in American Impressionism grew in the 1960s Courtesy National Gallery of Art, Washington Etchings by Frederick Carl Frieseke include The Balcony and Standing Female Nude. Frieseke was an American Impressionist painter who was popular in the 1910s and 1920s. Etchings by Frederick Carl Frieseke: The Balcony: An etching by Frieseke from 1904 Standing Female Nude Other paintings by Frederick Carl Frieseke: The Garden Parasol...

Albert WATSON (*1942, Scotland) Sade (Nude), 1992 Archival pigment print 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 10, plus 2 AP Print only Drake purchased a series of Albert's ...

Color monoprint/digital with collage and gold leaf Howard’s most recent project at Sharks, “I’ve been a Witness to this Game” is a continuation of her nearly four decades of using...

Hypomnema. A term that is composed of the ancient Greek preposition Hypo-Mneme and literally means “commemorative memory.” It is the meeting of several layers in an object, the memor...

This hand-blown glass, modern, indoor sculpture was created by artist John Paul Robinson. The light shines through and reflects off the surface of the graceful wave-like form of this...

A superb smaller version of a large scale commission work that stands in Bordeaux at the Hotel Fruges! Lovely patina - a lighter but rich and warm brown tone that is rare to see in ...

Signature: Signed Lower Right and Dated ’88 Illustration of a New York Central train with the city in the background

John Brett A.R.A. (1831-1902) The winter of our discontent when we took the bar to the ebb', Newport, Wales Oil on canvas Canvas Size - 12 3/8 x 25 3/8 in Provenance Acquired from the artist by C J Robin in December 1882 for £150; Private collection Literature C Payne...

La Materialidad del Tiempo, Juan Carlos Amador grounds his recent work in two essential elements: cellulose and time. Using reclaimed wooden moldings from the 1980s and ’90s-original...

A 1920s Modernist lithograph by notable Russian/ Chicago artist Boris Israelevich Anisfeld, depicting figures and city buildings. Artwork size: 11 3/4 x 9 inches; archivally matte...

This sculpture is edition 2/7, cast posthumously by the Boaz Vaadia Estate.

The God, The Nymph, 2018 Acrylic on unstretched canvas (Signed front right corner) 82.67 H × 55.11 W in. 210 H × 140 W cm The artist reinterprets the myths of Apollo and Daphne from...

This contemporary white ceramic vessel is handmade. Loren Kaplan creates uniquely beautiful ceramics. Her elegant forms are inspired by nature; each design has found the sweet spot ...

Ken Price Hermit Crab Cup 1972 Silkscreen on paper Print: 28 x 22 inches; 71 x 56 cm Frame: 30 5/8 x 24 3/4 inches; 78 x 63 cm Edition of 60 Signed, title...

Pas de Deux I (David Salle and Janet Leonard) is a serigraph on paper with an image size of 36 x 20 inches, signed ‘Alex Katz’ lower left and numbered 110/150. From the edition of 17...

Head of a Young Woman with Blond Hair Watercolor on paper mounted on rag paper support, c. 1930 Signed with the Estate Stamp B Provenance: Estate of the Artist ...

This beautiful original lithograph depicting a Greek landscape by Charles Lapicque was printed in Paris at the Atelier Mourlot in 1964. The artist produced some of his first landscap...

The single letter "Q", from the alphabet, illustrated by a quail. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real and im...

Artist: Max Ernst Medium: Original Lithograph, E.A. Signed, Edition of 125, 1965 Dimensions: 29 x 21.5 in, 73.66 x 54.61 cm

Plate IV, Le Cocu Magnifique etching & aquatint, 1968 Unsigned on the print Signed on the portfolio justification page (see photo) From the unsigned edition of 200 impressions printe...

The graceful form of a female figure emerges from hand-chiselled black granite in this classically elegant sculpture by Jeremy Guy. The British artist’s contemporary work has long be...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

View of Hotel du Cap, Eden Roc - Five Star Hotel on French Riviera Sea Views by Slim Aarons 12" x 16" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "V...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

Greek Mosaics- Diptych figurative photography framed by Paul Meleschnig Image size :10" x 20" Frame size: 22 x 32 inches Archival pigment print 1995 Fram...

Signed, titled and numbered by the artist, from the serigraph edition of 40 prints completed at Self Help Graphics in Los Angele. Trouble in Paradise is based on tourism postcards and California orange crate art...

Original World War II-era advertisement commissioned by Republic Steel to promote War Bonds and Stamps, published 1943. Medium: Oil on board Artwork: 20" x 30" Frame: 26" x 36" Sign...

Untitled Signed in pencil lower right (see photo) Edition: 25 (9/25) (see photo) Engraving, drypoint & carborundum Printed by the artist Condition: Excellent, slight residue on rever...

Mayan Trio Lithograph, 1950 Signed in pencil lower right (see photo) Edition 250 for Associated American Artists Publsihed 1950 Reference: AAA Cat.: 1950‑05; 1958‑01 AAA Index 1087 Condition: Excellent Image size: 13 x 9 1/2 inches Francisco Dosamantes (b. October 4, 1911 - d. July 18.1986) was a Mexican artist and educator who is best known for is educational illustrations and graphic work against fascism. He was a founding member of the Taller de Gráfica Popular and the Salón de la Plástica Mexicana. Life Francisco Dosamantes was born in Mexico City on October 4, 1911. His father was Daniel Dosamantes who was a builder, interior decorator and painter. He was not registered into the civil registry until he was about twenty years old on March 6, 1939. His mother’s name is not listed on the certificate. As a child, he demonstrated a strong interest in drawing and color, influenced by his father and his uncle Juan. The Mexican Revolution occurred while he was a young child and he stated that he remembered events such as soldiers on horses charging as well as the execution of rural farm workers. He attended primary and high school in Mexico City but stated that his education was irregular and deficient. He then entered the Escuela Nacional de Artes Plásticas, where he studied for five years. Initially, however, he was disappointed with the inexperience of the young professors and he left for a short time to study on his own. During this time, some of the dissatisfied professors organized the 30 30 group against the academic system of the school and which whom he sympathized. The effort gained the attention of established artists such as Diego Rivera who intervened. He died on Mexico City on July 18, 1986 Career After he graduated, he worked with the cultural missions of the Secretaría de Educación Pública in Oaxaca, Michoacán, Guerrero, Colima, Coahuila and Chihuahua (state) from 1932 to 1937 then again from 1941 to 1945. He stated that this experience was vital to his conscience as he worked with rural farm workers and others he stated were worthy of dignity and respect, but victims of deceit and exploitation. When he returned to Mexico City, he gave classes in high schools from 1937 to 1941. In 1945 he founded and directed the Taller Escuela de Dibujo y Pintura “Joaquín Claussell” in Campeche, Campeche. Dosamantes was a politically and culturally active artist with most of his work and affiliations related to such. He was a member of the Liga de Escritores y Artistas Revolucionarios from 1934 to 1938. He was a founding member of the Taller de Gráfica Popular, serving as administrator in 1940 and remaining a member until his death except for one short hiatus. He created posters for conferences about fascism and Nazism such as Alemania bajo bayonetas (Germany under bayonets) in 1938. In 1940 he became the secretary general of the Sindicato de Maestros de Artes Plásticas. He was also a member of the Sociedad para el Impulso de las Artes Plásticas en 1948, a founding member of the Salón de la Plástica Mexicana in 1949 and a member of the Frente Nacional de Artes Plásticas from 1952. He painted a number of murals in rural areas of Mexico generally when he was there on cultural missions. His main mural is at the former home of José María Morelos in Carácuaro, Michoacán, but there are a number at various rural schools. These were all painted between 1941 and 1946. As a book illustrator he mostly worked for the Secretaría de Educación Pública working on books for literacy campaigns. He exhibited his works, which included engravings, oils, tempuras and lithographs in Mexico and abroad. His first individual exhibition was in 1930 at the Galeria de Arte Moderno in Mexico City. His major exhibitions include the Excelsior Gallery in Mexico City in 1932, various exhibitions in New York, Washington, Philadelphia and Los Angeles in 1937; the Nelson Gallery of Art in Kansas City, Missouri in late 1947, and the Gallery of Mexican Art in...

Colourful. Engaging. Minimalist. Theatrical. That describes the work of Robert Clarke-Ellis. The Toronto sculptor creates accessible pieces that although playful in form often speak ...