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Awakening
By Kazuhisa Honda
Located in Fairlawn, OH
Each print signed and numbered in pencil by the artist Total edition: 92: 75 with Arabic numerals; 10 Artist's proofs with Roman numerals; 7 Hors Commerce with Roman numerals Image...
Category

1980s Contemporary Landscape Prints

Materials

Mezzotint

April: Otsuyu of Yanagibashi in Wisteria Arbor at Kameido
By Taiso Yoshitoshi
Located in Fairlawn, OH
April: Otsuyu of Yanagibashi in Wisteria Arbor at Kameido Color woodcut, 1880 From the series: "Pride of Tokyo's Twelve Months" (Tokyo jiman juni kagetsu) Signed and sealed lower rig...
Category

1880s Other Art Style Figurative Prints

Materials

Woodcut

Bracero Brothers
By Juan Fuentes
Located in Palm Springs, CA
Juan Fuentes’ Bracero Brothers honors the labor, dignity, and hardship of Mexican and Mexican-American farmworkers. Rendered in bold linocut carving, the scene depicts a line of brac...
Category

2010s Contemporary Figurative Prints

Materials

Linocut

Les Lithographies de l Atelier Mourlot by Henri Matisse
By (after) Henri Matisse
Located in New York, NY
Matisse once said, "The paper cutout allows me to draw in the color. Instead of drawing the outline and putting the color inside it, I draw straight into the color." The hues he used...
Category

1950s Modern Abstract Prints

Materials

Lithograph

One Can t Tell Why - Proof from the Disasters of War
By Francisco Goya
Located in New York, NY
Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...
Category

1810s Old Masters Figurative Prints

Materials

Drypoint, Etching, Aquatint

ORANGE OVAL
By Adolph Gottlieb
Located in Portland, ME
Gottlieb, Adolph (American, 1903-1974) ORANGE OVAL, Screenprint in colors, 1972. Edition of 150, printed on wove paper. Signed in pencil, dated and numbered 143/150. Printed by Kelpr...
Category

1970s Abstract Prints

Materials

Screen

"W", for whale in this animal alphabet series
By Kelvin Mann
Located in Palm Springs, CA
The single letter "W", from the alphabet, illustrated by a whale. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real and im...
Category

2010s Contemporary Animal Prints

Materials

Etching, Aquatint

L albero piegato, 1981, rif. 413, Etching Print by Federica Galli
By Federica Galli
Located in Milan, IT
L'albero piegato, 1981, rif. 413 Etching inches 15.5 x 19.2 (mm 395 x 490). Contemporary Artist Master Etcher of Italian Landscape and Soul Federica Galli (1932–2009) stands among ...
Category

20th Century Contemporary Prints and Multiples

Materials

Etching

Crab, Plaice and Prawns
By Colin Self
Located in New York, NY
A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his d...
Category

Early 2000s Expressionist Animal Prints

Materials

Drypoint

Fleurs Sur la Table by Bernard Buffet
By Bernard Buffet
Located in New York, NY
Artist: Bernard Buffet Medium: Lithograph on Arches, 1988 Dimensions: 29.75 x 22.75 in, 75.6 x 57.8 cm
Category

1980s Prints and Multiples

Materials

Lithograph

Geyser, by Santa Fe artist Robert Roach
By Robert Roach
Located in Palm Springs, CA
Acrylic paint on Yupo sheet, signed in pencil by the artist. Artist Robert Roach lived in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints were inspired by the landscap...
Category

2010s Abstract Abstract Prints

Materials

Acrylic

Twilight s Path, 030, Moonrise - Midsummer full moon - skeletal oak - landscape
Located in London, GB
The midsummer full moon casts its pale light over the skeletal remains of a deceased oak. Twilight's Path ‘Now air is hushed, save where the weak-eyed bat With short shrill shriek flits by on leathern wing, Or where the beetle winds His small but sullen horn As oft he rises 'midst the twilight path Against the pilgrim, borne in heedless hum’ – William Collins (1721–1759), Ode to Evening. "Once in a while (helped by a bit of planning) everything comes together and you take a photograph that feels really satisfying. However much one reads about artists/photographers trying and failing, taking many shots to end up with that one that works, it’s hard to remember. Just keep showing up, keep doing what you do, it won’t always work out, but sometimes things flow and something special can come through." - Jasper Goodall...
Category

2010s Contemporary Landscape Photography

Materials

Photographic Paper, Archival Pigment

Prime Pump from ROCI USA
By Robert Rauschenberg
Located in Palm Desert, CA
A print by Robert Rauschenberg. "Prime Pump from ROCI USA" is a color screenprint on paper and Lexan print from the Wax Fire Works Series. "Prime Pump from ...
Category

1990s Post-War Abstract Prints

Materials

Paper, Screen

My Work
By Joan Snyder
Located in New York, NY
Joan Snyder has been called an autobiographical, even confessional artist, who draws from her experiences and surroundings to create her paintings. While her subjects vary widely, Sn...
Category

1990s Expressionist Figurative Prints

Materials

Etching, Woodcut

Untitled (Moulin Rouge and other Paris landmarks)
By Robert Delaunay
Located in Fairlawn, OH
Untitled (Moulin Rouge and other Paris landmarks) Lithograph, 1926 Rare signed in pencil proof on chine paper (see photo) Lithograph from Joseph Delteil's "Allo, Paris," published by...
Category

1920s Modern Landscape Prints

Materials

Lithograph

Calla, by Mark Jenkins
By Mark Jenkins
Located in Palm Springs, CA
Signed and numbered from an edition of 25, this simple elegant image captures the grace of a single Calla Lilly against a black background. Based in San Francisco, Mark Jenkins has ...
Category

Early 2000s Contemporary Still-life Prints

Materials

Digital Pigment

Karbala, portraits of Iran, by James Groleau
By James Groleau
Located in Palm Springs, CA
Title: Karbala Medium: Mezzotint Image Size: 12" x 10" Edition Size: 20 ABSENCE OF PASSION / PORTRAITS OF IRAQ Karbala is from The Absence of Passion suite of fifteen mezzotint port...
Category

21st Century and Contemporary Contemporary Portrait Prints

Materials

Mezzotint

Morning Walk. [Central Park.]
By Harold Altman
Located in New York, NY
Signed and titled in pencil. Inscribed "192/285." Edition 285.
Category

1980s Naturalistic Landscape Prints

Materials

Lithograph

Prelude de Lohengrin (2e planche) (The Appearance of the Holy Grail)
By Henri Fantin-Latour
Located in Fairlawn, OH
Prelude de Lohengrin (2e planche) (The appearance of the Holy Grail) Lithograph, 1898 Signed and dated in the stone lower left (see photo) Printed on chine collee paper Condition...
Category

1890s Romantic Figurative Prints

Materials

Lithograph

Revillon Freres: Woman in a Black Fur Cape
By Reynaldo Luza
Located in New York, NY
Original lithograph, produced as part of a portfolio of images by Reynaldo Luza for the Parisian fur house, Revillon Freres. Paris, Draeger for Revillo...
Category

1920s Figurative Prints

Materials

Paper

The Sparrow Hawk, 1942 (Histoire Naturelle - Textes de Buffon, B.342)
By Pablo Picasso
Located in Greenwich, CT
The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

Fourteen
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint. Edition of 50
Category

2010s Contemporary Abstract Prints

Materials

Etching, Intaglio

Soirée d été (Summer Evening)
By James Jacques Joseph Tissot
Located in Fairlawn, OH
Soirée d'été (Summer Evening) Etching & drypoint, 1881 Signed and dated in the plate lower left corner Edition: c. 100 in both states; plate canceled Tissot's lover, Irish divorcee ...
Category

1880s Impressionist Portrait Prints

Materials

Etching

ASTOR LOBBY, SHOWTIME
By Don Freeman
Located in Portland, ME
Freeman, Don (American, 1908-1978). ASTOR LOBBY,SHOWTIME. McCulloch 34. Lithograph, 1932. Edition of 30 or fewer. Signed in pencil lower right. 8 7/8 x 11 1/8, 225 x 283 mm.(image), ...
Category

1930s Figurative Prints

Materials

Lithograph

"Rudge Cycles" authentic antique posters with tax stamps
By Pal (Jean de Paléologue)
Located in Hinsdale, IL
PALEOLOGUE, JEAN DE(PAL) (1860 -1942) "Rudge Cycles" Lithograph in color, linen-backed c. 1898 Sheet size: 56.75” x 41.75” Imprimerie Paul Dupont, ParisStamp: Republique Francais, lower left Colors fresh Jean de Paleologue...
Category

1890s Art Nouveau Figurative Prints

Materials

Lithograph

Patitcha. Masque
By Henri Matisse
Located in London, GB
Henri Matisse Patitcha. Masque 1947 Aquatint on BFK Rives paper, signed in pencil and numbered 3/25 Paper size: 56.2 x 38.1 cms (22.1 x 15 ins) Image size: 34.6 x 27.4 cms (13 5/8 x 10 7/8 ins) HM16063 Duthuit, C.,1983. Henri Matisse: Catalogue raisonné de l'oeuvre gravé, Paris. n. 786 plate 367. Yau, J., 2018. Henri Matisse Prints...
Category

1940s Modern Portrait Prints

Materials

Aquatint

Manolo Huguet - Musée de Céret, Poster, Pablo Picasso, 1957
By Pablo Picasso
Located in New York, NY
This original lithographic poster was created for an exhibition of works at the Musée D'Art Moderne in Céret, France, in 1957. This portrait of Spanish Sculptor and Picasso friend, M...
Category

1950s Modern Still-life Prints

Materials

Lithograph

Alhambra XII
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the color woodcut entitled “Alhambra XII” in 1963. This piece is signed titled, and dated in pencil. The edition is 12, and paper size is 18 x 24 inches. “...
Category

1960s American Modern Landscape Prints

Materials

Woodcut

Die Bettler (The Beggars)
By Max Beckmann
Located in Fairlawn, OH
Die Bettler (The Beggars) Lithograph, 1922 Signed in pencil lower right (see photo) From: Berliner Reise Series, Plate 7 Printed on wove paper Edition: 100...
Category

1920s Expressionist Figurative Prints

Materials

Lithograph

UNICEF Bouquet - Tom Wesselmann, Pop Art, Still-life, Print, Screenprint
By Tom Wesselmann
Located in London, GB
Screenprint in colours, 1998. From 'Meine Kindheit - Schmerz und Heilung, UNICEF'. Signed in pencil, numbered from the edition of 100. Image: 63.5 x 54.5 cm Sheet: 78.8 x 70 cm
Category

1990s Pop Art Still-life Prints

Materials

Screen

The Bridge, Santa Maria
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm. A fine impression, printed with subtle tone. The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter. The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
Category

1870s Impressionist Landscape Prints

Materials

Drypoint, Etching

Provence V From the Portfolio "Provence" by Roger Mühl, 1986
By Roger Mühl
Located in New York, NY
Artist: Roger Mühl Medium: Original Lithograph, signed and numbered, 1986 Dimensions: 12.5 x 16.5 in, 41.9 x 31.8 cm Arches Paper - Perfect Condition A+ ...
Category

1980s Prints and Multiples

Materials

Lithograph

Magical Lash Mascara, by Yuji Hiratsuka
By Yuji Hiratsuka
Located in Palm Springs, CA
Medium: Intaglio and Chine Colle Year: 2024 Image Size: 12 x 9 inches Edition of 15 Signed, titled and numbered by the artist. A young Japanese woman contemplating her image in a mi...
Category

2010s Contemporary Figurative Prints

Materials

Etching, Aquatint

Paix Désarmement pour le Succès de la Conférence au Sommet (after) Pablo Picasso
By Pablo Picasso
Located in New York, NY
Thin Poster Paper - Excellent Condition A+ This rare lithographic poster is part of a long and storied tradition. In 1949, poet Louis Aragon chose Picasso...
Category

1960s Prints and Multiples

Materials

Lithograph

Monseignor St. Thomas
By Cyril Power
Located in New York, NY
Cyril Power (1872-1951) color linoleum cut, Monseignor St. Thomas, circa 1931, signed and titled in pencil at the lower right, apart from the edition of 60. Reference: Redfern 24. In very good condition, on buff oriental laid tissue, conservation matted, with margins, 13 7/8 x 11 1/8, the sheet 15 x 12 5/8 inches. A fine impression, with the colors fresh and vivid. Printed in four colors (yellow, red, blue and dark blue). The prints of the Grosvenor School artists were created by applying colors with successive blocks. The margins show the colors of each of these blocks (see illustration of the margin). The subject matter of this print relates to TS Eliot...
Category

1930s Futurist Abstract Prints

Materials

Linocut

Tapisseries, en L eglise de Chateau-Felletin-Creuse by Le Corbusier, 1963
By Le Corbusier
Located in New York, NY
Artist: Le Corbusier Medium: Lithographic Poster, 1963 Dimensions: 29.5 x 19.25 in, 74.9 x 48.9 cm Classic Poster Paper - Perfect Condition A+ This rich and beautiful lithographi...
Category

1960s Prints and Multiples

Materials

Lithograph

LA NOYEE
By Stanley William Hayter
Located in Portland, ME
Hayter, Stanley William. LA NUIT. B&M 258. Etching and aquating, in color, 1960. Edition of 50 (there were also 5 artist's proofs, and several trial proofs in other color variants. S...
Category

1960s Abstract Prints

Materials

Etching

Graceland Mansion
By Jennifer Bartlett
Located in Houston, TX
Jennifer Bartlett Graceland Mansions, 1978-79 Drypoint, aquatint, silkscreen, woodcut, and lithograph on J. Green Cold Press paper and Rives BFK paper 24 x 120 inches, unframed Ed...
Category

20th Century Modern Prints and Multiples

Materials

Etching, Lithograph, Screen, Woodcut, Drypoint, Aquatint

Galerie Jorgen, L Atelier Mourlot by Pablo Picasso
By Pablo Picasso
Located in New York, NY
This lithographic poster was printed in 1984 at the Atelier Mourlot in Paris. It is based on a 1947 lithograph entitled La Femme au Fauteuil. The image was composed of six colors, an...
Category

1980s Figurative Prints

Materials

Lithograph

Melville, by Jos Sances
Located in Palm Springs, CA
Screen print portraying Herman Melville, based on Asa Twitchell’s portrait. Behind Melville rises the Bay of Naples, echoing the author’s travels, while below, a dramatic whaling sce...
Category

2010s Contemporary Portrait Prints

Materials

Screen

Father Stefan Fridolin, "Schatzbehalter" (Treasury of the True Riches
Located in Fairlawn, OH
Father Stefan Fridolin, "Schatzbehalter" (Treasury of the True Riches of Salvation): The 30th Figure - Astrological Diagram with Scene of the Nativity Woodcut, 1491 Unsigned, as issued Published by Anton Koberger Diagram has Zodiac signs on outer ring, planets in the lower registers, and Nativity in the center. Condition: Very good for a 15h century woodcut, with the usual slight age stains Sheet size: 11 1/2 x 8 1/4 inches Wogelmut was the teacher of Albrecht Durer and employed young Durer in many project of the last decade of the 15th century. Michel Wolgemut Biography Wolgemut trained with his father Valentin Wolgemut (who died in 1469 or 1470) and is thought to have been an assistant to Hans Pleydenwurff in Nuremberg. He worked with Gabriel Malesskircher in Munich early in 1471, leaving the city after unsuccessfully suing Malesskircher's daughter for breach of contract, claiming she had broken off their engagement. He then returned to his late father's workshop in Nuremberg, which his mother had maintained since Valentin's death. In 1472 he married Pleydenwurff's widow and took over his workshop;[3] her son Wilhelm Pleydenwurff worked as an assistant, and from 1491 a partner, to Wolgemut. Some consider Wilhelm a finer artist than Wolgemut, however he died in January 1494, when he was probably still in his thirties. Wilhelm's oeuvre remains unclear, though works in various media have been attributed to him. Woodcuts Michael Wolgemut, Danse Macabre, 1493 Two large and copiously illustrated books have woodcuts supplied by Wolgemut and his stepson Wilhelm Pleydenwurff; both were printed and published by Germany's largest publisher, the Nuremberger Anton Koberger, who was also Dürer's godfather. The first is the Schatzbehalter der wahren Reichthumer des Heils (1491); the other is the Historia mundi, by Schedel (1493), usually known as the Nuremberg Chronicle...
Category

15th Century and Earlier Old Masters Figurative Prints

Materials

Woodcut

La Terrazza
By Jeanette Pasin-Sloan
Located in Fairlawn, OH
La Terrazza Lithograph, 1987 Signed, titled and numbered in pencil (see photos) Published by Kandfall Press, Chicago (their stamp verso) Landfall drystamp recto lower left Edition 12...
Category

1980s Photorealist Still-life Prints

Materials

Lithograph

Sequential I - X
By Richard Anuszkiewicz
Located in London, GB
Richard Anuszkiewicz Sequential Prints: Sequential I - X 1972 Screenprint on paper, Edition of 200 71.1 x 53.3 cms (28 x 21 ins)
Category

1970s Op Art Abstract Prints

Materials

Screen

ENCLOSURE 12
By Kunihiro Amano
Located in Portland, ME
Amano, Kunihiro (Japanese, born 1929). ENCLOSURE 12. Color Woodblock, not dated. Edition of 30. Titled, Numbered 21/30, and signed in pencil. 18 x 13 1/2 inches. In excellent condit...
Category

Mid-20th Century Abstract Prints

Materials

Woodcut

Poem 71-25 (Me)
By Haku Maki
Located in Fairlawn, OH
Poem 71-25 (Me) Color woodcut with cement mold embossing, 1971 Signed, titled and numbered in pencil (see photos) Edition 100 (55/100) (see photo) Signed with the artist's stamp lowe...
Category

1970s Abstract Abstract Prints

Materials

Woodcut

EVENING (SELF PORTRAIT with the Battenbergs)
By Max Beckmann
Located in Santa Monica, CA
MAX BECKMANN (German 1884 - 1950) EVENING (Self-Portrait with the Battenbergs) 1916, (Hofmaier 90: Gallwitz 67) Etching and drypoint, Plate 10 from the portfolio Gesichter (Faces)...
Category

1910s Expressionist Figurative Prints

Materials

Drypoint, Etching

The 21st Floor-A View of the World Trade Center in the Skyline
Located in Fairlawn, OH
The 21st Floor-A View of the World Trade Center in the Skyline Screen print, c. 1990 Signed: Joni Frankel lower left Edition 200 (42/200) Signed lower lef...
Category

1990s American Realist Interior Prints

Materials

Screen

Candy
By Mel Ramos
Located in Miami, FL
TECHNICAL INFORMATION Mel Ramos Candy 1979 6 color lithograph 24 3/8 x 20 in. Artist Proof Edition of 35 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art...
Category

1970s Pop Art Prints and Multiples

Materials

Lithograph

THE CAT
By Will Barnet
Located in Portland, ME
Barnet, Will. THE CAT. Szoke 120, Cole 117, Johnson 100. Color Lithograph, 1956. Edition of 12, titled and signed in pencil. Printed on Rives paper by Barnet. Estate of the artist v...
Category

1950s Animal Prints

Materials

Lithograph

Neue Träume von Glück (New Dreams of Happiness)
By Max Klinger
Located in Fairlawn, OH
Neue Träume von Glück (New Dreams of Happiness) Etching on heavy laid paper without watermark, 1887 Unsigned, as usual From: Eine Liebe (Opus X) [A Love (Opus X)], Plate No. 7 fourth...
Category

1880s Expressionist Nude Prints

Materials

Etching

CELIA ADJUSTING HER EYELASH
By David Hockney
Located in Portland, ME
Hockney, David. CELIA ADJUSTING HER EYELASH. Scottish Arts Council 837, Gemini DH79-904. Lithograph, 1979. Edition of 100, plus 16 Artist's Proofs. signed, dated and numbered in gree...
Category

1970s Portrait Prints

Materials

Lithograph

GROVE #2
By Ryohei Tanaka
Located in Portland, ME
Ryohei, Tanaka (Japanese, 1933-2019). GROVE #2. Etching in color, 1966. Edition of 50. Numbered 23/50, signed, and dated in pencil.11 5/8 x 14 1/2 inches (plate), plus full margins. ...
Category

1960s Landscape Prints

Materials

Etching

Turtle Release, Todos Santos
Located in Palm Springs, CA
Medium: Screenprint Year: 2021 Image Size: 11 x 18 inches Edition of 25 After over-exploitation led to a collapse in the green turtle population, the area is now used by conservatio...
Category

2010s Contemporary Animal Prints

Materials

Screen

Hidden Pond
By Stow Wengenroth
Located in Fairlawn, OH
Hidden Pond Lithograph, 1958 Signed in pencil lower right of image Annotated: Ed/40 in pencil by the artist lower left Edition: 40 Provenance: Baldwin-Wallace College, Berea, OH (acc...
Category

1950s American Realist Landscape Prints

Materials

Lithograph

fractal-ssi-1c
By Seiko Tachibana
Located in Palm Springs, CA
Medium: Carborundum, intaglio Year: 2018 Image Size: 12 x 12 inches Paper size: 24 x 22 inches Edition Size: 25 Signed and numbered by the artist. Tachibana’s prints take their ins...
Category

2010s Contemporary Abstract Prints

Materials

Etching, Aquatint

Aquarius-The Water Bearer
By Eugène Grasset
Located in Fairlawn, OH
Aquarius-The Water Bearer From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters without the calend...
Category

1890s Art Nouveau Prints and Multiples

Materials

Lithograph

Insect Engraving
Located in New York, NY
Seba, Albertus. Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historiam. Amsterdam, Wetsten, Smith, Jans...
Category

Mid-18th Century Prints and Multiples

Materials

Laid Paper

Owl, by Daniel Gonzalez
By Daniel Gonzalez
Located in Palm Springs, CA
Signed, titled and numbered from the edition of 50. This illustration is used in the book The Ballad of Huck and Miguel - a re-telling of Mark Twain's The Adventures of Huckleberry Finn, set in contemporary times and centering around Huck and an illegal immigrant in the urban environment of the Los Angeles River. A young boy looking up at a starlit night sky. Artist statement: “My life has been shared between two countries, the United States and Mexico. I’ve experienced the hard rural life of my parents in Mexico and the dangerous and fragmented life of the inner city. I am a person made up from experiences from both of these worlds. I am Mexican but I am also American and I can slip between these two worlds with ease and exist in both simultaneously. Culture does not honor borders. Culture is about change and growth. My work is inspired by the folk stories that my parents and grandparents have passed on. I have a desire to invent and share my own narratives and vision through printmaking. I want to be able to communicate through the image an invitation to tell a new story to be told or an old one to be remembered." Daniel Gonzalez was raised in Los Angeles, and received his training at the California College of Arts and Crafts. He also apprenticed with Artemio Rodriguez...
Category

2010s Contemporary Portrait Prints

Materials

Linocut

Provence VII From the Portfolio "Provence" by Roger Mühl, 1986
By Roger Mühl
Located in New York, NY
Artist: Roger Mühl Medium: Original Lithograph, signed and numbered, 1986 Dimensions: 12.5 x 16.5 in, 41.9 x 31.8 cm Arches Paper - Perfect Condition A+ ...
Category

1980s Prints and Multiples

Materials

Lithograph

Thirsty: The Appearance of a Town Geisha - a So-Called Wine-Server - in the Anse
By Taiso Yoshitoshi
Located in Fairlawn, OH
Thirsty: The Appearance of a Town Geisha - a So-Called Wine-Server - in the Ansei Era Color woodcut, 1888 Signed; Seal: Taiso (see photo) Plate 22 from the series "Thirty-two Aspects...
Category

1880s Showa Figurative Prints

Materials

Woodcut

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