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Digging up glass by David Hockney (Six Fairy Tales from the Brothers Grimm)
By David Hockney
Located in New York, NY
This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...
Category

1960s Modern Figurative Prints

Materials

Etching, Aquatint

New York (from Ports of America)
By Louis Orr
Located in Myrtle Beach, SC
Louis Orr, 'New York' (from the portfolio 'Ports of America', published by Yale University Press, 1928), etching, 1925, edition not stated. Signed and titled in pencil. Signed in the...
Category

1920s Realist Landscape Prints

Materials

Etching

Stoops in Snow
By Martin Lewis
Located in Storrs, CT
Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...
Category

1930s American Modern Figurative Prints

Materials

Drypoint, Etching

Stoops in Snow
Stoops in Snow
$35,000 Sale Price
30% Off
Le Cirque (M.527), 1967
By Marc Chagall
Located in Greenwich, CT
The final plate from Marc Chagall's renowned Circus suite brings the sweeping and energetic series to a close with a musician's serenade. Untitled (M.527) is a lithograph on paper wi...
Category

20th Century Modern Prints and Multiples

Materials

Paper, Lithograph

Fourteenth Street. The Wigwam. (Tammany Hall).
By John Sloan
Located in Storrs, CT
1928. Etching. Morse catalog 235. state ii. Image: 9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the first printing of 100 proofs by Peter Platt. There were an additional 10 printed by Er...
Category

1920s American Modern Figurative Prints

Materials

Etching

"C.L. Drouet, Sculptor" by Whistler
By James Abbott McNeill Whistler
Located in Hinsdale, IL
Title: C. L. Drouet, Sculptor Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London) Sitter: Charles L. Drouet (French, 1836–1908) Date: 1859 Medium: Etchi...
Category

1850s Realist Figurative Prints

Materials

Etching

16th c. woodcut map - Tabula Asiae Vlll
By Sebastian Münster
Located in Santa Monica, CA
SEBASTIAN MUNSTER (1488-1652) ASIAE TABVLA Vlll 1540 (45) Woodcut from Munster's edition of Geographia Universalis, Basel, Henri Petri. 1545 edit...
Category

16th Century Old Masters Landscape Prints

Materials

Woodcut

Vedute di Roma (3rd state) (Frontispiece of series, with Statue of Minerva)
By Giovanni Battista Piranesi
Located in Chicago, IL
Views of Rome (Vedute di Roma): Frontispiece for the whole series, with Statue of Minerva. A fine impression of the rare 3rd state (of seven) of this m...
Category

Mid-17th Century Old Masters Landscape Prints

Materials

Etching

The Connectors — Vintage American Realism, New York City
By James Allen
Located in Myrtle Beach, SC
James Allen, 'The Connectors', 1934, etching, edition not stated, Ryan 66. Signed in pencil. A superb, richly-inked impression, on handmade, cream laid paper, with margins (1/2 to 1...
Category

1930s American Realist Figurative Prints

Materials

Etching

And Then Red
By Takashi Murakami
Located in Greenwich, CT
And Then Red is a screenprint on paper from the edition of 50, 15.75 x 15.75" image size, signed and dated 'Takashi '99' and numbered 45/50 in pencil verso. Framed in a custom, gold-...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Screen, Paper

The Elevated, East 42nd Street, New York — 1910 American Realism
By William Monk
Located in Myrtle Beach, SC
William Monk, 'The Elevated, East 42nd Street, New York', etching, 1910. Signed in pencil and titled in the bottom right sheet corner. Signed in the plate, lower right. A superb, ric...
Category

1910s American Realist Figurative Prints

Materials

Etching

THE SUCCESSFUL FORTUNE HUNTER - Leading Miss Morrowfat to the Temple of Hyman
By Thomas Rowlandson
Located in Santa Monica, CA
THOMAS ROWLANDSON (1757 - 1827) THE SUCCESSFUL FORTUNE HUNTER - Our Captain Shelalee Leading Miss Morrowfat to the Temple of Hyman, 1802 issued in 18...
Category

1810s English School Figurative Prints

Materials

Etching

Old Rinkrank threatens the Princess by David Hockney Brothers Grimm Fairy Tales
By David Hockney
Located in New York, NY
This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...
Category

1960s Modern Figurative Prints

Materials

Etching, Aquatint

#5 — Modernist Abstraction — African American Artist
Located in Myrtle Beach, SC
Hilliard Dean, '#5', color lithograph, 1970, edition not stated but small. Signed, titled, and annotated 'AP' in pencil. Dated 'June 11, 70' in pencil in...
Category

1970s Contemporary Abstract Prints

Materials

Lithograph

Navajo Reservation Landscape — Southwest Regionalism
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'Navajo Reservation Landscape', lithograph, 1945, edition c. 30. Signed and titled in pencil. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper, the full sheet with margins (1 3/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 12 3/4 x 15 3/4 inches (324 x 400 mm); sheet size: 15 1/2 x 19 inches (394 x 482 mm). ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of American Indian...
Category

1940s Landscape Prints

Materials

Lithograph

"Playing Dub Records at Fima Post" by Reggie Burrows Hodges (Music, Figure)
Located in New York, NY
Reggie Burrows Hodges created, 'Playing Dub Records at Fima Post', a limited edition of 36 signed and numbered prints to benefit Lincoln Center's cultural programming. Hodges delves...
Category

21st Century and Contemporary Contemporary Portrait Prints

Materials

Archival Pigment

DAITOKUJI KYOTO
By Kiyoshi Saitō
Located in Santa Monica, CA
KIYOSHI SAITO (Japanese 1907 - 1997) DAITIKUJI KYOTO, 1957 Color woodcut, signed, titled, dated and no. 42/100 in pencil. Edition 100. Image 15 x 20 5/8 inches. Full margins with de...
Category

1950s Modern Landscape Prints

Materials

Woodcut

Carcere ascura
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Carcere ascura Etching, 1743 Signed in the plate bottom left corner From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s This image foretells Piranesi's famous set, Carceri (Prisons) which is his next creative effort. Condition: Horizontal crease midway in the sheet associated with the manufacture of the paper. Visible watermark verso Small printer crease in the bottom right below the caption plate. Image size: 14 1/2 x 9 1/2 inches Reference: Robison 3 iii/VI Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category

1740s Old Masters Interior Prints

Materials

Etching

Blue Composition by Andre Lanskoy
By André Lanskoy
Located in New York, NY
This lithograph was printed in 1965 at the Atelier Mourlot in Paris. It is signed, and numbered from an edition of 150. A major theme running through Lanskoy's work is the interactio...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Lithograph

A Handsome Woodcut on Paper of the Univ. of Chicago Chapel by Siegfried Weng
Located in Chicago, IL
A handsome woodcut on paper of the University of Chicago Chapel by artist Siegfried Weng. A perfect gift for your U of C grad! Arwork size: 9 3/4" x 7 1/2". Archivally matted to...
Category

1920s American Modern Landscape Prints

Materials

Paper, Woodcut

Busted Dream, by Stephen Lawlor
Located in Palm Springs, CA
Medium: Aquatint, Drypoint, Etching Year: 2017 Image Size: 7.5 x 11.25 inches Edition Size: 50 Stylized image of Lone Ranger figure on horse against a night sky. Lawlor's early etc...
Category

2010s Impressionist Portrait Prints

Materials

Etching, Aquatint

Varietesoubrette, Schwalbennest also Dancer — 1920s German Expressionism
Located in Myrtle Beach, SC
Martel Schwichtenberg (1896-1945), 'Varietésoubrette, Schwalbennest (Variety Soubrette, Swallow’s Nest), drypoint, 1922. Signed in pencil. A fine, richly-inked impression; the full sheet of cream wove paper, with wide margins (3 3/4 to 5 1/4 inches), in excellent condition. Image size 7 3/16 x 4 5/16 inches; sheet size 16 3/8 x 12 1/8 inches. Archivally matted to museum standards, unframed. Published in Die Schaffenden...
Category

1920s Bauhaus Figurative Prints

Materials

Drypoint

Portrait by Le Corbusier
By Le Corbusier
Located in New York, NY
Artist: Le Corbusier Medium: Lithograph, 1960 Dimensions: 30 x 25.5 in, 76.2 x 64.8 cm Velin d'Arches - Very Good Condition A Le Corbusier was a visio...
Category

1960s Prints and Multiples

Materials

Lithograph

Morning
By Alex Katz
Located in New York, NY
1994, color aquatint, 48 x 36 inches, edition of 40 Although best known for his portraits, Katz has depicted landscapes both inside the studio and out of doors since the beginning o...
Category

1990s Prints and Multiples

Materials

Etching, Aquatint, Intaglio

Femme Unicorne et taureau noir (licorne ailée) by Le Corbusier
By Le Corbusier
Located in New York, NY
Artist: Le Corbusier Medium: Lithograph, 1960 Dimensions: 17.25 x 22.5 in, 43.8 x 57.2 cm Arches Paper - Perfect Condition A+ Printed my Atelier Mourlot, Paris Our mission for o...
Category

1960s Prints and Multiples

Materials

Lithograph

"The Nose" by William Kentridge (Photograph, Black and White, Newspaper, Print)
By William Kentridge
Located in New York, NY
This is a monochromatic photogravure, aquatint and drypoint on Hahnemuhle Copperplate warm white paper. Created in 2010, it is signed in pencil lower right and numbered from the edit...
Category

2010s Contemporary Prints and Multiples

Materials

Screen, Photogravure

VILLAGE SCENE / TOWN FESTIVAL
By Herbert Gurschner
Located in Santa Monica, CA
HERBERT GURSCHNER (Austrian / English (1901-1975) VILLAGE SCENE / TOWN FESTIVAL ca.1924 Color woodcut 4 ¾ x 5 3/8” Signed in pencil. Good strong colors. On thin paper. Faint darkeni...
Category

1920s Modern Figurative Prints

Materials

Woodcut, Linocut

L Abside de Notre Dame — Vintage 1920s Paris, Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'L' Abside de Notre Dame' (The Apse of Notre Dame), etching, 1st state, c. 1927. Signed, titled, and annotated 'First State', in pencil. A supe...
Category

1920s Realist Figurative Prints

Materials

Etching

REFLECTIONS OF GLOUCESTER
By Joseph Margulies
Located in Santa Monica, CA
JOSEPH MARGULIES (1896 - 1984) REFLECTIONS OF GLOUCESTER ca 1940 Aquatint signed in pencil. 8 ½ x 11 ¾”, sheet 10 ½” x 13”. Very good condition, asid...
Category

1940s American Realist Landscape Prints

Materials

Aquatint

BRIDGE AT CHARTRES
By Ernest David Roth
Located in Portland, ME
Roth, Ernest (American, 1879-1964). BRIDGE AT CHARTRES. Etching, 1927. A Trial Proof before the edition (if any). Inscribed in pencil "Trial Proof A (Bridge at Chartres) 1927." Signe...
Category

Mid-20th Century Landscape Prints

Materials

Etching

UN OEUF ET DES COQUES
By Mario Avati
Located in Portland, ME
Avati, Mario. UN OEUF ET DES COQUES. mMezzotint in colors. 10 3/4 x 13 3/8 inches; 274 x 340 mm. One of 16 artist's proofs aside from the regular edition. Numbered, titled, and signe...
Category

Mid-20th Century Still-life Prints

Materials

Mezzotint

The White House — Vintage Washington D.C.
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'White House', etching, edition not stated, c. 1928. Signed in pencil. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 to 2 1/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 8 7/8 x 11 7/8 inches; sheet size 11 1/4 x 15 3/8 inches. ABOUT THE ARTIST Etcher, painter, and architect Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...
Category

1920s American Realist Landscape Prints

Materials

Etching

"L.C. 20th Anniv." by Larry Rivers (Graphic, Pop Art, Cake, Lincoln Center)
By Larry Rivers
Located in New York, NY
b. 1923, Bronx, NY – d. 2002, New York, NY An artist, musician, filmmaker and occasional actor, Larry Rivers was best known as a revolutionary - deliberately opposing the prevailing...
Category

1970s Pop Art Figurative Prints

Materials

Lithograph

To Market, to Market — Surrealist Fantasy
Located in Myrtle Beach, SC
Zena Kavin, 'To Market, to Market', lithograph, c. 1935, edition 20. Signed, titled, and numbered '6/20' in pencil. A fine, richly-inked impression, on cream wove paper, with full ma...
Category

1930s American Modern Figurative Prints

Materials

Lithograph

The Enchantress in her Garden David Hockney Fairy Tales from the Brothers Grimm
By David Hockney
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. Hockney stated: “The old woman who wants the child. In one tr...
Category

1960s Modern Figurative Prints

Materials

Etching, Aquatint

Spirit of Buffalo — Urban Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Spirit of Buffalo', etching, edition not stated, c. 1927. Signed in pencil. Annotated 'Spirit of Buffalo 522', in another hand, in the bottom right margin. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 5/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 8 7/8 x 11 7/8 inches; sheet size 12 1/4 x 15 7/8 inches. ABOUT THE ARTIST Etcher, painter, and architect, Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...
Category

1920s American Realist Landscape Prints

Materials

Etching

Galerie Maeght Murales et Peintures
By Joan Miró
Located in Fairlawn, OH
Galerie Maeght Murales et Peintures Color lithograph poster, 1961 Unsigned as issued Large edition Published by Maeght Editeur Imprimeur Reference #13 from J. Corredor-Matheos, "Miro's Posters', 1980 Condition: Framed Colors fresh Image/sheet size: 25 x 19 inches Frame size: 34 x 27...
Category

1960s Abstract Abstract Prints

Materials

Lithograph

Le Cheval (The Horse) — Mid-Century Cubism
By Léopold Survage
Located in Myrtle Beach, SC
Léopold Survage, 'Le Cheval' (The Horse), color etching, edition 60, 1953. Signed and numbered '46/60' in pencil. Initialed in the plate, lower right. A superb, richly-inked impressi...
Category

1950s Surrealist Figurative Prints

Materials

Etching

International DADA Exhibition 1916-1923.
By Marcel Duchamp
Located in New York, NY
DUCHAMP, Marcel. International DADA Exhibition 1916-1923. Large Poster printed in black and orange, designed by Duchamp. Single sheet, 965 x 635 mm, (38" x 25"). New York: Sidney Janis Gallery, 1953. Folded. A fine copy of this extremely rare Duchamp poster...
Category

1950s Dada Prints and Multiples

Materials

Paper

Venice, Maria della Salute — Serenissima Impressionism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Venice, Maria della Salute', etching, c. 1930. Signed and titled in pencil. A superb, richly-inked impression, with skillfully wiped plate tone, on cream wove paper, ...
Category

1930s Realist Figurative Prints

Materials

Etching

The Seated Clowness - (after) Henri de Toulouse-Lautrec, 1955
By Henri de Toulouse-Lautrec
Located in New York, NY
This lithographic poster was designed after Henri de Toulouse-Lautrec for an exhibition of his prints at the Maison de La pensée Française, Paris in 1955. This poster is based on an original lithograph from 1896 entitled "The Seated Clowness...
Category

1950s Modern Still-life Prints

Materials

Lithograph

Le Rêve (The Dream)
By Théophile Alexandre Steinlen
Located in Fairlawn, OH
Le Rêve (The Dream) Color gillotage poster, 1890 Signed in the image lower right corner (see photo) This poster for a ballet at the Académie nationale de musique in Paris is typical ...
Category

1890s Impressionist Figurative Prints

Materials

Lithograph

Kate (#16)
By Chuck Close
Located in Palm Desert, CA
"Kate (#16)" is an archival pigment print by Chuck Close in 2011. The artwork is 32 x 24 inches with the frame being 36 3/4 x 28 5/8 x 2 inches and it weighs less than 50 lbs. The ar...
Category

21st Century and Contemporary Contemporary Portrait Prints

Materials

Archival Pigment

FLEURS #3 - Iris, one of 4 portraits of flowers by Marjan Seyedin
Located in Palm Springs, CA
One of a series of classically beautiful renderings of flowers by Franco-Iranian artist Marjan Seyedin. Marjan has a contemporary and poetic reinterpr...
Category

2010s Contemporary Still-life Prints

Materials

Etching

In a French Restaurant (Knoedler Gallery) SIGNED poster colorful expressionist
By (After) Howard Hodgkin
Located in New York, NY
A large scale abstract interior scene with bold black, white, red, pink, green, white and orange patterns and brushstrokes, based on an abstract oil painting. Pink and purple dots, y...
Category

1980s Abstract Abstract Prints

Materials

Screen

Make Fast, Plate 2.
By Arthur John Trevor Briscoe
Located in Storrs, CT
Make Fast, plate 2. 1929. Etching. Laver catalog number 146; Hurst catalog number 258. Plate: 14 3/8 x 9 13/16 (sheet 17 5/8 x 11 3/4). Trial proof 2, before the edition or 75. Ill...
Category

1920s Modern Landscape Prints

Materials

Drypoint, Etching

#9 — Modernist Abstraction — African American Artist
Located in Myrtle Beach, SC
Hilliard Dean, '#9', color lithograph, 1970, edition 7. Signed, titled, and annotated 'Ed 7' in pencil. A fine impression, with fresh colors, on Arches, ...
Category

1970s Contemporary Abstract Prints

Materials

Lithograph

Plate 209 from Imaginary Beings - Marine Giclée Print on Archival Paper
By Johanna Goodman
Located in Brighton, GB
Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Council for the Arts/New York Foundation for the Arts Fellowship grant for...
Category

2010s Contemporary Abstract Prints

Materials

Archival Ink, Archival Paper, Giclée

Vintage David Hockney Poster Galerie der Spiegel 1970 (Boy in an Egg) with bird
By David Hockney
Located in New York, NY
This vintage exhibition poster reproduces The Boy Hidden in an Egg by David Hockney from his Six Fairy Tales from the Brothers Grimm, 1969. A shirtless young man curls up inside a d...
Category

1970s Realist Figurative Prints

Materials

Lithograph

Peace
By Anton Refregier
Located in Fairlawn, OH
Peace Woodcut printed in orange red ink on japanese paper Signed and titled in pencil lower right (see photo) Titled lower left (see photo) Created along with an illustrated book project Song of Peace, 1950-1959. Condition: Excellent Image: 10 1/2 x 4 7/8" Sheet: 16 1/8 x 7"; Anton Refregier (March 20, 1905 – October 10, 1979) was a painter and muralist active in Works Progress Administration Federal Art Project commissions, and in teaching art. He was a Russian immigrant to the United States. Among his best-known works is his mural series The History of San Francisco, located in the Rincon Center in downtown San Francisco, California. It depicts the city's history across twenty seven panels that he painted from 1940 to 1948. Life and early career Refregier was born in Moscow and emigrated to the United States in 1920. After working various odd jobs in New York City, he earned a scholarship to the Rhode Island School of Design in 1921. After finishing school, Refregier moved back to New York in 1925. To earn a living, Refregier worked for interior decorators, creating replicas of François Boucher and Jean-Honoré Fragonard paintings...
Category

1950s American Modern Figurative Prints

Materials

Woodcut

The Second Tournament with the Tapestry of Samson and the Lion
By Lucas Cranach the Elder
Located in Chicago, IL
Watermark: Bull's Head with Serpent and Cross (Briquet 1575, dated 1492 by Briquet) Provenance: Martin Folkes (Lugt 1034) Reverend G. L. Blake (Lugt 1172) Reference: Bartsc...
Category

18th Century and Earlier Northern Renaissance More Prints

Materials

Woodcut

Old Cottonwood
By Brian Cobble
Located in Dallas, TX
Brian Cobble’s landscapes tend to particularly focus on the interplay of man and his surroundings, whether natural or built. A signature attention to the liminal aspects of a scene, ...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Etching

LIGHT AND SHADE TAXCO - J. T. Arms Mexican Masterpiece with Striking Detail
By John Taylor Arms
Located in Santa Monica, CA
JOHN TAYLOR ARMS (1887 – 1953) LIGHT AND SHADE TAXCO, 1946 (F. 394: (#2 from the Mexican series.) Etching and aquatint signed and dated in pencil. Image 10 ½ x 13 5/8, sheet 14 1/...
Category

1940s American Realist Landscape Prints

Materials

Etching

Cosmos
By Nishimura Hodo
Located in Fairlawn, OH
Cosmos Color woodcut with gauffage (embossing), January 1940 Unsigned (as usual) Publisher: Takemura Hideo (active Yokohama 1926-1940) Condition: excellent Image size: 14 3/8 x 9 5/8 inches Provenance: Robert O. Muller Estate Biography Hodo Nishimura...
Category

1940s Modern Still-life Prints

Materials

Woodcut

Large Bus by Allen Jones classic British 1960s pop art in bright primary colors
By Allen Jones
Located in New York, NY
This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...
Category

1960s Pop Art Abstract Prints

Materials

Lithograph

Miracle
By Marino Marini
Located in Santa Monica, CA
MARINO MARINI (1901-1980) MIRACLE - Etching, Signed and numbered 70 / 75 in pencil. Image 15 ½ x 10 ½ inches,. Full sheet 22 3/8 x 15 inches with deckle edges. Plate IV of the serie...
Category

1970s Abstract Impressionist Abstract Prints

Materials

Etching

Reflection
By Amy Wilson
Located in New York, NY
Amy Wilson received her BFA from the School of Visual Arts, New York, in 1995 and her MFA from Yale University in 1997. Her drawings explore the tensions between her inner life and t...
Category

21st Century and Contemporary Contemporary Figurative Prints

Materials

Etching

Reflection
$1,200 Sale Price
33% Off
Rachel, by Jos Sances
Located in Palm Springs, CA
Jos Sances' screenprint "Rachel" serves as a poignant tribute to the themes explored in Herman Melville's Moby Dick. The artwork depicts the whaling ship Rachel, a vessel steeped in ...
Category

2010s Contemporary Animal Prints

Materials

Screen

Winter Serenity —from Solitude for Henry David Thoreau s Walden
Located in Myrtle Beach, SC
Naoko Matsubara, 'Winter Serenity' for the portfolio 'Solitude', woodcut, 1971, edition 100. Signed and numbered '58/100' in pencil. A fine, richly-inked impression, on cream laid J...
Category

1970s Modern Figurative Prints

Materials

Woodcut

Provence III From the Portfolio "Provence" by Roger Mühl, 1986
By Roger Mühl
Located in New York, NY
Artist: Roger Mühl Medium: Original Lithograph, signed and numbered, 1986 Dimensions: 12.5 x 16.5 in, 41.9 x 31.8 cm Arches Paper - Perfect Condition A+ In 1986, from the Lithogr...
Category

1980s Prints and Multiples

Materials

Lithograph

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