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Ladies Dress Shoes. Plate XI.
By T. Watson Greig 1
Located in New York, NY
LADIES DRESS SHOES. Plate XI. The charming color lithograph is from the collection of “Ladies’ Dress Shoes of the Nineteenth Century” was assembled by...
Category

Early 1900s Naturalistic More Prints

Materials

Lithograph

LYAM 3D
By Kota Ezawa
Located in Berkeley, CA
Kota Ezawa recreates animated sequences from television, cinema, and art history. He uses basic digital drawing and animation software to create slide projections, light boxes, collages, and prints. In the vein of Warhol, his highly stylized facsimiles of familiar and often infamous images emphasize the distance between the viewer and the depicted figures that feature so prominently in America’s collective memory. His work is included in the permanent collections of the Museum of Modern Art, New York, The Metropolitan Museum of Art, New York and the San Francisco Museum of Art, California among others. The artist is represented by the Cheryl Haines Gallery...
Category

21st Century and Contemporary Contemporary Figurative Prints

Materials

Etching

Oiseau solaire, oiseau lunaire, etincelles (Solar Bird, Lunar Bird, Sparks)
By Joan Miró
Located in Fairlawn, OH
Oiseau solaire, oiseau lunaire, etincelles (Solar Bird, Lunar Bird, Sparks) Color lithograph, 1967 Published in "Revue XXe Siecle, Volume 28 Published by San Lazzaro Printed by A. Ma...
Category

1960s Abstract Abstract Prints

Materials

Lithograph

Rittersporn und Fingerhut (Larkspur and Foxglove)
Located in Fairlawn, OH
Rittersporn und Fingerhut (Larkspur and Foxglove) Color woodcut, printed on wove paper with mica flecks, 1916 Signed lower right (see photo) Inscribed lower left (see photo) Reference: Merx 276 Condition: good-very good One spot of staining on the far left edge of the composition (see photo) Color very fresh and vibrant Full sheet as issued Image size: 19 x 13 3/8 inches Carl Thiemann...
Category

1910s Vienna Secession Still-life Prints

Materials

Woodcut

Untitled
By Henri Goetz
Located in Fairlawn, OH
Untitled Engraving, drypoint & carborundum, c. 1960's Signed and numbered in pencil (see photos) Edition: 25 (9/25) Printed by the artist Condition: Adhesive residue on the verso to...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Engraving

Portrait de femme en buste, de profil a gauche, un tres large ruban noir du cou
By Paul César Helleu
Located in Fairlawn, OH
Portrait de femme en buste, de profil a gauche, un tres large ruban noir du cou, Mme Marthe Letellier Drypoint, 1900-1901 Signed in pencil lower left (see photo) Titled in pencil low...
Category

Early 1900s Impressionist Figurative Prints

Materials

Drypoint

Beyound (sic) - IX
By Katsunori Hamanishi
Located in Fairlawn, OH
Beyond (sic) - IX Mezzotint, n.d. Signed, titled and numbered in pencil (see photos) Edition: Unique impression (i/I) Ninion and Sheldon Landy were major collectors of Hamanishi's works. They donated a large group of his mezzotints to Art Institute of Chicago, which formed the core of the exhibitions of his works at AIC in 2014 and again in 2019. Condition: excellent Plate/Image size: 9.75 x 7.75 inches Sheet size: 12 1/2 x 9 5/8 inches Provenance: Ninion and Sheldon Landy, Hamanishi's patrons EXTREMELY RARE-UNIQUE Katsunori Hamanishi Born: 1949, Hokkaido Medium: Mezzotint, with relief printing and metallic foil. Also a few woodblocks Hamanishi studied painting and graduated from Tokai University with a degree in Art, in 1973. Since then, he has been living in the Tokyo area, where his primary focus is printmaking. Mezzotint is a variation of intaglio printing--an exacting and laborious process whereby ink is transferred from below the surface of the plate by use of a press. First, the entire copper plate is indented with a toothed steel rocker tool. Worked in all directions, this creates an even finely-grained texture over the surface of the plate. Each pit will hold ink and were the plate inked at this stage, it would print almost solid black. To create the design the artist smoothes out some of the pits with a burnisher so they will hold less ink. Where highlights are required the plate is burnished and polished quite smooth. A wide range of tones are possible in mezzotint and the process can usually be recognized by a light design on a velvety black background. Hamanishi is internationally known for his mastery of this medium. He creates images with both subtle detail and dynamic composition that explore spatial relationships. His genius is in balancing calm and meditative qualities with the energetic tensions of inanimate and natural objects. Early work had such things as pipes and branches wrapped with cloth, later rope, then straw. When he moved to a more rural area, rice fields became a common element. He has also been exploring the use of color and metallic leaf in his artwork. In 2005 Mr. Hamanishis began the Haze series exploring more abstract themes using the subtle differences between matte and black inks done in mezzotint and relief printing. There is always a sense of mystery and intrigue in the complex mezzotint prints that come from Hamanishi’s deft hands. They compel the viewer to do a slow, thoughtful examination in order to fully absorb the vision the artist intends. Exhibitions: Worcester Art Museum, Massachusetts --2 person show with Hamaguchi Ibiza Biennial, Spain--Grand Prize Original Colored Graphic Print Triennial, Switzerland--Grand Prize Cabo Frio International Print Biennial, Brazil--Grand Prize CWAJ Print Show, Tokyo--Art Grant winner Republic of China Print Exhibit--Gold Medal Graphic Arts Council, Achenbach Foundation, San Francisco--commissioned print Art Institute of Cleveland University of Alberta, Edmonton, Canada--visiting artist Shun-yo-Kai, Tokyo--prize winner Bhara Bhavan International Print Biennale, India Ren Brown...
Category

1980s Abstract Abstract Prints

Materials

Mezzotint

Composition
By Bernard Mandeville
Located in Fairlawn, OH
Composition Screenprint in colors, n.d. Signed and numbered in pencil by the artist. (see photos) Edition: 200 (15/200) Condition: Excellent Image size: Image: 9-3/8 x 7-1/2" (24.3 x 19 cm.) The painter Bernard Mandeville, whose artistic career began in 1935 and ended in 2001, was preceded in name and surname by a famous author...
Category

20th Century Abstract Abstract Prints

Materials

Screen

Medaglia D Oro - Whiskers, Stallion Studio Portrait
Located in London, GB
Medaglia d'Oro (foaled April 11, 1999) is an American Thoroughbred racehorse who won several major stakes races including the 2002 Travers Stakes and the 2003 Whitney Handicap. He also finished second in the 2002 Belmont Stakes, the Breeders' Cup Classic in both 2002 and 2003, and the 2004 Dubai World Cup. Since retiring to stud, he has become an excellent stallion whose progeny include 2009 Horse of the Year Rachel Alexandra, two-time champion filly Songbird and two-time Hong Kong Horse of the Year Golden Sixty. Medaglia d'Oro - 'Whiskers' by John Reardon...
Category

Early 2000s Conceptual Color Photography

Materials

Photographic Film, Archival Paper, Photographic Paper, Color, Archival P...

Brillo Soap Pads, Andy Warhol
By Andy Warhol
Located in New York, NY
Brillo Soap Pads was published for an exhibition of the artist’s work by the Pasadena Museum of Art in 1970.   Measuring 30 x 26 inches (76.2 x 66 cm), unframed, this iconic image is...
Category

20th Century Pop Art Prints and Multiples

Materials

Screen

Summer Home
By Betty Woodman
Located in Lyons, CO
Color lithograph with chine collé and collage, Edition 60. We are deeply saddened by the passing of Betty Woodman January, 2, 2018 Betty Woodman was a leading American ceramist who...
Category

2010s Contemporary More Prints

Materials

Lithograph

It Came from Plum Gut
By scott bluedorn
Located in Fairfield, CT
Archival digital giclee print on cotton rag paper. Edition of 50.
Category

2010s Figurative Prints

Materials

Rag Paper, Digital, Giclée, Archival Pigment

Masque aux rouleaux
By Henri Matisse
Located in London, GB
Aquatint on BFK Rives paper, Edition of 25 Paper size: 56 x 38 cms (22 x 15 ins) Image size: 34.8 x 27.7 cms (13 3/4 x 10 7/8 ins)
Category

1940s Impressionist Portrait Prints

Materials

Aquatint

The Unicorn Laser Disintegrates the Horns of Cosmic Rhinoceroses (The Conquest o
By Salvador Dalí­
Located in Greenwich, CT
The Unicorn Laser Disintegrates the Horns of the Cosmic Rhinoceroses from the Conquest of Cosmos suite – 29.5 x 22" image size, signed ‘Dalí’ lower right and annotated lower left. Fr...
Category

20th Century Surrealist Prints and Multiples

Materials

Drypoint, Lithograph

Cape Cross - Studio Portrait, Stallion, Champion, Equine Art Print Unframed
Located in London, GB
Cape Cross (13 March 1994 – 21 April 2017) was an Irish-bred Thoroughbred racehorse. He is a son of the July Cup winner Green Desert and Cheveley Park Stakes, winner Park Appeal who ...
Category

Early 2000s Contemporary Portrait Photography

Materials

Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Bla...

Xaar - Tail, Stallion Detail horse abstract, Silver Gelatin Print on Aluminium
Located in London, GB
Xaar, ‘Tail', 2001 by John Reardon Edition of 7 (2/7) Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piece...
Category

Early 2000s Contemporary Black and White Photography

Materials

Silver Gelatin, Photographic Film, Archival Paper, Photographic Paper, B...

Ass Hole
By Robert Deyber
Located in Greenwich, CT
Ass Hole is a lithograph on paper, initialed lower right 'BD', 9.5 x 9" image size. From the edition of 395, numbered LV/C (there were also 275 Arabic and 20 AP), framed in a contemp...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Paper, Lithograph

Op. 301 Three Marrons
Located in Palm Springs, CA
Three Marrons, Diamond drypoint by Jakob Demus. In the 1986-1988 period Demus immersed himself in the depiction of flowers, and it was then that the most important works in this ge...
Category

Early 2000s Contemporary Still-life Prints

Materials

Drypoint

"Untitled" by Ilya Bolotowsky (Abstract, De Stijl, Geometric, Print)
By Ilya Bolotowsky
Located in New York, NY
b. 1907, St. Petersburg, Russia – d. 1981 Bolotowsky respected the principles of the De Stijl style and was influenced by the artist, Piet Mondrian. Bolotowsky incorporated geometri...
Category

1980s Abstract Geometric Abstract Prints

Materials

Screen

Un Debarquement en Angleterre (A Disembarking in England)
By Félix Hilaire Buhot
Located in Fairlawn, OH
Un Debarquement en Angleterre (A Disembarking in England) etching, drypoint, aquatint, roulette and spirit ground, 1879 Signed with the artist’s red owl stamp, Lugt 977 (see photo) ...
Category

1870s Impressionist Landscape Prints

Materials

Drypoint

Cape Cross - Hoof, Horseshoe, Stallion - Silver Gelatin Print, Mounted + Framed
Located in London, GB
Cape Cross, ‘Hoof’, 2001 by John Reardon Edition of 2/7 Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This pie...
Category

Early 2000s Contemporary Black and White Photography

Materials

Silver Gelatin, Photographic Film, Archival Paper, Photographic Paper, G...

Double Poppies Black
By Donald Sultan
Located in Fairfield, CT
Color silkscreen with enamel inks, flocking and sand on Rising 4-ply museum board
Category

2010s Pop Art Prints and Multiples

Materials

Ink, Screen

Hand-coloured Print of weeping mythical sculpture angels in Walnut Frame
Located in London, GB
Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...
Category

18th Century Victorian Nude Photography

Materials

Cotton, Walnut, Paint, Photographic Film, Ink, Spray Paint, Watercolor, ...

Le Tasse de The (The Cup of Tea)
By Manuel Robbe
Located in Fairlawn, OH
Le Tasse de The (The Cup of Tea) Color aquatint and etching, c. 1906 Signed in pencil in the image (see photo) Edition: c. 100 Reference: Merrill Chase, Volume 1, No. 85 Condition: F...
Category

Early 1900s Art Nouveau Figurative Prints

Materials

Aquatint

Rain On Ferns, by Rosalyn Richards
By Rosalyn Richards
Located in Palm Springs, CA
Signed, titled and numbered in pencil, edition of 15. Abstracted image of rain ferns featuring shaades of green and blue. Rosalyn Richards has been a member of the Bucknell Universi...
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Etching, Aquatint

Yellow Mimosa with Orange
By Donald Sultan
Located in New York, NY
Created by the artist in 2024, Yellow Mimosa with Orange is a screenprint in colors with enamel inks and sand on museum board. Measuring 22 x 22 in. (56 x 56 cm), unframed, the artwo...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Printer s Ink, Screen

"Couleur Additive Perseus" by Carlos Cruz-Diez, 21st Century, Optical Art
By Carlos Cruz-Diez
Located in Köln, DE
"Couleur Additive Perseus" has a stunning appearance and an optical effect, which catches the beholder's attention from the very first time. Carlos Cruz-Diez from Venezuela was one o...
Category

2010s Op Art Abstract Prints

Materials

Screen

Masken (Masks) — German Expressionism, Bauhaus
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Masken (Masks)' also 'Carnival Masks', woodcut, 1920, proofs only. Prasse W193. Signed and titled in pencil. Annotated '1973', the artist’s inventory number. A fin...
Category

1920s Bauhaus Abstract Prints

Materials

Woodcut

UNTITLED (TWO CONSTRUCTION WORKERS WITH BRICKS
By Albert Abramovitz
Located in Portland, ME
Abramovitz, Albert (American, born Latvia, 1879-1963). UNTITLED (TWO CONSTRUCTION WORKERS WITH BRICKS). Linoleum cut on wove paper, c. 1930s. Si...
Category

1930s Figurative Prints

Materials

Linocut

L Eventail (Anaïs) also called The Fan.
By Gerald Leslie Brockhurst
Located in Storrs, CT
L'Eventail (Anaïs) also called The Fan. 1921. Etching. Fletcher 22. Final state. 6 3/8 x 4 7/16 (sheet 11 1/2 x 9 1/4). Edition 76. An extremely rich, tonal impression printed on cr...
Category

1920s Modern Portrait Prints

Materials

Etching

Sedation Pill HPM
By Shepard Fairey
Located in Miami, FL
TECHNICAL INFORMATION: Shepard Fairey Sedation Pill HPM 2013 HPM (hand-painted multiple), screenprint and mixed media collage on paper Edition 10 of 10 Pencil signed and numbered Condition: This work is in excellent condition. Frame: Framed in a maple wood shadowbox frame with UV protective Plexiglass ABOUT THE WORK: This piece is an HPM, or Hand Painted Multiple. This means that before the screenprint process takes place, Fairey creates the paper by collaging his patterns, stencil, newspaper clippings, and advertising logos...
Category

2010s Street Art Prints and Multiples

Materials

Mixed Media, Handmade Paper, Screen

"Untitled" by Peter Plagens. (Abstract, Formalist, Symbolism, Geometric, Print)
Located in New York, NY
Peter Plagens (b. 1941) received his B.F.A. from the University of Southern California and his M.F.A. from Syracuse University. He is well known for his abstract, formalist paintings...
Category

1980s Abstract Geometric Abstract Prints

Materials

Screen

Hand-signed "Taxi Pretzel" lithograph from 1971 "No Gas" portfolio by Red Grooms
By Red Grooms
Located in Boca Raton, FL
"Taxi Pretzel" lithograph by Red Grooms from 1971 "No Gas" portfolio. Hand-signed Red Grooms AP on bottom of shoe on lower right corner. Image size: 27 1/4 x 21 1/2 inches.
Category

1970s Contemporary Figurative Prints

Materials

Lithograph

Tiendelitas
By Emilio Sanchez
Located in New York, NY
Emilio Sanchez (1921-1999) created this color lithograph entitled “TIENDECITAS” in 1967. This impression is signed, titled, and inscribed “21/50” in pencil. The printed image size 15 x 23.13 inches (38 x 58.8 cm) and paper size 20.75 x 29 3/8 inches (53 x 74.5 cm). Printed in an edition of 50. Stamped on verso "Estate of Emilio Sanchez." “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category

1960s Modern Landscape Prints

Materials

Lithograph

La Casa Grande
By Emilio Sanchez
Located in New York, NY
LA CASA GRANDE” Emilio Sanchez (1921-1999) created this lithograph entitled “La Casa Grande” in 1997. The printed image size is 30.5 x 30 inches and ...
Category

Late 20th Century American Modern More Prints

Materials

Lithograph

Memory and Metaphor, The Art of Romare Bearden
By (after) Romare Bearden
Located in Fairlawn, OH
Original glossy poster, Published for the Studio Museum, Harlem, for the exhibition, April 14 - August 1, 1991. Note: This poster was created for the national touring exhibition org...
Category

1990s Cubist Figurative Prints

Materials

Lithograph

Darius II
By Darius Steward
Located in Fairlawn, OH
Signed in pencil lower right Edition: 3 impressions Signed, dated and annotated “1 of 3” Exhibited: Zygote Press, Cleveland, 2016 Tregoning & Co. 2017
Category

2010s Contemporary Figurative Prints

Materials

Drypoint

Portrait of a Man Facing Left
By William Merritt Chase
Located in Fairlawn, OH
Portrait of a Man Facing Left Monotype printed in brown ink, c. 1880-1914 Signed in ink lower left: Chase (see photo) Provenance: Helen Chase Storm (the artist's daughter) Jackson Chase Storm (her son) Chapellier Galleries (as agent) James Bergquist, Boston References And Exhibitions: Exhibited at the Museum of Fine Arts, Boston and the Clark Art Institute, Williamstown, MA. (See MFA paperwork in photos) Reference: Ronald G. Pisano, Completed by D. Frederick Baker and Carolyn K. Lane, William Merritt Chase: Still Lifes, Interiors, Figures, Copies of Old Masters, and Drawings, Catalogue Raisonne, Vol. IV (New Haven and London: Yale University Press, 2010), Vol. 1, M. 8. (See photos of entry) William Merritt Chase (1840-2016) Born in Nineveh, Indiana Died New York, New York In 1883 Chase was involved in the organization of an exhibition to help raise funds for a pedestal for the Statute of Liberty. The exhibition featured loans of three works by Manet and urban scenes by the Italian Impressionist Giuseppe de Nittis. Both artists influenced Chase's Impressionistic style that gave rise to a series of New York park scenes. It is also thought that he was influenced by John Singer Sargent's In the Luxembourg Gardens (1879) which was exhibited in New York at this time. Indeed, Chase had met Sargent in Europe in 1881, the two men becoming lifelong friends with Sargent painting Chase's portrait in 1902. On another European trip in 1885, Chase met James McNeill Whistler in London. While Whistler had a reputation for being difficult, the two artists got along famously and agreed to paint one another's portrait. Eventually, however, Whistler's moods began to grate with Chase who wrote home stating "I really begin to feel that I never will get away from here". For his part, Whistler criticized Chase's finished portrait and, according to Hirshler, "complained about Chase for the rest of his life". While no record exists of Whistler's portrait of Chase; Chase's portrait of Whistler remains a well-known piece in his oeuvre. In 1887 Chase married Alice Gerson, the daughter of the manager of a lithography company. Though some fifteen years his junior (Chase was 37), he had known Alice for some time through her family's devotion to the arts. The pair, who would enjoy a happy marriage with Alice in full support of her husband's career, settled initially in Brooklyn...
Category

1890s Impressionist Portrait Prints

Materials

Monoprint

SEATED NUDE IN A CHEMISE
By Richard Diebenkorn
Located in Portland, ME
Diebenkorn, Richard. SEATED WOMAN IN A CHEMISE. Liithograph, 1965. Edition of 100, initialed and numbered 88/100 in ink. Printed on BFK Rives paper, and published by Original Press, ...
Category

1960s Figurative Prints

Materials

Lithograph

French Iris I
By Donald Sultan
Located in Fairlawn, OH
French Iris I Reducutve color woodcut, 1982 Unsigned Stamped verso “Imprimerie Arnera Archives/Non Signe” From: Tramp Picture series "The printer was Claude Jinchat at Imprimerie Arn...
Category

1980s Contemporary Still-life Prints

Materials

Linocut

Advice
By Walt Kuhn
Located in New York, NY
Walt Kuhn (1877-1949), Advice, etching and drypoint, 1915, signed in pencil lower right and titled lower left. In generally good condition but obviously a proof impression, with marg...
Category

1910s American Modern Figurative Prints

Materials

Drypoint, Etching

Merry-Go-Round, 1930
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Merry-Go-Round, etching, 1930, signed in pencil lower right and numbered "24" lower left. In very good condition, with margins (cut irregularly,...
Category

1930s American Realist Figurative Prints

Materials

Etching

Running the Rapids
By Frank Benson
Located in New York, NY
The etching "Running the Rapids" was created by Frank Benson in 1927. Printed in an edition of 150, this impression is signed in pencil, lower left. The image size is 5 13/16 x 7 7/8" (14.8 x 20 cm) and sheet size 8 1/16 x 10 5/16" (20.3 x 26.2 cm). Frank Weston Benson (1862-1951), well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

1920s American Impressionist Figurative Prints

Materials

Etching

Untitled (Frankenstein)
By Kerry James Marshall
Located in Berkeley, CA
Hardground Etching
Category

2010s Figurative Prints

Materials

Etching

Ladies Dress Shoes. Plate X.
By T. Watson Greig 1
Located in New York, NY
LADIES DRESS SHOES. Plate X. The charming color lithograph from “Ladies’ Dress Shoes of the Nineteenth Century” was assembled by the antiquarian/shoe ...
Category

Early 1900s Naturalistic More Prints

Materials

Lithograph

Shunga: Twelve Signs of the Zodiac - Goat
Located in Fairlawn, OH
Shunga: Twelve Signs of the Zodiac - Goat Color woodcut with gauffrage (embossing) Unsigned (as usual) Format: Shikishiban Publisher: Privately produced Unusually well preserved with the fugitive blue still intact Image size: 5-1/8 x 5-3/4" Sheet size: 5 3/8 x 6 1/4" From Wikipedia, the free encyclopedia In this Japanese name, the surname is Isoda. Isoda Koryūsai (礒田 湖龍斎, 1735–1790) was a Japanese ukiyo-e print designer and painter active from 1769 to 1790. Life and career Koryūsai was born in 1735 and worked as a samurai in the service of the Tsuchiya clan. He became a masterless rōnin after the death of the head of the clan and moved to Edo (modern Tokyo) where he settled near Ryōgoku Bridge in the Yagenbori area. He became a print designer there under the art name Haruhiro in 1769, at first making samurai-themed designs. The ukiyo-e print master Harunobu died in 1770, and about that time Koryūsai began making prints in a similar style of life in the pleasure districts. Koryūsai was a prolific designer of individual prints and print series,[1] most of which appeared between 1769 and 1881. In 1782, Koryūsai applied for and received the Buddhist honour hokkyō ("Bridge of the Law") from the imperial court and thereafter used the title as part of his signature. His output slowed from this time, though he continued to design prints until his death in 1790. Works Koryūsai created a total of 2,500 known designs, or an average of four a week. According to art historian Allen Hockley, "Koryūsai may ... have been the most productive artist of the eighteenth century". The series Models for Fashion: New Designs as Fresh Young Leaves (Hinagata wakana no hatsumoyō, 1776–1781) ran for 140 prints, the longest known ukiyo-e print series of beauties. He designed at least 350 hashira-e pillar prints, numerous kachō-e bird-and-flower prints, a great number of shunga erotic prints, and others. Ninety of his nikuhitsu-ga paintings are known, making him one of the most productive painters of the period. Legacy Despite Koryūsai's productivity and popularity—both in his time and amongst later collectors—his work has attracted little scholarship. The first ukiyo-e histories written in the West in the 19th century elevated certain artists as exemplars; Koryūsai's work came to be seen as too indebted to Harunobu, who died in 1770, and inferior to that of Kiyonaga, whose peak period came in the 1880s. An example is Woldemar von Seidlitz's Geschichte des japanischen Farbenholzschnittes ("History of Japanese colour prints", 1897), the most popular of the early ukiyo-e histories, which paints Koryūsai as a successor to Harunobu and a rival of Kiyonaga in the 1770s who slipped into mediocrity and imitation of his rival by the end of the decade.[5] Interest lay mainly in the details of Koryūsai's life—a samurai who received court honours was unusual in the proletarian world of ukiyo-e. In 2021, contemporary woodblock printmaker David Bull...
Category

1770s Other Art Style Figurative Prints

Materials

Woodcut

Flirt Biscuits by Alphonse Mucha
By Alphonse Mucha
Located in Hinsdale, IL
ALPHONSE MUCHA (1860 – 1939) Flirt Biscuits Rennert/Weill 72 Lithograph in colors c. 1900 Signed in stone, lower right margin Image: 24” x 11”, Paper: 25 ¼” x 11 ¾” F...
Category

Early 1900s Art Nouveau Figurative Prints

Materials

Lithograph

A Morning in May — Ashcan School Social Realism, New York City
By Reginald Marsh
Located in Myrtle Beach, SC
Reginald Marsh, 'A Morning in May', etching, 1936, edition 100 (Whitney, 1969), Sasowsky 169. Unsigned as published; numbered '89/100' in pencil. A superb, richly-inked impression, ...
Category

1930s Ashcan School Figurative Prints

Materials

Etching

Hand-signed "Local" lithograph by Red Grooms from the 1971 "No Gas" portfolio
By Red Grooms
Located in Boca Raton, FL
"Local" lithograph by Red Grooms from the 1971 "No Gas" portfolio. Hand-signed AP Red Grooms in policeman's left shoe in bottom lower right of image. Depicts people on subway.
Category

1970s Contemporary Figurative Prints

Materials

Lithograph

Cloud Mural
Located in Brooklyn, NY
This grand mural unveils a mesmerizing Baroque-style etching that commands attention with its celestial drama. The expansive sky serves as a vast canvas, adorned with flowing circula...
Category

21st Century and Contemporary Renaissance Still-life Photography

Materials

Plexiglass, Archival Ink

SLEDGEHAMMERS
By Sybil Andrews
Located in Portland, ME
Andrews, Sybil (English/Canadian, 1898-1992), C. SA26. "SLEDGEHAMMERS", Color Linocut, 1933, ed. 60 plus 4 trial proofs, Ref. C. SA 26, 10-1/4 x 12-1/2, signed, titled and numbered 6...
Category

1930s Modern Figurative Prints

Materials

Linocut

The Cyclops (Ulysses, PL.205)
By Henri Matisse
Located in Greenwich, CT
This etching on paper, 11.75 x 8.25" image size, is signed ‘Henri Matisse’ lower right, numbered lower left, and framed in a beautiful, custom gold-leaf frame. From the edition of 15...
Category

1930s Modern Prints and Multiples

Materials

Paper, Etching

On the Kedgwick
By Frank Benson
Located in New York, NY
Frank Benson created the etching "On the Kedgwick" in 1923, in an edition of 150. This impression is the second state of four. There are five known impressions of the second state. It is signed in pencil and inscribed "B-1" and "1 or 5" at the lower left paper edge (pencil). The image size 7 13/16 x 11 7/8" (19.9 x 30.2 cm) and sheet size 15 3/8 x 11 1/2" )29.3 x 39 cm). It is listed in the Frank W. Benson catalogue raisonne by Paff #222. FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

1920s Impressionist Figurative Prints

Materials

Etching

Harper s May (Plate 115)
By Edward Penfield
Located in Greenwich, CT
Harper's May (Plate 115) is an 1898 lithograph of Edward Penfield's poster, printed at Imprimerie Chaix by Jules Chéret and included in the famed collection of Belle Époque posters 'Les Maîtres de l'Affiche.' From the deluxe edition of 100 printed on japon - total edition size unknown. Framed in an ornate, gold-tone frame. Designed by Edward Penfield for a May edition...
Category

Late 19th Century Art Nouveau Prints and Multiples

Materials

Paper, Lithograph

EAST RIVER SWIMMERS
By Cecil Crosley Bell
Located in Portland, ME
Bell, Cecil. EAST RIVER SWIMMERS. Lithograph, 1937. Edition of 20. Signed and dated by the artist's widow. 10 1/4 x 14 3/4 inches, 260 x 375 mm. (image), 1...
Category

1930s Figurative Prints

Materials

Lithograph

Dartmouth Portraits Jim Dine portfolio of nine self portrait etchings aquatint
By Jim Dine
Located in New York, NY
The Dartmouth Portraits aer reworked plates from an earlier drypoint self portrait series done in 1971. For the second set, Dine used the same plates, the same theme and, in most cas...
Category

1970s Realist Portrait Prints

Materials

Etching, Aquatint

Spring Night Greenwich Village
By Martin Lewis
Located in New York, NY
Spring Night, Greenwich Village--1930, Drypoint and Sand Ground.McCarron 85, only state. Edition 92. Signed in pencil. Signed in the plate, lower rig...
Category

1930s Figurative Prints

Materials

Drypoint

UNTITLED
By Charlie Hewitt
Located in Portland, ME
Hewitt, Charlie. UNTITLED COMPOSITION. Woodcut, not dated, but circa 1995. Edition of 100. Signed and numbered in pencil. 20 x 24 inches. In excellent condition.
Category

1990s Abstract Prints

Materials

Woodcut

Orientale à la croix trifoliée
By Henri Matisse
Located in London, GB
Lithograph on Arches Velin paper, Edition of 50 Paper size: 65 x 50.5 cms (25 1/2 x 19 7/8 ins) Image size: 54.3 x 45 cms (21 3/8 x 17 3/4 ins)
Category

1920s Impressionist Portrait Prints

Materials

Lithograph

Tropic Fruit
By Howard Hodgkin
Located in London, GB
80 x 94 cms (31.5 x 37 ins) Edition of 100
Category

1980s Abstract Abstract Prints

Materials

Color, Screen

Tropic Fruit
$3,000 Sale Price
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