Recognized Dealers Portrait Prints

Untitled (Portrait) Drypoint printed in blue-black graphite mixed with silver, 1974 Signed and dated lower ight (see photo) From: Series entitled Six Drypoints Edition: 23 (4/23) Numbered lower left (see photo) Print Shop: Crown Point Press Printer: Jeannie Fine Publisher: Parasol Press, New York Note: A portfolio is in the collection of the National Gallery, Australia, Fine Arts Museums of San Francisco- de Young/Legion of Honor, Davis Museum at Wellesley College and the Yale University Art Gallery. Condition: Excellent Image/Plate size: 6 3/8 x 5 3/8 inches Sheet size: 24 x 20 inches From a portfolio of six drypoints, printed with unqiue combination of blue-black graphite shavings combined with silver to create the appearence of an original drawing. I know of no other artist to use a similar printing technique. William Bailey studied art at the University of Kansas, Yale University and Yale School of Art where he studied with Josef Albers receiving his MFA in 1957. Mr. Bailey’s first exhibition in New York was at Robert Schoelkopf Gallery in 1968, where he showed regularly until its closing in 1990. During the 90’s he exhibited at the Andre Emmerich Gallery and on its closing, exhibited at the Robert Miller Gallery. In 2004 Bailey moved to the Betty Cuningham Gallery where his most recent exhibition was held from April 30 - June 11, 2016. Mr. Bailey’s work has been exhibited extensively in both America and Europe. He is represented in the collections of The Whitney Museum of American Art, The Museum of Modern Art, the Pennsylvania Academy of Fine Arts, and the Hirschhorn Museum and Sculpture Garden, among others. He was awarded a Guggenheim Fellowship in painting in 1965. Mr. Bailey was elected to The National Academy of Design in 1983 and to The American Academy of Arts and Letters in 1986. Mr. Bailey taught at The Yale School of Art from 1958 to 1962 and from 1969 to 1995. He has also taught at The Cooper Union, University of Pennsylvania and Indiana University. He maintains studios in New Haven and in Umbertide, Italy. Courtesy Betty Cunningham Gallery Tribute to William Bailey THE NEW YORK TIMES William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. William Bailey, Modernist Figurative Painter, Dies at 89 He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery. The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep. Ford Bailey By William Grimes for the New York Times April 18, 2020 William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than life. “They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979. Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air. The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.” But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the William Harrison Bailey...

One of 9 humorous portraits of birds engaged in conversation by Franco-Iranian artist Marjan Seyedin. In her works, birds and animals provide an allegor...

One of 9 humorous portraits of birds engaged in conversation by Franco-Iranian artist Marjan Seyedin. In her works, birds and animals provide an allegor...

Medium: linocut Year: 2021 Image Size: 13 x 18 inches Edition size: 10 Young migrant worker harvesting artichokes. As a cultural activist/artist/printmaker, Juan Fuentes has dedicated his career to being part of a global movement for social change. His works address issues relating to local communities of color, social justice, and international struggles for liberation. Fuentes' relief printing process follows closely the social realist tradition of Latin American artists such as Jose Guadalupe...

Medium: linocut Year: 2023 Image Size: 18 x 24 inches Edition Size: 10 Chicano tattooed couple with emblems of Aztlan and the United States. As a cultural activist/artist/printmaker, Juan Fuentes has dedicated his career to being part of a global movement for social change. His works address issues relating to local communities of color, social justice, and international struggles for liberation. Fuentes' relief printing process follows closely the social realist tradition of Latin American artists such as Jose Guadalupe Posada...

Color lithograph with collage, Edition 30 Hung Liu grew up in China and came of age during the Chinese Cultural Revolution. She spent four years in the countryside as a laborer, s...

Medium: Mezzotint Year: 2023 Edition: 25 Image Size: 9.25 x 6.25 inches Art Werger’s prints show a keen observation of quiet and normally unnoticed moments. Pedestrians passing each...

Title: Sinjar Medium: Mezzotint Image Size: 12" x 10" Edition Size: 20 ABSENCE OF PASSION / PORTRAITS OF IRAQ Sinjar is from The Absence of Passion suite of fifteen mezzotint portra...

Medium: linocut Year: 2019 Image Size: 24 x 24 inches Edition Size: 10 Image of a native American woman in traditional garb and ceremonial dance. As a cultural activist/artist/prin...

Medium: Intaglio Year: 2024 Image Size: 12 " H x 9" W Edition Size: 15 Portrait of a young woman holding a rose and wearing a necklace of green leaves. While Hiratsuka's images have...

Les yeux noirs (The dark eyes) Lithograph, 1913 Lacking the artist's signature in pencil as sited in Duthuit. We have found numerous other impressions of this image with the initials...

Chinois inventa, dit-on, la poudre a canon, nous en fit don (The Chinese invented gunpowder, they say, and made is a gift of it) Aquatint, roulette, drypoint, acid bite, and scorper...

Medium: Screenprint Edition size: 69 Year: 2009 Clown with two nude women. Created at Richard Duardo's Modern Multiples Fine Art Editions. Reyes is a Chicano artist, born in the Lo...

Medium: Intaglio and Chine Colle Year: 2023 Image Size: 10.5 x 7 inches Edition of 15 Signed, titled and numbered by the artist. A young woman contemplating small plants and animals...

Signed and numbered from the edition of 10. Yuji Hiratsuka was born 1954 in Osaka, Japan. In 1985 he moved to the United States to pursue graduate degrees in printmaking at New Mexico State University (M.A.) and at Indiana University (M.F.A.). Since 1987 Hiratsuka has been teaching printmaking and drawing at several universities. He currently serves as a Professor of printmaking at Oregon State...

"Marilyn Crying Diamond (Sunset Blue)" acrylic, oil-based ink and diamond dust hand-pulled screen print on linen by artist Russell Young. Depict...

Medium: Etching Year: 2021 Image Size: 7.9 x 13 Edition Size: 50 Lawlor's early etchings were often landscapes combining elements from old Master paintings. Later he started to in...

Signed, titled and numbered screenprint by gay Chicano artist Miguel Angel Reyes. He currently is instructor of model drawing in the Fashion Department of the Otis College of Art. M...

Medium: Screenprint Edition size: 38 Year: 2009 Albert was born in the Los Angeles suburb of Panorama City in 1971 and grew up in the working class neighborhood of El Sereno. After...

Lithograph on Japon paper, Edition of 50 Paper size: 35 x 27.8 cms (13 3/4 x 11 ins) Image size: 18.6 x 12.8 cms (7 1/2 x 5 ins)

Signed, titled and numbered from the edition of 50. Part of a group of prints used to illustrate the book The Ballad of Huck and Miguel, which is a re-telling of the Adventures of Huck Finn...

Signed, titled and numbered from the edition of 30. One from a series of six pet portraits. Viramontes was the subject of a 1-hour documentary "Xavier Viramontes, A Life in Print" w...

Medium: Intaglio and Chine Colle Year: 2023 Image Size: 10.5 x 7 inches Edition of 15 Signed, titled and numbered by the artist. A young woman with chocolate and marshmallow figures...

His love for painting has a major influence on his work... JAN VAN EYCK-PORTRAIT OF A MAN 1433 , 2021 Series: A Renaissance Archival Pigment Print/ Framed or Unframed available Print image size: 26 x 19 cm / Framed: 30.2 x 23.3 cm Larger dimensions prints also available - please enquire Edition of 15 + 2AP Series: A Renaissance Signed and dated About the Artist George McLeod...

Sadatora, Utagawa (active 1818-1844). [Portrait of woman]. Japan, ca. 1825. Original woodblock print.

Signed and numbered. Flores Para Juarez pays homage to the women in Juarez, Mexico. The female figure in the image is a friend of Magallanes who had witnessed a lot of abuse growing up in Juarez, and emerged from her experience a very strong woman. Magallanes’ piece is part of an ongoing series of portraits of personal heroes and martyrs that also serves as a mapping of the artist’s own psyche through his cultural, historical and political influences. Oscar Magallanes was born in 1976 in Duarte, CA. He recalls, “The first art I saw were murals of Zapata and Mexica glyphs from the Chicano movement. These were juxtaposed next to homeboy role calls and Old English writing. I didn’t see a gallery or museum until I was 15.” After a troubled youth and his expulsion from high school at the age of fifteen, Oscar was accepted into the Ryman Arts program which he credits with encouraging him to pursue a career in art. From 1998 to 2003 Oscar’s studio was located in the thriving Pomona Artist Colony. Oscar also worked closely with the late Gilbert “Magu” Lujan...

Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhatt...

RENOIR, PIERRE AUGUSTE (1841 - 1919) Claude Renoir, tourné à gauche Claude Renoir, Turning Left Delteil 40, Stella 40 Original chalk lithograph ...

Signed, titled, and numbered from the edition of 15. Image of a young girl i Kimono. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whi...

Signed, titled and numbered in pencil from the edition of 25. This print was a labor of love. "This is a tribute to my father, Jack Viramontes, who was a carpenter by trade and loved...

This original lithographic poster by David Hockney is a portrait of Gregory Evans, his longtime friend, onetime romantic partner and curator. He has been a consistent model, inspiration and support to the artist. Aside from the poster edition of 500, there was a signed and numbered edition of 90 proofs published by the Lelong Gallery in Paris. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot...

"Samson and Delilah" screenprint and collotype with cut-outs by artist Sigmar Polke from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money to house f...

Signed and numbered from the edition of 10. Young girl using her fingers ass scissors trimming the leaves of a red flower (tulip?). Yuji Hiratsuka was born 1954 in Osaka, Japan. In ...

Signed and numbered from the edition of 10. Yuji Hiratsuka was born 1954 in Osaka, Japan. In 1985 he moved to the United States to pursue graduate degrees in printmaking at New Mexi...

Signed, titled and numbered from the edition of 25. One from a series of six pet portraits. Viramontes was the subject of a 1-hour documentary "Xavier Viramontes, A Life in Print" w...

Signed, titled and numbered in pencil by the artist. Ricardo Estrada, is a Los Angeles Chicano artist best known for his portraits of street people a...

Hockney, David. YVES MARIE. S.A.C. 159. Lithograph, 1974. Edition of 75, plus 24 proofs. Printed in New York by William Law, on Rives BFK paper and published by Petersburg Press. 30 ...

Signed artist proof from ex libris edition of approx. 100. Based on the Biblical story of Noah's Ark Kalinovich (Born in Novokuznetsk, Russia, in 1959) is a Ukrainian printmaker bes...

Riggs, Robert (American, 1896-1970). MODEL (Bassham 8). Lithograph, c. 1932. Unsigned. 11 x 8 3/4 inches (image), 13 3/4 x 11 3/4 inches (sheet). In very good condition.

Heckel, Erich (German 1883-1970). ZAUBERKUNSTLER (ERRINERUNG AN PAUL KLEE). Woodcut, 1956 Dube 416. Second state of two, signed, dated and titled in pencil. Edition size not known, M...

This image is one of several portraits of the African members of his household who were most important to him as a child. Trevor Southey was born in Rhodesia, Africa (now Zimbabwe...

Mademoiselle Sablon, MUSCIAL ACTRESS Lithograph, 1907 Unsigned Provenance: estate of the artist Reference: Belleroche No. K383 Albert Belleroche Log of lithographs, AB698 Edition: c. 10 Condition: excellent Image size: 20 x 17 inches Sheet size: 24 1/4 x 18 1/2 inches Albert Gustavus de Belleroche, also known as Albert Belleroche, (22 October 1864 – 14 July 1944) was a Welsh-born painter and lithographer, who lived most of his childhood and his adulthood in Paris and England. He began as a painter, but at the turn of the century focused on lithography, for which he is most well-known. He was awarded the Chevalier de l’Ordre de Leopold by King Albert I of Belgium in 1933. Early life Albert de Belleroche, Lithograph of the artist's mother, Mrs. Harry Vane Milbank, circa 1900 Albert Gustavus De Belleroche was born on 22 October 1864 in Swansea. His parents were Brusseler Alice and Edward Charles, the Marquis de Belleroche, who died when he was three years old. His mother was the daughter of Desire Baruch. In March 1871, she married Harry Vane Millbank, the son of MP Frederick Milbank. He grew up in Paris and London and he used the surname Milbank until he was 30 years of age. He attained the title of count from his father's family of French Huguenot ancestry. Career and personal life La Danseuse (model Lili Grenier), circa 1890 In 1882, Belleroche studied briefly at Carolus-Duran's art school in Paris, preferring to study the masters like Johannes Vermeer and Sandro Botticelli at museums. He was a friend and studio-mate of John Singer Sargent in Paris and London, with the men making many sketches and paintings of each other. Some of the works that Sargent made of Belleroche are suggestive of an emotional relationship between the men and Belleroche may have been the love of Sargent's life. Dorothy Moss, an art historian, states "Sargent's portraits of Belleroche, in their sensuality and intensity of emotion, push the boundaries of what was considered appropriate interaction between men at this period." Belleroche was financially independent and did not need or desire to obtain work through commissions. Instead, he chose who he would paint, which included Japanese wrestler...

Signed, titled and numbered in pencil from the edition of 64. This print is from the artist's Queer Icon series. Carlos Fernando are a married couple from Los Angeles, both wo...

Screenprint of Frida Kahlo by gay Chicano artist Miguel Angel Reyes. Signed, titled and numbered edition of 14. The sheet has nicely deckled edges (see second photograph). Miguel was born in 1964 in Colima, Mexico. One of Reyes's most vivid childhood memories is that of laying awake at night and listening to the sounds of people scurrying across his front porch as they hid in shadows and edged toward the fence, la linea, separating the U.S. from Mexico. Inevitably, Reyes's family made the trip themselves, deciding to stay in Los Angeles following one of their many “vacations (which meant going to Fresno to pick grapes for the summer). Besides Chicano cultural themes, his work also often includes homoerotic imagery. He was drawn to art early in his life, and graduated from Oits Parsons School of Design in 1987 with a BFA in fine art. After a short sojourn into the fashion industry following graduation, Reyes pursued painting, and today makes his living doing portraits, teaching, illustrating books and taking on occasional public art project commissions. Reyes' work incorporates expressionist brushwork and the saturated palette of the classic latin tradition. His work often incorporates homoerotic as well as Chicano themes. His art has been exhibited throughout the United States, and has been published many magazines. Miguel has created murals for the Los Angeles MTA, and his work is in the collections of LACMA print collections, Laguna Art Museum, Watts Towers...

Exceptional, brilliant impression and colors from the extremely rare 1st edition Kataoka Nizayemon(?) Color woodcut, 1860 From the series: "Contemporary Brocade Mirror Portraits" Pub...

Programme poour Le Chariot de Terre Cutte Lithograph printed in blue on pink tint thin wove paper, 1895 Signed with the artist's "TL" monogram (see photo) lower center edge Published...

McKenney, Thomas and James Hall. History of the Indian Tribes of North America. Unknown publisher and date, probably 1840s. ESH-TA-HUM...

Kuhn, Walt, (American, 1877-1949). PEGGY. Lithograph, not dated, but likely 1925-1930. Edition size not stated, but likely 50. Signed in pencil, and inscribed at the lower edge of th...

Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhatt...

TECHNICAL INFORMATION: Jim Dine The Woodcut Bathrobe 1975 Woodcut and lithograph on Natsume 4007 paper 36 x 24 in. Artist's Proof (A.P.) Pencil signed, dated and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Condition: This work is in excellent condition. Frame: This work is framed in a light wood frame with matte, as shown in photos. ABOUT THE WORK: Jim Dine began painting bathrobes in 1964; some of them were titled or subtitled as self portrait. The bathrobe became a motif in his repertoire which he has returned to on many occasions, in prints as well as paintings. Though he claimed never to wear a bathrobe, nonetheless these are all, in a way, portraits and self portraits. Dexter's Four Robes illustrates the enduring importance of the bathrobe motif in Dine's work, a motif that he has been using over the years in countless printed works to depict mostly himself, but also his wife and people around him. This subject came to him as source of inspiration after coming across an image of a man's dressing gown...

America's Daughter Lithograph, 2016 Signed in pencil lower right Edition: Edition: 40 (15/40) From: America's Family (Five Images) Published by: Valley House Gallery and Sculpture ...

Kuhn, Walt, (American, 1877-1949). HULDA. Lithograph, not dated, but likely 1925-1930. Edition size not stated, but likely 50. Signed in pencil, and inscribed at the lower edge of th...

Signed: Eisho zu From the series: "Contest of Beauties in the Pleasure District" (Kakuchi bijin-kurabe) Format: Oban Publisher: Yamaguchi ya Chusuke The courtesan Midorigi of the Wakamatsu ya bordello depicted against a decorated ground, holding an ornamental sculpture of an ox. Eisho Chokosai was a pupil of Eisho Hosoda, and is also known as Eisho Hosoda. Reference: Richard Lane...

The artist describes this project: “In this print, a geographic/physical border, such as the US/Mexico border wall, is a symbol of many other walls that exist between people. These ...

Kokoschka, Oskar. SELBSTBILNIS VON ZWEI SEITEN ALS MALER (SALON WOLFSBERG). Lithographed poster in colors, 1923. 48 7/8 x 34 1/2 inches, 1252 x 882 mm. Poster for a gallery exhibitio...

Portrait of Wyndham Lewis Etching, 1973 Signed and numbered in pencil Published in 1973 in the deluxe edition of "The Roaring Queen" Edition: 100 (62/100) Condition: Excellent Image/...

Wilson, John W. SEATED WOMAN. Etching and aquatint, 1973. A Proof aside from the edition of 75. Inscribed "Guide Proof" and signed in pencil. 18 x 12 1/2 inches, 457 x 315 mm. (plat...

Fuwa, Kabuki actor Color woodblock, 1931 From: “Kabuki Jahachi-Ban” (Eighteen Kabuki Plays) by the Ichikawa Family Publisher: Gekiga Kanko Kai Carver: Okura Hanbei Printer: Shinmi Yo...

Italo Scanga was born in the Calabria region of Italy, and at 14 immigrated to the United States with his family after World War II. Living in Detroit, he worked on the General Motor...

Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Council for the Arts/New York Foundation for the Arts Fellowship grant for...