Recognized Dealers Clocks

French Victorian black mantle clock having a gilt etched trim with brass dial and white clock face 1 small leg AS IS

Very fine English early to mid-19th century Gothic clock of important scale having carved and gilt pediment and polychrome decorated case with trefoil tr...

Fine 18th century rococo carved and giltwood shelf clock, the crest with stork holding a bone in his beak pearched on a romantic castle ruin with carved...

Art Deco Cloisonné Enamel Desk Clock Case: Attributed to Marcus Co. Movement: Mathey-Tissot Circa 1930 This exceptionally rare Art Deco desk clock represents the pinnacle of e...

Introduces a new family of wall clocks, featuring vibrant colors and friendly characters eager to bring a touch of personality to your walls and point out the time. Discover the misc...

A fine Empire period mantel clock with bun feet raising a rectangular base with a central portrait of Bacchus flanked by exquisitely chiseled motif of swirling foliage surmounted by a figure of the goddess Ceres grasping in her lowered hand a wreath woven with foliage and berries while in her garment she collects a bountiful harvest; she rests beside the clock tower with a framed lens opening to access the white enamel dial with black Roman numerals inscribed Etn. Tavernier set with Breguet style hands, raising an urn filled with fruits of the soil; against the tower rest the implements of labor, a shovel and flat rake. The movement is engraved "B". A significant clock movement maker, Etienne Tavernier (French, 1756-1839) is listed in Tardy's horology reference as working closely with the house of Abraham-Louis Breguet as well as providing clock movements...

Wall clock 'Moment' by Buzao x Bentu design. Black lava stone Measure: Diameter 24cm.

A rare and important Louis XVI clock by Cronier, Paris, France circa 1790. Crafted in fire-gilt bronze with a round convex white enamel face with black Roman numerals for the hours A...

PICO ø40cm Avant-garde design with a nordic air, which combines walnut wood or oak finished wood with black and white colours. Available in Black and Walnut, white and O...

English Gothic Revival style (19th Cent) gilt mantle clock with silver plate decoration and supported by 2 gnome figures with a pediment having a fi...

Modern grandfather clock by Howard Miller, chrome and Lucite.

This elegant desk clock by Cartier features a soft blue guilloché enamel and gold frame. With Roman numerals marking the hours, the dial's radiant guilloché pattern is well-complemen...

A wall clock tends to resemble its owner. Its design, color and resolution, the style of the one who placed it in that precise place and that's why the frequent alternatives are so varied. When the wall clock you need meets many of the characteristics of your personality as a taste for the minimalist innovative trends and a lot of originality the option is undoubtedly the Nomon OJ Clock. The OJ is a true designer clock...

A magnificent, fine and impressive, large antique Edwardian English sterling silver carriage clock, an addition to our silver timepiece collection. This magnificent antique Edwardian sterling silver carriage clock has a plain rectangular form onto four bun feet. The surface of this large and impressive Edwardian clock is plain and unembellished. This impressive antique silver carriage...

French Louis XVI-style (19th Century) white marble mantle clock with gilt bronze trim and a pediment with a wreath & arrows. (Clock face signed: HGER DU ROI, PARIS) (Not working)

Very Large Ormolu Marble Regulator Calendar Mantle Clock Barbedienne French, Late 19th Century Height 121cm, width 64cm, depth 28cm Expertly produced in France during the final de...

Rustic Black Forest (19th Century) walnut carved mantel clock with 1 large bird and several small chicks within a floral environment. (Not working)

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1...

Fine 8 day tall case clock by Thomas Smith of Norwich, the three original giltwood urn finials over arched hood having molded cornice, the brass dial with engraved boss reading "Tho’s Smith - Norwich" the dial with second dial and calendar ring...

Antique Empire Gold Gilt Patinated Bronze Ormolu Mantel Clock French, c. 1810 Height 48cm, width 31cm, depth 20cm A superb example of early 19th-century French decorative arts, thi...

An early cyclometer digital clock housed in a wonderful architectural case. Exceptional condition with the exception of a small corner chip to the onyx base. The clock is in worki...

German Art Deco walnut mantel clock with round chrome clock rim and numbers (with MAUTHE metal label, branded Jan 1936) (Not working).        

Grand Regulator World's Fair Clock François Linke Circa 1900 Widely regarded as the greatest sculptural clock ever created, this monumental régulateur by François Linke was conceived as a statement for the 1900 Paris Universal Exposition, a moment when the world’s finest artisans competed on an international stage. Linke, the most celebrated ébéniste of the Belle Époque, was awarded the prestigious gold medal for his display, which critics described as “the biggest event in the history of furnishing art in the year 1900.” Designed in collaboration with the sculptor Léon Messagé, the clock exemplifies Linke’s ambition to elevate furniture and timepieces to the realm of fine art. The clock represents over a decade of design and craftsmanship. Only six examples of this model were ever completed due to the extraordinary labor and cost involved. Building just one had a production cost of 22,966 francs, the equivalent of approximately eight years' wages for the average French worker in 1900. The clock is illustrated on the spine of Christopher Payne’s definitive monograph on Linke. Mahdi Al-Tajir, one of the world’s most important collectors, later acquired the present model. Another is located at Whitehall, the Flagler Museum in Palm Beach. It was acquired by Rockefeller’s partner, Henry Flagler...

Grand ormolu and marble clock set by Raingo Frères and Salmson French, Late 19th Century Clock: Height 69cm, width 81cm, depth 23cm Candelabra: Height 80cm, width 34cm, depth 34cm This elegant clock set was created by Raingo Frères and Jean Jules Salmson (French, 1823–1902). Raingo Frères, founded in 1832, was famous for its astronomical clocks, one of which is now in the Windsor Castle collection. The set is complemented by bronzes from the renowned sculptor Salmson, a regular exhibitor at the Paris Salon. The garniture includes a central mantel clock and two matching eight-light candelabra, all expertly crafted from ormolu and white marble. The clock features a central column topped with a finely detailed sculptural group of bacchantes holding grapevine garlands, with cherubs draping them over large vases. The white enamel dial is framed by an acanthus ormolu mount and rests on a base with twin ormolu lion feet. The candelabra mirrors...

Antique French Sèvres-style ormolu mounted porcelain mantel clock French, 19th Century Height 50cm, diameter 21cm This superb 19th century porcelain clock...

Orrery Clock Zacharie Raingo Circa 1817 This exceptional orrery clock represents one of the most historically significant and mechanically sophisticated ...

19th century French, Charles X bronze, brass and sienna marble table clock from the Empire period. Signed Ravrio Bronzier, ca 1820 France.

The wood of the extended hour markers adds warmth to the wall and the easy installation with adhesive brings versatility to the whole design. Available with a central box in chromed ...

Exuberantly painted, New England tall case clock in dark umber, red, & chrome yellow decoration, with wooden works by riley whiting, Plymouth, Connecticu...

French gilt bronze clock, with Bacchus head, circa 1840.

A bright, multicolored postmodern wall clock with blue and green hands designed by Nathalie du Pasquier and George Sowden for Neos of Lorenz in the late 1980s. Co-founders of the Mem...

ClockClock 24 is both a kinetic sculpture and a functioning wall clock. It has been a signature piece of Humans since 1982 since it was first launched in 2016. The individual clock h...

French bronze chinoiserie clock, circa 1880.

ClockClock 24 is both a kinetic sculpture and a functioning wall clock. It has been a signature piece of Humans since 1982 since it was first launched in 2016. The individual clock h...

Vacheron Constantin Ref. 92115, an extremely fine and unique 18K pink gold pocket watch Swiss-made, October 2001, Height 9cm, width 6.5cm, depth 1.5cm Open: height 9cm, width 13cm, d...

A superb nineteenth century eight day grande sonnerie carriage clock of typical size, c. 1870. The gilt-brass gorge case has glass panel...

A fine William and Mary eight-day spring-driven table clock signed on the backplate, Isaac Lowndes Pallmall Court, c.1695. The elegantly proportioned ebony-veneered oak domed top c...

Antique French Louis XV Boulle Marquetry Ormolu Wall Clock Barometer French, Mid-18th Century Height 133cm, width 34cm, depth 16cm Dating from the mid-18th century, this remarkab...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

An original George Nelson Studio steering wheel clock Original surface, hour markers and second hand Howard Miller Decal present,see detail phot...

Large Baroque style Austrian ormolu mounted musical clock Austrian, early 19th Century Total height: 211cm Clock: Height 135cm, width 86cm, depth 52 Stand: Height 76cm, width 81c...

Mantel clock in patinated and gilt bronze, with red and black marble, in the Egyptian Revival style of the 19th century. The composition features a standing female Egyptian figure h...

A Large and Exceptional Napoleon III Period Gilt-Bronze and Sèvres Style Porcelain Three-Piece Clock Garniture. By Denière, Paris. Comprising a mantle clock and pair of eight-light...

An elegant tall-case Gustavian clock having an imposing bonnet with an three-finial arched cornice on a sinuous bombe body with shaped door and narrow waist over a curved plinth, all...

This truly stunning French mantel clock was crafted during the Empire period, and reflects the Neoclassical interests of the Emperor Napoleon I, whose influence over the decorative arts contributed toward a profound revival of beauties of the ancient empires. The mantel clock is crafted entirely in gilt bronze, and features a stepped base on four block feet. The base depicts a Classical relief panel to the front, showing female dancing figures and putti, as well as musical instruments. Surmounting the base is an arch featuring a central mask fountain and basin...

In Renaissance style.

Unique and magnificent jewel encrusted automaton watch by Audemars Piguet Swiss, 2002 Measures: Height 8.5cm, width 6cm, depth 2cm This spectacula...

This large, gilt bronze wall clock is a magnificent and highly unusual piece. At the centre of the design is a circular enamel dial, with Arabic...

Exceptional Louis XVI style gilt bronze and malachite grandfather clock French, late 19th century Measures: Height 250cm, width 54cm, depth 33cm This superb longcase clock is a wonderful example of the Belle Époque impetus to draw inspiration from the styles of the past. The clock, crafted during the late nineteenth century—though the malachite finish is later—is inspired by a famous eighteenth-century original. The clock is of traditional form, which a cubic clock case inset with an enamel dial and a gilt bronze bezel cast with signs of the zodiac. The central section of the clock includes a window, which reveals the pendulum inside, while the lower section is in the form of a plinth. The malachite veneer is wonderfully varied, with lighter and darker shades of the stone utilised to add visual interest. The clock is surmounted by a sculpture in gilt bronze of Apollo in his chariot, pulled by a quadriga of horses. The dial is signed for Rosel Bruxelles...

Late 19th century ormolu and white marble mantel clock by Linke French, Late 19th Century Height 56cm, width 39cm, depth 25cm This impressive mantel clock commands attention with i...

This minute repeater carriage clock by the esteemed Cartier is a masterpiece of luxury and craftsmanship created circa 1900. Finished in gold, diamon...

Parmigiani Fleurier, 'Nubia' - an extremely fine and unique 18K pink gold pocket watch Swiss, Early 21st Century Measures: Height 9cm, width 6.5cm, depth 1.5cm Open: height 9.5cm,...

Among the fashionable and avant-garde watches offered by the Nomon brand, is the Swing G Wall Clock. It has an innovative design using dark tones of walnut and Gold needles. It is part of the Gold N collection that stands out for showing the elegance of home, while maintaining simplicity at all times. The combination of simplicity and elegance will go hand in hand with the decorative style of your home, establishment or office. The use of wooden floors, furniture or dark sofas, or the decorative piece of your choice, will be enhanced in beauty and character. You should take into account the neutral color palette for the walls and thus know where to place it. The Swing G Watch by Nomon stands out for being one of those watches with wooden pendulum variations in its lower part. American walnut wood is the star and main material of this work of are, in addition to its polished brass needles...

A Fine Napoléon III Gilt-Bronze Three Piece Clock Garniture Comprising a mantel clock and a pair of seven-light figural candelabra. Designed as a celebration of music and lyric poe...

A Louis XVI Style Gilt-Bronze and Jasperware Mounted Cartel Clock and Companion Barometer, After the Model Attributed to Pierre Gouthière. The clock and barometer each surmounted by...

Gilbert Rohde Clock Model #4706 Chrome Plated Aluminum and Glass Manufactured by Herman Miller Clock Co. An Iconic example of Art Deco Design

A Very Fine Gilt-Bronze Clock With A White Marble Base by François Linke. The case signed 'Linke'. This rare example of a clock by François Linke has a twin train eight-day mov...

A ‘Black Forest’ linden wood long case clock by Spring of Interlaken, the square silvered dial enclosed behind a glazed door within an ornate case, surmounted by a carving of William...

This colorful pedestal clock has been crafted from fine red marble and green onyx, and beautifully decorated with gilt bronze (ormolu) and champlevé enamel. While a popular crafts material in ancient times, onyx was largely forgotten about until its rediscovery in the mid-19th century in Algeria by a French marble-worker called Delmonte. Onyx became highly fashionable in France following this discovery, and it was used to create a variety of decorative art objects. The clock features a green onyx cube-shaped case, which is surmounted by a slightly projecting red marble top. This top is fringed with champlevé enamel drapery-like motifs, with gilt bronze drop-finials. The case is mounted on its front with a circular dial, which features a central floral champlevé enamel motif, encircled by black Arabic Numerals. This dial is set within a gilt bronze egg-and-dart and champlevé enamel bezel. The sides of the case are mounted with circular gilt bronze barometers...

Tall case Amsterdam clock. Signed Pieter Verlaer, Dutch, circa 1840-1860. walnut and burled walnut. Clock has an amazing dial with three ships that mov...