Recognized Dealers Desks and Writing Tables

Le Corbusier table or desk, 1931-1932 Grey enameled metal and wood. All original. Provenance: Pavillon Suisse, Cite Universitaire, Paris.

French Louis XV style (19th Century) ornate kingwood and bronze trimmed desk with inlaid drawers and dark green leather top with gold trim. Leather top...

A Highly Unusual, Probably Unique, Satinwood Reading and Writing Table with Campaign Features, Possibly Irish, c.1800 Provenance The Grove family, Castle Grove, Donegal and by desc...

The rectangular writing table fitted with two frieze drawers and with pull-out candle slides to the sides; raised on square tapering legs ending in brass caps and casters; surmounted...

Jean-Michel Frank inspired console table in parchment by Simon Orrell Design Measures: Width 160cm Depth 58cm Height 75cm Finish: Parchment - Goat Skin ...

English Arts & Crafts (Aesthetic Movement) double pedestal table elm and burl wood desk with a canted corner top having multi-wood inlay and a green & brown leather writing surface. ...

Rare large executive desk designed by Jens Risom. Produced by Gutenberghus in Denmark.

This writing desk features two doors and a writing surface that flips up to reveal additional small compartments. The lower part of the cabinet has 2 drawers on the right side and a ...

Zanotta Calamo Desk in Black Top with Steel Frame by Gabriele Rosa Varnished steel frame and top in black, white or graphite. Top and storage space in cowhide pigmentato 90. The storage space is accessed by a drop-leaf opening. Calamo is not an old-style desk with drawers overflowing with paper, but an essential element of furniture, both in function and appearance, something that could fit anywhere in the home. The collection includes a new furnishing accessory designed by young designer Gabriele Rosa: the Calamo desk-console table. With a white, black or graphite steel structure with cowhide pigmentato cover for the surface and storage space under the folding lid. Undoubtedly the writing desk still...

“Ming Desk” in color embossed textured leather with 2 drawers by Karl Springer, American 1980's. The craftsmanship and materials are superb and this is a wonderful example of Karl Springer’s work. This is a pared down version of the Chinese Style Series which preceded it. Reference: Karl Springer LTD red binder catalog published in the 1980’s, section “Coffee Tables and Bar Carts”, on page 9 there is a photo of the coffee table model of this desk with the page titled “KARL SPRINGER LTD CHINESE STYLE COFFEE TABLE...

Luca is an elegant and sculptural piece by Jacques Jarrige that functions equally well as a refined desk or a small dining table. Hand-carved and finished in lustrous lacquer, the pi...

Bronze Black Patina Julius Secretary by Eichkorn Dimensions: W 163 x D 70 x H 75 cm Materials: Cast, patinated bronze. Julius is a piece of furniture with presence – a secretary tha...

English Georgian mahogany architects table desk with a double hinged adjustable top with a fitted interior and a green felt writing surface.

Big Sur Desk by Fogia Designers: Simon Klenell & Kristoffer Sundin Width: 120 cm 47 in Depth: 72 cm 28 in Height: 75.5 cm 30 in In picture: Clear & Anthracite glass and wenge oa...

Tilework executed by Boleslaw Danikowski. Robert Guillerme placed equal emphasis on function and aesthetics, creating a look as staid as it was arresting. While his work was in ma...

Ernesto Valabrega for Vittorio Valabrega, desk, oak, Turin, Italy, 1930s This desk, designed by Ernesto Valabrega in the 1930s, reflects a departure from Art Deco influences. The re...

Franco Albini & Franca Helg. Dining table model no. TL22. Manufactured by Poggi, Italy, 1958. Mahogany. Measurements: 180.3 cm x 104.1 cm x 73 H cm. 70.98 in x 40.98 in x 28.74 in. Literature: Giuliana Gramigna, Repertorio 1950/1980, Milan, 1985, p. 123. Franco Albini, was born in 1905 and died in 1977. He spent his childhood and part of his youth in Robbiate in Brianza, where he was born. Albini, as an adolescent moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He started his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborated for three years. At the 1929 International Exhibition in Barcelona (where Gio Ponti curated the Italian pavilion and Mies van der Rohe realized that of Germany) and in Paris where, as Franca Helg recounted, he had the opportunity to visit the studio by Le Corbusier. In those three years, the works he carried out are admittedly of the twentieth century imprint. It is the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the approach to the group of editors of "Casabella". The partly ironic and partly very harsh comments of the Neapolitan critic to a series of drawings, made by Albini for the design of some office furniture, caused him a great disturbance. “I spent days of real anguish - Albini recalls - I had to answer all the questions. I also had a fever, a large and long fever. " The meted provoked Albini to openen a professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca district in San Siro in 1932 and then building the IFACP neighborhoods: Fabio Filzi (1936/38), Gabriele D'Annunzio and Ettore Ponti (1939). During this period, Albini also worked on his first villa (Pestarini), which Giuseppe Pagano, architect and critic of the time, presented as follows: “This coherence, which the superficial rhetoric of fashionable jugglers calls intransigence, and which is instead the basis of understood between the fantasy of art and the reality of the craft, in Franco Albini, it is so rooted that it transforms theory into a moral attitude ". But it is above all in the context of the exhibitions that the Milanese master experienced his compromise between that "rigor and poetic fantasy" of which Pagano speaks, coining the elements that became a recurring theme in his . The opening in 1933 of the new Triennale headquarters in Milan, in the Palazzo dell'Arte, was an important opportunity to express the strong innovative character of rationalist thinking, a gym in which to freely experiment with new materials and new solutions, but above all a "method". "Cultivated as a communication laboratory, the art of setting up was for the rationalists of the first generation what the perspective had been for the architects of humanism: the field open to a hypothesis of space that needed profound reflections before landing the concreteness of the construction site ". Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano set up the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and with the coordination of G. Pagano), for which he also designed the 'furniture. At the following Triennale of 1936, Persico dided, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini took care of the preparations of the home exhibition. The setting up of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach of Albini, as a man and as a designer: "Celebrating the beauty of mechanics was the imperative to which, for example, the surprising displays by Franco Albini who managed, in the subtle way of a refined and rarefied style, to sublimate their practical content in the metaphysics of daring still lifes: flying objects which marked in the void refined frames and metal intricacies the nodes of a fantastic cartography where industry finally became art free from purpose ". That same year Albini and Romano designed the exhibition of the Ancient Italian Goldsmithery: vertical uprights, simple linear rods, designed the space. A theme, of the "flagpole", seemed to be the center of the evolution of production and the creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian design: in the preparation of the Scipione Exhibition and contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases were hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take the V-shape; in the Olivetti shop in Paris (1956) the polished mahogany uprights support the shelves for the display of typewriters and calculators. The flagpole is found, however, also in other areas. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing the spaces. The Veliero bookcase...

'Savignyplatz' Desk by Man of Parts Signed by Sebastian Herkner Solid oak wood Dimensions: H. 75 x 197,5 x 91.5 cm Finishes available: - Black - Mist - Ivory - Nude - Whiskey ...

French Louis XVI style (1940s) ebonized gilt bronze trim desk / cartonnier with 2 drawers and a black leather gold tooled top supported on 4 tapered square legs. (stamped...

Desk in Mahogany and Brass by Josef Frank, 1950's Additional Information: Material: Mahogany and brass Style: Mid century, Scandinavian Rare desk model 590 Produced by Svenskt Tenn ...

One-of-a-kind dining table. Born in Romania in 1986, Mircea Anghel is a self-taught designer based in Portugal and the founder of Cabana Studio. From a young age, growing up in Buch...

A custom table desk crafted by Garry Knox Bennett, signed and dated 1977. Bennett used track ties from California's Central Pacific Railroad (CPRR) for the legs.

Ernest Igl for Wilhelm Werndl, 'Directors' writing desk, polyurethane, Germany, 1970/71 Ernest Hofmann, also known by his artist name 'Igl', recently gained an international audienc...

Le bureau de Paolo is a desk constituted of wide variety of boxes and drawers. These boxes have a structural function: They compose the feet of the desk to w...

Slate Grey Metal Victor Desk Natural Walnut by HARTO Dimensions: W 100 x D 60 x H 81.5 cm. Materials: MDF wood veneer, Painted metal. Weight: 19.5 kg The Victor desk is an invitation to concentration and creativity. Generous in its shapes and in the surface area it offers to sit comfortably, it is nevertheless remarkably compact. Despite its roundness, Victor does not forget rigor: a lacquered metal structure with a finely taut line, supporting two drawers with clever compartments. The Victor desk is made in Portugal. Its 100cm top is in oak veneer and its structure is in lacquered metal. The Victor desk is a creation of Pierre-François Dubois...

Antique French Louis XV style ormolu mounted marquetry desk by Maison Léger French, c. 1880 Height 80cm, width 185cm, depth 98cm This very impressive desk was crafted around 1880 by...

Swedish Biedermeier style (19/20th Century) birch and black trimmed kneehole desk with black leather top.

Attributed to Gustavo & Vito Latis, desk with a return, mahogany, maple, formica, Italy, circa 1960 Made in Italy, this writing desk with return is a testament to the design ethos p...

Desk in veneered multilayer characterized by smooth flowing lines, consisting of a curved top and a front panel that can either be veneered or covered with leather. It is equipped wi...

Zogrophos desk, slab of dark Emperador marble (brown with white veining). Polished bronze uprights, legs have self leveling glides, with combed oak sus...

A wonderful example of Italian design. This table is composed of lacquered wood, black glass top, and brass accents. It would make a wonderful desk as seen in the last photo. In very...

Anabelle d'Huart & Ricardo Bofill Desk France, 1993 Manufactured by Ricardp Bofill Veneer 180 x 80 x 76h cm 70,9 x 31,5 x 29,9h in Private Collection

Fernando Mastrangelo is a master of uniting form, material, and conception. This desk is no exception. Its pared-down, horizontal form has a single rounded corner, suggesting both th...

One-of-a-kind dining table. Born in Romania in 1986, Mircea Anghel is a self-taught designer based in Portugal and the founder of Cabana Studio. From a young age, growing up in Buch...

Fantastic Rococo 18th century writing table with single drawer with accentuated cabriole legs, origin: Sweden, circa 1760 with all original green color. The purity of the design lac...

French Art Nouveau mahogany architect's desk featuring an upper section of three small drawers with shaped brass pulls on either side of an open compartment, above a rectangular tabl...

Form and function converge in this exceptional Louis XV-style bureau plat graced with eight elegant Sèvres Porcelain plaques. Framing these delightful, hand painted floral and fowl-themed plaques is a network of exquisite gilt bronze. Supporting the leather-topped table are graceful cabriole legs, a hallmark of fine Louis XV taste, that are crowned by gilt bronze caryatids and terminate in gilt bronze mounts. What makes this desk even more stunning is the inclusion of three concealed drawers that are opened only by the spring-loaded secret release mechanisms located underneath. The first porcelain mounted furnishings appeared sometime in the mid-18th century in the shops of the foremost Parisian art dealers. These furnishings successfully, and quite beautifully, married renowned Sèvres Porcelain with fine furniture to create a new segment of the decorative arts that appealed greatly to the aristocracy, especially women. The Duchesse de Mazarin, Comtesse du Barry, Marie-Antoinette and the Grand Duchess Maria...

An exceptional Empire secretary bookcase in fine burl ash wood. Denmark or North Germany, circa 1800. The bookcase features a tiered bonnet w...

Rare desk by unknown designer. Probably produced in Sweden.

Universal Living, rectangular dining table in open-pore lacquered ash wood, marine green color, with square section legs. Designed by Aldo Cibic. A table with a strong yet not exagg...

Continental Dutch-style (18/19th Century) satinwood and inlaid trimmed drop front desk with chinoiserie decorated lacquered panels and brass gallery

Ico Parisi was born in Palermo, Italy, in 1916, but as early as 1925 with his family he moved to Como, where in 1936 he graduated as a building surveyor and served an apprenticeship ...

Austrian Biedermeier (19th Century) walnut davenport table with bronze trim on pedestal base sides connected with a stretcher.

Rare freestanding desk designed by Arne Vodder. Produced by Sibast Møbelfabrik in Denmark.

Bold and colorful, this desk will add style and character too your working day. Poul Henningsen designed this masterpiece in 1935. A harmony of striking aesthetics and practicality, PH’s design features a desktop painted in high gloss, six swing drawers, panels covered in leather, together with chromed legs. The story behind this avant-garde design is simply that Poul Henningsen wished to create an alternative to the traditional wooden desk, designed to capture the imagination of the user beyond the use of standard design and materials. The PH office desk...

Large desk raised on tapered legs with brass ball feet and three drawers with round pulls. The writing surface is outlined with a slender brass molding and topped with a gold-tinted ...

Nickel and glass vanity in the style of Boris Tabacoff with adjustable light, the two-tiered bean-shaped glass levels complement the curved shape of the frame, the mirror is backed i...

Sage Drawers Gaston Floating Writing Desk 60 cm Natural Oak by HARTO Dimensions: W 60 x D 32 x H 72 cm. Materials: MDF wood veneer, Lacquered MDF, Leather. Weight: 22.0 kg Gaston h...

Ernest 'Igl' Hofmann for Wilhelm Werndl, corner desk, model 'Jet', painted polyurethane, Germany, designed in 1970 Ernest Hofmann, also known by his artist name 'Igl', recently gai...

English Georgian style (1st half 20th Century) mahogany kneehole desk having a carved top edge and trim with 2 pedestal bases having 3 drawers under a top section with 3 drawers all ...

The materials and techniques used by mid-century French cabinetmakers were directly derived from the possibilities offered by industrial production at the time. Oak has never gone ou...

This drip-cloth shape console table is designed and made by renown artist Zhipeng Tan. Size and color is customizable upon request, lead time is 45-60 days. Since graduating with ...

Scroll down and click "view all from Seller" to see more than 400 other unique products. (1.8) The twain desk has a lacquered brushed steel frame, which gi...

Austrian Bentwood Secessionist (19/20th Century) table desk with spindle gallery & 3 drawers and brown leather top (attributed to: HOFFMAN)

Bisanzio desk by Hiroyuki Toyoda for Simon Gavina. Large black leather covered top, supported by chrome frame and solid brass connection details.      

Austrian Biedermeier (Circa 1825) walnut and inlaid trimmed davenport table desk with single drawer and stretcher with double pedestal base supports.

Lifting desk by kar Dimensions: W 120 x D 45 x H 75 cm Materials: MDF Frame Available in black. Kar, is the root of Sanskrit Karma, meaning karmic repet...

Antique French gilt bronze and mahogany bonheur du jour French, Late 19th Century Height 117cm, width 78cm, depth 54cm Made in France in the late 19th century, this elegant bonheu...

Mistral Writing Desk by Studio Bazazo Dimensions: D 65 x W 180 x H 75 cm. Materials: French oak, Alcantara, and steel. Light as a breeze with the force to shape landscapes, the “Mi...

Desk by Giorgio Preti, Italy, 1950s. Designed for then CEO of the Banco di San Geminiano e San Prospero. Wood, brass. Examples provided with original sk...