Photography on Sale

Minimalist landscape photograph of black and white waterlilies "Summer Lilies", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

This breathtaking monochromatic photograph captures a naked woman of striking grace ascending through the darkness. Her soft, elegant form rising to meet the sharp, aggressive beams ...

Only 50 printed throughout the world, unlike O'Neill's silver gelatine editions available in many different sizes. Uncrossed unlike the silver gelatine version. Notice the collar on ...

Since 1995 I have used a great deal of my time to study the lines and curves of the female body. Long before that I already had the idea that the female body contains every line, ev...

16 x 20" vintage silver gelatin photograph, multiple exposure female nude. Titled, numbered, dated, and signed by Jack Mitchell on the recto. Comes directly from the Jack Mitchell Ar...

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled Profile of Bust, originates from the 1981 folio Erwin Blumenfeld, Electa Editrice Portfolios. Published by Grup...

Zarina - Limited edition archival pigment print, 1987 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which is then printed...

Robert Mapplethorpe's (1946-1989) place in the canon was earned from his incredible output of images that ranged from beautiful to brutal. Mapplethorpe boldly showcased the beauty ...

Vintage, signed

Terry O’Neill CBE is one of the world’s most collected photographers, with work hanging in national art galleries and private collections worldwide. From presidents to pop stars, he ...

This exquisite heliogravure after Man Ray (1890–1976), titled Rayograph, originates from the 1980 folio Man Ray, Electa Editrice Portfolios. Published by Gruppo Editoriale Electra, Milano, and printed by Gruppo Editoriale Electra, Milano, 1980. This image exemplifies Man Ray’s pioneering “rayograph” technique—a cameraless photographic process in which objects were placed directly onto photosensitive paper and exposed to light, creating luminous abstract compositions that fused chance, intuition, and surrealist invention. Through this groundbreaking process, Man Ray transformed photography into pure visual poetry, redefining its potential as a form of modern art. Executed as a heliogravure on velin paper, this work measures 15.75 x 11.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Gruppo Editoriale Electra, Milano. Artwork Details: Artist: After Man Ray (1890–1976) Title: Rayograph Medium: Heliogravure on velin paper Dimensions: 15.75 x 11.75 inches (40.01 x 29.84 cm) Inscription: Unsigned and unnumbered as issued Date: 1980 Publisher: Gruppo Editoriale Electra, Milano Printer: Gruppo Editoriale Electra, Milano Condition: Well preserved, consistent with age and medium Provenance: From the folio Man Ray, Electa Editrice Portfolios, published and printed by Gruppo Editoriale Electra, Milano, 1980 Notes: Excerpted from the folio (translated from Italian), Limited edition of M examples, drawn in heliogravure on special paper, designed specifically for the Portfolios Electa. Gruppo Editoriale Electra/Milan. Printed in Italy. About the Publication: The Man Ray, Electa Editrice Portfolio (1980) was published by Gruppo Editoriale Electra in Milan as part of the distinguished Electa Portfolios series, which celebrated the masters of 20th-century photography through the artisanal process of heliogravure printing. This edition was dedicated to Man Ray’s seminal body of photographic work from 1920 to 1934—an era in which he redefined modern image-making through technical invention, surrealist experimentation, and intellectual daring. Produced in collaboration with leading photographic historians and Italian master printers, the portfolio was printed on specially manufactured velin paper designed exclusively for the Electa Portfolios, ensuring tonal precision and textural depth true to the artist’s originals. The publication represents one of the most refined posthumous tributes to Man Ray’s legacy, combining Italian craftsmanship with avant-garde vision to preserve the luminous complexity of his photographs. Created with the same devotion to innovation and elegance that characterized Man Ray’s own practice, this edition remains an important intersection of fine art publishing and modernist history. About the Artist: Man Ray (1890–1976) was an American-born painter, sculptor, photographer, filmmaker, and conceptual visionary whose radical imagination and technical innovation transformed modern art and established him as one of the leading figures of the 20th century. Born Emmanuel Radnitzky in Philadelphia, he became a central force in both the Dada and Surrealist movements, defying artistic boundaries and redefining the relationship between art, technology, and the unconscious. After early involvement in New York’s avant-garde with Francis Picabia and Marcel Duchamp, Man Ray moved to Paris in 1921, where he joined a revolutionary circle of artists including Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Marcel Duchamp. There, he pioneered the “rayograph,” or photogram—a cameraless photographic technique that used light and shadow to create ethereal abstract compositions—and produced some of the most iconic images in art history, including Le Violon d’Ingres (1924) and Noire et Blanche (1926). His photography, distinguished by its fusion of elegance, surrealism, and psychological depth, captured the essence of modernist Paris and immortalized creative icons such as Kiki de Montparnasse, Gertrude Stein, and James Joyce. At the same time, Man Ray’s experimental films, including Le Retour a la Raison (1923) and L’Etoile de mer (1928), and his sculptural works like The Gift (1921) and Object to Be Destroyed (1923), expanded the possibilities of art itself, transforming ordinary objects into symbols of mystery and desire. His conceptual approach—viewing art as an idea rather than an object—anticipated later movements such as Pop Art, Minimalism, and Conceptual Art, profoundly influencing artists like Andy Warhol, Robert Rauschenberg, Jasper Johns, and Joseph Beuys, as well as photographers Helmut Newton, Guy Bourdin, Cindy Sherman, and Richard Avedon. Even in exile during World War II, while working in Los Angeles, he continued to innovate, blending Surrealist fantasy with the luminosity of the California landscape before returning to Paris, where he spent his final decades refining his poetic, intellectual, and sensuous vision. Exhibited in major institutions such as the Museum of Modern Art, the Tate Modern, and the Centre Pompidou, Man Ray’s work remains foundational to modern art history—bridging painting, photography, film, and sculpture in a body of work that continues to shape the language of visual culture. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Marcel Duchamp, Man Ray endures as one of the most original and influential artists of the modern era. His highest auction record was achieved by Noire et Blanche (1926), which sold for 3.13 million USD at Christie’s, Paris, on November 9, 2017, confirming his status as a timeless innovator whose genius continues to inspire artists, collectors, and dreamers worldwide. Man Ray Rayograph...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

With a camera in hand and a heart attuned to the rhythms of the natural world, Cara Esten Hurtle emerges as a visionary artist whose work transcends conventional boundaries. Hurtle's journey into photography began as a means of personal exploration, a way to connect with the beauty and wonder that surrounds us. Drawing inspiration from the landscapes of her native Canada and the diverse cultures she has encountered in her travels, she weaves together a tapestry of images that speak to the soul. As a self-taught photographer, Hurtle's approach is deeply intuitive, guided by a profound reverence for the natural world and a desire to capture its essence in all its complexity. Whether she is exploring the rugged coastlines of...

An underwater photograph of a naked young women with long blonde hair diving in a pool. The realistic photograph is taken with red background. Original gallery quality archival pigm...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Self-Portrait, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Ed...

Signed image from Hido's series A Road Divided Todd Hido is a San Francisco Bay Area-based artist whose work has been featured in Artforum, The New York Times Magazine, Eyemazing, W...

This rare photograph #25, taken during The Central Park Gates Project in 2005 by Christo and Jeanne-Claude, was never released to the public as the couple were not satisfied with the image. Every initial photograph, numbered #25 to #30, had to be retaken by their primary photographer, Wolfgang Volz. This copy is from the unpublished edition, making it a unique and highly collectible piece. The project, which consisted of 7,503 gates along 23 miles of pathways, transformed the park into a vibrant, immersive art...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Equivalent, Series 107, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by ...

This reproduction was produced by Paris La Cite and printed in France by Imprimerie & Éditions Braune. It was published by Galerie Maurice Garnier, Paris, in 1961. As a historical do...

Limited Edition of 5 More sizes and Editions on request. Primo was one of the "Big Tuskers" and oldest bulls in the Amboseli National Park i...

This silver gelatin print is signed and dated in pencil on the front of the mount, and again on the back of the mount. Printed in 1961 for inclusion in "Fifteen Photographs" (edition...

This gray and white Japanese-inspired monotype was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along the California coast. Their impossibly long stems ...

Mist - Nude, Topless woman in a mist of water This is a signed 29,53 x 19,68'' archival pigment black and white print, Edition of 5 Ian Sanderson's signature and stamp are in the ...

16 x 20" vintage silver gelatin photograph, multiple exposure male nude. Titled, numbered, dated, and signed by Jack Mitchell on the recto. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. Jack Mitchell's artist’s statement on this project: For five decades in New York City I photographed established and emerging creative and performing artists for major publications. The Numbered Nudes photographs are a development, and expansion, of my dance photography...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Rose with Smoke, from the folio A Season in Hell, originates from the 1986 edition published by The Limited ...

This 1986 black and white photograph was shot by British celebrity and fashion photographer, John Stoddart, captures Oscar-winning actress Tilda Swinton,...

Underwater photograph of a young woman in red dress dancing underwater in a pool. A very bright photograph with plenty of sun and positivity. The model was an amazing Russian dancer...

Artist: Paul Saltzman (1943) Title: John Lennon, Paul McCartney, George Harrison and Ringo Starr, Rishikesh India (Beatles), suite of four Year: 1966 Medium: Chromogenic prints on photographic paper Edition: 1/50, 3/50, 3/50, 3/50; editions of 50 Size: 24.75 x 24.75 inches, each Inscription: each signed, titled, and numbered by the photographer Notes: Photographed by Paul Saltzman, Rishikesh, 1966; printed by Paul Saltzman, Toronto. Captured when the photographer was twenty-three years old, and studying meditation under the Maharishi Mahesh Yogi, these images were created at the time when the Beatles, Donovan and others were also pursuing their studies in meditation there. These photographs are rare and may never have been fully editioned. PAUL SALTZMAN (1943) is a Canadian film and television producer, photographer, and director. A two-time Emmy Award-recipient, he has been credited on more than 300 films, both dramas and documentaries. In 1968, at the age of 23, he traveled to India for the first time as sound engineer on the National Film Board of Canada's Juggernaut documentary. He studied meditation to recover after his girlfriend had broken up with him, by mail. He learned meditation at the Maharishi Mahesh Yogi's ashram in the holy city of Rishikesh, India, The Beatles were coincidentally also visiting the ashram. He saw them sitting at a table and asked to join them. Paul McCartney drew up a chair. While there, he spent time with and photographed the Beatles, Donovan, Mia and Prudence Farrow and Mike Love. His photos have been judged "some of the best intimate shots" ever taken of John Lennon, Paul McCartney, George Harrison and Ringo Starr, and have been seen in galleries worldwide. A permanent exhibition of his The Beatles in India photographs...

"Andy" is a photomosaic artwork by Destro. Destro has created large prints which are made up of many hundreds of smaller images. Archival photographic paper Unsigned Framing optio...

BETTIE PAGE – THE TELEPHONE CALL, SIGNED PHOTOGRAPH FROM THE COLLECTION OF HUGH HEFNER ⚜ Black and White Photograph by Bunny Yeager ⚜ Hand Sig...

Stretch - Signed limited edition archival pigment print - Edition of 10 This image was captured on film in 1982. Unframed From the same photoshoot, the so-called 'Zip' print by...

This is a contemporary photograph of an African Lion shot by Shane Russeck Thsi is a color uncropped version of Panthera Lea. 1stDibs Exclusive Unsigned Edition Printed on Archival...

Rebecca Skinner’s “Reflection” is part of her "On and Off the Trail" series documenting the beautiful landscapes of New England. The 18 x 12 inch color photo with glossy finish is in...

The pale gray-green of this monotype calls to mind the celadon glaze of Japanese pottery. Each was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along th...

Black and White, 1965 NYC a part of book which Kallay prepared for a German publisher.

This loose albumen silver print is signed and numbered in the negative. Printed c. 1880s.

Artist: Marilyn Minter (1948-) Title: ​Prism Year: 2009 Medium: ​C-Print Edition: 9/27, 18 proofs Size: 20 x 15.88 inches Condition: Excellent Inscription: Signed, titled, dated, and...

Flamenco dancers use facial expressions, hand movements and gestures to convey emotions. Their dress is dramatic and enhances these movements often with the sweep and swirl of the flamenco shawl...

Lee Friedlander (b.1934). Galveston, 1975. Gelatin silver print, 8 1/8 x 12 1/8 inches (image); 11 x 14 inches (sheet). Measures 16.5 x 20 inches framed. Excellent condition with no ...

Untitled (Nr. 7117) Photography 36" x 44" Edition 1/12 by Ben Cope Signed and numbered by the artist. Comes with COA issued by the artist. Unframed - ships rolled in a tube Ben Co...

A black and white photograph of a perfect woman's buttocks and her handcuffed hands giving a finger. Original digital print on aluminum plate signed by the artist. Limited edition o...

Underwater nude photograph of a young woman on red background. Original gallery quality archival pigment print on archival paper signed by the artist, furnished with certificate of ...

Grizzly Bear Portrait An rare look into the eyse of an apex predator 36x48 Edition of 12. Signed by Shane. Printed on archival paper and using archival inks Framing available. In...

R2D2 from the original Kenner release of the Star Wars toys in May of 1977 This is pre release is the first release in the much anticipated series "The Toys" These iconic figures hav...

Rebecca Skinner’s “Burned Out” is a 20 x 30 inch black and white image of an abandoned theater with decayed, empty seats and a deteriorating ceiling, symbolizing forgotten history an...

Hand printed silver gelatin photograph by the artist. From film photography. Available in other sizes.

Heather Hollis Thunder Rolls (Storm, Lightning, Strike, Seascape) Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2021 Size: 12 x 12 inches (30.48 x 30.48) Edition: 15 Sign...

"Six" Black & White Photography 39" x 39" inch Edition 2/3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the arti...

I was visiting Newfoundland when I spotted this opportunity for a wonderful picture, spanning two worlds. My wife and I had gone on a 2-hour hike with my sister ending in a beautiful...

The moody scene of a shady bend in a forest path was captured at dawn on a winter's day. The sky is beginning to brighten. The tall narrow format accentuates the height of the tower...

16 x 20" vintage silver gelatin photograph, multiple exposure female nude. Titled, numbered, dated, and signed by Jack Mitchell on the recto. Comes directly from the Jack Mitchell Ar...

THE LAST SITTING - MARILYN LAUGHING IN BLACK DIOR DRESS, 1962 Date of creation: 2011 Medium: Iris pigment print Edition: 72 Size: 48 x 33 cm Condition: In perfect condition, never f...

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled Nude Behind a Wet Veil, originates from the 1981 folio Erwin Blumenfeld, Electa Editrice Portfolios. Published ...

Resting against the gentle gradient of sand, a naked figure finds repose where water transforms gravity and perception. The slope becomes both support and metaphor—a study in balance...

The 1998 Pirelli Calendar was photographed in Miami by Bruce Weber. Shalom Harlow was among the many iconic models photographed. “Bruce Weber is a photographer and filmmaker best kn...

This exquisite heliogravure after Man Ray (1890–1976), titled Rayograph, originates from the 1980 folio Man Ray, Electa Editrice Portfolios. Published by Gruppo Editoriale Electra, Milano, and printed by Gruppo Editoriale Electra, Milano, 1980. This image exemplifies Man Ray’s pioneering “rayograph” technique—a cameraless photographic process in which objects were placed directly onto photosensitive paper and exposed to light, creating luminous abstract compositions that fused chance, intuition, and surrealist invention. Through this groundbreaking process, Man Ray transformed photography into pure visual poetry, redefining its potential as a form of modern art. Executed as a heliogravure on velin paper, this work measures 15.75 x 11.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Gruppo Editoriale Electra, Milano. Artwork Details: Artist: After Man Ray (1890–1976) Title: Rayograph Medium: Heliogravure on velin paper Dimensions: 15.75 x 11.75 inches (40.01 x 29.84 cm) Inscription: Unsigned and unnumbered as issued Date: 1980 Publisher: Gruppo Editoriale Electra, Milano Printer: Gruppo Editoriale Electra, Milano Condition: Well preserved, consistent with age and medium Provenance: From the folio Man Ray, Electa Editrice Portfolios, published and printed by Gruppo Editoriale Electra, Milano, 1980 Notes: Excerpted from the folio (translated from Italian), Limited edition of M examples, drawn in heliogravure on special paper, designed specifically for the Portfolios Electa. Gruppo Editoriale Electra/Milan. Printed in Italy. About the Publication: The Man Ray, Electa Editrice Portfolio (1980) was published by Gruppo Editoriale Electra in Milan as part of the distinguished Electa Portfolios series, which celebrated the masters of 20th-century photography through the artisanal process of heliogravure printing. This edition was dedicated to Man Ray’s seminal body of photographic work from 1920 to 1934—an era in which he redefined modern image-making through technical invention, surrealist experimentation, and intellectual daring. Produced in collaboration with leading photographic historians and Italian master printers, the portfolio was printed on specially manufactured velin paper designed exclusively for the Electa Portfolios, ensuring tonal precision and textural depth true to the artist’s originals. The publication represents one of the most refined posthumous tributes to Man Ray’s legacy, combining Italian craftsmanship with avant-garde vision to preserve the luminous complexity of his photographs. Created with the same devotion to innovation and elegance that characterized Man Ray’s own practice, this edition remains an important intersection of fine art publishing and modernist history. About the Artist: Man Ray (1890–1976) was an American-born painter, sculptor, photographer, filmmaker, and conceptual visionary whose radical imagination and technical innovation transformed modern art and established him as one of the leading figures of the 20th century. Born Emmanuel Radnitzky in Philadelphia, he became a central force in both the Dada and Surrealist movements, defying artistic boundaries and redefining the relationship between art, technology, and the unconscious. After early involvement in New York’s avant-garde with Francis Picabia and Marcel Duchamp, Man Ray moved to Paris in 1921, where he joined a revolutionary circle of artists including Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Marcel Duchamp. There, he pioneered the “rayograph,” or photogram—a cameraless photographic technique that used light and shadow to create ethereal abstract compositions—and produced some of the most iconic images in art history, including Le Violon d’Ingres (1924) and Noire et Blanche (1926). His photography, distinguished by its fusion of elegance, surrealism, and psychological depth, captured the essence of modernist Paris and immortalized creative icons such as Kiki de Montparnasse, Gertrude Stein, and James Joyce. At the same time, Man Ray’s experimental films, including Le Retour a la Raison (1923) and L’Etoile de mer (1928), and his sculptural works like The Gift (1921) and Object to Be Destroyed (1923), expanded the possibilities of art itself, transforming ordinary objects into symbols of mystery and desire. His conceptual approach—viewing art as an idea rather than an object—anticipated later movements such as Pop Art, Minimalism, and Conceptual Art, profoundly influencing artists like Andy Warhol, Robert Rauschenberg, Jasper Johns, and Joseph Beuys, as well as photographers Helmut Newton, Guy Bourdin, Cindy Sherman, and Richard Avedon. Even in exile during World War II, while working in Los Angeles, he continued to innovate, blending Surrealist fantasy with the luminosity of the California landscape before returning to Paris, where he spent his final decades refining his poetic, intellectual, and sensuous vision. Exhibited in major institutions such as the Museum of Modern Art, the Tate Modern, and the Centre Pompidou, Man Ray’s work remains foundational to modern art history—bridging painting, photography, film, and sculpture in a body of work that continues to shape the language of visual culture. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Marcel Duchamp, Man Ray endures as one of the most original and influential artists of the modern era. His highest auction record was achieved by Noire et Blanche (1926), which sold for 3.13 million USD at Christie’s, Paris, on November 9, 2017, confirming his status as a timeless innovator whose genius continues to inspire artists, collectors, and dreamers worldwide. Man Ray Rayograph...

Minimalist landscape photograph of black and white lilies on water "Dusk Lilies", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds and nearby trees are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1800. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

13.5 x 10.5 inch gelatin silver print, printed circa 1980 Framed to 26.5 x 22.5 inches Signed on verso Berenice Abbott's "New York at Night" is one ...

Published by Aperture in 1992, this portfolio includes three gelatin-silver prints and a cover page all in a cloth-covered clamshell case. Each of the 3 prints are hand signed, dated, titled and numbered on verso. The prints are 1. Christina, Misty Dawn...

This is a contemporary black and white photograph of North American Wild Horses Photography by Shane Russeck Printed on archival luster paper Edition of 12 Signed and numbered Fram...