Art

In this neoclassical oil on canvas signed and dated “Otto Bache 1864”, the artist depicts Psyche standing with her back turned to the viewer beside a red draped table. Her hair is arranged in a tight knot, secured with a hairpin adorned with two large pearls. She holds a light drapery that covers her legs, while the rest of her body remains nude. With her head turned toward the right, she gazes downward toward the table, where a blue gown or drapery lies, the garment she is about to put on. Her softly illuminated profile emerges as she turns in the light falling from the upper left, creating a striking backlight that heightens the contrast along the contours of her body. On the richly red draped table before her rest her jewellery and, to her left, a large amphora-shaped jug and a tazza bowl. The light descending from above to the left defines the composition with sharp contrasts between brightness and shadow, revealing the delicate modelling of Psyche’s form and lending the scene a quiet sense of introspection and grace. Exhibited: Winkel & Magnussen October 1915 no. 5, ill. p. 5. Otto Bache was born in 1839 in Roskilde, Denmark, and died in 1927 in Copenhagen. At the age of only eleven he was admitted to the Royal Danish Academy of Fine Arts in Copenhagen where he studied drawing and painting under the supervision of artists such as Wilhelm Marstrand. His early training gave him a basis in the Danish “Golden Age” tradition of realism and naturalism, but he went on to travel and extend his horizons. In 1866 he received an Academy travel-scholarship and went to Paris, then Italy (1867–68). The influence of Paris is often noted: his palette became richer, his handling freer, his light stronger, and his subjects broader. Later in his career, from around 1887, he held the post as professor and on various occasions director of the Royal Danish Academy. Bache’s early work reflects his rigorous academic training: careful drawing, subdued palette and interest in genre scenes and rural life. After his travel in Paris and Italy he adopted a somewhat more robust handling of color and light, but still remained essentially realist and narrative in approach. He painted portraits, animal and hunting subjects, genre scenes, and large history-paintings depicting key moments from Danish history. In particular, during the 1880s and 1890s when he was commissioned to execute large history canvases for the Museum of National History at Frederiksborg Castle and similar institutions, depicting events such as the exploits of Danish soldiers...

PORFID-4 is a unique acrylic on canvas painting by contemporary artist Ramon Enrich, dimensions are 50.5 x 40 cm (19.9 × 15.7 in). The artwork is signed, sold unframed and comes wit...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

Never ending Reading In this luminous and poetic work, a suspended moment of everyday life, infused with both serenity and the quiet solitude of modern existence. Two women, seated...

Wild Things (Till Death do us Part) - 2005 50x50cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory #...

Robert Longo, Untitled (Eric, from Men in the Cities), 2025 11 colour silkscreen on 410gsm Somerset Tub Sized Satin Radiant White paper with matte varnish seal Hand-signed and num...

The Vanguard Series Nr. V: A Collection of Postwar European Abstractions", oil on board, by JG (circa 1950s–70s). A compelling body of work emerging from the forgotten studios and at...

PACKAGING: 30x40" and 40x60" prints are shipped in a special fortified tube to guard against bending or damage. Framed 30x40" prints are shipped via FedEx in a bespoke cardboard box ...

This exquisite lithograph after Edgar Degas (1834–1917), titled Danseur debout de profil (Dancer Standing in Profile), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Studio Publications, Inc., New York, rendered and printed by Albert Carman, City Island, 1945, this work reflects Degas’s sensitive mastery of line, movement, and intimate observation, capturing the grace, poise, and psychological immediacy that define his iconic ballet imagery. In Danseur debout de profil (Dancer Standing in Profile), Degas reveals gesture and inner emotion through economical contour and lyrical nuance. Executed as a lithograph and pochoir on velin paper, this work measures 17 x 13 inches (43.18 x 33.02 cm). Signed in the plate and unnumbered as issued. Rendered and printed by Albert Carman, City Island, one of the notable American ateliers specializing in fine art lithography during the mid-20th century. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Danseur debout de profil (Dancer Standing in Profile), from Degas, Ten Ballet Sketches, 1945 Medium: Lithograph and pochoir on velin paper Dimensions: 17 x 13 inches (43.18 x 33.02 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1945 Publisher: The Studio Publications, Inc., New York Printer: Albert Carman, City Island, 1945 Condition: Well preserved, consistent with age and medium Provenance: From the 1945 folio Degas, Ten Ballet Sketches, published by The Studio Publications, Inc., New York Notes: Excerpted from the album, Born in Paris in 1834, Edgar Degas lived, and surely loved the life of that city during most of his years. These continued somewhat sadly beyond those of most of his friends— into the debacle of the first World War, during which he died in 1917. Judging by the frequency with which he used them as models, he must have had an especial admiration for the ballet girls who followed a profession that at the time brought none of the glory and prosperity which attend it today. New aspects of the human body, revealed in movement, fascinated him. But his occupation with the simply anatomical side of his subjects never resulted in a cold interpretation. On the contrary there is a warmth and sympathy that pervades all of his work. The drawings here represent the painter in one important phase of his multi-sensitive view of life; and permit an insight which a more ambitious work might not do-into the operation of the creative process, the artist's transformation of reality as it passes through the mesh of his sensibilities. The Edition of this Portfolio is limited to MMMD examples. Rendered by Albert Carman. About the Publication: Degas, Ten Ballet Sketches, published in 1945 by The Studio Publications, Inc., New York, stands as one of the most elegant and scholarly mid-century American fine art folios devoted to the ballet imagery of Edgar Degas. Conceived as a high-quality interpretive portfolio, the album presents a series of lithograph-and-pochoir renderings based on Degas’s original drawings, executed with exceptional attention to tonal subtlety, contour fidelity, and the emotional interiority that defines the artist’s draftsmanship. Rendered and printed by Albert Carman on City Island, the publication embodies an American postwar effort to restore and celebrate European masterworks through meticulous handcraft and artisanal color application, honoring Degas’s distinctive line and the atmospheric delicacy of his studio-based studies. Produced in a substantial edition of MMMD examples, the portfolio offered audiences rare access to Degas’s private working drawings—images rarely seen outside institutional collections—while exemplifying the technical refinement and interpretive care characteristic of Carman’s workshop. Today, Degas, Ten Ballet Sketches remains a sought-after historical publication, valued for its craft, fidelity to Degas’s aesthetic, and its role in preserving and disseminating the artist’s intimate ballet imagery in a beautifully executed mid-century fine art format. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries; renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation—employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture, and although associated with Impressionism, he rejected plein-air spontaneity in favor of studio-based discipline rooted in the linear precision of Jean-Auguste-Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet while also drawing inspiration from Japanese ukiyo-e prints, classical sculpture, and early photography; his independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, dream logic, abstraction, and conceptualism all find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure, and his pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse, Francis Bacon, Lucian Freud, and Giacomo Manzu to Paula Rego, contemporary realists, experimental photographers, and choreographers; his works are held in nearly every major museum collection worldwide—including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London—affirming his central place in the history of art, and the highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, cementing his status as one of the most sought-after and enduringly significant artists of the Western canon. Edgar Degas lithograph...

"Brando" is a photomosaic artwork by Destro. Exhibition Poster from series "The ICONS" The first release in a series mosaic works called "Icons". Destro has created large prints w...

In this piece, I captured the quiet, tender moments before the performance, where anticipation and grace blend beautifully. Using oil, I brought warmth and life to the dancers’ delic...

Layer No.14 is an abstract painting by contemporary German artist Doris Marten. It is made with Indian ink on Alu-Dibond and measures 45 × 45 cm (17.7 × 17.7 in). The Layers series ...

Author: Joan Gil i Gil (Barcelona, 1900 – 1984) Title: Autumn Morning Date: 1934 Technique: Oil on canvas Dimensions: 81 × 100 cm (31.9 × 39.4 in) Signature: Signed lower left: Joan ...

Feline VI is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 29 × 83 × 15 cm (11.4 × 32.7 × 5.9 in). The sculpture is signed and numbered, it is part ...

British sculptor Anthony Theakston (1965), who draws his inspiration from the shape and movement of birds, simplifies the birds and omits more and more details until only the essence...

Raoul Millais (1901–1999) Fox Hunters with Hounds in a Landscape, circa 1931 Oil on canvas Signed lower right: Raoul Millais and dated 1931 Presented in an ornate period gilt frame DESCRIPTION (Dibs-style long format) A fine early 20th-century sporting composition by Raoul Millais, painted in 1931 and depicting the timeless ritual of the English fox hunt...

Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper Year: 2025 Style: Classic Art Title: Magpie Size: 9 x 12 inch, (23x3...

This piece, titled "Wanderer 10" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through" is made of collage, charcoal, pastel, acrylic, and gra...

French contemporary painter Sophie Dumont continues her exploration of stylized libraries — architectures of memory rendered in tactile layers of oil. In Book Embrace, the artist bui...

"""Tranquility"" Black and white profile image of a beautiful horse swimming in clear water Profile image of a dark horse swimming in crystal clear water taken, captured underwate...

Edition of 20 pieces

Still Life of Game with Dogs and Spaniels in a Landscape Setting Carstian Luyckx (Flemish, 1623 – c.1675) Oil on canvas Circa 1670 Unsigned 43 ½ x 59 1/8 in.; Frame 52 7/8 x 68 7/8...

This vintage oil on canvas, signed M. cDowell in the lower right, depicts a dynamic English fox hunting scene. At the center, a huntsman in a traditional red coat rides his galloping...

Head Portrait of a Spaniel English School, mid 20th century signed oil on board, framed framed: 3 x 3.5 inches board: 2 x 2.5 inches Provenance: private collection Condition: sound a...

Artist: Vahe Yeremyan Title: Montecito View Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 34" x 34" x 1" inch (87 x 87 x 3cm) Presentation: Unframed, Gallery Wrap...

"The Vanguard Series Nr. II: A Collection of Postwar European Abstractions", oil on board, by JG (circa 1950s–70s). A compelling body of work emerging from the forgotten studios and ...

Truth never dies …Like a seed buried deep, it will sprout again Through fire and darkness, her eyes do not look away. Lies can burn, time can hide, but truth lives on, waiting to be...

The Monkey  is a Contemporary artwork realized in the 1972  by the italian artist  Leo Guida. Etching on paper. Mint conditions.  Artist proof. Hand-signed n pencil.

The reproduction of Zikkurat by Joe Tilson from 2014 reflects the artist's engagement with themes of architecture, culture, and symbolism. The term "zikkurat" refers to ancient Mesop...

Dogs Playing in Landscape English School, late 18th century, unsigned circle of Thomas Gainsborough (English 1727-1788) oil on canvas, framed framed: 18 x 22 inches canvas : 12 x 16 ...

This dreamer appears to come from a world of her own invention: the hat, the closed eyes, the calm poise, the earring as a quiet emblem of play. She constructs herself outside of imp...

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spr...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

This Artist's Proof is 90% hand-painted with original oil and gesso by artist Shizico Yi on Giclee made on canvas from her original oil painting. Each Proof is unique and hand paint...

Portrait of the Lady with a Fan English School, second half 20th century after Diego Velazquez's (1599-1660) original painting oil painting on canvas, unframed canvas : 36 x 28 inche...

Clarence Holbrook Carter (American, 1904-2000) Woman with FUCHSIA, 1935 Oil on canvas Signed and dated lower right 31.75 x 27 inches 37 x 32.25 inches, framed Untitled Still Life ver...

Italian School, Late 17th Century (circa 1670–1700) Christ in the Garden of Gethsemane Oil on panel, in a carved and gilded Baroque frame A moving devotional painting from the late ...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XX Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In v...

Author: Rodolfo Ramírez Cardo (Havana, Cuba) Title: Version of “Tigress” by Karl Bang Year: 2000 Technique: Acrylic and oil on canvas Dimensions: 64 x 85 cm (25.2 x 33.5 in) (unframe...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the...

A beautiful oil on canvas painting by the French artist, Te Pencke. Pencke was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is...

Title: Le Pontreau French Coastal Landscape Watercolour Seaside Scene by Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card, unframed Size (H x W): 8.25 x ...

Couple at Party - Black and White Romantic Couple Silver Gelatin Photograph A couple relaxes and laughs on a spacious sofa on the terrace of a villa. The party is still in full swin...

Brown earth tone contemporary figurative painting of 3 femail figures by Moroccan artist Said Housbane. Acrylic on canvas. Size: 56 x 60 inches. Offered unframed & unstretched. Ships...

Aerial Views, Tulip Fields 01 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 4 di...

French, mid century oil on board Fauvist landscape by Jean Perret. The painting is signed bottom right. This vivid landscape painting captures the essence...

Robin Hextrum's "Lord of the Wild Things" is an original oil painting on stretched canvas. Artist Statement: This painting is part of my "Magical Realism" series. This painting is b...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Medium: original lithograph. Catalogue reference: M 233. Printed in 1956 at the Mourlot atelier and published in Paris by Maeght for the Jacques Prévert catalogue. Sheet size: 9 x 14...

This contemporary, purple-colored, glass wall sculpture was created by Cheryl Wilson Smith. Each work is individually hand-formed in glass, so slight variations in colour, shape, an...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

“The Beginning” Oil on linen, multilayer technique This work captures the moment when form is born out of silence. Translucent layers of oil, laid one upon another like breaths of t...

“God Answers”(God answers) is a profound and thought-provoking artwork that explores the universal human quest for connection, guidance, and meaning. This powerful title captures the...

The dog’s gaze meets a bouquet of pink flowers — not to possess, but to witness. There’s no tension here, only quiet coexistence. Daria captures the delicate balance of softness and ...

Times Square in the Winter 12 x 9 approximately 16 x 12 signed LR An oil painting on panel by artist Johann Berthelsen that showcases a view of Times Square in the Winter in New Yor...

The Red Mill oil/canvas 25 x 30 image Provenance: Grand Central Art Galleries NY, The Goldfield Collection Los Angeles, CA, John Moran lot 55 Sale 186 California & American Fine Art ...

From the City Stories series, Green Table with Red Flowers portrays a quiet café scene where everyday life turns into poetry. At the center, a couple sits by a round green table ador...