Art by Medium: Ceramic

Heather Binder's "Long Pond" is a contemporary wood fired ceramic sculpture depicting the artists interpretation of gentle ripples reflected on the surface of Long Pond in New Hampsh...

This deep green color glossy ceramic balloon sculpture is a balloon for life and an art collectors piece. Its Vivid glossy color enhances sophisticated and cheerful space environment...

PABLO PICASSO (1881-1973) Visage No. 193 (A. R. 493) Terre de faïence plate, 1963, numbered 73/150, inscribed 'Edition Picasso' and 'Madoura', glazed and painted.

Sara Fine-Wilson's “Almost" is a gestural 13.5 x 12 x 9 inch ceramic sculpture in white and cream constructed from white stoneware. In this graceful and evocative sculpture individua...

This new work by Tal Nehoray is from her latest body of works called "Happy Pills". All are hand made with ceramic and hand painted with automotive paint. It is a combination of 3 ce...

Grayson Perry Piggy Bank, 2017 White ceramic piggy bank painted in blue and glazed, with a rubber stopper, contained in the original cardboard box.
 9 × 21 × 9 cm
 Grayson Perry is ...

Artist: Jeff Koons Title: Balloon Swan (Magenta) Year: 2019 Medium: Porcelain with magenta chromatic coating Dimensions: 9 1/2 × 6 3/8 × 8 1/4 in (24.1 × 16.2 × 21 cm) Edition: 999;...

Waylande Gregory (American, 1905-1971) Polo Player, c. 1930s Ceramic Inscribed signature on bottom 11 x 8.5 inches Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's "Nautch Dancer," (fig. 1) and his "Burlesque Dancer," (fig. 2). He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his "Burlesque Dancer" at about the same time as "Nautch Dancer." As with the "Nautch Dancer," he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for "Burlesque Dancer," a clue to her identity is revealed in the sculpture's earlier title, "Shimmy Dance." The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the "Star Spangled Banner" and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the "Burlesque Dancer" sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his "Kansas Madonna" (fig. 3). But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of "Kansas Madonna." The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of "Kansas Madonna" totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture in the article. Gregory was from Kansas, and "Kansas Madonna" should be considered a major sculptural document of Regionalism. Gregory and his wife Yolande moved to New Jersey in the summer of 1933. And the artist began construction on his new home in the Watchung Mountains of Bound Brook (Warren today) in 1938. His enormous, custom kiln was probably constructed at the start of 1938. Gregory's new sculptures were the largest ceramic sculptures in western art, in modern times. To create these works of ceramic virtuosity, the artist developed a "honeycomb" technique, in which an infrastructure of compartments was covered by a ceramic "skin." Science and atomic energy were a theme in Gregory's most significant work, the "Fountain of the Atom" (fig. 4), at the 1939 New York's World Fair. This major work included twelve monumental ceramic figures at the fairground entrance from the newly constructed railway entrance, giving the work great visibility and prominence. The framework of the fountain itself was of steel and glass bricks. It consisted of a bluish green pool which was sixty five feet in diameter. Above it were two concentric circular tiers, or terraces, as Gregory called them; the first wider than the second. On the first terrace were eight "Electrons," comprised of four male and four female terra cotta figures, each approximately 48 inches high. These relate to the valance shell of the atom. Above them on a narrower terrace, were the much larger and heavier terra cotta figures depicting the four elements, each averaging about 78 inches in height and weighing about a ton and a half. Of the four, "Water" and "Air" were male, while "Earth" and "Fire" were female. This terrace represents the nucleus of the atom. In the center of the fountain, above the "Elements," was a central shaft comprised of sixteen glass tubes from which water tumbled down from tier to tier. At the top, a colorful flame burned constantly. The glass block tiers were lit from within, the whole creating a glowing and gurgling effect. Since the fair was temporary, the figures could be removed after its closing. But the credit for the design of the structure of the fountain belongs to collaborator Nembhard Culin, who was responsible for several other structures on the fair grounds as well. Although Gregory created a figure of "Fire" for the "Fountain of the Atom," he also executed a second, slightly smaller but more defined version which he exhibited at various locations (including Cranbrook, Baltimore Museum, etc.) in 1940-1941, during the second year of the fair (fig.5). Measuring 61 inches in height, "Fire" may be a metaphor for sexual energy, as well as atomic energy. Gregory stated, "Fire is represented by an aquiline female figure being consumed in endless arabesques of flame." Portraiture was also a significant focus of Gregory's sculpture. Gregory produced many commissioned portraits of local people as well as celebrities. He created Albert Einstein's portrait from life (fig. 6, ca. 1940) after Einstein had seen Gregory's "Fountain of the Atom." He also sculpted some of the leading figures in entertainment, including 2 sculptures of Henry Fonda, who became a personal friend. Gregory also sculpted a series of idealized female heads, both in terra cotta and in porcelain. These include "Girl with Olive" (ca. 1932) and "Cretan Girl;"(ca. 1937) both are very reductive and almost abstract works that call to mind Constantine Brancusi's "Mademoiselle Pogany" (1912, Philadelphia Museum of Art). But perhaps one of his most original female heads is "Head of a Child" (fig. 7, ca. 1933), a sensitive white glazed terra cotta portrayal with elaborately crafted braded hair, was originally created as one of a pair. Gregory also produced sculptural works for the Works Progress Administration. The WPA was a work relief project that greatly helped artists during the great depression. Founded by the Federal Government in 1935, an estimated 2500 murals were produced. Among these public works were the iconic post office murals. But, among the painted murals were also sculptural relief murals including Gregory's "R.F.D.," 1938, for the Columbus, Kansas Post Office. But, Gregory's largest WPA relief...

TUSCAN YIN/YANG PRISON is a stoneware clay sculpture with Butterscotch glaze by Brooklyn, New York artist Rene Murray. It measures 20"H x 25"W x 13"D. The ...

Jean COCTEAU ( 1889 - 1963 ) " ENFANCE " Terracotta bowl partially glazed . hand signed Jean Cocteau . marked and numbered in an edition of 50 . literature: Annie Guédras , catalog...

Meredith Brickell, TANK (BLUE) -LOCATION 316, Ceramic, 12.00 X 8.50 in, $1,800.00

Castles of Abruzzo. Italian Maiolica, dish with the Miracle of the loaves and fishes. Mid-18th century. Polychrome tin-glazed majolica painted by hand. Castles, Abruzzo, mid-18th c...

Yoshiro Ikeda Form with Two Cylinders (Ceramic Art, Handbuilt Ceramics, Organic Forms) Ceramic, Glaze Year: Unknown 11.25 x 10 x 4 inches Signed; bottom ...

Sidney Jimenez Bust with Floral Top (INV# NP5235) stoneware, underglaze, and glaze 10.75 × 9 × 5.5” 2024 signed Sydnie Jimenez is a ceramic artist whose work centers on the figures ...

The ‘Goddess’ by visionary artist Alexander Ney was handcrafted using italian white terra cotta in 2019. Ney began his professional career as a highly productive visual artist, as a ...

Ceramic expressionist head sculpture created in refractory stoneware with a semi-transparent copper glaze. This ceramic head belongs to the Testas series, a body of work composed of ...

Pablo Picasso Corrida with Spectators, 1950 Original ceramic of Pablo Picasso, white faience earth and enamel Stamp on the Back : Empreinte originale Picasso - Madoura Plein Feu Lim...

Thelma Frazier Winter (American, 1903-1977) Woman and Child, c. 1935 Glazed stoneware, painted plaster 14 x 7 x 5.875 inches Thelma Frazier Wint...

PABLO PICASSO (1881-1973) Vase deux anses hautes (A. R. 213) Terre de faïence vase, 1953, from the edition of 400, inscribed 'D'Après Picasso / Edition Picasso', partially glazed a...

Pichet espagnol (A.R. 245) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / Edition Picasso / 152/200 / Madoura (underneath) white earthenware ceramic pitcher, par...

This contemporary ceramic vessel was inspired by nature and rendered in black. As a masterful ceramicist, Loren Kaplan has been intrigued by the concept of containers; the idea that...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

This new work by Tal Nehoray is from her latest body of works called "Happy Pills". All are hand made with ceramic and hand painted with automotive paint. It is a combination of 2 ce...

FREE SHIPPING WORLDWIDE! Artisan: Martin Olivas Quintana MASTERPIECE Carved polychrome jar decorated with a sgraffito and painted hummingbird, flowers ...

A beautiful 1930s Carlton Ware Art Deco Garden pattern vase of shouldered ovoid form, decorated with iconic art deco shapes on a green, blue, yellow and beige background , pattern no...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

Standout mid century Italian life size greyhound sitting on a pillow figure or sculpture crafted in terra cotta, hand decorated and glazed.

This vessel was built using the traditional and ancient methods of coil building. Through this meditative process, ancestral connections are drawn. The composition wraps around the f...

Pablo Picasso Tall Dish witth Goat Head, 1952 Original ceramic of Pablo Picasso, white faience earth and enamel Stamp on the Back : Empreinte originale Picasso - Madoura Plein Feu L...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. Art Awards Winner 2019 - Art Fair Leipzig König combines modern painting with acr...

This 5.5" x 8.5" ceramic wall sculpture was created by Brian Bosworth. This is a contemporary piece that demonstrates sophisticated glazing techniques and compositional balance. The ...

"SHURA CROSS BW" Ceramic Sculpture 10" x 6.5" inch by Grigorii Gorkovenko SHURA ceramic An elegant shape and free lines are combined together to create an image of the Russian matre...

Madoura round dish of white earthenware clay. From the edition of 100. Dish size 16.5 inches (diameter). Frame size approx 22 x 22 inches. Ramie 332. Inscribed 'C.100' and with ...

Pablo Picasso A.R. 161 Toros 1952, July 29 8” round Edition of 500 White earthenware clay, decoration in engobes and oxidized paraffin. Ramie 161 is a Madour...

This Celadon Water Jar was created by Living National Treasure Kiyoshi Hara. The form is rounded and elegant, covered entirely in a soft pale-green celadon glaze that radiates a gent...

This gorgeous porcelain sculpture from Hutschenreuther porcelain is of two galloping horses, sculpted in exquisite detail and signed by the sculptor, Max Hermann Fritz...

Limoges porcelain in "Bleu de Sèvres" and gold. Artist: Salvador Dali Exclusive limited edition to 2000 copies "Raynaud & Co. Limoges", France, 1968. "Faust" drawn by Salvador Dalí. Print signed. Plate Signed in the back of the plate Dimensions: Diameter: 26 cm Edited by Salins Earthenware Sold in its original box The company "Raynaud-Limoges" specialized in the production of porcelain products in small runs, among the company's customers - crowned people and representatives of the old aristocratic families of Europe. Dali - the Prodigy Child without an Exam. Salvador Dali was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. His art teachers were a then well known Spanish impressionist painter, Ramon Pichot and later an art professor at the Municipal Drawing School. In 1923 his father bought his son his first printing press. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches became the artist's surrealist trademarks. His great craftsmanship allowed him to execute his paintings in a nearly photo-realistic style. No wonder that the artist was a great admirer of the Italian Renaissance painter Raphael. Salvador Dali and Gala. Meeting Gala was the most important event in the artist's life and decisive for his future career. She was a Russian immigrant and ten years older than Dali. When he met her, she was married to Paul Eluard. Gala decided to stay with Dali. She became his companion, his muse, his sexual partner, his model in numerous art works and his business manager. For him she was everything. Most of all Gala was a stabilizing factor in his life. And she managed his success in the 1930s with exhibitions in Europe and the United States. Gala was legally divorced from her husband in 1932. In 1934 Dali and Gala were married in a civil ceremony...

Alexsander Danel (Estonian, 1940-2001) Brutalist Panther Sculpture, 1996 Signed 'Danel' and 'Austin Sculpture' to back leg 13.5 x 16.5 inches Alexsander Danel was born in Estonia and graduated from both the Moscow Industrial Arts School and the Moscow Fine Arts Academy. He earned many awards and distinctions in the Soviet Union, including "Best Work of the Year" in 1973 for his monumental work commemorating the history of the Russian Wars, installed in Kirov. Alexsander Danel emigrated to the U.S. in 1976, after spending a year in Rome where he sculpted set designs for Fellini's "Cassanova" and the Napoli Theater production of "Aida". After settling in New York, he completed commissions for Rockefeller Plaza and Radio City Music Hall. In 1992, he held his first one person show exhibiting computer generated...

Artist: Pablo Picasso, Spanish (1881 - 1973) Title: Colombe sur lit de paille, (Dove on a Straw Bed) [Ramie 79 variant] Year: 1949 Medium: White earthenware clay, white enamel brushe...

Hand-built clay sculpture Life in acrylic and vivid blue tones examines consumption, play and the fragile boundary between joy and collapse. This clay sculpture (hand-modeled self-ha...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

"Wave Sculpture #1" by Heather Binder is a contemporary wood fired ceramic sculpture depicting the dynamic motion of waves as interpreted by the artist. This 11 x 9 x 9 inch sculptur...

Genesis I is a unique ceramic sculpture by contemporary artist Tien Wen, dimensions are 57 × 13 × 13 cm (22,4 × 5,1 × 5,1 in). The sculpture is signed and comes with a certificate o...

Sublime ceramic wall panel by French ceramist Roger Capron

Striking pair of French blanc de chine porcelain life size parrots or cockatoos casually perched on grapevines.

PABLO PICASSO (1881-1973) Visage (A.R. 288) stamped and marked 'Edition Picasso / Madoura Plein Feu / Edition Picasso / Madoura' (underneath) white earthenware ceramic pitcher with c...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, h...

Luis Miguel Valdes (Cuba, 1949) "Ceramic #14", 2017 Ceramic plate in Uriarte's Talavera 45 x 45 x 4.5 cm. (17.75 x 17.75 x 1.75 in.) Hand-signed by author ___________________________...

The material of choice for Neil Tetkowski's abstract sculptural work comes directly from the Earth. Most often he uses clay, which he believes is the perfect medium to express his re...

Super cool sculpture with fluid style. About the artist: Los Angeles based artist Josh Mayhem gained recognition with his Blown Away aesthetic, transf...

Lupus is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 90 × 30 × 100 cm (35.4 × 11.8 × 39.3 in) This s...

Nephiline and manganese glazed Buño clay head sculpture channels organic textures and existential introspection in Aldonza’s evocative “Testas” series. Nephiline-Manganese Glazed Cer...

After Philippe-Laurent Roland (French, 1746-1816) Bust of a Young Man, 1772 Terra cotta set on painted wood pedestal Signed and dated at back 16.5 x 11 x 8 inches Philippe-Laurent R...

Artist: Roger Koenig b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. Koenig combines modern painting with acrylic with old...

Polar Bear by François POMPON (1855-1933) An original edition sculpture made in white enameled porcelain biscuit. Stamped in the paste "S 1927 DN" (S for "Sèvres" – dated 1927 – DN...

Lorna Simpson (b. 1960) III (Wish #1, Wish #2, Wish #3), 1994 Medium: Complete set of three ceramic, rubber and bronze wishbones within molded felt printed with waterless lithography...

This is double-wall carved ceramic urn. All parts of it were thrown on a pottery wheel, then attached together and hand carved, glazed and fired. Irina Deshchenko-Lakshin was bor...

PABLO PICASSO Tête de chèvre de profil (A.R. 145), June 5th, 1952 Ed. 250 pcs White earthenware, decoration with engobes under partial glaze with a brush 31.5 x 51.5 cm I 12 3/8n x ...

Shi Jie Weng’s Peacock Blue String Vase unites classical form with modern vitality. The vase has a tall slender neck and a full rounded body, accented with multiple raised string pat...

Hannah Schelb Tokos(phobos) Shuttle Ceramic, Cone 5 Oxidation, Aluminum Wire, Kanthal Wire 2025 39.5 x 31.5 x 33 inches (100.3 x 80 x 83.82 cm) Signed COA provided *Assembly require...