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Art by Medium: Masonite

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Medium: Masonite
Modernist Oil Painting George Schwacha Brooklyn Street Scene Fruit Market WPA
Located in Surfside, FL
Hand signed lower left corner Oil on masonite Dimensions: Frame H 18.25" x W 22.25". Sight H 11.25" x W 15.25 This is a great scene, vintage Americana. Possibly Crown Heights in Brooklyn New York City. Done in a mid century modern style with great vibrant colors and loose, adept, brushwork. Fruit vendor with ladies shopping. George Schwacha, Jr. (1908 - 1986) New Jersey artist. Known for Landscape painting and snow scenes. He studied Arthur W. Woelfle; John Grabach; Edward Dufner and A. Schweider. George Schwacha was president of the American Artists Professional League and a past president of the Audubon Artists and Art Center of New Jersey. He belongs to the American Watercolor Society, The National Society of Painters in Casein, and the Philadelphia Watercolor Club. His paintings have been shown throughout the country at museums such as the Pennsylvania Academy, the Corcoran Gallery in Washington, DC and the Birmingham Art Museum, The Butler Art Institute in Youngstown, Ohio the Connecticut Academy of Fine Arts, as well as in leading New Jersey and New York exhibitions, including the American Society of Arts and Letters. He is listed in Who's Who in American Art and International Directory of Arts. His work is represented nationally in over 30 museums and public collections including the Newark Museum, Montclair Museum, Birmingham Art Museum, the Isaac Delgado Museum in New Orleans, and the Butler Art Institute. Worldwide he is also represented in collections in the following countries: Austria, Belgium, Canada, Egypt, England, France, Germany, Greece, Holland, Hong Kong, Israel, Scotland and Switzerland. Seymour Zayon, Bertram Hartman, Hugh Campbell, Frank Herbst, Joseph Newman, Theodore Valenkamph, Robert John McClelland, Nicolai Cikovsky, Ben Benn, George Howell Gay, Robert Brackman, Vernon Wood...
Category

Mid-20th Century American Modern Art by Medium: Masonite

Materials

Masonite, Oil

Northern California Coastal Santa Cruz County Ocean Waves 1950 Plein Air
Located in Soquel, CA
Northern California Coastal Santa Cruz County Ocean Waves 1950 Plein Air Santa Cruz Sandstone Cliffs and crashing waves near Natural Bridges circa 1950 by an unknown California artis...
Category

1950s American Impressionist Art by Medium: Masonite

Materials

Masonite, Oil

Landscape with Orange Sky
Located in Wilton Manors, FL
James Earl Ray (1928-1998). Landscape with Orange Sky. ca. 1975. Oil on masonite panel measures 6.5 x 8.5 inches, 10.5 x 12.5 inches framed. Signed lowe...
Category

Mid-20th Century Abstract Art by Medium: Masonite

Materials

Masonite, Oil

Mid Century Modern Abstracted Landscape in Oil on Masonite
Located in Soquel, CA
Mid Century Modern Abstracted Landscape in Oil on Masonite Bold abstracted landscape by Ray Oakvick (American, 1917-1993). Streaks of reddish brown and white create an abstracted la...
Category

1960s Modern Art by Medium: Masonite

Materials

Masonite, Oil

Fantastic Mid-Century Mark Coomer Serigraph of Chicago River Wrigley Building
Located in Chicago, IL
You need this fantastic Mid-Century serigraph of Chicago's iconic Wrigley Building & Tribune Tower by artist Mark Coomer, in its original off-white panel f...
Category

1950s American Modern Art by Medium: Masonite

Materials

Masonite, Screen

Virgin Islands Landscape
Located in Wilton Manors, FL
Inez McCombs (1895-1975). Virgin Islands, ca. 1950. Alkyd on paper mounted to masonite panel. Measuring 13 x 16 inches; 18 x 21 inches framed. Signed lower right. Philadelphia-...
Category

Mid-20th Century Modern Art by Medium: Masonite

Materials

Masonite, Paper, Alkyd

"Don t Cry Long" Abstracted and Distorted Self-Portrait, One Crying Eye
Located in Detroit, MI
"Don't Cry Long" is a self-portrait of the artist and an unusual one at that in which the artist portrays herself shedding tears. Perhaps it is an expression of some grief experienced by Ms. Woodlock, but it also admonishes her to not "Cry Long" while at the same time poking fun because of her elongated face and the one lone "long" tear tracing a pattern down her face. In addition to self-portraits, Ethelyn painted commissioned portraits. In this painting her head is cocked and her famous bangs hang down her forehead. Compare two self-portraits, “Up From Under”, and “M’Eyes" to "Don't Cry Long." The major differences are the close facial view and the brilliant blood red paint that fills the entire canvas. This painting is included in the book, "Dreams Have Wings: An Artist's Journey into Magic and Mystery" printed in the United States, 1985. She describes "Don't Cry Long" as showing how funny looking we are, if we cry too long. Ethelyn Woodlock...
Category

Mid-20th Century American Modern Art by Medium: Masonite

Materials

Oil, Masonite

Village Scene, Impressionist Oil Painting on Masonite by Emil Rizek
By Emil Rizek
Located in Long Island City, NY
Artist: Emil Rizek, Austrian (1901 - 1988) Title: Village Scene Year: circa 1950 Medium: Oil on Masonite, Signed l.r. Size: 20 in. x 24 in. (50.8 cm x 60.96 cm)
Category

1950s Abstract Impressionist Art by Medium: Masonite

Materials

Masonite, Oil

"The Walk Back Home" A Monumental "Exhibition" Painting by Carl Lasch
Located in Queens, NY
Carl Lasch (1822-1888 German) "The Walk Back Home" A Monumental Exhibition Painting, Oil on canvas laid to masonite in original gilt-wood frame. ...
Category

19th Century Art by Medium: Masonite

Materials

Masonite, Oil

In the Eye of the Storm
Located in Soquel, CA
Dramatic seascape by Vasil (Victor) Papkov (20th Century). A highly saturated purple, blue and yellow sky hangs above the composition. In the distance, rain can be seen above the coastline, which has a few dots of light from buildings. In the foreground, turbulent waves crash toward the viewer. Signed in the lower right corner. No frame. Board size: 12"H x 16"W Vasil Papkov...
Category

1980s Impressionist Art by Medium: Masonite

Materials

Masonite, Oil

Against the Glass
Located in London, GB
Alkyd-oil on Masonite board, 102cm x 83cm, (124cm x 104cm framed). The painting comes directly from the artist. Michael Leonard is most probably most famous for his portrait of HM ...
Category

Early 2000s Post-War Art by Medium: Masonite

Materials

Masonite, Alkyd

Fantastic Mid-Century Serigraph of the Executive House Chicago by Mark Coomer
Located in Chicago, IL
You definitely need this fantastic Mid-Century serigraph of Chicago's Executive House hotel and the Chicago River by artist Mark Coomer, in its original of...
Category

1950s American Modern Art by Medium: Masonite

Materials

Masonite, Screen

Autumn Landscape
Located in Los Angeles, CA
Autumn Landscape, by 1958, tempera on Masonite, 24 x 36 inches, signed lower left, exhibited: 1) 133rd Annual Exhibition of the National Academy of Design, New York, NY, February 20 – March 16, 1958 (Henry Ward Ranger Purchase Prize); and 2) Henry Ward Ranger Centennial Exhibition, National Academy of Design, New York, NY, September 25 - October 12, 1958, #133 (see Levin, Meyer, Illustrative Paintings Gathered for Ranger Show at National Academy, St. Petersburg Times, October 13, 1958 (“There’s a warm, low-keyed picture of golden fields, with distant structures, called “Autumn Landscape,” by Robert Vickrey, whose magic realism is felt in so “regular” a subject.”), literature: 1) Watson, Ernest William, Composition in Landscape and Still Life, Watson-Guptill Publications, New York, 1959, pp. 24, 155 and 157 (illustrated); and 2) Vickrey, Robert and Cochrane, Diane, New Techniques in Egg Tempera, Watson-Guptill Publications, New York, 1973, p. 111 (illustrated); ex collection National Academy of Design Reflecting on his art, Robert Vickery...
Category

1950s American Realist Art by Medium: Masonite

Materials

Masonite, Egg Tempera

Pennypack Creek Philadelphia Impressionist Painting
Located in Wilton Manors, FL
Harald Grote. Pennypack Creek I Oil on masonite, panel, 12 x 16 inches. Signed and dated lower right.
Category

2010s Abstract Impressionist Art by Medium: Masonite

Materials

Masonite, Oil

View of Notre Dame the Île de la Cité , Seine, Paris, Thieme Becker, Budapest
Located in Santa Cruz, CA
'View of Notre Dame & the Île de la Cité' by Friderika Bendéné Kovacsev. Seine, Paris, Thieme Becker, Budapest ------ Signed lower left, 'Frid. J. Bende.' for Friderika Bendéné Kova...
Category

1950s Art by Medium: Masonite

Materials

Canvas, Oil, Masonite

"Gawler Gums", Australian Gum Trees Landscape
Located in Soquel, CA
Beautiful landscape of gum trees in their native Australia, painted in the southern town of Gawler, by D. Millowick (Australian, 20th Century), c. 1960s-1970s...
Category

1970s Impressionist Art by Medium: Masonite

Materials

Masonite, Oil

"Interior Scene with Figure" Expressionistic Style Oil Painting on Masonite
Located in New York, NY
A strong modernist oil painting depicted in 1969 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his bold still life paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 21.75 x 18 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...
Category

1960s Expressionist Art by Medium: Masonite

Materials

Oil, Masonite

[Bruce Sargeant (1898-1938)] Single Rower
Located in New York, NY
[Bruce Sargeant (1898-1938)] Single Rower n.d. Signed in red, u.r. Oil on canvas mounted to Masonite 37.25 x 71.5 inches (94.6 x 181.6 cm) $8,500 + $800 framing This work is off...
Category

Early 2000s Contemporary Art by Medium: Masonite

Materials

Canvas, Masonite, Oil

Mid Century Abstract Expressionist Painting
Located in Soquel, CA
Colorful abstract expressionist piece by Les (Leslie Luverne) Anderson (American, 1928-2009) that lends itself to either vertical or horizontal orientat...
Category

1960s Post-War Art by Medium: Masonite

Materials

Masonite, Oil

Mid-Century Modernist Multi-Color Bouquet Still Life Oil on Masonite
Located in Soquel, CA
Mid-Century Modernist Multi-Color Bouquet Still Life Vivid and fun mid century modern still-life of vase of flowers by California artist Virginia Sevier Rogers (American, 1917-2015). A CAL Berkeley...
Category

1960s Abstract Impressionist Art by Medium: Masonite

Materials

Oil, Masonite

[Bruce Sargeant (1898-1938)] Winter Sport Athletes
Located in New York, NY
Signed in red, u.l. Oil on canvas mounted to Masonite Price includes $650 additional cost of framing. This work is offered by ClampArt in New York City
Category

2010s Contemporary Art by Medium: Masonite

Materials

Canvas, Masonite, Oil

"Georgia Moonshiner, c. 1935" by Athos Menaboni (1895-1990) American WPA Era Oil
Located in Yardley, PA
A fantastic WPA-era painting of a Georgia moonshiner by famed Italian-American artist Athos Menaboni (1895-1990). This work depicts an older man sporting a brown hat, brown jacket, ...
Category

1930s American Modern Art by Medium: Masonite

Materials

Masonite, Oil

An Exceptional Mid-Century Modern Oil Painting of a Reclining Nude Female Model
Located in Chicago, IL
An Exceptional Mid-Century Modern Oil Painting of a Reclining Nude Female Model by Noted Chicago Artist, Rudolph T. Pen. This alluring studio scene, painted in the 1960s, exemplifi...
Category

Mid-20th Century American Modern Art by Medium: Masonite

Materials

Masonite, Oil

Untitled (Abstract Expressionist Painting)
Located in Wilton Manors, FL
Bertha G. Davis (1911-1997) Untitled, ca. 1960's Oil on cradled masonite panel. 16 x 20 inches; 24 x 28 inches framed. Signed lower left. Artist estate stamp on verso. Vintage custom wormy chestnut frame. A painter of cityscapes, landscapes, and abstracts in Texas, Bertha G Davis was primarily a self-taught artist whose style was influenced by her early life experiences in pre-World War II Lithuania and later Mexico. Her style is expressionistic*, relying on color to denote her profound feelings. She works primarily in watercolor and acrylic with some mixed media*. She is the daughter of Abraham and Dvora Germaize of Vilna, Lithuania and grew up in Jewish ghettos in Vilna, Alita, and Kovno. Davis was influenced by her father who was a decorative wood-worker and carpenter in Lithuania. The family of five daughters and a son escaped to Mexico City in the late 1920’s because of Jewish oppression. The images and emotions she experienced had no outlet. She was known as a beauty, and at age 17 was named Jewish Miss Mexico, barely able to speak Spanish having just emigrated from Eastern Europe. Irving Davis, a merchant from Texas who had also come from Eastern Europe via Cuba, saw her at this event where she was crowned Jewish Miss Mexico, and three days later asked for her hand in marriage. They moved to a small town in Texas, raising a family. Her daughter, Sylvia, was born when Davis was 20 and they were inseparable. As Sylvia became an actress, painter, and sculptor, Davis was amazed at the capacity for creativity. Davis didn’t begin her own artistic journey until she was 47, when her daughter Sylvia Caplan encouraged her to try. She was inspired by this daughter who gave her a drugstore palette of watercolors, paper and brushes and told her to “just try.” Davis did not put down her palette and brushes until her death in 1997. Bertha G Davis was primarily self-taught but maintained a style oriented toward color and texture that reflected her strong feelings. Most of her early work was done while she lived in McAllen, Texas where she was known for her contribution to art and showed her work and the work of other artists at the Bertha Davis Gallery. She studied with Stewart Van Orden, at Pan American College in 1960-61; and was a student at the Art Institute San Miguel Allende, Mexico, 1965. She was also a student of Harold Phenix...
Category

Mid-20th Century Abstract Expressionist Art by Medium: Masonite

Materials

Masonite, Oil

Mid Century Abstract Expressionist - Dreams
Located in Soquel, CA
Colorful mid century abstract expressionist painting by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Unframed. Titled...
Category

1960s Post-War Art by Medium: Masonite

Materials

Masonite, Oil

"California Round Hills" Mid Century Plein Aire Landscape in Oil on Masonite
Located in Soquel, CA
"California Round Hills" Mid Century Plein Aire Landscape in Oil on Masonite Serene landscape by J. Andrew Bennett (British, 19th/20th Century ). The viewer stands at the end of a v...
Category

1950s Impressionist Art by Medium: Masonite

Materials

Masonite, Oil

Arch Rock, Oregon - Seascape in Oil on Masonite
Located in Soquel, CA
Arch Rock, Oregon - Seascape in Oil on Masonite This dramatic coastal landscape by Edith Dawson (American, 20th century) captures the raw majesty of Arch Rock, rendered in a richly ...
Category

Mid-20th Century American Impressionist Art by Medium: Masonite

Materials

Masonite, Oil

Etude III (abstract expressionist painting)
Located in Wilton Manors, FL
Fredric Karoly (1898-1987). Etude III, 1950. Oil on masonite panel measures 18 x 24 inches. Unframed. Signed, titled, dated on reverse. Good condition with minor paint loss at edges. Biography: An abstract painter, Karoly was born in Hungary and studied painting in Paris, architectural eingineering in Berlin, and emigrated to the U.S. in 1926. He began a successful career as a fashion and fabric designer. In 1948 he was working as a fashion director for Simplicity Patters, when he had a solo exhibition of of his oil paintings, wire montages, dry-pen drawings and abstract photography. Solo Exhibitions: Hugo Gallery (Alexandre Iolas) New York 1948; Gallery Mai. Paris 1949; New Gallery (Eugene Thaw) New York 1950; Museu de Arte, Sao Paulo, Brazil 1951; Miami Museum of Modern Art, Miami, Florida 1959; Loft Gallery, New York City, 1966.Group Exhibitions: Hugo Gallery, New York 1947; Salon des Realities Nouvelles, Paris 1949-1953; Whitney Museum of American Art, New York (Annual) 1951-1953, 1963; Biennale of Sao Paulo, Brazil, 1951; International Independent Exhibition, Tokyo, 1951; Martha Jackson Gallery, New York, 1959; The Butler Institute of Art, Youngstown, Ohio, 1960; Stuttman Gallery, New York, 1960; The Art Institute of Chicago (Annual), 1960; International Watercolor Exhibition, Brookyln Museum, 1961; Westchester Art Museum, White Plains, NY, 1963; Whitney Museum, Annual, NY 1963; Cleveland Art Festival, Park Synagogue, Cleveland, 1963; Whitney Museum, Sculpture Annual, NY, 1964.Works in Institutional Collections: Museu de Arte, San Paulo, Brazil; Museu de Bellas Artes, Buenos Aires, Argentina; New York University, New York; Washington University, St. Louis, Missouri; Finch College, NY; Barnard College, NY; Metropolitan Museum, Whitney Museum and Guggenheim Museum, New York; Museum of Fine Arts, St. Petersburg, FL. Awards: National Council Arts Awards, 1968. Frederic Karoly died on December 15, 1987 at the Inter-Continental Hotel in Manhattan, where he had made his home for many years. Fredric Karoly was born in Budapest in 1893. According to Karoly’s own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently life long. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926 (he probably first came to the US on a work visa in 1925). In New York, Karoly worked in women’s fashion as a designer. In 1948 Karoly worked in a manner than was clearly influenced by the work of such European surrealists as Max Ernst, creating spiked automatic bi-chromatic paintings. His style progressed into a progressively more biomorphic vein, similar to explorations by Theodore Stamos, Daphnis, Milton Avery and Mark Rothko around the same period. He was supported with patronage during this period by Mrs. Mimi Baliff, who apparently supported the “Industrial Design Workshop” that she helped open to feature Karoly’s designs in 1948. By the early 1950’s (1951) Karoly started experimenting with the drip and splatter process as well. Drip paintings dominated his process until the late 50’s-early 60’s, when linear compositional elements began to reemerge. By the late 50’s multi-layered drip grid motifs asserted a masque of spatial organization over looser washed fields and splatters of paint that Karoly worked off of. This development was consistent with concurrent explorations into the grid by artist Agnes Martin and others. By the mid-50’s Karoly’s style began another transition into a more surface concerned “Color Field” style of painting. There are elements still reminding one of Abstract Expressionist concerns as such painters as Clifford Still. But the works that began to emerge from Karoly’s studio in 1958 presaged the Morris Lewis fan motifs and Friedl Dzubas’s epic and romantic color spewing expanses of canvas. In 1959 Karoly began experiments using washes of turpentine diluted oil paint directly onto raw linen, and all of these subsequently suffered the consequences of oil oxidation and acidity upon the surfaces. However, many of Karoly’s washes in color field happily occurred on lightly prepared primed canvas surfaces as well. By 1960 Karoly began reintroducing imagistic references to his visual content. There were also various references to Japanese and Zen influences. He experimented with a variety of processes that included mixed media and marbleized surfaces achieved by the intermixture of oil and water mediums. A calligraphic element also enter Karoly’s work in the early 60’s. Then in 1961 glued and assembled objects begin to show up in Karoly’s work in earnest. The influence of early POP artists, particularly Jasper Johns, and Robert Rauschenberg, become apparent. From 1961-63, a series of the assemblage works transition from canvas to the sculptural to pieces obviously intended for full scale installation. Many of these pieces were among the most fragile of his works primarily due to their reliance upon the of gluing of objects such as plastic or paper cups on flexible surfaces of stretched linen or canvas. In the mid-60’s Karoly apparently produced a number of photo-silk screened series of Picasso, De Kooning and other significant artists of his generation. These were executed in a style somewhere between Rauschenberg’s and Roy Lichtenstein’s, primarily because of their reliance upon half tones and Ben-Day dot effects. Then Karoly began a series of paintings conflating his drip and grid styles with super imposed and painted over string. In the late 60’s Karoly embarked upon a series of multi-paneled stretched linen constructions often with slits and fiber optic back-lit elements that were prescient of the work of Dan Flavin and others. It was this body of work that was shown at Hofstra University’s Emily Lowe Gallery, and it was these works that suffered perhaps the most irreparable damage from a steam/water infiltration in a space where they were being stored. The late professional start that Karoly had into the art world was balanced by his long life span and early immersion into the design issues of modernism as it emerged in turn of the century Europe and later evolved in America. He was clearly an artist who subscribed to the ethos of the new in abstraction and was obviously impressionable and in some instances prescient with regard to various trends in abstraction. Several noteworthy and influential collectors and institutions during his 40 years of professional engagement acquired his work. The Whitney Museum of American Art had and may still own a large Karoly canvas from 1960, but this is doubtful as the artist failed to list it on the vitae he filed with MoMA in 1965. His work was recognized and honored by the Whitney with its inclusion in four of their annual survey shows (1951,1953, 1963 and 1964). The artist’s surrealist influenced paintings from 1948-1950 were the focus of a solo exhibition held of his work by the Museo de Art in Sao Paulo and eight years later a ten year survey of his work was the focus of a solo show at the Miami Museum of Modern art. The Sao Paulo Museum in Brazil, and the Museo de Bellas Artes in Buenos Aires, Argentina each acquired Karoly paintings for their collections in the 1950’s. One of Karoly’s surrealist pieces was apparently purchased by Christian Zervos, Picasso’s designated chronicler, who apparently also wrote a piece on Karoly in Cahiers D’Art in 1949. A 60’s piece of Karoly art that is in the New York University’s permanent collection is included in the MoMA Library’s catalog...
Category

Mid-20th Century Abstract Expressionist Art by Medium: Masonite

Materials

Oil, Masonite

Nymphs at Dusk , Art Nouveau, Arts and Crafts, Tonalist Oil, Three Graces, AIC
Located in Santa Cruz, CA
Signed lower right, 'Emerson' for William C. Emerson (American, 1865-1937) and dated 1910. Original card board, verso, was additionally signed 'W. C. Emerson' and titled, 'The Dance'...
Category

1910s Tonalist Art by Medium: Masonite

Materials

Masonite, Oil, Cardboard

Colorful Portrait Painting on Board by Peter Keil
Located in Hudson, NY
This modern abstract painting by Peter Keil is on a smooth masonite board with a painted grey background, black abstract portrait with many colors. Here you certainly see the Picasso...
Category

Late 20th Century Abstract Art by Medium: Masonite

Materials

Masonite, Acrylic, Board

Colorful Portrait Painting on Board by Peter Keil w Tiffany Blue Background
Located in Hudson, NY
This modern abstract painting by Peter Keil is on a smooth masonite board with a painted Tiffany Blue background, black abstract portrait. Here you ...
Category

Late 20th Century Abstract Art by Medium: Masonite

Materials

Masonite, Acrylic, Board

Landscape 154 by Jean Krille - Oil on Masonite 80x100 cm
Located in Geneva, CH
Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...
Category

Late 20th Century Neo-Expressionist Art by Medium: Masonite

Materials

Masonite, Oil

Mid Century Modernist Geometric Sailboat Abstract Oil Painting
Located in Soquel, CA
Mid Century Modernist Sailboat Geometric Abstract Oil Painting This dynamic mid-century piece features bold geometry and a strong sense of movement. White triangular shapes parade a...
Category

1950s Modern Art by Medium: Masonite

Materials

Linen, Masonite, Oil

Landscape 150 by Jean Krille - Oil on Masonite 80x100 cm
Located in Geneva, CH
Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...
Category

Late 20th Century Neo-Expressionist Art by Medium: Masonite

Materials

Masonite, Oil

A Colorful, 1930s Summer Harbor Scene of Saugatuck, Michigan by Francis Chapin
Located in Chicago, IL
A colorful , blustery painting of a summer harbor in Saugatuck, Michigan by famed Chicago Modern artist, Francis Chapin. Dating circa 1935, oil on Masonite, the painting depicts a v...
Category

1930s American Modern Art by Medium: Masonite

Materials

Oil, Masonite

Landscape 146 by Jean Krille - Oil on Masonite 100x100 cm
Located in Geneva, CH
Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...
Category

Late 20th Century Neo-Expressionist Art by Medium: Masonite

Materials

Masonite, Oil

Rock Candy Mountain (unique, signed Abstract Expressionist painting) framed 70s
Located in New York, NY
Ben Wilson Rock Candy Mountain, ca. 1970 Oil on masonite board (Hand Signed, titled and dated) Hand signed, titled and dated by Ben Wilson on the back Frame Included: held in artist'...
Category

1970s Abstract Expressionist Art by Medium: Masonite

Materials

Masonite, Oil, Permanent Marker

Mid Century Autumn Reflections Oil Paint Landscape
Located in Soquel, CA
Peaceful landscape of a calm stream winding through an autumnal forest by Lorenz Griffith (American, 1889-1968). Signed "Lorenz Griffith" lower left. Titled "Autumn Reflections - Virginia" and dated 1958 on verso. Unframed. Image size: 24"H x 35.5"W. Lorenz E. Griffith was born in Indiana; he was active/lived in North Carolina, Florida, Indiana and many places across the United States. Lorenz Griffith is known for luminist landscapes and portraits. He painted in the style of the Florida Highwaymen...
Category

1950s American Impressionist Art by Medium: Masonite

Materials

Masonite, Oil

Autumn Gift - Seasonal Harvest Still Life with Flowers
Located in Soquel, CA
Autumn Gift - Seasonal Harvest Still Life with Flowers by Albin Kern. This still life by Austrian-American painter Albin Kern (b. 1884, d. 1975) depicts a seasonal spread of gourds...
Category

1950s Photorealist Art by Medium: Masonite

Materials

Oil, Masonite

A Picturesque, 1940s American Scene Farm Landscape Painting by Francis Chapin
Located in Chicago, IL
A picturesque, 1940s American Scene landscape painting of a country farm with barn and silo by notable Chicago Modern artist, Francis Chapin. Painting likely depicts a country farm ...
Category

1940s American Modern Art by Medium: Masonite

Materials

Masonite, Oil

A Charming, Vibrant 1950s Modern Painting of Martha’s Vineyard by Francis Chapin
Located in Chicago, IL
A charming, vibrant 1950s painting of Martha’s Vineyard by notable Chicago Modern artist Francis Chapin. Depicting a bustling view of Main Street in the historic whaling port town o...
Category

1950s American Modern Art by Medium: Masonite

Materials

Masonite, Oil

Modernist Figural , California, New Mexico, Oakland Museum, SFAA, SFMA, GGIE
Located in Santa Cruz, CA
Signed lower right, 'Z. Kavin' for Zena Kavin (American, 1912-2003) and dated 1966. Born in Berkeley, California, Zena Kavin studied at the California School of Fine Arts in San Fra...
Category

1960s Modern Art by Medium: Masonite

Materials

Masonite, Oil

Transendental Abstraction by William Schwartz Titled Impressions of the West #7
Located in Chicago, IL
A Transendental Abstraction by famed Chicago Modernist, William S. Schwartz titled "Impressions of the West #7". Anecdotally, Schwartz's notable "Impressions of the West" series wer...
Category

1940s Abstract Art by Medium: Masonite

Materials

Canvas, Masonite, Oil

Cliffs and Cypresses at Pt. Lobos, California - Seascape Charles F. Cummins 1929
Located in Soquel, CA
Cliffs and Cypresses at Pt. Lobos, California - Seascape Charles F. Cummins 1929 (American, 1850-1941). One of the beautiful coves from the cliffs near the ocean at Point Lobos State Park, the viewer looks out past several cypress trees towards a rocky point...
Category

1920s American Impressionist Art by Medium: Masonite

Materials

Masonite, Oil

[Bruce Sargeant (1898-1938)] Single Rower in Cattails
Located in New York, NY
Signed in red, u.l. Oil on canvas mounted to Masonite This work is offered by ClampArt in New York City.
Category

2010s Contemporary Art by Medium: Masonite

Materials

Canvas, Masonite, Oil

Near Point at Carmel by the Sea California by Dee Bottorff
Located in Soquel, CA
Near Point at Carmel by the Sea California by Dee Botorff "Monterey Cypress" painting on panel by Dee Bottorff (american20th century) is a professional artist, illustrator, and inst...
Category

Early 2000s American Impressionist Art by Medium: Masonite

Materials

Masonite, Oil

California School - Desert Ranch Road Landscape Oil on Canvas
Located in Soquel, CA
California School - Ranch Road Landscape Oil on Canvas Imapsto oil painting of the California landscape by an unknown California artist working in the style of Sam Hyde Harris, anna Althea Hills...
Category

1950s American Impressionist Art by Medium: Masonite

Materials

Canvas, Masonite, Oil

An Introspective, 1950s Mid-Century Modern Portrait "Head of a Young Girl"
Located in Chicago, IL
An Introspective, 1950s Mid-Century Modern Portrait "Head of a Young Girl" by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). Artwork size: 15 x 12 1/2 inches (Framed size: ...
Category

Mid-20th Century American Modern Art by Medium: Masonite

Materials

Masonite, Oil

Mid Century Big Sur Seascape Oil Painting
Located in Soquel, CA
Mid Century Original Big Sur Seascape Oil Painting Gorgeous mid century Big Sur seascape oil painting by California artist Hartzell Harrison Ray (American, 1896-1991). Blue and aqua...
Category

1960s Impressionist Art by Medium: Masonite

Materials

Oil, Masonite

Landscape 124 by Jean Krille - Oil on masonite 70x50 cm
Located in Geneva, CH
Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...
Category

Late 20th Century Neo-Expressionist Art by Medium: Masonite

Materials

Masonite, Oil

Purple Clouds Above Cornfields on the Farm - Landscape in Oil on Masonite
Located in Soquel, CA
Purple Clouds Above the Farm - Landscape in Oil on Masonite Serene landscape by an unknown artist (20th Century). A detailed, textured field stretches out into the distance, meeting...
Category

Late 20th Century American Impressionist Art by Medium: Masonite

Materials

Masonite, Oil

Large Mid Century California Nocturnal Seascape (Double Sided Painting)
Located in Soquel, CA
Beautiful double-sided painting of a California nocturnal seascape on one side and a Sierra mountain scene on one side on the other by William L. Hughes. Signed "W. L. Hughes" bottom...
Category

Mid-20th Century American Impressionist Art by Medium: Masonite

Materials

Oil, Masonite

Mid Century Modern Burgundy Calla Lilies in Oil on Masonite
Located in Soquel, CA
Mid Century Modern Burgundy Calla Lilies in Oil on Masonite Gorgeous still life of burgundy calla lilies by listed artist Helen Enoch Gleiforst (American, 1903-1997). Signed "Gleif...
Category

1940s American Modern Art by Medium: Masonite

Materials

Masonite, Oil

Winter Light on a Frozen Lake
Located in Stockholm, SE
In this evocative winter landscape, painted in 1941, Swedish artist Olof Walfrid Nilsson captures the serenity and quiet grandeur of a frozen lake bathed in gentle afternoon light. E...
Category

1940s Romantic Art by Medium: Masonite

Materials

Masonite, Oil

The Sun, 20th Century Magic Realism Painting by Cleveland School Artist
Located in Beachwood, OH
Paul Riba (American, 1912-1977) The Sun Oil on masonite Signed lower right, titled verso 14 x 21.5 inches 20.75 x 28.25 inches, framed Paul Riba was a painter of Magic Realism. He ...
Category

20th Century Surrealist Art by Medium: Masonite

Materials

Masonite, Oil

[Bruce Sargeant (1898-1938)] Two Men with Rope and a Tree, Contemporary Painting
Located in New York, NY
Signed, u.r. Oil on canvas mounted to Masonite 80 x 32 inches
Category

2010s Contemporary Art by Medium: Masonite

Materials

Canvas, Masonite, Oil

North Shore: abstract painting evoking a night ocean landscape w/ blue purple
Located in Bryn Mawr, PA
This is an abstract acrylic painting on masonite board evoking a night time seascape or ocean landscape. Predominant colors are blues and purples. Signed "Jomac" lower right, also s...
Category

2010s Abstract Art by Medium: Masonite

Materials

Masonite, Acrylic

"Cars, Buildings People" Contemporary Outsider Folk Art African American Urban
Located in New York, NY
"Cars, Buildings People" Contemporary Outsider Folk Art African American Urban The painting measures 65 x 48 inches. We love that in the middle of ...
Category

1990s Outsider Art Art by Medium: Masonite

Materials

Masonite, Oil

"Sea Cliff" Mid Century Modern Coastal Cliff Seascape in Acrylic on Masonite
Located in Soquel, CA
"Sea Cliff" Mid Century Modern Coastal Cliff Seascape in Acrylic on Masonite Expansive seascape by notable California artist Farren Jensen (American, 19...
Category

1970s American Modern Art by Medium: Masonite

Materials

Masonite, Acrylic

Abstract Expressionist Painting American 1960 s Mid Century New York Colorful
Located in Buffalo, NY
Mid Century Modern, American Abstract Expressionist Painting on Masonite. This wonderful work in exciting colors is housed in a contemporary white wood frame presentation.. The art...
Category

1960s Abstract Expressionist Art by Medium: Masonite

Materials

Masonite, Acrylic

Masonite art for sale on 1stDibs.

Find a wide variety of authentic Masonite art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, pink, green, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Enzio Wenk, Mark Beard, Michael Baxte, and Helen Enoch Gleiforst. Frequently made by artists working in the Abstract, Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Masonite art, so small editions measuring 0.01 inches across are also available

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