Early 2000s Mixed Media

ELLIE RILEY – "GYPSY" Mixed Media on Canvas ⚜ Hand Signed, Titled, and Dated on Verso ⚜ Frameless Display VIBRANT ABSTRACT WITH ORGANIC SHAPES AND KINETIC ENERGY A striking large-sc...

"Sea School" unframed collage on fine art paper by artist Melanie Boone. Signed Melanie Boone ©, dated 2000 and titled "Sea School" verso. Collage features a three-dimensional sea ho...

Aldo Valdez is a San Francisco California based artist. He worked as Head Preparator at Paul Thiebaud Gallery and before that at Gagosian Gallery. These are earlier, one of a kind, m...

Steven H. Rehfeld (American, born 1954) "Deity" 2003 Oil Paint, Newsprint, Pencil, Mixed Media, Canvas, Stretcher Bars The artist signed the back of the painting. This work is a dra...

Julian Opie Statue of Shahnoza 2., 2007 Aluminium, lights, polycarbonate, vinyl and paint 78 x 349 x 21 cm (30 3/4 x 137 3/8 x 8 1/4 in.) Unique Julian Opie’s simple, graphic figu...

Bijan Choudhury - Untitled - 13 x 10 inches (unframed size) Ink on Paper , 2009 ( UNFRAMED ALL IN DOOR DELIVERED ) Style : The Marxist orientatio...

This abstract geometric mixed media piece was done by fiber artist, Jin-Sook So (b. 1950, Korea). So grew up in Seoul, Korea where she received a master's degree in textile art, afte...

Original acrylic and spray paint on canvas. Hand signed, titled and dated on verso by John 'Crash' Matos. Canvas size 36 x 36 inches. Frame size approx 40 x 40 inches. Artwork is ...

Untitled Photo collage, c. 2005 Unsigned Provenance: Estate of the Artist Condition: Excellent Image size: 15 1/4 x 19 1/2 inches Sheet size: 19 1/4 x 24 1/4 inches Peter Marks (1935 -2010) Peter Marks was born in New York City on January 18, 1935. A lifetime New Yorker, Marks graduated from the High School of Music and Art in 1952 and Amherst College in 1956. After a brief stint as a graphic designer in publishing, Marks became a private art dealer and opened his gallery Peter Marks Works of Art, Inc. in 1960. During this time he specialized in the sale of Southeast Asian and Islamic antiquities and made many contributions to the field both as a dealer and an advocate of his profession. Above all, Marks was motivated by a strong desire to find great art and make it available to large audiences. After retiring from art dealing in 2002, Marks transformed his Manhattan gallery space into a studio where he drew prolifically and painted large non-objective canvasses. This time in his studio was a happy one for Marks, who viewed this period of his life not as retirement, but rather fulfillment, a fact that is confirmed by passionate artistic output in the years leading up to his passing in 2010. In 2012, Thomas French...

The painting is being offered with a work and authenticity certificate

"Pink Summer KMH 010" is an original acrylic and mixed media painting by Katherine Hartley. The artist signed the piece lower right. This piece depicts a line of girls in dresses amo...

"Peep Show" Peter Norton Family Christmas Project 2001 by Anna Gaskell Paper construction of layers of printed photographs which unfold to create a fantasy peep-hole scene. Using ph...

Lithograph realized by Yannis Kounellis in occasion of the Olympic Games of Beijing, China, in 2008. Hand signed and numbered, perfect condition. This work is from the portfolio Th...

Light composition in a light mood. Cardboard, oil, 70x50 cm Still life with flowers in vase

Bouquet of flowers with sunflowers. Cardboard, oil, 31.5x22 cm Still life with flowers in vase

3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered 194/200 lower left. Artwork size: 21.5 x 17 inches. Frame Size: 29.5 x 25...

This abstract geometric mixed media piece was done by fiber artist, Jin-Sook So (b. 1950, Korea). So grew up in Seoul, Korea where she received a master's degree in textile art, afte...

ZAX 2002 "God Bless America" A Large 3-dimension one of a kind hand painted polymorph on paper, E.M. Zax Born and raised in Los Angeles, E.M. Zax is taking art to another dimensio...

Contemporary acrylic paint and fabric collage artwork on board by artist Martha Lloyd. Vibrant red, blue and teal with black, featuring motifs of squares...

Kiki Smith For Leslie Gore, Mo Tucker, Laura Nyro and Mama Cass: What Girls Know About Grids (signed twice), 2000 Eight etching and relief etchings on handmade Japanese paper attache...

Original acrylic and spray paint on metal. Hand signed and dated lower front and verso by John 'Crash' Matos. Artwork size: 48 x 22 inches. Artwork is in excellent condition. Certi...

Colourful Abstract Painting using Orange & Turquoise Resin on a White Canvas by 20th Century British Artist Art measures 30 x 30 inches (Unframed) Philippe Aird...

Tracey Emin Always Me (Hand signed and dated by Tracey Emin), 2004-2016 Limited edition two-sided hand bag of printed cotton canvas, leather trimmings and wool felt patchwork. Uniquely hand signed and dated by Tracey Emin in black marker 10 × 18 1/4 × 8 1/4 inches Hand signed and dated in black marker by Tracey Emin; also bears plate signature Produced by Tracey Emin in collaboration with Longchamp If you're looking for a special Tracey Emin gift that few (if any) people you know would have, and that you are unlikely to find anywhere else in the world - this is it. Tracey Emin has been internationally acclaimed for her textile work, so it is not surprising that the company Longchamp would have commissioned her to design a bespoke handbag for them. This is the only Tracey Emin Longchamp...

Kenny Scharf Val Wong Worm, 2006 Oil, acrylic, silkscreen and rhinestones on paper Signed, dated and titled by the artist on the die-cut window on the back Frame Included: elegantly ...

Antoni Clavé Untitled 2002 Collage and ink on paper Signed and dated on the lower central paerte With technical sheet of the work from Galería Gapar, dated and signed. 16,50 x 24.

Beautiful drawing by Kokian - from his more graphic and refined series. Mixed Technique on Art Paper Title and signature by the artist Dimensions 65 x 50 cm Carefully sent with the a...

Larry Bell Untitled (Fraction of Fractions), 2000 Pink, green and black painted elements with applied canvas and paper strips on French watercolor paper Pencil signed and dated lowe...

Polly Apfelbaum Color Circle and Star, 2004 Fabric Marker and Fabric Dye on Velvet Cotton Signed and dated in ink by the artist on the front with artist's inkstamp. Frame Included Si...

Artist: Peter Max. Title: "Heart" Medium: Mixed Media with Acrylic. Size: 11'' x 8.5'' inches. Edition: Original One-of-a-Kind Mixed media. Signature: Hand Signed. Condition: ...

George Dannatt (1915-2009) Travel motifs: Midi de la France Travel Ephemera, 1983 Image: 10.5 x 10.5 cm Frame: 16.8 x 16.8 cm Provenance: George & Ann Dannatt Collection/George ...

Charles Fazzino (b. 1955) I'll See Ya in Court, 2003 Limited Edition 3-Dimensional Serigraph Construction Framed: 43 x 34 1/2 in. Edition 81 of 200 Signed and inscribed bottom: 81/20...

Contemporary quilt by Welsh artist Bethan Ash. Bethan is a well published artist and her quilts have been exhibited Internationally and are in Several Museums in the USA including Museum Of Art And Design in New York. Statement: Every so often I have a break from working with strong, vibrant colours. The fabrics used in this quilt come from 1930’s...

a112007-3 is a painting on aluminum by contemporary artist Ahn Hyun-Ju which is part of the “Unfolded Lines” series. In this series of abstract works, the artist works with vibrant c...

Bram Bogart Sunday Morning 2007 Mixed Media 140 x 137 cms (55 x 54 ins) BB10401 Provenance The artist Bernard Jacobson Gallery London Jason Martin, Lond...

Homenaje al tapiz- original abstract mixed media painting. frame GRAU-GARRIGA, Josep (San Cugat del Valles, 1928 - Angers, 2011). Grau-Garriga was a Catalan artist, muralist and o...

2004 Acrylic and tubes of paint on superimposed Plexiglas plates. Edition of 99 copies + 40 EA + 30 copies I/XXX à XXX/XXX. Signed and numbered x/99 lower right. Referenced in the A.R.M.A.N. Foundation No. 5944 Referenced in the Denyse Durand-Ruel Archives under No. 10.508. Arman is a Franco-American artist best known for his unique style of found object sculpture known as accumulations. Inspired by the philosophy and aesthetics of Dadaism, he brings together forks, instruments and teapots in display cases. A member of Nouveau Réalisme alongside Yves Klein and Jean Tinguely, among others, he responds to the emergence of Pop art through his own critique of consumption, waste and mass production, particularly in his series "Poubelles" in the early 1960s. For his famous and monumental sculpture "Long-Term Parking" (1982), the artist piles up 60 cars...

Ink, gouache and collage 20.00 cm. x 20.00 cm. 7.87 in. x 7.87 in. (image) 31.50 cm. x 31.50 cm. 12.4 in. x 12.4 in. (frame) Certificate of authenticity LCD7184

Paula on the beach is a contemporary artwork realized by John Isaacs in 2003. Chromogenic print mounted on aluminium The artwork includes the certificate of authenticity signed by ...

Artist: Eduardo Arranz-Bravo, Spanish (1941 - ) Title: Cosmos 4 Year: 2003 Medium: Acrylic and Mixed Media on Paper, signed and dated Paper Size: 15.5 x...

Jayashree Chakravarty Weed Flowers Acrylic, Tea Stain, Graphite on Paper 22 x 30 inches (Unframed & Delivered) In Weed Flowers, she conjures a visceral landscape teeming with organi...

Marilyn Minter Merry Merry: Limited Edition Large Christmas Stickers, 2007 One oversized sheet of die-cut vinyl stickers which rolls up and ships in a tube with original tube from ar...

Screen print in colors, on two sides of cut aluminum, mounted on a metal stand and base. Hand singed by Alex Katz on verso. Hand numbered 2/35 on verso (there were also 7 artist's ...

Wonder Valley (29 Palms, CA) - 2008 125x154cm, Edition of 5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, artist inventory nu...

Red Grooms Redgrooms, 2004 Hardback monograph with 3-D sculptural pop-up (signed and numbered in red marker on the artist's designed book plate) Signed and numbered 101/400 in red marker on the artist's designed book plate 13 × 10 × 1 1/2 inches Makes a superb gift! Lavishly illustrated with a pop-up/multiple taken out of the book with its signed & numbered label is often removed, exhibited under plexiglass, and sold separately for several thousand dollars. This fully pre-assembled pop-up with integral base at rear is a re-working of Grooms' iconic New York Taxi of 1986 - which in turn was based on his earlier giant Ruckus NY taxi sculpture...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

Santi Moix Consilience, 2009 Crayon and pencil on paper Signed and dated 2009 in crayon on the front Unique Frame included Provenance: the Artist and Kasmin Gallery This exquisite, u...

Sunil Das - Bull Mixed Media on Paper 30 x 20 inches, 2007 ( Unframed & Delivered ) Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Extremely successful right f...

Add joy and character to your space with this one-of-a-kind three-dimensional mixed media artwork featuring a mosaic flower and the word “LAUGH” at its center. Crafted from textured ...

white willow, silver plaited pins

mixed media on canvas

Jenny Holzer USE WHAT IS DOMINANT IN A CULTURE TO CHANGE IT, 2003 Hand Blown Glass Bowl 4 × 10 × 10 inches Edition 68/200 Signed and numbered 68/200 on the underside with Holzer's in...

Dancers is an artwork realzied by Marco Lodola, in 2001. Perspex and Neon, cm. 140x95x12. Certificate of authenticity by the Artist on Photograph. Excellent conditions.

Nele Zirnite (1959) 2003 Associate Professor, Art Department, the Latvian Christian Academy 2000 M.F.A., the Latvian Art Academy 1995 – 2003 Lecturer, Graphic Arts Department...

Nele Zirnite (1959) 2003 Associate Professor, Art Department, the Latvian Christian Academy 2000 M.F.A., the Latvian Art Academy 1995 – 2003 Lecturer, Graphic Arts Department...

1194A George Dannatt (1915-2009) Preliminary Dartmoor 1996 Etching Ed 1 of 1 Image: 29.5 x 20.6 cm Frame: 45.0 x 35.5 cm Provenance: The Estate of George & Ann Dannatt/George Dannat...

Minimalist Mixed Media Botanical Study Painting Botanical "Branch #1" This mixed media painting by Derek James Lynch (American, b. 1959, 2003 presents a botanical study rendered in ...

Satish Gujral - Untitled Pencil on Rice Paper 32 x 22.5 inches, 2006 ( Framed & Delivered ) A refined pencil drawing by Satish Gujral on rice paper, portraying a fisherwoman in moti...

Jennifer Losch Bartlett #7 (Glass Houses), 2000 Mixed Media: 3D Sculpted plate glass over silkscreen grid on baked enamel and steel plate, housed in a box frame Signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Unique Frame included Floated and framed in a museum quality white wood frame with UV plexiglass and a die-cut window in the back revealing the artist's original label and signature Provenance: The original owner acquired this work directly from the artist; bears the artist's bespoke studio label and signature This unique, exceptional 3-D mixed media work is signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Measurements: Frame: 15.75 x 15.75 x 2 inches Artwork: 12 x 12 inches About Jennifer Bartlett: By the mid-1970s, Jennifer Bartlett (1941-2022, b. Long Beach, California) had emerged as a leading American artist of her time—particularly following the landmark presentation at Paula Cooper Gallery of Rhapsody (1976), Bartlett’s magnum opus, now in the collection of the Museum of Modern Art, New York. Bartlett’s first survey exhibition was held in 1985 at the Walker Art Center, Minneapolis, and traveled to the Brooklyn Museum, New York, and the Carnegie Museum of Art, Philadelphia, among others. In 2006, the Addison Gallery of American Art surveyed Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013-14, Klaus Ottmann curated her second traveling survey, which visited the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum, New York. In 2014, the Cleveland Museum of Art united her three monumental plate...

George Dannatt (1915-2009) Travel motifs: España Travel Ephemera, 1983 Image: 10.5 x 10.5 cm Frame: 16.8 x 16.8 cm Provenance: George & Ann Dannatt Collection/George Dannatt Tru...

John Baker’s “Forest Embrace” is an acrylic painting on canvas with collage 38.5 x 26 inches in a rich variety of greens, silver greys and whites, with blue and yellow accents, is fr...