Horizontal Interior Paintings

"Promenade" Landscape in Oil on Masonite Spring landscape by Richard M. Bacon (American, 20th Century). A woman with a parasol is walking her dog on the other side of a hedge with b...

This work symbolizes our wonderful, beautiful and fragile, like a crystal world. The magic field of solar dandelions from which it is impossible to take your eyes off. A short moment...

Discussing Ailments by ALEXANDER AUSTEN (1859-1924) signed with monogram oil on canvas, framed framed: 13.5 x 17 inches canvas: 9 x 12 inches Provenance: Private collection, Yorkshir...

For those who love the sea, any wave is the most beautiful. Every moment of the sea element is unique. He is unique and unique and this wave is also unique because it lives only for ...

This artwork is a passionate symphony in oil, where expressive strokes and vibrant hues of red capture the essence of emotion and movement. It blurs the lines between realism and exp...

The Favourite Hat by S. Lenormand (French 20th century) signed to the front and back, titled and dated 1992 oil painting on canvas, framed canvas: 25.5 x 31.75 inches framed: 31.75 x 38 inches Painted with beautifully deep and rich colors, this vibrant French oil painting captures this kitchen table interior scene Fresh flowers and fruit sit on the surface whilst a favourite hat is casually perched on the old wooden chair...

In this dance of blues and whites, I've poured my soul into the wild embrace of the ocean's foam. Every stroke captures the relentless power and ethereal beauty of the waves. It's an...

Richard Andres (American, 1927-2013) Erie Shore, c. 1975 acrylic on canvas signed lower right, signed and titled verso 50 x 72 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

The paintings are drawn with oil on the canvas with stretcher Dreams on a moonlit night. A fantasy landscape in the naiv style. Wonderful, happy moments in life when you don't want ...

Richard Andres (American, 1927-2013) Untitled, c. 1949 oil on canvas 18 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Mid Century Modern Oil Painting Canvas 48 x 71" Teal Pink SPECIFICATIONS: - Fine art canvas - Professionally hand stretched over 1 ½" deep wood stretched bars. The edges are painted...

Les Nabis inspired French mid century oil on canvas of a family in an interior scene by Léon Nancey. Though not signed the painting was acquired directly from the artists atelier. ...

This piece titled "One Real Thing" is an original artwork by Katherine Fraser and is made of oil on canvas. This piece measures approximately 36"h x 46"w and is shipped in the pictur...

Les Blanches Roses by Louise Derival, French early 20th century signed oil on canvas canvas: 26 x 26 inches provenance: private collection, France condition: very good and sound cond...

In this oil painting, I've captured an intimate dance of grace and elegance. The natural fluidity of movement and the tender connection between these creatures embody harmony and ser...

A thoroughly charming original acrylic on canvas painting by American folk art artist James C. Litz. Perfect as a holiday gift or a wonderful adornment for your own home, this impo...

Artist/ School: French School, indistinctly signed lower left, dated 1999 Title: The Bar Interior, lovely conversation piece. Medium: oil painting on board, unframed Size: boar...

Work on wood Brown wooden frame 49 x 58 x 4 cm

Adam Patrzyk (Polish, b. 1965) Untitled (Interior), 1995 Oil on canvas 19 3/4 x 23 3/4 in. Framed: 19 1/2 x 23 x 1 3/4 in. Signed lower right: A Patrzyk Signed and dated verso Adam ...

Late 20th Century oil on board still life of fruit and flowers in an interior by Bill Brown. The painting is signed and dated bottom right and titled and re...

"Santa Fe: Blue Red Yellow Abstract Oil Painting" Step into the enchanting realm of "Santa Fe," a captivating abstract oil painting that ...

A charming depiction of 19th-century French figures in the formal reception room of a French château. Unsigned. Presented in a gilt frame with a painted inner window. On canvas.

Acrylic and enamel on Canvas The dance of colors generates a scene of great beauty. The strength of the movement and the shapes created with its colors convey a dream towards realit...

Jan Rijlaarsdam, Dutch 1911 - 2007 Hand signed lower right Sight size: 23.5"h x 31.5"w Overall: 33"h x 40.25"w Jan Reylaarsdam was a Dutch Postwar & Contemporary painter who was born in Holland in 1911. He is known for Architectural Townscape, factory, industrial site and figure painting. A student of Albertus Gerhard Hulshoff Pol (1883-1957), a well-known painter and art teacher. The painter and draftsman was born in Nieuwkoop, but moved with his parents to Hilversum in 1924, where they opened a dairy. Jan delivered orders by bicycle and, during his travels, stumbled upon Dekker, a frame shop, where he met local painters and their work. There, he learned the framer's trade and, in his spare time, drew buildings and industrial complexes in Amsterdam. A painter of towns, figures, factories and industrial sites at the border of the cities and Parisian cafe scenes. Rijlaarsdam received a Royal allowance. He painted in a figurative expressionist style. Influenced by George Hendrik Breitner, a leading figure of Amsterdam Impressionism, as well as Willem Witsen, Eduard Karsen and Willem de Zwart. He was among the group of painters who depicted daily life in Amsterdam. In 1928, he cycled to Bruges and Antwerp, Belgium to further develop his drawing skills. He returned there regularly. He gradually gained recognition, and in 1932, he received a Royal Grant, which allowed him to pay for lessons. He joined various painting associations in Hilversum, Amsterdam (Sint Lucas), and the Gooi region. His work has a distinctive style. It wasn't until the 1950s that he finally visited Paris, France. An informal member of the "École de Paris" School of Paris. This became his favorite destination; the vibrant Parisian city life drew him in. Later, Rijlaarsdam also spent a lot of time in Spain, especially Barcelona where he was exposed to the works of Pablo Picasso and Salvador Dali. Jan Rijlaarsdam left behind an impressive and highly versatile oeuvre, encompassing styles, materials, and techniques. Ranging from realistic to impressionist and expressionism, with even forays into abstraction and abstract expressionism. Rijlaarsdam consistently managed to surprise. Jan Rijlaarsdam's favorite subjects were gathering homeless people and prostitutes in cafés. In the tradition of Isaac Israëls and Henri de Toulouse-Lautrec, he was a true interpreter of city life. He was a member of St. Lucas, an art society in Amsterdam, The Gooise Art Society and the Society of Figurative Art in Hilversum (Vereniging van Beeldende Kunst). Works by Rijlaarsdam are in possession of the Singer Museum in Laren. The artist died February 16, 2007 in Baarn, Netherlands. He showed and has been exhibited with Jan Knikker, Jean Lucebert, Henk Bos, Aris Knikker, Gustavo Novoa, Juan Bayon Salado, Marie Henrie MacKenzie, David Schulman, Michel Henry, Dirk Herman Willem Filarski, Karel Appel, Willem Van Den Berg, Jan Wittenberg, Freek Van Den Berg, Cornelis Noltee, Arnout Colnot, Matthieu Wiegman, Harm Henrick Kamerlingh Onnes, Jan Sierhuis...

A really striking and stylish large still life by this Modernist master. René Genis (1922-2004) Pot Bland et poivrons Signed and further signed to reverse and inscribed with the tit...

Initialed lower right, 'A.E.M.' for Anthony McNaught (American, born 1952); additionally signed verso, 'Anthony McNaught', titled 'Still Life with Green Jug', and dated 2019. This California Post-Impressionist artist studied at the Esalen Institute with Erin Gafill and Tom Birmingham...

The artwork "Vigorous Mompreneur" by Akande John is a striking representation of the strength and resilience of women in the marketplace. The painting depi...

"Dawn on Kukul" is a canvas that embodies the amazing beauty of the Carpathian Mountains, which inspired the artist to create this painting. In 2021, during a trip to western Ukraine...

Painting: Acrylic on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para crear una te...

An impressionist still life painting. The seat and back of an antique wooden chair are centered in the composition. On the colorful seat of the c...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

With each brushstroke, I sought to capture the essence of wild, untamed beauty. This piece, alive with color and emotion, embodies the vibrancy found in nature's own canvas. Each pop...

In this vibrant oil painting, I've captured the raw power and perpetual motion of the ocean. My brushstrokes are alive with the energy of the frothing waves, beckoning the viewer to ...

Vibrant Colorful Abstract-0-74,' an exquisite piece of Mid Century Modern Art by the acclaimed artist Irena Orlov. This is more than just a work of art; it's a limited edition Gicle...

Vibrant Colorful Abstract-0-14,' a captivating piece of state-of-the-art HAND EMBELLISHED artwork by the talented artist Irena Orlov. This Giclee Reproduction is a true masterpiece,...

Marta Rynkiewicz is a young Polish artist born in 1983. She studied painting with Professor Henryk Czenik and graphic arts with Professor Jerzy Krechowicz, at the Faculty of Paintin...

In this dance of blues and whites, I've poured my soul into the wild embrace of the ocean's foam. Every stroke captures the relentless power and ethereal beauty of the waves. It's an...

In creating this piece, I poured my soul into capturing the majestic serenity of nature. Every brushstroke of oil paint is a testament to the breathtaking beauty of the landscape, bl...

Vibrant Still Life signed by René GUINAND (1892-1983) dated 1967 oil on board, unframed Board: 13 x 16 inches Provenance: private collection, France Condition: very good condition D...

Fun and colorful contemporary Fauvist interior scene of a black cat lounging on a red couch in a brightly hued room in primary colors, by Jonathan Taylor (American, b.1966). Signed "J. Taylor" in bottom right. Displayed in a giltwood frame. Illustration board size: 16" H X 20" W. Artist Jonathan Taylor was born in 1966 and was raised in Bar Harbor Maine...

This fantastic British 1940's Impressionist figurative interior oil painting is by noted artist Leonard Fuller. Painted circa 1940, the colourful composition is looking into a long, ...

In creating this piece, I strove to capture the fleeting beauty of a sunset beach scene, emphasizing the deep, emotional connection between the figures and the vast, soothing expanse...

A charming domestic scene depicting a fisherman and his wife in a coastal interior. The man perches on a chair, pipe in mouth, reading a paper while his wife tends to a tangled fishi...

Urbain Huchet (French, 1930-2014) Title: Jeune Fille de Dos aux Cheveux Rouges (Young Girl From The Back With Red Hair) Date: c. 1998 Dimensions: 61.5"L x 2"W x 49.5"H canvas is 36.5 x 48.5 by Urbain Huchet is a striking impressionist oil on canvas depicting a seated young woman, perhaps a ballet dancer, viewed from behind, her red hair and relaxed posture rendered in fluid, expressive brushstrokes that evoke both intimacy and abstraction. The artist's palette of warm ochres, blush tones, and earthy greens, paired with his gestural application, creates a contemplative atmosphere, characteristic of Huchet's post-impressionist style. This work is an homage to Edgar Degas, Pierre-Auguste Renoir and Henri de Toulouse-Lautrec. Masters of an earlier generation who painted this theme. The painting is elegantly housed in a richly detailed custom frame featuring a gilded inner trim and a unique design of gilded nude figures, intertwined and enmeshed into one another, an artistic embellishment that deepens the sensual undertone of the composition. Urbain Huchet, known for his romantic portrayals of figures, landscapes, and coastal scenes, was a widely exhibited French painter who trained in both economics and art, traveling extensively and drawing inspiration from locales such as Brittany, Venice, Istanbul, and South America. His works were frequently shown at the Salon de la Société Nationale des Beaux-Arts in Paris and are held in numerous private and public collections across Europe, the United States, and Japan. Signature and title on verso. Urbain Emmanuel Huchet was born in Rennes, France on April 28, 1930. Known for his modernist marine, cityscape, figure and genre painting. After studying law and owning a textile factory for four years, he decided in 1960 to devote himself entirely to painting. Mr. Huchet spent his first three years as an artist in Pont-Aven, following in the footsteps of the Post Impressionist, Paul Gauguin, and Symbolist, Emile Bernard, both of whom influenced him a great deal. In 1963, he moved to Paris, catching the travel bug. He journeyed throughout Europe and the Middle East, spending time in Indian markets, visiting Peru, Mexico, Egypt, and every beautiful country he could, finding inspiration in each place. He painted the scenery of each locale, culminating in a book to document his experiences. His works are typified by a fluid and free, gestural approach to both form and color, and they are immediately recognizable. He is adept at both painting oil on canvas and watercolor, and is an accomplished lithograph artist. His subjects are diverse, but are primarily a reflection of the landscape of the Brittany region as he has a profound love for the coast. His wonderful depictions of circus performers, vineyard workers having lunch, farmers, cabaret musicians and everyday people were strongly influenced by his adventures and sojourns in foreign lands. Urbain Huchet has been an exhibiting artist since 1960. He has had exhibitions in New York, London, New Orleans, Egypt, and Paris. He has exhibited at Park West Galleries along with Yaacov Agam, Alvar, Fauvist artist Emile Bellet, Romero Britto, Slava Brodinsky, Pierre Eugene Cambier, Claude Cambour...

"I grew up as the middle of five kids. We would yearly visit my grandmother in Alabama and later in Tennessee. She was an artist and her house was full of paintings, which was format...

Hydrangea Garden – Original Oil Painting on Stretched Canvas Impasto Technique Palette Knife Floral Cottage Landscape Step into a scene of timeless serenity with “Hydrangea Garden...

original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa de las Pelicula...

Painting: Acrylic on Canvas. When a woman kisses in blueOriginal painting made in acrylic on canvas of high quality fabric. Painting of large dimensions. Painting wants to transmit ...

Painting: Acrylic and enamel on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para c...

Stuart Dunkel has spent decades refining his hyper-realistic style. He paints realistic imagery based on real-world inspirations. His paintings show that everyday objects can be fasc...

Original artwork description: * 2 pieces diptych * Original unique artwork * Ready to hang with the edges painted. * Size: 160x80X2 cm - 2 PCS of 80x80x2 cm, 63x31.5x0.8 inches - 2 P...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

An original vintage oil painting by Swedish artist Uno Bornemark. This vibrant and fluid work shows a busy restaurant with figures waiting to be seated a...

Artist: Kera Geometric abstraction, contemporary painting in yellow, pink, blue Medium: Acrylics and spraypaint on wood, framed in thin wood frame. Size: 90 x 180 cm Original p...

FIGURE AND FLOWERS Size: 54 x 65 cm (including frame) Oil on board A serene mid-century modernist style painting that depicts a quiet, intimate interior moment, executed in oil onto...