Horizontal Interior Paintings

White Orchid by René GUINAND (French, 1892-1983), signed oil on canvas, in a wooden frame Framed: 33 x 25 inches Canvas : 32 x 24 inches Inscribed verso Provenance: private collectio...

Kirsten Jackson creates vibrant abstract paintings filled with sunny color blocks, showcasing her contemporary and original style. Fiercely independent, this Australian artist aims t...

Eric Hallström (1893-1946) Swedish Party Time pastel on paper signed Eric Hallström image dimensions approx 19.29 x 23.22 inches (49 x 59 cm) frame 26.37 x 30.70 inches (67 x 78 cm...

Tranquil XXI - Large Pallet Knife Relief Blue Gradient Abstract Painting ia a spectacular huge XXXL original abstract artwork from the Tranquil serie. This artwork is shipping UNMOUNTED and ROLLED UP in a tube so you can stretche it easily at your local framer. The technique I used is: stretched...

"In creating this painting, I infused my passion for nature's raw beauty and the tranquility of open meadows. The expressive strokes of oil paint capture the warmth of sunlight cares...

A summer landscape with sunset and water is a great decoration for any interior. Evening is a momentary state of nature, but it's amazing at the same time. Dawns and sunsets always ...

Framed size: 34 x 42 cm (13.4 x 16.5 in) – Natural wood floater frame or black colector choice Oil on canvas – size unframed 27 x 35 cm (10.6 x 13.8 in) Signed original – Ready to ha...

Signed and titled still life oil on canvas circa 1898 by French post impressionist painter Albert André. The work depicts a still life scene in an interior. A glass bowl filled with ...

"Still Life" by Geneviève Zondervan (French 1922-2013) oil painting on board, stamped verso board: 15 x 18 inches Original oil painting on board by the French artist, Geneviève Zon...

'La Toilette' by Mogens Hertz, 1953. Seated Nude, Paris, Royal Danish Academy, Charlottenborg, Benezit ---- Signed lower left, 'Mogens Hertz' (Danish, 1909-1999) and dated 1953. A...

Les Carreaux Anciens Patrick Le Flohic, French (1952) Oil on canvas, signed lower left, titled on verso Size: 44.5 x 57.5 in. (113.03 x 146.05 cm)

French School, mid 20th century Still life of books oil on board unframed board: 10.5 x 13.75 inches provenance: private collection, France condi...

Work on canvas

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Turquoise, Green, Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhol...

Louis Charles Moeller A Toast Signed lower right Oil on canvas 12 x 16 inches Louis Charles Moeller was a master of American genre painting. His meticulously detailed, highly finish...

Reading Quietly, oil on canvas, 76 x 100cm, I am very fortunate to have a studio with lots of windows and so have lots of beautiful sunlight pouring in. I can understand why artists...

Vintage American modernist still life oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent condition,...

This is a one of a kind original painting by southern California artist, Leslie Winokur. Its dimensions are 20" x 10" x 1" (HxWxD). It is oil on linen. ...

In crafting this piece, I sought to capture the ephemeral beauty of nature's awakening. Each brushstroke embodies the vivacity and energy of new beginnings, weaving a dance of color ...

“Still Life, 1936” by Katharine "Kitty" Duff Church (British, 1910-1999). This large, early painting by Katherine Church is among her finest canvases of the period. Characterized by its bold color palette, simplified forms, and expressive brushwork, this composition centers around a tabletop adorned with various objects: potted plants, a ceramic dish, bottles, and what appear to be books or papers. The two potted plants provide contrasting elements: on the left, what appears to be a cyclamen with red blossoms and delicate leaves, and on the right, a lush green plant with darker foliage. These plants, painted with loose, textured strokes, add an organic quality to the otherwise structured arrangement. The tabletop is cluttered yet thoughtfully composed, featuring additional objects like a clear, faceted glass bowl, a small bottle, and books or pads in striking red and green. The dynamic use of color blocks and the juxtaposition of shapes (round pots against rectangular books) create a sense of rhythm and harmony. The background is darker and less defined, emphasizing the brightly lit tabletop. Church's brushwork is gestural and modernist, leaning toward abstraction, challenging traditional still life conventions. This painting reflects Church’s interest in balancing everyday objects with bold artistic expression. It conveys both the simplicity and complexity of daily life, transforming an ordinary moment into a vibrant and engaging work of art. This work is oil on canvas and is signed and dated in the lower right. It is housed in its original gessoed frame and retains various labels and inscriptions on the reverse. Size: 28.25 inches tall by 36 inches wide (painting) 34 inches tall by 42 inches wide by 2 inches deep (frame) Provenance: Private collection, NY; Acquired from the above About the artist: Born in Highgate, north London, Katharine Church, known as ‘Kitty’ amongst friends and family, always wanted to paint. She trained at the Royal Academy of Arts between 1930-1933 and at the Slade between 1933 and 1934. In her early years Kitty exhibited regularly at the Royal Academy. Her first solo exhibition was in 1933 at the Wertheim Gallery. Other artists who exhibited there included Christopher Wood, Victor Pasmore and Cedric Morris. Kitty also showed with the New English Art Club, the London Group and between 1937-1947 her work was exhibited at the influential Lefevre Gallery, which supported avant-garde artists such as Henry Moore, Ben Nicholson and Barbara Hepworth. In 1954 the artist was invited to take part in the Figures in their setting exhibition held at the Tate Gallery. Henry Tonks and Philip Wilson Steer had a strong influence on Kitty’s early work, but it was her friendship with Ivon Hitchens that liberated her painting technique. In 1936 Kitty married Anthony West, the son of writers Rebecca West and H.G. Wells. The couple initially lived in London before moving to Quarry Farm, Chicksgrove, Tisbury, near Salisbury, where they brought up their children Caroline and Edmund. There they hosted many of their friends, including the New Zealand painter Frances Hodgkins. Other regular visitors before the War included John and Mywafany Piper, Ralph and Frances Partridge, Noel and Catharine Carrington, Julian Trevelyan and Mary Fedden. For many of those who visited Kitty would organise painting expeditions. After the war Kitty and Anthony separated, with Anthony moving to the United States. Anthony West moved to the United States to work as a journalist for The New Yorker. In the early years after their parting Kitty visited most years with the children. In the 1960s Kitty purchased Sutton House and ran the Hambledon Gallery at Blandford Forum. There she promoted the work of her early art-school friends Mary Fedden and Julian Trevelyan, alongside work by the Pipers, John Craxton...

This still-life painting by George Weissbort exemplifies his mastery of classical realism and meticulous attention to detail. The composition is elegantly restrained, featuring a rus...

Still life "Wine with Orange" by Claude (Charles Claude) Buck (1890-1974). Signed lower left. Artist's notes and color scheme on verso. Displayed in rustic giltwood frame. Image, 14"...

Yesterday Evening  " To me only our dishwasher seems to lend its self to painting. Its something to do with the angle of the light from the widow and it being tucked in a corner. Th...

Antique American modernist interior scene oil painting. Oil on canvas. Framed.

This piece titled "Nine Lives VIII" is an original artwork by Katherine Fraser and is made of oil on canvas. This piece measures approximately 23.5" x 27.5"...

2023 I – 8 (Variations on Red) is a unique textile (double weave, handwoven cotton stretched on frame) artwork by contemporary artist Christiane Maurer, dimensions are 42 × 48 cm (16...

2023 I – 9 (Variations on Red) is a unique textile (double weave, handwoven cotton stretched on frame) artwork by contemporary artist Christiane Maurer, dimensions are 42 × 48 cm (16...

Title: Modern French Figurative Oil Painting Reclining Nude on a Sofa with Blue Blanket by Bernadette Kelly (French b. 1933) Unsigned Mediu...

Valley House Gallery is honored to present a selection of paintings from the estate of American artist, John Hartell (1902-1995). John Hartell taught two disciplines at Cornell University in Ithaca, New York: freshman architecture and graduate painting. He was a much-loved professor there from 1930 until his retirement in 1967; one of his most illustrious students is the architect Richard Meier. As an artist, Hartell's first solo exhibition was in 1937 at Kleeman Gallery in New York. He exhibited at Kraushaar Galleries in New York for four decades, beginning in 1943. The Hartell Gallery at Cornell University, under the Sibley Dome, is named for him. In describing John Hartell, the artist Michael Boyd...

Landscape. 1937, oil on cardboard, 34x40 cm Reinhold Kasparsons (born 13/9/1889 in Cēsis, died 14/1966 in Riga), painter. Born in a craftsman's family. Studied at Nītaure school, a...

In this oil painting, I've captured the transient beauty of blossoms, conveying a blend of vitality and tenderness. My brushstrokes reflect the impressionism's play with light and ex...

A superb British Old Master oil painting which is attributed to circle of William Hogarth and was painted circa 1760. This fine oil painting is in ...

Jonathan Pratt British, (1835-1911) Spinning Wool Oil on canvas, signed Image size: 12 inches x 17.75 inches Size including frame: 17.25 inches x 23 inches A pleasing genre paintin...

Poledne Franz Vienna 1873 – 1932 Austrian Painter 'An Interior of a Hunter' Signature: Signed bottom right Medium: Aquarelle Dimensions: Image size...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

This superb Victorian animal portrait oil painting is by noted listed artist Carl Suhrlandt. Painted in 1884 it is a lovely portrait of a cat and dog in a living room at supper time....

Artist/ School: David Wilkie Wynfield (1837-1887) British Title: Elegant Figures in an Interior Medium: oil painting on canvas, framed. Indistinctly Ins...

Inspiration by light 6. The deep, mysterious ocean beckons to reveal its secrets. Warm water, small waves, tranquil views, the sparkle of the ocean, and sun glare on the water create...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. A luscious plum, its dusky mauve skin infused with hints of de...

The Cottage Interior English artist, 19th century oil on canvas, unframed canvas: 24 x 36 inches provenance: private collection, UK condition: a few small scuffs to the surface and m...

Very decorative animal scene of two dogs in an interior surprising a cat walking towards them. Grover Hawking was a late 20th-century painter active in New Jersey and Long Island. ...

An oil painting of a woman seated at a desk, writing in a journal. A Neutral palette feels warm and intimate. Wildflowers are gathered in a vase on the table. She wears a sweater, su...

Flower Sketches by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 13 x 19 inches good condition provenance: from...

In my creation, I've captured the wild essence of freedom and the dynamic energy of life. Through vigorous strokes of acrylic and oil, I've melded expressionism with impressionism, g...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

JOSÉ VILLEGAS Y CORDERO Spanish 1844 - 1921 "The Florence Sisters" signed "Villegas" (lower left) oil on canvas 33-1/2 X 40-1/2 inches (84.5 X 102.5 cm.) PROVENANCE Private Collector, Seville, Spain José Villegas Cordero (Seville, August 26, 1844-Madrid, November 9, 1921) was a Spanish painter. He directed the Prado Museum between 1901 and 1918. Biography He was the brother of the painter Ricardo Villegas Cordero. He began his apprenticeship very young with José María Romero, with whom he remained for two years until entering the School of Fine Arts in Seville, where he was under the tutelage of Eduardo Cano. In 1860, when he was only 16 years old, he sold his work Little Philosophy for 2,000 reais at the Seville Exhibition. In 1867 he traveled to Madrid, where he entered Federico Madrazo's studio. There he established friendship with painters Eduardo Rosales and Fortuny. He went regularly to the Prado where he copied Velázquez, from whom he acquired spontaneity and the use of color for his technique. Finally, and out of admiration for Fortuny's orientalist painting, he returned to Seville and organized an excursion to Morocco. At the end of 1868 he decided to travel to Rome accompanied by the painters Rafael Peralta and Luis Jiménez Aranda...

Circle of Maratta, Maria and Child, in a Roman 18th century hand carved and gilded wooden frame, uncut Images of the Virgin and Child were for centuries the most common subject for Christian religious...

“Summer Bouquet” – Vibrant Floral Impressionist Painting on Canvas Bring the beauty of summer into your home with this stunning hand-painted floral artwork titled “Summer Bouquet.” ...

Autumn Gift - Seasonal Harvest Still Life with Flowers by Albin Kern. This still life by Austrian-American painter Albin Kern (b. 1884, d. 1975) depicts a seasonal spread of gourds...

READY TO HANG WITH THE EDGES PAINTED. This beautiful modern abstract is 100% handmade painting, made with professional varnished acrylics and Amsterdam acrylic sprays on stretched h...

Artist/ School: French School, circa 1960's, stamped verso Title: Still life Medium: oil painting on canvas, unframed canvas: 6.25 x 8.25 inches Provenance: private collection, F...

Expression 48 – Large Abstract Acrylic Painting (100x140 cm) Immerse yourself in the rhythmic energy of Urban Echoes, a bold and vibrant abstract painting that captures the pulse of...

A large and elegant still life with grapes and pears on a table which also features a pristine white bowl and a candle stick. Painted with simplicity, clarity of structure, and restrained emotion, this is a superb modernist work by Jean Chauffrey (1911-) dating from circa 1950. At the time, Chauffrey had a contract with mythical Paris art dealers...

Mickey Finn Youth Club, 1951, oil on Masonite, signed and dated lower right, signed, titled and dated verso, 20 x 24 inches, presented in an older frame Edgar Kiechle was a Los Ange...

Alfred BRUNEL NEUVILLE (1852-1941) Interior with cats Oil on canvas signed low right Old frame re-gilded with gold leaves Dim canvas : 54 X 75 cm Dim frame : 74 X 85 cm Alfred BRUNE...