Horizontal Interior Paintings

Antwerp school Attributed to Gerard Thomas (Antwerp 1663-1720) with the collaboration of Balthazar van den Bossche (Antwerp 1681-1715) The doctor's office Gerard Thomas was a late ...

Still Life of Fruit within a Wicker Basket Jonny Gaston, British 20th century signed and dated/ inscribed oil on board, framed framed: 15 x 23 inches board: 10 x 18 inches provenance...

‘Piano Lesson’ By artist 'Virginia Campbell', 20th Century Signed and dated '1980' verso Oil painting on board, unframed Board size: 10 x 14 inches Eleg...

Vaclav Vytlacil Woman Reading in an Interior, circa 1915 Signed lower right Oil on canvas 16 x 20 inches As a child, Vytlacil had taken art classes at the Art Institute of Chicago....

The Kitchen Interior French, circa 1930's oil painting on board, unframed board: 9.5 x 13 inches condition: very good provenance: private collection, France

After the painting by John Lomax,who was an English genre painter The scene is great fun, as we can see different groups all enjoying the Classic English Pub interior...

Private readings - Angelo Granati Italia 2013 This is his reinterpretation of a greatest old master painting "Comparisions"by Sir Lawrence Alma-Tadema. ...

A dynamic, colorful 1930s painting of a boxing match in Mexico by famed Chicago Modern artist Francis Chapin. Painted during one of the artist's early trips to Mexico, an exceptional painting showing Chapin's steadfast interest in sporting scenes, particularly boxing matches. Image size: 12 x 28 inches. Framed size: 15 1/2 x 31 1/2 inches. Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington and Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Terriers Ratting in the Barn by Frank Cassell (British 1862-1908) signed and dated 1889 oil on canvas, framed framed: 14.75 x 19.75 inches canvas : 12 x 16 inches Provenance: private...

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

Painting: Acrylic and enamel on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para c...

Mid Century Carmel Cypress Plein Air Landscape in Oil Pastel by Genevieve Rogers Two wind-sculpted Monterey cypress trees cling to rugged coastal bluff...

Lucienne Lemercier was a French painter from the latter part of the 19th century through the early 20th century. She came from a family of creative people and took to painting at a...

Sunny lilacs painting is a beautiful home decor, purple flowers of blooming tree will fill your home with a wonderful aroma and give you only a good mood. This painting is one of the...

Alson Skinner Clark (American, 1856 - 1949) Signed: Alson Clark (Lower, Left) " Morning Sunlight in The Patio " Mission San Fernando Oil on Canvas 30" x 32" Housed in its original 3 1/2" Newcomb...

Open window to the city in spring, light, roofs, City, Interior MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Signature in the bottom right corner. Maya kopitzeva’s works have bee...

Bernard Blommers 1845 – The Hague – 1914 Dutch Painter 'First Steps' Signature: signed lower right 'B/Blommers' Medium: oil on canvas, ca. 1865 Dimensions: image size 56,5 x 76,5 c...

Floral Still Life French Impressionist, circa 1930's by Lucien Martial, signed oil on canvas, unframed canvas: 24 x 32 inches provenance: private collection, France condition: very ...

This charming British Victorian oil painting is by noted artist Albert Chevalier Tayler. Painted in 1896 the composition is four women in a sitting room. One young woman is holding u...

Signed figures in interior oil on canvas circa 1920 by sought after French impressionist painter Edouard Leon Cortes. This charming and nostalgic work depicts a family in a typical Breton kitchen scene. An elderly lady is seated at the table with her back to the artist and a young girl also sits at the table beside a bowl of oranges and a carafe of red wine. Another lady stands at the table under the light of the lamp. Signature: Signed lower right Dimensions: Framed: 29.5"x34" Unframed: 21.5"x26" Provenance: Salon des Independants - 1922 exhibition Galleries Maurice Sternberg - Chicago Original artists label with title and number "9" on the reverse. Edouard Leon Cortes, the son of the painter Antonio Cortès, was sent to the front during World War I to sketch enemy positions. In civilian life, his base was in Lagny in the former studio of Cavallo-Peduzzi. Although he travelled extensively in France. Notably in Normandy, Brittany, the Champagne region and Savoy painting...

Jozefina Kirchner (1890–1931) "The Pincio Fountain in Rome" (1923)** This atmospheric oil painting on canvas by Jozefina Kirchner, completed in 1923, captures a captivating view of t...

Ionic Column Capital Graphite, wash, gouache and gum arabic, 4 Fev 57 (Feb 4 1857) Signed and dated lower right (see photo) Ionic columns are a classical architectural style characte...

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Ready to hang with the edges painted A beautiful large modern abstract painting, 100% handmade, made with professional varnished acrylics and Amsterdam acrylic sprays on stretched h...

5158 Antique American oil painting straberries in a basket interior scene Late 19th century

I poured my heart into capturing the delicate dance of morning light filtering through the trees, awakening the blue blooms below. This original oil painting embraces both vibrant ex...

Leigh Ann Van Fossan's "Breathe in the Warm Salty Air" is an original acrylic and charcoal painting depicting a blue vase with flowers next to a picturesque scene featuring a blue oc...

Cubist Still Life, Tomatoes by Michele Bardet (French mid 20th century) oil on canvas, framed in original wooden surround frame framed: 21 x 41 inches canvas : 20 x 40 inches provena...

Original oil painting on canvas. Hand signed lower front by Ferjo. Canvas image size 24 x 30 x 1 inches. Canvas is stretched. Artwork is in excellent condition. Certificate of au...

Vintage American modernist oil painting. Oil on canvas. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 23 by 29 inches overall. Handsomely framed in white wood mol...

As a psychologist, I have explored numerous practices for self-discovery. During one of the training sessions, I learned that the oak tree symbolizes a connection to family. This maj...

In this piece, I poured my emotions into the swirling colors of the pond, capturing the graceful dance of fish beneath rippling water. Using oil, I merged expressionism's boldness wi...

Bold and expressive large scale figurative abstract painting of two people conversing in a theater, with a silhouette of a third figure in the foreground, by Jane Voitle Mellin (Amer...

Charles Van Den Eycken 1859 – Brussels – 1923 Belgian Painter 'Curious Kittens' Signature: signed lower left and dated 'Ch. Van den Eycken 1900.' Medium: oil on canvas Dimensions:...

Introducing a stunning piece of artwork that captures the essence of a perfect beach day. This oil painting on canvas features a serene beach with the ocean in the background and sun...

The artwork Flowing Energy 32 is part of the Flowing Energy Collection. It is ready to hang with the edges painted and on the back will have two metallic hangers. Gallery quality. D...

Artist/ School: French School, signed lower left, circa 1970's Title: The Interior. Medium: oil painting, on canvas, framed. Size: frame: 25 x 41inches painting: 23.5 x...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas board. Work measurements 46x38 cm. Frame size 51x43 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Span...

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

An auction at Drouot's in Paris. Oil on canvas. Signed lower right. Around 1900-1910. René François Xavier Prinet (31 December 1861, Vitry-le-François – 26 January 1946, Bourbonne-les-Bains) was a French painter and illustrator who drew his subjects from middle-class society. He was born to Henri Prinet, an Imperial Prosecutor in Vitry-le-François. A promotion led to him being posted in Paris, where they lived in a home not far from the École Nationale Supérieure des Beaux-Arts. His father painted as a hobby and was supportive of his desire to study art, having him seek the advice of Louis Charles Timbal [fr], a well-known church painter and friend of the family. Around 1880, he began his studies in earnest, in the studios of Jean-Léon Gérôme; remaining with him until 1885. That year, his painting "The Infant Jesus" was accepted for display at the Salon. This was followed by studies at the Académie Julian. At this time, he also became associated with a group of young artists known as the Bande Noire (Black Stripe), which included Lucien Simon, André Dauchez...

Julian Stanczak (American, 1928-2017) Double Focus II, 1963 acrylic on canvas signed and dated verso 33 x 40 inches Julian Stanczak (American, b. November 5, 1928) was an American ...

Blue Still Life Guy Nicod (French 1923 - 2021) gouache on artist paper, unframed painting : 12.5 x 15 inches provenance: artists estate, France condition: very good and sound condition

The artwork Flowing Energy 39 is part of the Flowing Energy Collection. It is ready to hang with the edges painted and on the back will have two metallic hangers. Gallery quality. D...

Still Life with Fruit in Basket - Vintage Oil in Ornate Frame by British Artist Art measures 12 x 10 inches Frame measures 18.5 x 16.5 inches Roy Hodrien, born in Lancashire in M...

The scene is set with a quiet reverence—a simple golden bowl, brimming with the last treasures of the season. These are not just fruits; they are memories of sunlight, gathered and p...

Gabriel Paul GUILLOT Reims, 1850 - 1914 The Servant's Judgment Oil on canvas 65 x 81 cm (77.5 x 97 cm with frame) Signed and dated on the left "P. Guillot / 1880" Wax seal on the bac...

This piece bursts with vibrant energy and emotion, using bold acrylic strokes to create a dynamic exploration of color and movement. I poured my passion into each layer, inviting vie...

Unidentified Artist Schoolboy, Early 1900s century signed lower left oil on canvas unframed 24 × 29 cm (9.4 × 11.4 in) framed 41 × 47 cm (16.1 × 18.5 in) This intimate genre pain...

Manner of Emilio Greco, 20th Century oil on board, framed framed: 24 x 29 inches board: 16 x 20 inches provenance: private collection, England The painting is in very good and presen...

French School, mid 20th century signed, titled verso oil painting on board, framed framed: 15 x 18 inches board: 10.5 x 13.5 inches provenance: private collection, France condition: ...

This is an abstract work on canvas, created in mixed media using paper, modeling paste, acrylic, and spray paint. The composition is built on an expressive combination of rich gold, ...

* No import duty to the US on this item * A superb 1930's French oil on canvas depicting a drinker in a bar interior. Very high quality naif/Paris School work which is indistinctly ...

An oil painting of an interior close to the artist's heart; her parents house. The object of focus is the black baby grand piano. A big open win...

Three Terrier Dogs in Barn Interior Attributed to George Armfield (British 1808-1893) oil on canvas, framed within antique oval inset gilt swept frame framed: 27 x 31 inches canvas: ...

Warm day. Ocean - Serene Seascape Painting for Interior Decor Description: Transform your space with the peaceful beauty of “Warm Day. Ocean”, a stunning hand-painted landscape that...