Wood Landscape Paintings

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Shizico Yi takes on an innovative project "The Weaver," inspired by the heritage of the beloved family Tartan and its rich lineage of the Clan. "The Weaver" invites viewers into a w...

Oil on canvas mounted on plywood by Massimo Sonnini (1937), realized in 1998. Hand signed. Very good condition.

Sweeping Pacific Northwest landscape of a beautiful Oregon lake, snow-capped mountains and redwoods by an unknown artist (American, 20th C...

Hand Carved Wood, Assembled Sculpture, Landscape, Wall Hanging, Holly Lane Holly Lane is a painter, sculptor and woodworker, interrogating the relationship between a picture and its...

Oil on plywood realized by Alberto Gallerati in 1970s. Hand signed. Titled on rear. Very good condition.

Ralph Chapotean (Haitian, 1954-Active) Surrealist landscape Oil on Massanet 16 x 24 unframed, 17.5 x 25.5 framed

Carnival of colour. Inspired by Rachaels life in Norfolk where she she enjoys dog walks along the North Norfolk coast and working in her studio close to the Norfolk Broads. Surrounde...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

This is a hand cut and hand painted artwork by Italian artist Riffblast. It’s signed on the back as an original work of art ready to hang with frame.

Romantic, Tonalist style landscape drawing by Sue Bryan of a lush country forest set against a serene sunset charcoal and acrylic on Arches paper mounted on wood 16 x 20 inches, unf...

Blue, Violet, Purple, Navy, Sapphire. 29 x 23" Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

A charming, vibrant, early Mexican rooftop city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Depicting a quiet, picturesque view of the rooftops and c...

Classic and moody mid century landscape of rugged Yosemite mountains and stormy skies, by an unknown artist (American, 20th Century). Unsigned. Presented in...

Signed lower left, and lower right, 'Patricia Cunningham' for Patricia Stanley Cunningham (American, 1907-1984) and painted circa 1965. A vibrant, Post-Impressionistic oil showing a...

Wig City by Clyde Singer New York City scene of a woman stopping to look in the window of Wig City in 1969. American life is captured in this Clyde Singer painting, where he depi...

Blue,White,Indigo, navy, sage, green 37 x 62" oil painting on canvas Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

An impressive painting in size and execution, a frosty winter day in a birch grove with a small pond. The orange-yellow sunset reflected on the surface of the pond creates the illusion of bizarre reflections. The frosty haze that has enveloped the forest intertwines with the approaching twilight, enhancing the sense of depth and atmosphere. On the right we see a traveler returning from the forest with an armful of brushwood on his back. In the distance a small flock of birds flies in, alarmed by something, bringing a sense of movement to this scene. The contrast of bright and cold shades creates an atmosphere of calm and silence...

Highly textured landscape, with thick impasto illustrating a glorious scene of figures swimming in calm waters near large rocks and swaying trees, by Tyler Micoleau (American, 1911-2001). Signed and dated "Tyler Micoleau 1968" in the lower left corner. Presented in a gold colored wood frame. Image size: 12"H x 16"W Tyler Micoleau (American, 1911-2001) was born in Rhode Island but spent most of his life in Nevada County, California. He was a graduate of the Rhode Island School of Design and an instructor at Brown University. Micoleau moved to Nevada City...

ISMAEL GONZÁLEZ DE LA SERNA Spanish, 1898 - 1968 "PORTAL VIEW - SAILBOATS IN HARBOUR" unsigned oil on masonite 25-1/4 x 22-1/2 inches (64 x...

Hand signed lower left corner Oil on masonite Dimensions: Frame H 18.25" x W 22.25". Sight H 11.25" x W 15.25 This is a great scene, vintage Americana. Possibly Crown Heights in Brooklyn New York City. Done in a mid century modern style with great vibrant colors and loose, adept, brushwork. Fruit vendor with ladies shopping. George Schwacha, Jr. (1908 - 1986) New Jersey artist. Known for Landscape painting and snow scenes. He studied Arthur W. Woelfle; John Grabach; Edward Dufner and A. Schweider. George Schwacha was president of the American Artists Professional League and a past president of the Audubon Artists and Art Center of New Jersey. He belongs to the American Watercolor Society, The National Society of Painters in Casein, and the Philadelphia Watercolor Club. His paintings have been shown throughout the country at museums such as the Pennsylvania Academy, the Corcoran Gallery in Washington, DC and the Birmingham Art Museum, The Butler Art Institute in Youngstown, Ohio the Connecticut Academy of Fine Arts, as well as in leading New Jersey and New York exhibitions, including the American Society of Arts and Letters. He is listed in Who's Who in American Art and International Directory of Arts. His work is represented nationally in over 30 museums and public collections including the Newark Museum, Montclair Museum, Birmingham Art Museum, the Isaac Delgado Museum in New Orleans, and the Butler Art Institute. Worldwide he is also represented in collections in the following countries: Austria, Belgium, Canada, Egypt, England, France, Germany, Greece, Holland, Hong Kong, Israel, Scotland and Switzerland. Seymour Zayon, Bertram Hartman, Hugh Campbell, Frank Herbst, Joseph Newman, Theodore Valenkamph, Robert John McClelland, Nicolai Cikovsky, Ben Benn, George Howell Gay, Robert Brackman, Vernon Wood...

Attributed to Morten Müller (1828-1911) and Olaf Christopher Dahl (1842-1895), signed lower right, this extraordinary antique oil painting captures the timeless beauty of 19th century Norwegian pastoral landscape. This exceptional collaborative masterpiece, painted circa 1870-1880 during the golden age of Norwegian landscape art, depicts an enchanting countryside scene where a young shepherd boy guides his cattle to a tranquil watering hole. The composition unfolds like a gentle poem of rural life, with lush vegetation embracing rolling hills while an ancient windmill stands majestically on the distant hillside, creating striking focal point and masterful perspective. Rich oil painting technique reveals the artists' shared vision of Norway's serene countryside, where peaceful pastoral tranquility below contrasts dramatically with gathering storm clouds above. This romantic Norwegian landscape tradition showcases nuanced brushwork and atmospheric effects that exemplify the peak of Scandinavian art movement. Both renowned Norwegian artists are prominently featured in National Museum Oslo permanent collection, confirming their significant contribution to Nordic artistic heritage. This rare antique oil painting represents sublime testament to 19th century collaborative artistry, where two masters united their talents to create lasting vision of Norway's natural beauty. Size app.: 46 x 69 cm (roughly 18.1 x 27.2 in), with frame 60 x 84 cm cm (roughly 23.6 x 33.1 in). Good condition with wear, tiny losses to paint in minor areas and craquelure. So it needs minor care and conservation. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 4.4 kg is going to measure some 6 kg volume weight packed for shipment. Morten Müller began his art studies with Adolph Tidemand and Hans Gude in Düsseldorf, Germany, from 1847 to 1848. From 1850 he was again a student at the Kunstakademie Düsseldorf, with Johann Wilhelm Schirmer as a teacher. From 1850 to 1851, Müller painted with the Swedish landscape painter Marcus...

Impasto Oil Painting of Melting Snow on English Moor Landscape by British Artist. Original on Canvas. Art measures 20 x 8 inches Frame measures 25 x 13 inches Colin Halliday is a ...

Aaron Bohrod, 1907-1992 Lobster Shack, 1938 Oil on masonite 16 x 20 inches Signed and dated ower left: Aaron Bohrod 1938 Bohrod-3 Provenance: Private estate, Rhode Island, 2004 Am...

California School - Ranch Road Landscape Oil on Canvas Imapsto oil painting of the California landscape by an unknown California artist working in the style of Sam Hyde Harris, anna Althea Hills...

Leticia Lacy is a Los Angeles-born artist whose vibrant career bridges the worlds of animation and fine art. With over two decades of experience in the animation industry, Lacy began her creative journey after earning a BFA in Fine Art Painting from the University of California, Santa Barbara. She quickly made her mark at major studios like Cartoon Network and Disney, contributing to iconic shows such as Samurai Jack, Star Wars: Clone Wars...

Oil on masonite realized by Alberto Gallerati in 1980s. Hand signed. Titled on rear. Very good condition.

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

This is a painting of the Japanese maple in my front yard. The red of the branches is a thin, sheer under layer and the creamy robin’s egg blue sky light-filled sky was painted on to...

Ana Hefco's (US based) "Ocean Waves #12" is an original, hand made mixed media painting that depicts an abstracted color field of blue, teal and beige, that is reminiscent of an aerial/satellite image of a coastal beach where the waves crash on shore. Artist Bio and Statement: Born and raised in Bucharest Romania, I am a self-taught dreamer and artist. To dream is my path and to paint is my dream. Lack of control is not my strong suit, but in the painting process things are different. The resin (also known as liquid glass) has a mind of its own and I learn to mindfully let go every time I paint. I allow those liquid color induced emotions I feel to drive me and take lead of my hands and at the end of the process, it’s just music and bliss. My inspiration is always nature's force, balance, perfection in purpose and beauty. It can be a place I travelled or sailed to or just a feeling floating on our boat docked in a Turkish marina or just on anchor nearby a Greek taverna on a remote tiny island in the Mediterranean or Aegean Sea. It can be this artist as a little girl reading...

Cliffs and Cypresses at Pt. Lobos, California - Seascape Charles F. Cummins 1929 (American, 1850-1941). One of the beautiful coves from the cliffs near the ocean at Point Lobos State Park, the viewer looks out past several cypress trees towards a rocky point...

"Sunline (JUST PILL)" is a one-of-a-kind circular wall sculpture by Italian artist Vera Vizzi, created in 2023. Crafted in mixed media on hand-shaped fir wood, this minimalist piece ...

Ana Hefco's (US based) "Ocean Waves #10" is an original, hand made mixed media painting that depicts an abstracted color field of blue, teal and beige, that is reminiscent of an aeri...

Tiziano Vecellio (Pieve di Cadore 1488 - Venice 1576), follower of - Penitent Magdalene. 35.5 x 25 cm without frame, 48.5 x 38.5 cm with frame. Ancient oil painting on panel, in a ...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Beautiful mid-century landscape of upper Young Lake and Ragged Peak in Yosemite National Park by Helen Enoch Gleiforst (American, 1903-1997). The artist uses textural impasto in a pa...

Young Boy Fishing by a Beautiful Riverside in Lush Green English Countryside, by 20th Century British Artist Art measures 41 x 20 inches Frame measures 48.25 x 27 inches Barry West...

A charming vintage 1950s painting of Martha's Vineyard, "Oak Bluffs, Mass." by notable Chicago artist Francis Chapin. A bustling view of the picturesque lighthouse and Soldiers Mem...

Gorgeous California seascape in uncommonly bright colors, depth and textures. Unsigned. Displayed in rustic wood frame. Image, 20"H x 24"L,. Framed size: 23"H x 28"W.

Attributed To French Master Jean-Baptiste Pillement (1728 - 1808). Magnificent rococo pair paintings depicting scenes from the life of Europe of the 18th century. Two scenes tell us about the lives of travelers and fishermen of the time. Two frames of the same century perfectly complement these paintings. Paintings made in the technique: Pastel, Bodycolor, chalks, and perhaps gouache on paper or paperboard supported by wooden boards. Gold leaf neoclassical frames of early 1800s (not examined under frames). On the reverse side of the wooden substrate, there is a stamp, "Bundesdenkmalamt Wien", Perhaps Jean-Baptiste Pillement (1728 –1808). Antique old paintings...

Signed lower left, 'Mogens Hertz' (Danish, 1909-1999) and painted circa 1935. This notable Impressionist first studied with the classically-trained Academician, Laurits Ring and, su...

Mid Century Original Big Sur Seascape Oil Painting Gorgeous mid century Big Sur seascape oil painting by California artist Hartzell Harrison Ray (American, 1896-1991). Blue and aqua...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Katherine Bowling (American, b. 1955) Oil on spackle on wood 1988 Hand signed, titled and dated verso, Dimensions: 48"h x 48"w Provenance: From an Important Private Collection, NYC; bears gallery label from Blum Helman Gallery, NYC Notes/Literature: Exhibited: "Earth and Sky: Recent Paintings by Katherine Bowling, Joan Nelson and Ellen Phelan", Hood Museum of Art, Dartmouth College 1992 Katherine Bowling (born 1955, Washington, D.C.) is a modernist painter known for her layered landscape paintings that draw inspiration from nature in the Hudson Valley. Katherine Bowling grew up in Tidewater, Virginia. She received her BFA from Virginia Commonwealth University in 1978. Bowling's first New York show, as well as her first solo exhibition, was in 1987. Bowling's works tend to be luminous landscape paintings that often feature woods and fields as well as roads. Many of her paintings are based on her photographs of woods and fields surrounding and in Schoharie County, where she rents a house. As Molly O'Neill notes in an essay on Bowling and her work, this area is "fifty miles northwest of the vistas that inspired the Hudson River School painters in the mid-1800s." Bowling focused in particular on the imagery of roads for the theme of her exhibition at Greenberg Van Doren, Divide. As the title implies, writes Lilly Wei in the exhibition's accompanying catalog, Bowling views the roads as "abstract marks in the landscape that divide and order space." Even with roads she has often traveled, Bowling finds something new on closer inspection that alters her perception of the familiar and mundane. Bowling explains that the roads "function as a metaphor for memory and displacement." In 2001, Bowling exhibited a number of seascape paintings. In her essay on the exhibition, art historian and critic Nancy Princenthal writes that, far from being an aberration from Bowling's typically home-based scenes, the ocean paintings are "a return to childhood memories and life long inclinations. A native of Virginia, she spent her first summers at the Atlantic shore and on the Chesapeake Bay." Primarily, however, Bowling's works focus on capturing the play of light and shadow. Art critic Eleanor Heartney notes that "Her paintings, like those of Monet, Pissarro, and Renoir, focus on the ephemeral moment and the fleeting impression, conjuring the flicker of sunlight through the trees, the shifting shadows of early evening, the reflections of clouds and foliage glancing across the rippling surface of a lake." They have a luminist quality to them. O'Neill argues that Bowling additionally "has an innate sense of abstraction and she ranges happy as an uncaged chicken, pecking elements from the Impressionists' obsession with light; from modern photography; and the drip paintings of Jackson Pollock." Bowling is influenced by the use of light in the paintings of European Romantics such as J. M. W. Turner and John Constable as well as by the later work of George Inness:  Her paintings also recall landscapes by Claude Lorraine, Albert Pinkham Ryder and Camille Corot. Bowling is known for her use of spackle. She uses a long process of layering and sanding to create the "back-lit" effect found in her paintings. First, the paintings begin as a photograph which she typically takes near her rented house in the Hudson Valley. Then, she uses these photographs, which serve as her "preliminary drawings," to aid in the painting process. She also paints from memory and direct observation. Bowling paints on square panels of plywood. Bowling considers rectangular pieces to be too horizontal and rife of implications already of landscapes and horizons. She sometimes paints on one of these square and sometimes paints on several square panels together. The seams between these adjoined panels are left visible. Next, Bowling applies layers of spackle. O'Neill remarks that "Inspired, perhaps, by her day job of painting houses, [Bowling] turned to more industrial media: damp vinyl spackle, a building compound that is applied to wooden panels to create a matte, fresco-like surface. Thinned oil pigments are poured, allowed to dry, and then the Sisyphean task of sanding begins."  Initial layers generally correspond with the color of the light—varying from pinks, golds, blues, and oranges. Through this layering and sanding, she creates a luminous quality in her landscapes. Despite rigorous sanding, air bubbles within the spackle layers are revealed occasionally on the surface. Rather than disguise them, Bowling integrates them. Heartney writes that Bowling "allows these irregularities to become part of the painting so that the viewer's perception of the play of light and shadow across the image cannot be separated from an awareness of surface itself." In later stages of painting, Bowling stands above panels to throw, dribble, and splatter paint with a hair dryer, recalling the techniques of Abstract Expressionist artists such as Jackson Pollock. Awards and honors 1991 National Endowment for the Arts Grant 1989 New York State Foundation for the Arts Fellowship 1988 Mid Atlantic Arts Foundation Fellowship Notable public collections The Metropolitan Museum of Art, New York, NY Brooklyn Museum of Art, New York, NY Mary and Leigh Block Museum of Art, Evanston, IL Phoenix Art Museum, Phoenix, AZ Norton Museum of Art, West Palm Beach, CA Fisher Landau Center, New York, NY Select exhibitions 2025 PS122 Gallery Lower East Side, New York 2022 Katherine Bowling: Trees Winston Wachter Fine Art, New York 2013 Woods, Lovely Dark and Deep. DC Moore Gallery Chelsea NY Featuring: Eric Aho, Milton Avery, Romare Bearden, Dozier Bell, Jake Berthot, Katherine Bowling, Charles Burchfield, Mary Frank, Noriko Furunishi, April Gornik, Marsden Hartley, Daniel Heidkamp, David Hilliard, Mark Innerst, Max Jansons, Sissel Kardel, Whitfield...

'Mare and Foal' by Leon D'Usseau, Jr. Equestrian Modernist Oil, Chouinard, LACMA, Metropolitan Museum ----- Signed lower right, 'Dusso' for Leon D'Usseau, Jr. (American, 1918-1991) ...

3-D hand made artwork using Perler beads and mixed media in a found painting in a vintage frame the artist lives and works out of Sweden and is represented by Krause Gallery in NYC

Abstract Landscape Miriam Bromberg Date: circa 1960 Oil on Masonite Size: 7.5 x 9.25 in. (19.05 x 23.5 cm) Frame Size: 13 x 15 inches

" Torello " original impressionist oil painting Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, sm...

This vivid mid-20th-century landscape by professional British artist John Edwards (1914–2009) captures a stunning Cornish view with a rushing river beneath an old stone bridge. Paint...

Josep Puigdengolas Barrella (Barcelona (1906 - 1987), was a Spanish landscape painter of the 20th century. work signed by the artist front and back The Marqués de...

This original oil on canvas from the first half of the 20th century presents a quiet Scandinavian winter landscape. A winter road winds between open fields and dense forest wrapped i...

"California Round Hills" Mid Century Plein Aire Landscape in Oil on Masonite Serene landscape by J. Andrew Bennett (British, 19th/20th Century ). The viewer stands at the end of a v...

Frederick Haucke creates his own brand of surrealism in the 1941 stunner that was with the famous Perls gallery. The painting is signed lower right Signed and dated verso Verso with Perls Gallery, New York label. work is in original framed Provenance: Millicent Rogers...

Rizaldy Celi Jr. (Filipino-Vietnamese, American, born 1983) "Death to Perfection" 2022 Oil Paint, Varnish, Wood Panel, Wood The artist signed the back ...

Vineyard Estate Winery Landscape with Grape Vines in Oil on Canvas-Wrapped Board Beautiful landscape of a vineyard estate in California wine country with grape vines in the foregrou...

This 20" x 23" oil on masonite painting by Georgian artist Erekle Chinchilakashvili depicts two blue trees near a brown pathway leading to the...

Signed lower right, 'C. Sideman' for Carol Joy Sideman (1925-2021) and painted circa 1975; titled, verso, on old artist's tape, 'Surf and Rocks'. Carol Sideman received her Bachelor of Arts degree from the University of California at Berkeley and, subsequently, attended the Oaklands College of Arts and Crafts. Sideman specialized in architectural illustration...

Blue, Navy, calm, reflection, nature, mountains, sky. 31 x 41" oil on canvas, maple frame Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil ...

This is a hand cut and hand painted artwork by Italian artist Riffblast. It’s signed on the back as an original work of art ready to hang with frame.

Blue, Navy, calm, reflection, nature, mountains 31 x 41" oil on canvas, maple frame Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on can...