Wood Landscape Paintings

Oil on Masonite size: 11 x 14 in. Frame Size: 14.5 x 17.5 in. Signed, bottom right. An origional oil on Masonite landscape painting that pictures a a tranquil scene with a muted and...

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Early work of figures moving along the street in Cuernavaca to the Cathedral in Mexico by Goldie Anita Powell Harding (American, 1892-1974). Circa 1935. Tempera on Masonite. In a per...

Scott French has over 30 years of painting experience. His work focuses on figures, landscapes, and recently, cocktails. Known for his painterly and expressive style, French uses ric...

Print on reclaimed wood, hand-augmented with gesso. Signed in the lower right corner, but due to damage, the signature is illegible. The gesso has intentional craquelure. This piece ...

Signed lower right "J. Purvit", presumably by Latvian artist Vilhelms Purvitis (1872 - 1945), but we do not claim. The tranquil, unfrozen river flowing on the outskirts of the village, situated on a hill in a picturesque location, whimsically reflects the houses and trees along the shore, adding an extra charm to the scene. The autumn leaves, not yet completely fallen, show bright colors peeking out from under a light blanket of snow covering the trees. In the distance, the mountain ranges add depth and dimension to the scene, while the green trees against the changing backdrop highlight the smooth transition of seasons. The winter sky with its cold hues and the fiery sunset casting beautiful pink shades across the all scene set the mood and create a captivating atmosphere. This painting once again reminds us of the beauty of nature that surrounds us... if only we find the time to pause and appreciate it. Antique oil painting on canvas, signed, unframed. Size app.: 50 x 69.5 cm (roughly 19.7 x 27.4 in). Overall in very good ready to hang condition with just minimal wear. Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 2 kg is going to measure 4 kg packed for shipment. Vilhelms Purvitis, landscape painter and educator who founded the Latvian Academy of Art and was its rector from 1919 to 1934. In 1890 Purvītis started studies at the Imperial Academy of Arts in Saint Petersburg, Russia from 1890 to 1897, primarily under Arkhip Kuindzhi...

Charming mid century landscape with Cecil Brunner roses, larkspur and foxglove titled "The Friendly Gate" by Lillian Mae Grooms Huebner (American, 1892-1976), circa 1950. Condition: ...

19th-Century Landscape Painting – "Fort Nago on Lake Garda" (1842) Unidentified Artist Medium: Oil on wood Framed Dimensions: 25 x 37 cm Canvas Dimensions: 13 x 24 cm This exquisite ...

Ocean Wave, Mid Century Modern Abstracted Seascape Beautiful abstracted seascape, a mid century modern oil painting of ocean waves breaking on ro...

Beautiful mid-century plein air landscape of a California dry stream, by unknown artist Hatton (American, 20th Century), c.1960. Signed "Hatton" lower right. Presented in rustic wood...

Kansas City Cityscape, Mid Century Modern Primary Colors Urban Landscape Mid-century modern urban landscape by California artist Eleanor Perry (American, 20th century). This 1969 mo...

Abella. Original landscape cubist acrylic painting Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting the och...

IAN HORNAK (1944–2002) Title: Primeval Landscape Date: 1985 Medium: Acrylic on double layered Masonite Dimensions: 16 x 19 inches (40.64 x 48.26 cm) Condition: Excellent ...

" ALMOND BLOSSOM original acrylic painting. framed Julien was born in 1948 in Vichy, France. He studied art and theater in Clermont-Ferrand at the same time as finishing his degree ...

Attributed by Wilhelm von Gegerfelt (1844—1920). The disheveled crowns of the trees indicate to us the raging wind, and the evening sky in the background...

Signed lower right - David Cox (1783 – 1859). The scene on the coast, the impending storm wind. The depiction of wind in art has always been a symbol of change and a reminder that everything in this world is relative... Beautiful landscape full of expression and dynamism. Antique oil painting on wood...

In this painting, I've captured the tranquility and fleeting beauty of a sunset at sea, bathed in a symphony of blues and violets. The brush strokes are loose, adding an impressionis...

Original acrylic painting on 24 x 48 inch canvas with 1/5 in inch deep clean white sides. Unframed. This is the fourth in the artist's ‘Twilight’ series of nine monochrome botanical...

This very fine quality 19th century oil on canvas in dark brown wood frame with gold leaves details throughout is signed by Joseph Brunner (Vienna 1826-...

"Connection" (2024) by Stephanie Hartshorn is an original handmade oil painting on wood panel that depicts a city center and highlights the various...

An important oil on panel painting by the great Tuscan artist Ruggero Panerai. It depicts one of his favourite and most successful subjects, wild horses portrayed in a natural pose o...

Antique Egyptian landscape oil painting by Noël French, 19th Century Canvas: Height 28cm, width 38cm Frame: Height 48cm, width 58cm, depth 6cm This stunning Orientalist landscape is...

"Summer Whisper" is an original oil painting by Robert Richter. The artist signed the piece on the back. This painting depicts a view over a serene lake. The painting has carved part...

One of early of the French artist’s works by Emile Godchaux (fra.: Émile Godchaux, 1860 - 1938), late 19th century. This amazing landscape takes us to a cloudy spring day, making us ...

This painting by Joan Nelson depicts a sepia-toned scene placed behind the walls of a dark brown building. Potentially depicting a rooftop or a balcony, a way further into the buildi...

WIth a passion for restoring historic houses, one of Slonem's properties is in Lousiana, where he now spends a lot of his time painting and picking up inspiration for his pallet. Thi...

Decorative Painting by: R. Holst, 1944, Walk through the forest, mother with child and dog. Signed and dated lower right. Dimensions without frame: 61 ...

Striking group of four vintage framed tile wall art having two tiles in each frame with hand painted tulips butterflies and moths against an alluring blue background. Presented in wo...

Wonderful mid century landscape and figurative of farmers guide a cart pulled by cows along a dirt path, a majestic mountain is their backdrop; a scene from South Africa. Signed "V...

After Hector Hyppolite, Philomé Obin may be Haiti's most significant painter. Les pèlerins sortant à la fête de Ste. Anne As with most Haitian painters, this work has a thin applicat...

Oto Pladers (1897.8.III – 1970.2.V) Oto Pladers learned in Riga city school of art (1913 – 15). He was called into the army in 1916 and continued studies after the war in Latvia Art ...

silhouette [2021] by Rebecca Tucker Additional information: Acrylic on Wood 30 H x 55.3 W x 3.2 D cm (11.81 x 21.77 x 1.26 in) Sold framed Original painting Acrylic on cradled woode...

Blue and red geometric abstract painting by Houston, Texas artist Paul Reeves. The work features a variety of flowy and angular shapes in black and red against a sky-blue background. Signed by the artist on the back. Dimensions Without Frame: H 29.5 in. x W 29.5 in. Artist Biography: Paul Reeves is the owner of Reeves Antiques...

This exquisite antique panoramic late 19th-century oil painting presents a tranquil Mediterranean coastal scene bathed in sunset light. Two donkey drivers have paused to rest on a sa...

19th Century Antique Gouache Watercolour Ink Painting Galleon Ship Maritime Seascape Continental, 19th Century Canvas: Height 88cm, width 117cm Frame: Height 102cm, width 131cm, depth 7cm Painted in gouache, watercolour and ink on canvas, this large 19th- century maritime scene depicts a Dutch galleon under full sail upon a restless sea. The composition draws inspiration from 17th century naval painting...

Late 20th Century Oil Painting of Chesapeake Bay with Sailing Boats by Q. B. Powell Striking vintage palette-knife painting of a quiet Chesapeake Bay harbor by regional artist Q. B....

Gorgeous alpine landscape, rich with figures, architecture on various perspectives and a central fountain with bocce players.Oil painting on canvas is signed and dated lower right Ed...

Outstanding work by Bucks County artist David Hahn. The winter scene is of Bucks County Bridge painted with heavy imposto.

Fawn Hawthorn Laser Cut Paper Hawthorn Tree Attached with Pins Fawn Hawthorne is an original paper cut artwork by Emma Levine. The neutral tones give this piece a calming effect. Em...

Modeling clay moon relief with acrylic on wood presenting a cobalt blue seascape, a tactile wall sculpture that fuses lunar topography and marine color. This mixed-media moon relief ...

Forest Walk [2021] original oil on wood Image size: H:53 cm x W:46 cm Complete Size of Unframed Work: H:53 cm x W:46 cm x D:3cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look During this last year I've been learning about the benefits of the Japanese practice of shinrin yoku, or Forest Bathing. Its no surprise that being in nature is good for both physical and mental wellbeing and to me this painting captures the sights, sounds and smells of the forest. Claire Chandler...

This marvelous, colorful and light filled work is a desirable work by the painter. It is in an impressionist style carved and leafed frame. Illustrated in the book by the artist "A...

Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting the ocher and reddish colors of his first environment are w...

Beautiful and evocative oil painting by the great French school modern artist Moya Dyring specializing in marinas. It depicts a harbor with boats probably from the French Riviera painted with great intensity but giving, at the same time, a sweet sense of serenity. Moya Claire Dyring was born in Coburg, Victoria in 1909. She produced drawings, oil paintings and pastels. She was one of the first women artists to embrace Modernism and exhibit cubist paintings in Melbourne. For several years she was a member of the modern art community known as the Heide Circle, named after the home of art collectors John and Sunday Reed, and now the Heide Museum of Modern Art. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Dyring then travelled to the USA and France, where she lived most her life. Her work is held in the Heide Museum as well as the National Gallery of Australia. One of her earliest works in cubist in style, Melanctha, 1934, was acquired by Sunday Reed. In 1934 Dyring also painted Portrait of Sunday Reed which went into the Reed's collection, along with a cubist style Portrait of a Woman from the same year. While her early works were figurative or cubist, in France she turned to landscape as she travelled to various towns throughout France. In her later years, unable to travel freely, she painted children against the backdrop of Paris. As time passed, she was largely glossed over and not included in major exhibitions of artists, especially women artists, of the 30s, 40, and 50s. In 2002, at the University of Melbourne, Gaynor Patricia Cuthbert delved into her life and work for a doctoral thesis, helping to bring back attention to her work. Collection The Heide Museum of Modern Art holds many paintings and drawings, some acquired through the John and Sydney Reed collection. The National Gallery of Australia, Canberra includes one drawing. The Art Gallery of New South Wales holds multiple works. Third child of Carl Peter Wilhelm Dyring, medical practitioner, and his second wife Dagmar Alexandra Esther, née Cohn, both Victorian born. Moya was educated (1917-27) at Firbank Church of England Girls' Grammar School, Brighton. After visiting Paris in 1928, she studied (1929-32) at the National Gallery schools, Melbourne, and shared fellow student Sam Atyeo's interest in artistic innovation. Classical modernism engaged her attention in the early 1930s. She painted at the George Bell school and studied under Rah Fizelle in Sydney; Mary Alice Evatt and Cynthia Reed were her colleagues. For several months in 1937 she took charge of Heide, the home and garden of John and Sunday Reed, at Bulleen, Melbourne. The Reeds were pivotal both to her sympathy for modernism and her belief in congenial fellowship. She enjoyed something of the intense relationship with Sunday Reed that the latter would subsequently extend to Joy Hester. In June Dyring held an exhibition, opened by H. V. Evatt, at the Riddell Gallery, Melbourne. Less enthusiastic than the Reeds and the Evatts about her art, Basil Burdett wrote of her 'somewhat incoherent interpretation of modern ideas', although he did acknowledge that her work had 'audacity of colour and a certain monumental feeling for form . . . qualities rare enough in Australian painting'. In August Dyring embarked for Panama whence she travelled by bus to New York, breaking her journey to view major galleries. She had intended to paint in the United States of America, but disliked the work of contemporary American artists and sailed for France. In 1938 she was based in Paris, taking advantage of Atyeo's contacts within the avant-garde. She studied at the Académie Colarossi, the Académie de la Grande Chaumière and with Andre Lhote, although by October she denounced him as a 'racketeer'. In 1939 Dyring and Atyeo settled on a farm at Vence, France; inspired by memories of Heide, they grew fruit and flowers. Sam accepted a commission to decorate a house in Dominica, West Indies, leaving Moya at Vence. Evacuated to Australia via South Africa, where she painted and searched for tribal art, she then journeyed to Dominica and married Atyeo. They were not happy, neither painted and Dyring was ill. Evatt offered Atyeo work and Dyring accompanied him to the U.S.A. She viewed art, painted occasionally and claimed to have exhibited in Washington in 1943. After World War II Evatt found Sam various postings, while Moya returned to Paris to pursue a full-time career in art. They were to be divorced in 1950. From about 1946 Dyring's art was more personal than innovative. She gained a considerable reputation among French regionalist and nationalist artists for her sympathetic appreciation of provincial scenes and life. Bernard Smith placed her in the French tradition of intimiste painters. In 1948 she leased and renovated an apartment on the Ile St Louis, which, as Chez Moya, became a centre for Australians who enjoyed her hospitality, cooking and practical assistance. She revisited Australia and exhibited in various cities in 1950, 1953, 1956, 1960 and 1963; the press carried her reports of Parisian cultural life. Dyring held a solo exhibition in London in December 1949 and was in close contact with expatriate Australians, among them Loudon Sainthill...

"Green Meadow" is an original oil painting on wood by Robert Richter. The artist signed the piece on the back. This artwork features an expansive green landscape with yellow, brown, ...

Light (Leggero) is a mixed media wall sculpture by Vera Vizzi combining modeling clay and acrylic paint on a circular fir wood support. This 30 cm Ø piece presents a textured lunar r...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

Ana Hefco's (Miami based) "On The Beach" is an original, handmade mixed media painting made with layered resin that depicts a shore with bright blue water and shiny golden sand and r...

After Hector Hyppolite, Philomé Obin may be Haiti's most significant painter. In the present work, Philomé Obin depicts a familiar Haitian street scene with colorful facades and thre...

Cathedral. Oil on wood, 52x79 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creatin...

Frans Wouters was a Flemish Baroque painter who mainly created smaller cabinet pieces. He was initially apprenticed to Pieter van Avont in Antwerp, but then moved to Rubens‘ worksho...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Marina Stern was a multifaceted New York-based artist whose works ranged...

"Yasgur's Farm Today" by Richard Rosenblatt Oil on wood Max Yasgur's Dairy Farm, Bethel, Upstate New York, Woodstock Rock Festival, Music, Pop Cult...

Rest during the Flight into Egypt - The Virgin and Child with St. John the Baptist and the angels in a Landscape. Attributed to Pieter Van Avont (1600-1652) 17th century Antwerp School, circa 1630 Oil on oak panel, Dimensions: h. 38 cm, w. 50 cm (14.96 in x 19.68 in) Flemish style frame in ebonized and moulded wood Framed: h. 56 cm, w. 68.5 cm (22.04 in. x 26.97 in.) In the heart of a lush wooded landscape, the Virgin with Jesus rests in a green clearing accompanied by Saint John the Baptist and the cherubs. Seated to the left of the composition, the Virgin Mary holds the Child on her lap; the little Saint John the Baptist wearing the camel-skin tunic (his attribute) stands before Jesus to exchange a few caresses. On the right, the couple of cherubs are playing with the lamb of Saint John the Baptist, bringing a jovial character to the scene. A pair of gardening putti on the left pick flowers to bring bouquets to the Virgin and Jesus. Spring flowers such as tulips, daffodils and anemones that grow abundantly around them and enrich the composition with their shimmering colors. A lush rose bush blooms to the left of the figures offering delicate roses. (The rose is the flower associated with the Virgin Mary, who is the "mystical rose," the one that does not bear the "thorn of sin") At the feet of the Virgin are bunches of grapes (symbol of the future passion of Christ) as well as apples (symbol of the original fall of Man but also of the Redemption in Christ) In the foreground we find a wicker basket filled in profusion with beautiful flowers and guinea pigs nibbling on the blades of grass. In a cleverly arranged disorder, these elements of the still life with their strong symbolic power accentuate the religious theme, but are also an opportunity for the artist to demonstrate his know-how in the still life genre that is gaining momentum in Antwerp. The landscape behind the figures consists of a large tree with a twisted trunk and a luminous opening to the horizon placed on the right. We see Saint Joseph arriving with a donkey, a small reminder from the artist that the composition is associated with the episode of Rest during the flight into Egypt. The calm expanse of this bucolic forest opening onto the luminous distance, with its profusion of symbolic flowers and fruits, is particularly suited to this sacred scene. The theme of Jesus' sacrifice and his tragic fate is mitigated by cherubs who play with innocence and carelessness in the face of the fragility of life symbolized by cut flowers. The great mastery of the painter is manifested by the finesse of the drawing enhanced by the delicacy in the application of the brushstrokes bringing a multitude of details. The richness of the whole is exacerbated thanks to the choice of colours, this varied palette is an undeniable asset of our work. The virtuosity of our artist lies in his versatility, as much concerned with the success of the landscape and flowers as with the modelling of his figures. The cherubs with their naked bodies are gracefully illuminated by warm colours with subtle shadows, while the still life is rendered with astonishing realism, both in the precision of the drawing and in the countless shades of the flowers. There are several compositions similar to ours, of which below are the closest versions: • Sale, Jean-Claude Anaf et Associés, Lyon, 08/02/1998, attributed to Pieter Van Avont, oil on panel, h. 48 cm, l. 71 cm (recorded on RKD n° 31451). Comment: identical composition, only St Joseph with the donkey is different) • Christie's New York sale, 29/01/1998, Pieter Van Avont, oil on copper, h. 23.8 cm, w. 24.8 cm • Dorotheum sale, Vienna, 25/04/2017, Pieter Van Avont and Jan Breughel II, oil on copper, h .26 cm, w. 39 cm • Hermitage Museum, Saint Petersburg, Russia, Pieter Van Avont, oil on panel, h. 50.5 cm, w. 71.7 cm Peter van Avont, Flemish painter (Mechelen, 1600 - Antwerp. 1652) Born in Mechelen, he is mentioned in 1620 as a member of the painters' guild of his hometown. He left in 1 622 for Antwerp, where he was also a member of the guild. He collaborated with many painters, including Jan Brueguel the Younger, David Vinckboons, Lucas van Uden...

This exquisite woodcut entitled "Rome II" was made by internationally renowned Chinese contemporary artist Ren Hui. Using a style that he calls "uncomplicated and honest, he carefull...

Entitled “Great Wall II,” this pointillist woodcut by renowned Chinese artist Ren Hui depicts a stretch of the Great Wall of China in a network...

The Musical Contest between Apollo and Marsyas, by Peter Sion (Antwerp, 1624-1695) Signed in the lower right corner P. Sion 17th century Antwerp School Oil on copper, dim. h. 53 cm, ...

"Lady Lee" and "My Neighbors" are two original oil paintings executed on either side of a wood panel by Wisconsin artist Robert Richter. This fun and playful ...

Hydrangeas and Rose Hips is a vibrant explosion of colour and form, skillfully blending organic and abstract elements, petals and leaves intertwine in a lively dance. Dalzells precis...

Landscape painting, harvest field with windmill and mountains. Dimensions without frame. Frame damaged. Free shipping only without frame.