Masonite Paintings

Mixed Media on Masonite

signed lower right American, 1925-2017 Born in New Bedford, Massachusetts, Kenneth Davies became a noted still-life painter and long-time art teacher, living in Madison, Connecticu...

American plein air impressionist Peter Mayer was born 1887-1993. Exhibited painting of Broadway and West 72nd street in New York, Verdi Square. T...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

It’s time to bury the so-last-century idea that folks are either "right-brained,” i.e., naturally creative, or (boringly) "left-brained," always operating logically. And here’s just ...

Medium: Oil on Masonite Signature: Signed Upper Left Original Use: Interior Illustration for The American Magazine Excellent Condition This luminous, expressive oil on masonite wa...

This work is part of our exhibition - American Coast to Coast: Artists of the 1940s A Valley Streetscape at Night, 1948, oil on masonite, signed and dated lower right, 18 x 24 inches; literature: King, Chloe, The Paintings of Edgard O. Kiechle – Unearthed After 60 Years, Ventura Blvd, January/February, 2023, pp. 46 – 53 (illustrated) Edgar Kiechle...

Price on Request. The Saturday Evening Post cover, August 10, 1940

Mexican Modernist Oil Painting - Double Sided Abstract Figures and Buildings Dynamic abstract pieces by Ernesto Butterlin, aka Linares, (Mexican, German b. 1917 d. 1964.) The front ...

A Large, Sensational Mid-Century Modern Painting of a Chicago Night Club Showgirl. Painted in the 1950s, this is a large, vertical, abstracted portrayal of a standing Burlesque danc...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 42" x 2" About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Detailed surrealist landscape depicting a barren, desert-like scene with small boats by Clayton Anderson (American, b. 1943). Signed "CLAY ANDERSON" on v...

'Beneath the Stars' by Leon D'Usseau, Jr. Lovers, Moghul, Isfahan, Chouinard, Los Angeles County Museum of Art, Dallas Museum ----- Signed lower right, 'Dusso' for Leon D'Usseau, Jr....

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1950 University of Illinois at Urbana "Contemporary American Painting" 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 36" x 2". About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Haitian artist Jacksin Mésidor painted this from his Caribbean coastal hometown of Cap-Haitien in the north of his native land. As Haitian folk art, the painting delivers an archityp...

This work sells itself. Just look at it, and an elaborate explanation is not required. There is virtually no one alive who can paint a picture like Crockwell. Crockwell offers the viewer a complex and inventive composition by showing two wonderful portraits in the foreground and, beyond a broken wall...

An American Female Artist in her late signature style depicts a Horse and a Colt in an abstract landscape. Ethel Magafan scapes the defining lines with a knife to add to the creative...

Katherine S. Kirkman (American, XX-XXI), "Urban Renewal", Oil on Masonite, signed lower right, titled and signed to verso, wood frame. Image: 23.5" H x 19.5" W; frame: 26" H x 24" W....

A vibrant, Mid-Century Modern painting, "Vermont Landscape, Spruce Tree and Shoreline" by notable Chicago artist Harold Haydon. Painted near the artist's longtime summer studio loca...

A dynamic, Mid-Century Modern horse race painting by noted Chicago artist, Rudolph Pen. Artwork size: 27" x 23"; Framed size: 27 1/2" x 23 1/2". Signed "Pen" lower right. Provenan...

Artwork sold with frame (43 x 56.5 x 3.5 cm) Baldo Guberti was an Italian painter, engraver, and illustrator born in Ravenna in 1907 and died in Camaiore in 1974. His work is known ...

Bright, small abstract expressionist painting of red, white and blue hues by California artist Tom Hamil (American, b. 1928). Signed upper left corner "Hamil". Condition: Excellent. Presented in rustic wooden shadow box frame. Image size: 2.75"H x 6.75"W. Tom Hamil, was born in New York in 1928 and raised primarily in California. After attending the US Naval Academy in Annapolis, he returned to California to begin his formal art training at the California School of Fine Arts in San Francisco (now known as the San Francisco Art Institute). He completed his education at the University of Washington with a Master’s Degrees and Doctorate in Fine Arts and Education. His first solo exhibition was held in 1956. Since then, he has participated in numerous one man shows, group shows, and has been represented in galleries in the US and Mexico. In addition to his painting, Hamil has authored and illustrated a number of books. While at the Naval Academy, he received recognition for his paintings, drawings, and illustrations. Listed among Hamil’s many awards and honors are a Ford Foundation Fellowship and an Award of Excellence from the American Graphics Society. Currently, he lives in Zirahuen, Michoacan, Mexico and Truth or Consequences, New Mexico. Hamil’s statement: “I am a man...

Signed lower right, 'Keith Longcor' (American, 1944-2015) and dated, '2002'; additionally titled verso, 'Airplanes from a Parking Garage- Modesto CA'. A substantial Modernist landsc...

Date: 1953 Medium: Oil on Masonite Dimensions: 42.00" x 32.50" Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, January 31, 1953. The Post d...

Pleasant Ridge, 1966-7, oil on board, signed, dated and titled verso, 16 x 24 inches, exhibited: Robert Herrmann, Cincinnati Art Galleries, Cincinnati, OH, March 4 to 28, 2000, no. 1...

Double sided figurative abstract by San Jose, California area artist Daniel David Fuentes (American, 20c-2017). San Francisco bay area abstract expressionist and landscape artist dur...

Medium: Oil on Masonite

Medium: Oil on Masonite Signature: Signed Center Left Santa's 1963 Corvette Convertible, Hertz Advertisement.

Harald Grote. Afternoon at Fairmount Park Oil on masonite, panel, 12 x 16 inches. Signed and dated lower right.

Klett was an in-demand illustrator in the post-war period of the late 1940's and 1950's. and . His work appeared in many of the newsstand magazines at the time. This work is a pers...

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Signed and titled by the artist. Pierre Vlerick...

Vito Tomasello (American, ?-1982). Still Life with Strawberries, 1979. Oil on masonite panel, 10 1/2 x 11 5/8 inches. Signed and dated low...

Signed lower left, "M. Legendre' for Maurice Louis Legendre (French, born 1928) and painted circa 1960. A boldly painted, cabinet-sized oil showing the cafes of Montmartre's Place d...

Jim’s of Lambertville is proud to offer this artwork by: Josef Zenk (1904-2000) Josef Zenk was born in New York City in 1904. After graduating from high school, he studied for thre...

A Vibrant, Expressionist 1950s Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a bright and cheerful studio still life sce...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right Evelyn Faherty (1919-2015) Evelyn Faherty was born in the early 20th century and made her home in Yardley...

Medium: Oil on Masonite Signature: Signed Lower Center Dimensions: 31.00" x 25.00"

Hand signed lower left corner Oil on masonite Dimensions: Frame H 18.25" x W 22.25". Sight H 11.25" x W 15.25 This is a great scene, vintage Americana. Possibly Coney Island in Brooklyn New York City. Done in a mid century modern style with great vibrant colors and loose, adept, brushwork. George Schwacha, Jr. (1908 - 1986) New Jersey artist. Known for Landscape painting and snow scenes. He studied Arthur W. Woelfle; John Grabach; Edward Dufner and A. Schweider. George Schwacha was president of the American Artists Professional League and a past president of the Audubon Artists and Art Center of New Jersey. He belongs to the American Watercolor Society, The National Society of Painters in Casein, and the Philadelphia Watercolor Club. His paintings have been shown throughout the country at museums such as the Pennsylvania Academy, the Corcoran Gallery in Washington, DC and the Birmingham Art Museum, The Butler Art Institute in Youngstown, Ohio the Connecticut Academy of Fine Arts, as well as in leading New Jersey and New York exhibitions, including the American Society of Arts and Letters. He is listed in Who's Who in American Art and International Directory of Arts. His work is represented nationally in over 30 museums and public collections including the Newark Museum, Montclair Museum, Birmingham Art Museum, the Isaac Delgado Museum in New Orleans, and the Butler Art Institute. Worldwide he is also represented in collections in the following countries: Austria, Belgium, Canada, Egypt, England, France, Germany, Greece, Holland, Hong Kong, Israel, Scotland and Switzerland. Seymour Zayon, Bertram Hartman, Hugh Campbell, Frank Herbst, Joseph Newman, Theodore Valenkamph, Robert John McClelland, Nicolai S (Nicola) Cikovsky, Ben Benn, George Howell Gay, Robert Brackman, Vernon Wood...

Vibrant and playful landscape by California artist Richard "Don" Klopfer (1920-2009). Signed and dated "R. Klopfer 3.86" on verso. No frame. Board size: 13"H x 19"W Richard "Don" Kl...

A Lively, Expressionist 1950s Mid-Century Modern Painting, "Still life with Lemon" by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a painterly studio still life...

Signed lower right, 'Gerbino' for Rosario Urbino Gerbino (Italian-American, 1900 - 1972) and painted circa 1935. Born in Italy, Rosario Gerbino first...

Cordray Simmons Ringling Brothers Barns, circa 1930 Signed lower right Oil on Masonite 24 x 30 inches Cordray Simmons was born July 10, 1888 in Jersey City, New Jersey. Christened ...

A Fabulous 1950s Mid-Century Modern Portrait of a Seated Woman, "Southern Belle" by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). A colorful Southern painting depicting a ...

Acrylic on Masonite

Isolda Hermes de Fonseca Brazilian, 1924–2004 Portrait of a Young Woman with Bouquet, ca. 1970. Oil on masonite panel, 24 x 36 inches. Framed Dimension: 34 x 46 inches. Signed lo...

Alexandre de Spengler (1893–1973) was a Swiss painter and engraver active in Geneva and Paris. He is known for his land and seascapes, as well as...

Wonderful mid century portrait of Carmel artist Doris Estelle Rohr by listed California artist Abel George (Buck) Warshawsky (American, 1883-1962). Signed "A.G. Warshawsky Dec. 22 52...

American school, Signed indistinctly lower right and dated 1988. A bravura, psychologically-penetrating oil study of a man, shown wearing a turban and contrasted against a scumbled ...

This work is by Haiti's second-most-important artist, Philomé Obin. Hector Hyppolite stands at the top of the list and just sold a painting for almost $450,000. If art history is ...

A Visually Striking, early 1950s Abstract, Surrealist Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a subdued, tonal int...

A Vibrant, Expressionist 1950s Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a bright and vivid studio still life scene ...

Artist: Emil Rizek, Austrian (1901 - 1988) Title: Village Scene Year: circa 1950 Medium: Oil on Masonite, Signed l.r. Size: 20 in. x 24 in. (50.8 cm x 60.96 cm)

Signed lower left, and lower right, 'Patricia Cunningham' for Patricia Stanley Cunningham (American, 1907-1984) and painted circa 1965. A vibrant, Post-Impressionistic oil showing a...

Redwoods in the Snow by Bernice Huntington 1906-1998 Idyllic scene depicting a creek running through a snowy redwood forest. The trees reflect slightly in the water and add a pop of...

Signed lower right, 'M. Dietrich' (German-American, 20th century) and dated 1963. A powerful, character-driven portrait of the young man, shown gazing directly towards the viewer. w...

A moody mid century landscape painted in neutral, sepia tones featuring an abandoned building by Joseph Bodner (American, 1925-1982). Signed "Bodner" in ...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

Signed lower left, 'Clausen' for Don Clausen (American, 1930-2020) and dated 1974. A self-proclaimed "sculptor of paint," Donald Clausen used tools of his own invention to create co...

Boldly colored sunset seascape by California artist Richard "Don" Klopfer (1920-2009). Signed and dated in the lower left corner ("Klopfer 12-98"). Canvas laid down on Masonite. No frame. Board size: 7.5"H x 9.5"W Richard "Don" Klopfer (1920-2009) attended the National Art School in Washington D.C. and the California College of Arts and Crafts in Oakland, California. Klopfer was a life-long, passionate visual artist who worked in a variety of mediums, including oil paints, wood and bronze. His gallery "The Flair" was on Pico Blvd West Los Angeles from 1954 to 1980 was a gathering place for artists, friends and collectors. He was recognized for the use of brilliant color in his paintings and for leaving drawings everywhere he went. Klopfer's painting "My Old House" is on permanent exhibition at San Luis Obispo Museum of Art (SLOMA). He has also exhibited at The Los Angeles County Art Museum, Esther Robles Gallery, Third Street Gallery, Westwood Art Association, Barnsdale Park, and Robert Pyle Gallery. Selected Exhibitions: 1990 - Wild Horse Gallery - San Luis Obispo, CA 1991 - “South County Journey” - El Camino Arti Association Gallery - Pismo Beach...