Portrait Paintings

Anita Zotkina’s “Shared Dreams” is a 20 x 16 x 0.7 inch surreal oil painting on gallery-wrapped canvas. The work depicts a woman with luminous golden hair and upward-looking eyes, su...

Ron Hick's (US based) "Odd Woman In" is an original, handmade oil painting that depicts an impasto rendering of a female model with dark hair and an abstracted background. Ron Hick'...

Portrait of a Young Lady wearing pink and a Turban headpiece by Henri-Charles Daudin (1864-1917, French) signed oil on wood panel, unframed board: 14 x 10.5 inches provenance: privat...

Alexandre Falguière (attribué à) (1831 - 1900) Oil on canvas 135,2 x 95 cm (169 x 129 cm with frame) 53.2 × 37.4 in (66.5 × 50.8 in with frame) Without Signature

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on board, unframed Size : 18.75 x 12.5 inches Provenance: private collection, France Condition: The painting is in ov...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

The inspiration for Daniel Wimmer’s art consistently stems from the human body. He is particularly fascinated by the beautiful colors of the skin and is constantly searching for intr...

"Evelyne" French School, mid century titled verso signed oil on board, unframed dated 51' board: 24.5 x 20 inches provenance: private collection, northern France condition: very good...

Emeline #4, 2020

Title: Pensive Woman Artist: Frederic Lloveras Herrera (1912–1983) Year: 1980 Technique: Oil on canvas Dimensions: 28.7 x 23.6 in (73 x 60 cm) Support: Canvas, unframed Signature: Si...

This charming British Victorian portrait oil painting is by noted artist Charles Sillem Lidderdale. Painted in 1872 it is a half length portrait of a beautiful young woman leaning he...

"The Wind" is an original painting on canvas measuring 30 x 40 inches by Erik Freyman. The artist is best known for his 80's style which draws heavily on Art ...

French School 19th century Close to François Xavier FABRE (1766-1837) The Princess and The Chaperone Oil on canvas One can read on the reverse "Fabre Fecit" and the name and address of the canvas dealer shop...

Small limited edition run of 49 and 6 E.A."s (Edition of the artist). Each canvas reproduction is crafted by a skilled printer under the supervision of the artist. Román Francés has...

Francesc Sans Castaño (Barcelona 1868-1937). Maja con abanico y mantilla. Óleo sobre lienzo. Firmado en el ángulo inferior izquierdo. Medidas: 65 x 50 cm; 76 x 61 cm (marco) Precios...

Geskel SALOMAN Tonder (Denmark) 1821 – Bastad (Sweden), 1902 Portrait of a woman with a book Gouache on bone 8.8 x 8.5 cm (16.5 x 15.5 cm with the frame) Signed lower right “G. Salom...

A very engaging portrait of a pretty young girl holding a posy of flowers. On a large scale, this impressive piece would add grandeur to a hall or drawing room. William Edwards Mill...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bor...

Portrait of a Native American Elder in oil on Artist's Board Stately portrait of an elderly man by Hoyt Yeatman II (Jr) (American, 1926-2019). Shown against a dark background, the man is wearing a blue tunic, red headband...

This portrait of Fannie Hurst may have graced the cover of another major newsstand magazine. Most likely, it was a non-published alternate cover for Redbook. One of the most widely-read female authors was painted by one of the most widely-viewed female illustrators. Edna Crompton was an in-demand and prolific for-hire female illustrator/artist for some of the most prestigious newsstand magazines of the day. She regularly did covers for the Saturday Evening Post, Redbook, Colliers and Judge to name a few. Crompton presents Fannie Hurst - the nation’s highest-paid short story writer and advocates for suffrage and race relations - as a confidently attractive young woman bathed...

The Young Shepherdess by Charles Amable Lenoir (1860-1926) Oil on canvas 48 x 32 inches unframed (121.92 x 81.28 cm.) 58 ½ x 42 ¾ inches framed (148.59 x 10...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

(early 19th century) unsigned English School Portrait of a Young Gentleman, with Riding Crop and Dog The reverse stamped T Brown, High Holborn, Linen, oil on canvas, The size overall being 104 cm x 84 cm whilst the painting is 89cm x 70cm A charming portrait in overall very good condition housed in a gilt frame The painting has been cleaned recently . There is some old restoration in the form of a small patch to the rear,barely visible to the front. some texturization to top right in certain light Certainly does not detract from this charming painting SHIPPING Free uk delivery Delivery usually within 14 working days.Fully insured delivery. please provide telephone/email details for courier. We ship worldwide for free. All taxes/customs etc to be paid for by purchaser. RETURNS (The Consumer Contracts Regulations) Whilst we are sure that you will be extremely happy with your purchase, if for any reason you are not, then you are entitled to return the item to us for a refund. For all purchases made you are entitled to return the item(s) for a period of up to 14 days following receipt by you or a representative indicated by you. Please contact us to confirm that you are returning the item(s) and the reason for doing so. Upon receipt of the item(s) we will refund the purchase price via your original payment method...

This superb British Old Master oil painting is attributed to circle of Sir Thomas Lawrence. Painted circa 1795, the sitter is Major-General James Hanson Salmond (1766–1837) an office...

'Portrait of a Man', oil on canvas, by Yvonne Guégan (circa 1970s). This is not a portrait of the reclusive billionaire, Howard Hughes. Regrettably, we d...

Elegant Portrait of a Lady — Early 20th Century Oil on Canvas no signed A captivating and refined portrait of an elegant lady seated gracefully, dressed in a sumptuous dark gown ador...

Oil measures 70x50 cm. Frame measures 83x63 cm. Painter of landscapes and figures, in whose characterization he deepens psychologically capturing the character, Albert Roca has won...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Head wrap...

Unsigned

Virgin with Child, studio of Giovanni Pietro Rizzoli, known as Giampietrino (active Milan 1495-1550) Not signed Oil on poplar panel, h. 63 cm (24.8 in), w. 49 cm (19.29 in) Important...

Bulb of Africa was not just a hairstyle; it was a celebration of African heritage and a testament to the resilience of its people. Passed down through generations, it represented strength, beauty, and the rich tapestry of African traditions. The Bulb showcased the natural texture and volume of African hair, transforming it into an intricate masterpiece of braids, twists, and coils. The Bulb of Africa became a symbol of empowerment, reminding people of their strength, resilience, and the beauty of their shared heritage. It served as a reminder that hair was more than a physical attribute; it was a connection to something greater—a connection to their ancestors, their community, and celebrating the beauty within themselves. Beyond their physical beauty, African women possess an immeasurable inner strength that resonates through "Bulb of Africa." Odunayo masterfully captures this strength, highlighting the resilience and determination that have defined African women throughout history. The women depicted in the artwork emanate confidence, wisdom, and a sense of purpose. Their gaze speaks volumes, embodying the stories of countless African women who have overcome adversity, shattered barriers, and carved out their own paths to success. In "Bulb of Africa," Iyiola Odunayo...

Oil on cardboard realized by Francesco Settimj in 1930s. Painted on both sides, recto and verso. Good condition.

This large oil painting on canvas of a woman in a garden with roses titled "Two Paths Diverged" is an original artwork by Katherine Fraser in a handmade wood...

This atmospheric 18th century portrait oil painting is attributed to a Scottish artist. Painted circa 1790, The painting is a half length portrait of a seated gentleman. He is wearing a blue bonnet, the badge of a Scottish country gentleman and smoking a clay pipe. The way the light catches his hand and face and gleams on his buttons is lovely. The frame is super in that it echoes the button on his jacket. This is an excellent example of an 18th century Scottish portrait...

Fantastic early portrait of a young man and his pug dog. This painting is most likely British, but it could also be from continental Europe. It dates from the late 18th to the early ...

These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the future Charles X) and his family in Edinburgh in 1796-1797. Given by the sitters to Lord Adam Gordon, the Governor of Edinburgh, and kept by family descent to this day, these two portraits provide us with a vivid and spontaneous image of the Duc d’Angoulême and his brother the Duc de Berry. Danloux, who had emigrated to London a few years before, demonstrate his full assimilation of the art of British portrait painters in the brilliant execution of these portraits. 1. Henri-Pierre Danloux, a portraitist in the revolutionary turmoil Born in Paris in 1753, Henri-Pierre Danloux was first a pupil of the painter Nicolas-Bernard Lépicié (1735 - 1784) and then, in 1773, of Joseph-Marie Vien (1716 - 1809), whom he followed to Rome when, at the end of 1775, Vien became Director of the Académie de France. In Rome he became friends with the painter Jacques-Louis David (1748 - 1825). Returning to France around 1782, he settled in Lyon for a few years before returning to Paris in 1785. One of his first portraits was commissioned by the Baroness d'Etigny, the widow of the former Intendant of the Provinces of Gascony, Bearn and Navarre Antoine Mégret d'Etigny (1719 – 1767). He then became close to his two sons, Mégret de Sérilly and Mégret d'Etigny, who in turn became his patrons. In 1787, this close relationship with the d'Etigny family was further strengthened by his marriage to Antoinette de Saint-Redan, a relative of Madame d'Etigny. After his marriage, he left for Rome and did not return to France until 1789. It was during the winter of 1790-1791 that he painted one of his masterpieces, the portrait of Baron de Besenval. Set in a twilight atmosphere, this portrait of an aristocrat who knows that his death is imminent symbolizes the disappearance of an erudite and refined society which would be swept away by the French Revolution. The Jacobin excesses led Danloux to emigrate to England in 1792; many members of his family-in-law who remained in France were guillotined on 10 May 1794. Danloux enjoyed great success as a portrait painter in England before returning to France in 1801. During his stay in England, Danloux was deeply under the influence of English portraitists: his colors became warmer (as shown by the portrait of the Duc d'Angoulême that we are presenting), and his execution broader. 2. Description of the two portraits and biographical details of the sitters The Duc d'Angoulême (1775-1844) was the eldest son of the Comte d'Artois, the younger brother of King Louis XVI (the future King Charles X), and his wife Marie-Thérèse of Savoie. He is shown here, in the freshness of his youth, wearing the uniform of colonel-general of the "Angoulême-Dragons" regiment. He is wearing the blue cordon of the Order of the Holy Spirit, which was awarded to him in 1787, and two decorations: the Cross of Saint-Louis and the Maltese Cross, as he was also Grand Prior of the Order of Malta. Born on 16 August 1775 in Versailles, Louis-Antoine d'Artois followed his parents into emigration on 16 July 1789. In 1792, he joined the émigrés’ army led by the Prince de Condé. After his stay in Edinburgh (which will be further discussed), he went to the court of the future King Louis XVIII, who was in exile at the time, and in 1799 married his first cousin Marie-Thérèse Charlotte of France, the daughter of Louis XVI and the sole survivor of the royal family. The couple had no descendants. He became Dauphin of France in 1824, upon the accession to the throne of his father but played only a minor political role, preferring his military position as Grand Admiral. Enlisted in Spain on the side of Ferdinand VII, he returned home crowned with glory after his victory at Trocadero in 1823. He reigned for a very short time at the abdication of Charles X in 1830, before relinquishing his rights in favor of his nephew Henri d'Artois, the Duc de Bordeaux. He then followed his father into exile and died on 3 June 1844 in Gorizia (now in Italy). His younger brother, the Duc de Berry, is shown in the uniform of the noble cavalry of the émigrés’ Army. He is wearing the blue cordon of the Order of the Holy Spirit, awarded to him in May 1789, and the Cross of Saint-Louis (partly hidden by his blue cordon). Born on 24 January 1778 in Versailles, Charles-Ferdinand d'Artois also followed his parents into emigration and joined the émigrés’ army in 1792. After his stay in Edinburgh, he remained in Great Britain, where he had an affair with Amy Brown...

Dave Seeley’s "See No Evil" is a powerful large-scale oil painting on canvas mounted to panel, capturing a moment of intimate vulnerability and introspective solitude. Measuring 44.5...

Shipping Procedure Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery). At the heart of the artwork lies a young woman adorned in a striking red dress. The choice of red as the dominant color symbolizes strength, passion, and confidence. It serves as a visual representation of the artist's intention to empower and embolden the subject, inspiring viewers to embrace their own identities unapologetically. The woman in the red dress becomes a beacon of self-assurance, encouraging others to fully express themselves without fear or hesitation. "Here I Am" encapsulates the essence of celebrating one's individuality. The young woman's presence demands attention, her confident stance serving as a powerful statement of self-acceptance. The artwork encourages viewers to embrace the unique attributes, quirks, and qualities that make them who they are. It celebrates the beauty of diversity and underscores the importance of allowing oneself to shine authentically. Kayimahe Ishmael Zed...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Konstantin Razumov (Born 1974) Russian Elegant Young Lady seated on the Terrace at a Parisian Café, wearing a Lilac and blacvk dress Oil on canvas: 16 x 13inches. Frame: 23 x 20 i...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

A charming early 20th century oil depicting a hunter and his game. Signed illegibly and dated to the lower left. On canvas on stretchers.

Anonymous, 18th century Inspired by a painting by Petrus Staverenus (1610/1612 – 1654-07-28/1664-07-28) from a series of Five Senses 'Taste: A laughing man...

Maurice Ambroise Ehlinger (1896–1981) — Portrait of Mademoiselle France Noël, 1957. Radiating timeless Parisian elegance, this exceptional mid-century oil on canvas by noted French p...

Lebanese American artist Sally K.'s captivating floral portraits are both mesmerizing and empowering. Her pop-realistic paintings are inspired by strong, feminine women, celebrating ...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Cardboard Year: 2025 Style: Portrait Art, Title: Woman in Ochre Size: 20" x 16...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...

Marylin 2025 Oil on canvas artist signed 56x40x1.5 Staszek Kotowski studied at Warsaw’s Academy of Fine Arts from 1979 to 1985. After he had been awarded a Master’s degree in Fine A...

The title of the painting, "Transcendent of Reflections," speaks to the woman's contemplative state of mind. It suggests that she is in the process of transcending her own thoughts and reflections, perhaps seeking a deeper understanding of herself and the world around her. "Transcendent of Reflections" is a powerful and thought-provoking painting that invites viewers to reflect on their own inner worlds. The painting celebrates the beauty and complexity of black African women and encourages viewers to embrace their own inner contemplation as a means of transcending the limitations of everyday life. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatunde...

French Art Deco, oil on canvas, society female portrait by Dembinkski (probably Anton J.) Signed, dated and located (Paris) bottom left. In later wood and gilt frame. A charming and...

Henri LANGEROCK Ghent, 1830 – Marseille, 1915 Oil on canvas 45 x 33 cm (69 x 57 cm with the frame) Signed top right "H. Langerock" Beautiful 19th century gilded wood frame Henri Langerock was a Belgian painter born in Ghent but who worked in France and died in Marseille. He also traveled a lot, in France and abroad. Langerock first became known for his landscapes of France (Vosges, Picardy, Ardèche...). Then he traveled to Egypt and Brazil between 1878 and 1885, as well as to black Africa. He exhibited his painting of a traveling painter at the Paris Salon until 1901. Our painting is a beautiful portrait of a young girl with a lace headdress and a sequin necklace...

There is a common thread that binds us all, and that is our shared humanity. Everyone has a general desire in their heart - to be seen, heard and understood. Each of us has dreams, f...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Elie HATUNGIMAN...

Karen Offutt's "Glow" is an original, handmade painting that depicts a close up view of a feminine face with her eyes closed as her necklace and alabaster skin reflect brightly again...

ARTIST: Joanna Rusinek (1979) Polish contemporary painter. Diploma at the Academy of Fine Arts in Gdańsk in 2007 at the Graphics Studio under the supervision of prof. Jadwiga Okras...

The Gray Kimono, 1901, by William Merritt Chase (1849-1916) Oil on canvas 20 x 16 inches unframed (50.8 x 40.64 cm) 28 x 24 1/16 inches framed (71.12 x 61.11875 cm) Paper (Alice Wil...

The artwork is done in mixed media. Italian fine-grained cotton tm Unico and Dutch acrylic paints Amsterdam were used in the work. Finish - satin varnish. The sides are painted in t...

In this piece, I've captured a blend of realism and symbolism using acrylic and lacquer, focusing on the textured depth and emotional resonance. The subject wears yellow leather glov...

This evocative late 19th-century portrait captures a high-standing lady in period dress. The composition employs dramatic chiaroscuro lighting against a dark background, drawing atte...