Portrait Paintings

A striking portrait depicting Lieutenant-General Karl von Marschall. Acquired as part of a pair of portraits depicting husband and wife by the same hand. Inscribed with sitter's bio...

It’s the eyes you notice first, almost photographically rendered in this portrait, and very reminiscent of a certain film star whose first name was Paul. There’s a rock-solid steadin...

Given Vincent Van Gogh’s mental state when he painted his September 1889 self-portrait, possibly his last, it would be risky business by another artist to produce his own self-portra...

Portrait of an Elegant Beauty French Impressionist painter, circa 1890s signed indistinctly oil on canvas, framed framed: 28 x 23 inches canvas: 24 x 20 inches provenance: private c...

Benjamin Constant was an important figure in the Academic painting world in Paris and one of the leading French Romantic artists of the time. He is in all the museums of France and ...

Fritz Muller (1913 - 1972) oil painting on board, framed signed framed: 17 x 14.5 inches board: 14 x 12 inches provenance: private collection, England condition: very good and sound ...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Authenticity

A fine mid-19th century portrait by the accomplished artist Émile Charles H. Lecomte-Vernet (1821-1900), portraying a refined gentleman dressed in a formal coat adorned with a subtle...

Oil on canvas Signed in red, u.r. 14 x 11 inches, canvas size 14.5 x 11.5 inches in distressed gold leaf frame This artwork is offered by ClampArt, located in New York City. “Bruc...

Portrait of Horatio Nelson (1758-1805), early 19th Century English School - circle of Lemuel Francis Abbott (1760-1803) Large 19th Century English School portrait of Horatio Nelson...

Mark Andrew Bailey's "Bad Hombre XXXX" (2024) is an original, handmade oil painting that depicts an impressionistic portrait of a male figure wearing a cowboy hat. About the Artist...

Girl in Red, Impressionist Portrait, Oil Painting, Signed By British artist, M.Russell, mid 20th Century Signed by the artist on the lower right hand corner Oil painting on canvas, ...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper Image : 25 x 19.5 inches Superbly decorative 1960's French portrait painting. Ideal for m...

"Melanin Meditation" is a captivating artwork created by Ekele Francis that delves into the depths of cultural identity and self-reflection. Francis, kno...

This superb, large British Victorian portrait in an interior oil painting is attributed to circle of Ralph Peacock. Peacock painted a large number of children of wealthy 19th century families, often with luscious ornate backgrounds and textiles such as the wall paper, marquetry piano...

This portrait depicts a solemn figure in dark attire against a textured, earthy background, creating a sense of depth and character. The subject's profile view and stoic posture domi...

Portrait of a Seated Lady signed by Jacob Markiel (Polish 1911-2008) *See notes oil on canvas, unframed canvas: 32 x 24 inches provenance: the artists estate, south of France condit...

Signed in red, u.r. Oil on canvas Listed price includes $150 additional cost for framing. This work is offered by ClampArt in New York City.

Work on cardboard Golden molded wooden frame 60 x 50 x 4.5 cm

Portrait of Woman by Stream in Traditional Robe and Hat Di Li Feng, Chinese (1958) Date: 2001 Oil on Canvas, signed l.l. Size: 38.5 x 31 in. (97.79 x 78.74 cm) Frame Size: 51 x 46 in...

A charming depiction of siblings. They wear shades of red and green and look directly towards the artist. Signed and dated to the upper right corner. Beautifully presented in a folk...

Jessica Oliveras (b. 1991) is a Spanish visual artist whose work explores the intersection of the spiritual and physical realms through a unique blend of figuration and abstraction. ...

English School, circa 1780’s Circle of George Romney (1734-1802) oil painting on canvas, framed framed: 36 x 30 inches canvas: 30 x 25 inches private collectio...

This charming portrait is a statement piece for any space. The two elegantly handsome sitters are brother and sister and are accompanied by their loyal dog. With 18th and 19th century British portraiture, it's the sitters' attractiveness that makes a painting desirable and drives price. There are lively brush strokes with impasto in the trees The nameplate identifies the sitters as Robert & Marianne Lawrence-Townsend - The Family of Lawrence-Townsend were originally descendants of the Lawrence Family of Wiltshire who inherited the name Townsend along with an estate, Steanbridge House near Stroud in Gloucestershire. Robert would appear to be the son born in 1797, educated at Eton and Christ Church, Oxford, former Captain in the British Army and who became a Magistrate for Gloucester. Condition is good with some old repairs. painting beckons with vibrancy. Presents very well and is best viewed with a top key light. Private collection and perhaps Phillips Auctioneers New York 1995 per letter. Framed Size 66 x 43.5 x 4 W.R. Peddigrew, Western Cardiff, South Wales Provenance: The Estate of Mrs. Eleanor Goddard Daniels, Worcester, Massachusetts. Sotheby Parke-Bernet, New York, June 1981 The uploaded video on 1stDibs is coming up a bit off color. Refer to the still images for more accurate color Originally this work was attributed to Sir William Beechey...

Non si tratta di uno studio preliminare al dipinto ma di una ulteriore messa a fuoco della fisionomia stravolta del protagonista, un ‘primo piano’ che ben corrisponde a quanto annota...

Unsigned ; attributed to Joseph Biel Good friend of Dr. Mufson View is from New York University School of Medicine. Overall size with original frame 25.5 x 21 in.

Provenance : Arnold S. Kirkeby (1901-1962) Donated by Arnold S. Kirkeby to the Los Angeles County Museum of Art in 1955, where it remained until its sale at Sotheby's, New York on January 10, 1991, lot 82. Christie's, London, July 7, 2010, lot 186, where it was purchased after the sale by the executors of the will of the late Edmund de Rothschild (1916-2009) for display at Exbury House The Trustees of Exbury House Literature : R. Brown, Bulletin of the Art Division, Los Angeles County Museum, VIII, 1957, pp.8-9, no. 4; S. Schaefer and P. Husco, European Paintings and Sculpture in the Los Angeles County Museum of Art (Los Angeles, 1987), p. 53 (illustrated and dated c. 1735) This sumptuous ceremonial portrait, executed around 1725-1730, depicts Monsieur Aubert, the French General Comptroller of Bridges and Roadways, as we learn from a letter on the desk beside our model. The virtuoso treatment of the fabrics, the authoritative yet confident pose, the vigorous treatment of the two hands, are representative of Largillière's talent, here at the peak of his art as portraitist. The portrait also has a rather extraordinary provenance: donated by Arnold S. Kirkeby, an American hotel magnate and real estate developer, it was exhibited during almost forty years in the collections of the Los Angeles County Museum, before being acquired in 2010 by the executors of Edmund de Rothschild's will to adorn his former home Exbury House (Hampshire), where it remained until its sale in 2022. 1. Nicolas de Largillière, a great European portraitist Nicolas de Largillière (or Largillierre), one of Europe's premier painters of portraits, history paintings, and still lifes during the late seventeenth century and the first four decades of the eighteenth, was born in Paris in 1656. He was the son of a hatmaker and merchant who moved with his family to Antwerp in 1659. As a boy of nine, he traveled for the first time to London in the company of an associate of his father. After returning to Antwerp more than a year later, his artistic gifts were recognized and his father apprenticed him to Antoni Goubau (1616-1698), a painter genre scenes and landscapes. Something of a prodigy, he was admitted to the painters' Guild of Saint Luke when he was only seventeen. In 1675 he made a second trip to London, where he was employed at Windsor Castle and worked as a restorer under the direction of Italian painter and decorator Antonio Verrio (c. 1639-1707), who brought him to the attention of King Charles II (r. 1660-1685). At this time Largillière painted several still life paintings in the manner of the Dutch and Flemish masters. Thereafter he practiced this branch of painting with consummate skill, a talent that allowed him to make brilliant use of flowers, fruit, and animals in some of his most ambitious portraits and contemporary history pictures. In 1679 Largillière settled in Paris, where he specialized in baroque portraiture in the grand manner of Peter Paul Rubens (1577-1640), Anthony van Dyck (1599-1641), and Peter Lely (1618-1680). The Flemish battle painter Adam Frans van der Meulen (1631 or 1632-1690) introduced him to Charles Le Brun (1619-1690) who, as First Painter to King Louis XIV (r. 1643-1715) and director of the Académie royale de peinture et de sculpture, was the predominant figure in France's official art establishment. Upon his acceptance as a candidate for admission to the Académie, he agreed to execute as his diploma picture a large portrait of Le Brun (completed 1686, Paris, Musée du Louvre, eight photo in the gallery) seated in his studio surrounded by the accoutrements of his art and an oil study for the ceiling of Galerie des Glaces at Versailles. In 1686, Largillière made a final trip to England, where he painted portraits of the newly crowned king, James II (r. 1685-1688) (Greenwich, National Maritime Museum) and his consort Mary of Modena...

Tomasz Bielak born in Lublin in 1967. He graduated of The Academy of Fine Arts, Painting and Graphics Design Department in Gdańsk, in 1994. He realized installation art, graphics ...

Carl Magnus Lindqvist (1884-1977) Sweden Portrait of a Young Woman (1911) oil on canvas mounted on masonite signed and dated unframed 43 x 35 cm (16.9 x 13.8 in) framed 49.5 x 41 c...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Portrait of a Fisherman with a Pipe Newlyn (Cornish) School, 19th century oil painting on canvas, unframed canvas : 20 x 16 inches provenance: ...

Important Victorian painting depicting Alexander Smith. It has a fantastic frame and is in excellent condition. Written Alex Smith (...) on the letter.

Work on canvas

Title: Immaculate Conception Author: Anonymous Period: 20th Century Technique: Oil on canvas Dimensions: 25.6 x 21.3 in Signature: "Karmel" (lower right) Condition: Good Descr...

Patrick Terenchin (b.1970). Victor, 2025 Oil, acrylic, color pencil on wood panel. Panel measuring 20 x 20 inches inches. Signed, titled, dated on verso. The portrait is from...

Oil on canvas 133,5 x 116 cm (161,3 x 146,5 cm avec l’encadrement) = 52.6 × 45.7 in (63.5 × 57.7 in with frame) Signed lower right A pile of luxurious fabrics, a velvet jacket and t...

This intimate portrait depicts an elderly woman with graying hair wearing a dark grey dress with white lace collar detailing, painted against a soft, luminous background that suggest...

At first glance, "The Goddess" invites viewers into a world of grace and poise. The central figure, the young woman, serves as the focal point of the artwork. Her refined and intrica...

William Roth Born 1754 Portrait of Captain George Meek Oil on canvas, signed & dated 1782 lower right Image size: 25 x 18 ½ inches (64 x 47 cm) Provenance Murray Cassy Jean Piere O...

This formal mourning portrait depicts a woman in traditional mid-19th-century attire, featuring a dark dress with a distinctive white collar or shawl and a white bonnet or cap that f...

What is so wonderful and unusual about this 18th Century portrait is the relatability of the sitter. There is an openness to the world in his gaze, curiosity, a sense of humour, pass...

Anonymous - Old man - Oil on board Oil size 34x25 cm. Frameless

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (issued by The Gal...

Sisterhood is also about growth and transformation. As we go through life, we change and evolve as individuals, and our relationships with our sisters change and evolve with us. The ...

This painting is a finalist of the international art contest organised by Artbox project and was exhibited as finalists in Basel International airport during Art Basel week in 2024. ...

This impressive British 1940's portrait oil painting is by noted artist Arthur Royce Bradbury. Painted in 1949 it is a half-length portrait of a young Scottish girl in a mountainous ...

RARE museum-quality example of a 19th‑century Russian plein‑air oil study on canvas, executed with swift, confident brushstrokes by the skilled hand of a masterful artist. The tall f...

ARTIST: Unknown (mid 20th Century) Enlgish School TITLE: " Full Length Portrait Of An Austere Lady" (1974) SIGNED: monogrammed upper right MEDIUM: oil on canvas SIZE: 103cm x 61cm ...

We are grateful to Prof. Daniele Sanguineti for suggesting the attribution to Domenico Parodi (1672 - 1742). He dates the painting into the period between 1730 and 1740. Domenico Par...

Ohio-born painter William J. Forsyth (1854-1935) spent most of his life in Indianapolis and initially trained at the Indiana School of Art. But by 1882 Forsyth wanted to hone his drawing and rendering skills abroad. He enrolled at the Royal Academy in Munich, Germany. Fellow Hoosier students in Munich included artists T. C. Steele and J. Ottis Adams, which helped the new arrival’s transition. Forsyth painted figures like this one while in Munich. One intriguing indication that this piece may have been done during the artist’s Academy period is that a very similar portrait of a remarkably similar sitter was described at auction as "German School, 1891" with the inscription "G. Büttner/Munich '91." However, while there Forsyth shifted his interest to landscapes under the influence of American artist J. Frank Currier...

Mark Bradley Schwartz's (US based) "Untitled 12" is an original, handmade charcoal drawing that depicts a woman in profile with her long dark hair draped over her right shoulder with...

French Romantic School 19th Century Manly head of bearded man oil on canvas 46 x 37.8 cm In fairly good condition, some inpaintings visible under UV light, mainly in the backgrounds ...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

"Girl with Muff" is aa American figurative portrait oil on canvas painting by Robert Henri in 1912. The artwork is 57 1/4 x 38 1/4 inches and, with the frame, is 64 1/4 x 45 1/4 x 2 ...

"Dialogue," a thought-provoking creation by artist John Ali, beckons viewers into a realm of symbolism and introspection. The artwork features a young man with his head covered in ny...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Small limited edition run of 49 and 6 E.A."s (Edition of the artist). Each canvas reproduction is crafted by a skilled printer under the supervision of the artist. Román Francés has...

Madonna with Sleeping Child Follower of Giovan Battista Salvi known as 'il Sassoferrato' (1609 - 1685) Roman painter 18th century Oil on canvas Measurements: canvas 64 x 50 cm, in frame 76 x 62 cm. This delicate depiction of the Madonna in adoration of the Child exhibits all the human dimension and sweetness of the maternal atmosphere: Mary clasps the sleeping child to her in a tender embrace, which touches her cheek, enveloped and protected by the mantle and even a flap of the mother's veil. The pictorial style and composition recall the ambit of Giovan Battista Salvi, the Sassoferrato, who distinguished himself expressly for this subject, with the Virgin immortalised in a humble and strongly earthly pose, depicted with simple white, red and blue colours and delicate plays of nuances on the faces and hands. This iconographic prototype was so successful that it became the painting for countless works destined for devotion during the 17th and 18th centuries, particularly appreciated for private commissions due to its marked gentleness and formal perfection, particularly of the faces. Born in Marchigiano, Salvi developed his activity in Rome, following the dictates of the classicist sacred painting of the Bolognese school of Reni, Carracci and Domenichino, but succeeding in having an autonomous and therefore clearly distinguishable style.  In very good overall condition, there are some small scattered restorations and some unravelling of the painted surface. Framed in a beautiful gilded frame. ADDITIONAL INFORMATION: The work is sold with a certificate of authenticity and descriptive iconographic card. We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the gallery in Riva del Garda...