Early 2000s Still-life Paintings

Flowering Tree - Oil on Canvas cm.100x80 by Giovanni Bonetti, Italy, 2002 Undisputed artist of still life, Giovanni Bonetti reveals his originality and shrewd mastery in this precio...

Original oil on canvas painting of a still life of lemons on a fancy saucer by the well known South African artist, Louis van Heerden. Signed lower right top. Titled verso and date...

Canteen Bag with Piano Keyboard - Contemporary Fashion Pop Art Fun and bold pop art painting of a canteen style fashion handbag by San Francisco artist Michael William Eggleston (A...

Still Life of an Cup of Coffee in Acrylic on Archival Paper Vibrant still life by California artist Christine Cohen (American, b. 1943). This piece is a close-up, single subject sti...

Floral Abstract Still Life California Golden Poppies Original Oil on Canvas Textured abstract composition of California Golden Poppies by California artist Charles "Dave" Francis (A...

MAGDALENA SPASOWICZ (1927) Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1...

"Les Raisins" is an 18.25x22 original oil painting by renowned artist Alain Pontecorvo. Featured is a still life of a black bowl of a bunch of red grapes on a table with green grape...

Vivid and dynamic painting of a leopard print pillbox hat by Marc Foster Grant (American, b. 1947). Playful depiction of a pillbox hat rendered in leopard ...

Multicolored apples fill an elegant crystal vase collocated on a smooth surface. This vase is the heart of the composition and it captures with its opulence of details the attention ...

Pink Roses by Lu Haskew Oil 15x12" image size Still Life Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shipping price includes ...

Red Apples  is an oil painting realized  by Zhang Wei Guang (Mirror) in 2006.  Includes frame. Hand signed on the lower right. Signature and various signs in Chinese calligraphy o...

Vivid and dynamic painting of leopard skin Dr. Scholls spa sandals by Marc Foster Grant (American, b. 1947). Signed, titled and dated "Leopard Skin D...

Oranges With Vase is an original oil painting realized in 2006 by Zhang Wei Guang (Mirror). Beautiful oil painting on canvas. Includes frame: 83 X 6 X 70 cm Hand-signed and da...

Oil on paper (Monotype) abstracted still-life by Anita Benarde (American, 20th century). Circa 2006. Signed "Anita Bernarde" lower right, titled "Moving Still Life" lower left. Presented in mat and wood frame. Image size: 29"H x 20.75"W. Benarde studied art at St Martins, London, Michigan State, Brooklyn College. SOLO EXHIBIT / PROFESSIONAL EXPERIENCE 2000 Princeton University, Princeton, N.J. 1998--- Curator, Princeton University 2000 Sovreign Bank, Princeton, N.J. 1990--- Cruise Line Lecturer 2000 U.S.Trust, Princeton, N.J. 1990/2007 – Cruise Art Workshops 1999 Forsgate Country Club, N.J. 2002- The Newark Museum, workshops 1996 Scanticon, Princeton, N.J. 1990 Rutgers University, Lecturer 1993 Johnson &Johnson 1987 Fordham University, Art Lecturer, N.Y. World Headquarters 1985 The Dalton School, Workshops New Brunswick, N.J. 1981 Parsons Sch.Of Design, N.Y.C. 1989 AT&T Corporate Center 1982 Hahnemann Medical U.,Phila. Pa. Princeton,N.J. 1977 N.J. Magazine, Art Director 1986 Turkish Consulate Gallery 1977-84 Original Puzzles/Games Magazine United Nations Plaza,N.Y. Marvel Publications, N.Y.C. 1988 Tatum Gallery...

Wonderful abstract expressionist painting of a turquoise purse with various colors of orange stripes by San Francisco, California artist Michael Eggleston (American, 20th century). F...

Vivid and dynamic painting of a leopard print shovel by Marc Foster Grant (American, b. 1947). Playful depiction of a shovel rendered in leopard print. Th...

Vases and fruits is an original oil painting realized in 2006 by Zhang Wei Guang (Mirror). Beautiful oil painting on canvas. Includes frame. Hand-signed and dated on the back Zh...

Desire is an original oil painting realized in 2005 by Zhang Wei Guang (Mirror). Includes frame: 40 x 3 x 53 cm Hand-signed and dated on the lower right corner. Good conditions...

White Cat and Morning Glories by Lu Haskew Watercolor Painting 24x18" image size 30x25" framed (behind glass) Shipping price includes the custom packing necessary for safe transport of fine art. ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career that lasted 17-years. Beginning in 1992, she studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 30 x 24 Frame Size: 38.75 x 32.75 Medium: Oil on Canvas Applied by Palette Knife Dated 2001 "Flowers" Biography Jose Vives-Atsara (1919-2004) His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends. Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr. Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14. The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum. Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself. Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...

Dahlias. 2009, oil on canvas, 92x70 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and ...

Photorealistic painting of a 1970 Stingray, a classic muscle car. Includes both a red and a blue version of this well known vehicle. Kelley is able to capture even the smallest details of the cars, all the way down to the writing on the tires. Signed, titled, and dated on the back. Currently not framed, but options are available. Artist Biography: Cheryl Kelley...

Breakfast is an oil painting realized by Zhang Wei Guang (Mirror) in 2000s. Includes frame. Signature and various signs in Chinese calligraphy on the back. Very Good conditions. ...

Green Apples is an original oil painting realized by Zhang Wei Guang (Mirror) in 2000s. Includes frame. Hand signed on the lower right margin. Signature and various signs in Chin...

Whimsical abstracted textural still life with three daises and other objects floating through an ambiguous orange space by Daniel David Fuentes (American, 1978-2016). From a collecti...

Oil on wooden panel realized by Cristiano Guitarrini in 2008. Hand signed, titled and dated on rear. Good condition.

Ceramics is an original oil on canvas realized by the chinese painter Zhang Wei Guang (Mirror) in 2006. Excellent conditions. Zhang Wei Guang, also called ‘mirror' was born in Helon...

Vase and doll is an oil painting realized in 2010s by Zhang Wei Guang (Mirror). Oil painting on canvas. Includes frame. Zhang Wei Guang , also called ‘mirror' was born in Helong...

Folksong 2001, oil on cardboard, 92,5x57,5 cm Jekabs Arturs Springis (1907– 2004) Painter, Latvia 1924 – 1927 – he learned at Aizpute Secondary School 1927 – 1930 – learning at ...

Edie Nadelhaft “Three” Oil on canvas, 48 x 44 inches. Offered unframed. Edie Nadelhaft's bold, large-scale, colorful monolithic oil paintings of bodega flowers were born from her ea...

Still Life is an oil painting realized in 2006 by Zhang Wei Guang (Mirror). Beautiful oil painting on canvas. Includes frame: 40 x 50 cm Hand-signed and dated on the lower margin...

Six Green Apples is an original artwork realized in 2006 by Zhang Wei Guang (Mirror). Beautiful oil painting on canvas. Hand signed on the lower margin. Includes frame. Hand-wri...

Very nicely painted American school modernist still life. Oil on canvas. Framed. Signed.

Modern abstract figurative portrait painting by Houston, TX artist David Adickes. The work features a woman wearing a brightly colored patterned dress and hat posed next to a still l...

Artist: Ian Hornak (1944-2002) Title: Still Life with Baroque Cauliflower, Artichokes and Radishes Year: 2002 Medium: Oil on Panel with artist painted frame Size: 42 x 31.5 inches Co...

Strawberries is an original oil on canvas realized by the chinese painter Zhang Wei Guang (Mirror) in 2008. Excellent conditions. Zhang Wei Guang, also called ‘mirror' was born in H...

Ceramics Cherries and Egg is an original oil on canvas realized by the chinese painter Zhang Wei Guang (Mirror) in the early 2000s. Excellent conditions. Zhang Wei Guang, also calle...

trumpets and carnations original impressionist acrylic painting. VIRTUAL FRAMED SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and t...

"Green Shade Cordials" by Nancy Switzer (2006) is an original oil painting depicting a tin can with perched sunglasses flanked by cordial glasses with a bright yellow and green backg...

Desire is an original oil painting realized in 2005 by Zhang Wei Guang (Mirror). Includes frame: 40 x 3 x 53 cm Hand-signed and dated on the lower right corner. Good conditions ...

Pineapple and Apples is an original oil on canvas realized by the chinese painter Zhang Wei Guang (Mirror) in 2001. Excellent conditions. Zhang Wei Guang, also called ‘mirror' was b...

Signed lower right, 'Puccinelli' for Cathy Puccinelli, (American, born 1952), a member of the Santa Cruz Art Guild.

Nir Hod 1970 - Current Flower, 2005 Watercolor on paper applied with metal dog tags 96 x 75 cm 37 3/4 x 29 1/2 in

Signed lower right, 'Puccinelli' for Cathy Puccinelli, (American, born 1952), a member of the Santa Cruz Art Guild.

Ties that Bind (Three) by Pam Burnley-Schol is a oil painting depicting three purple scallions ties together with string, on top of a gold leaf background. Oil and distressed 23k go...

Oil On Canvas Series: Bowls Paul Manes was born May 4, 1948 in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited...

Artist: Yankel Ginzburg, Khazakhstan-American (1945 - ) Title: Summer Quilt Year: 2003 Medium: Acrylic on Wood, signed lower right Size: 30 x 40 in. (76.2 x 101.6 cm) Frame: 41 x 51....

Thelma Appel Three handled Vase with Flowers, 2003 Original Oil on canvas painting Hand signed, titled and dated by the artist on the back Frame Included - held in the artist's origi...

Presenting a contemporary, serene acrylic painting of a single flower exuding a joyous elegance. The up-close pink flower composition is delicately portrayed with thin and delicate brushstrokes, providing a realistic and immersive viewing experience. The soft and subtle nuances of pink, and the bright yellow tucked in soft green bed...

Evening still life. 2007, oil on canvas, 60x80 cm Still Life with fruits, eggplant and bottle of wine Kristine Kvitka (1983) Kristine Kvitka is a Lat...

A verdant tropical scene is the setting for the artists palette. After all its shape and color provide the perfect accent. Artist Palette - Landscape Painting - Oil On Canvas By Mar...

Fiori Gialli MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundation for the Russian Culture...

Artist: Lourdes Leon, Mexican Title: Paper and Rope Year: 2002 Medium: Oil on Canvas, signed and dated l.r. Size: 28.5 x 29 inches Frame Size: 35.5 x 36.5 inches

Opera di Georgij Moroz pittore Ucraino morto nel 2015 Splendido mazzo di fiori autunnali sui toni dei viola,bianco e verde Pittura luminosa e tridimensi...

Provenance: Babcock Galleries (bears their label verso. signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

Flowers and blueberries, yellow, white MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundatio...

Ties that Bind (One) by Pam Burnley-Schol is a detailed oil painting of a cut watermelon, wrapped in string, on a gold leaf background. 24 x 24 x 2 in. Oil and distressed 23k gold l...

Witch 2009, oil on canvas, 130x130 cm Kristīne Luīze Avotiņa is a young and bright personality whose talent is appreciated not only in Latvia, but also in other parts of the world. Her deep inner experiences and feelings of the soul are not hidden from the eyes of the audience, but are openly and engagingly narrated: about relationships, man and woman, passion, emotions, about experience and connection with nature. Characters live in Kristine's compositional solutions, where figurative painting and ornament appear. When painting large-format works, she masters the entire format, composition and color of the work, as well as linear drawing. Kristīne herself emphasizes: "Relationships between nature and people - it has always been a relevant topic in my painting. The more I work on it, the more interesting it seems to me. It is infinite and unending. With paint I refresh the beauty of nature and love on the canvas and I want to show that nature and love are equal in their beauty. In my works, I always want to show that nature is beautiful and worthy of admiration - a newly blooming water lily, falling leaves from golden trees, a pink sunset sky... This could go on forever..." Education: 2009 – 2010 Studies in „Escola Massana”, Painting Department, Barcelona, Spain 2003 - 2009 Studies in Painting Department, Latvian Academy of Arts, Riga, Latvia 2003 – „Jaņa Rozentāla Riga Art College”, graduation work in photo design. 1999 - 2003 „Jaņa Rozentāla Riga Art College”, Riga, Latvia 1990 - 1999 „Riga French Lycee”, Riga, Latvia Solo exhibitions: 2010 – „1000 and 1 night” Barcelona painting...

Provenance: Babcock Galleries (bears their label verso.) signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

Autumn flowers. 2009. Oil on canvas, 54x65 cm Valery Bayda (1958) Valery Bayda was born in 1958 in Russia. From 1983 to 1989 he studied at the All-Union...