18th Century Art

Italianate landscape garden with classical ornament, including Giambologna's Sabine women and a classical urn, view to a bay beyond Coplestone War...

Late 18th Or Early 19th Century European Tradition. La Gamine. Androgynous Charm. Framed Oil On Canvas. Unsigned. Image size 15.6 inches x 11.6 inches ( 39.5cm x 29.5cm ). Frame size...

Work on canvas Black wooden frame 51 x 73 x 5 cm

Giovanni Giacomo Van Lint (Rome 1723 - 1790) Attributed View of Rome with Piazza Navona flooded Oil on canvas 50 x 62 cm - framed 61 x 74 cm The work belongs to a series of t...

Red chalk on cream laid paper, 6 3/8 x 7 inches (160 x 176 mm), the full sheet. In very good condition with minor toning and some modern notations in pencil on the verso, as well as ...

Two Mid 18th century hand coloured copper plate engravings of equestrian subjects by Johann Elias Ridinger. Initial signed 'in the plate' bottom right. Presented in fine gilt wood fr...

18th Century Military portrait of a young officer in Napoleonic period military dress. The painting is not signed but the subject is Major Alexander Brown. The work is oil on canvas later mounted on board and presented in a fine 'Regence style' carved gilt frame. There are labels to the back referring to the subject, 'Major Brown of Trinity' and a framers trade label from Edinburgh. A magnificent and imposing portrait of a young military officer in the prime of his life. His red uniform adorned with fine buttons, fringed epaulettes and high gilt collar. His ruddy complexion offset by his stylish hair, a quiff and swept forward to the sides as was the fashion at the time. Sir David Wilkie RA (18 November 1785 – 1 June 1841) was a Scottish painter, especially known for his portraits, including formal royal ones, and scenes from his travels to Europe and the Middle East. He painted successfully in a wide variety of genres, including historical scenes. His main base was in London, but he died and was buried at sea, off Gibraltar, returning from his first trip to the Middle East. He was sometimes known as the "people's painter". He was Principal Painter in Ordinary to King William IV and Queen Victoria. Apart from royal portraits, his best-known painting today is probably The Chelsea Pensioners Reading the Waterloo Dispatch of 1822 in Apsley House. Sir David Wilkie was actually admitted in 1799 (despite only being 14) through the influence of the Earl of Leven...

Artist/ School: 18/19th Century Spanish School Title :Head study of Christ Medium: oil painting on wood panel, period gilt framed panel : 6 x 5 inches Provenance: private collect...

Jean Jacques Spoede (Antwerp 1680 - Paris 1757) Triumph of Bacchus Oil on canvas 66 x 83 cm. - In frame 84 x 101 cm. In this fascinating painting, attributed to Jean Jacque...

George Smith of Chichester (Chichester 1714-1776) Landscape with figures resting by a river; River landscape with figures outside a thatched cottag...

18th Century French School Portrait of an Actress Oil on canvas 30 x 23 inches 36 x 30 inches, framed

The Birth French Rococo School, mid 18th century sepia ink on paper over board, framed behind glass. framed: 13 x 11 inches painting : 8 x 6 inches Provenance: private collection, B...

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...

This early 18th-century Dutch oil painting, produced around 1720, reflects the enduring influence of the Amsterdam school and carries forward one of the Dutch Republic’s most cherish...

Shipping in Calm Waters Dutch School, 18th century oil painting on wood panel panel: 10 x 12.75 inches framed: 14 x 17 inches condition: very good, minor evidenc...

Pastoral Landscape Dutch Old Master, 18th century oil on canvas, unframed canvas: 12 x 10 inches provenance: private collection, UK condition: good a...

This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...

Francesco Zugno (Venice 1709 - Venice 1787) - Death of St. Joseph. 61 x 48 cm unframed, 76 x 63 cm with frame. Oil on canvas, in a carved and gilded wooden frame (not signed). We ...

French School 18th Century Portrait of a gentleman holding his hat Oil on paper transferred on wood panel 34 x 27 cm Not signed which is normal for this type of artwork In a beautifu...

Jean-Baptiste Oudry (Paris, France, 1686 - Beauvais, France, 1755) Title: White duck Medium: Oil on canvas Dimensions: without frame 98 × 73 cm – with frame 109.5 x 84.3 x 6 cm Not s...

Pierre Auguste Renoir Mère et Enfant, 1896 Drypoint in brown and green From a very rare edition of 100 impressions on cream-toned Van Gelder laid paper Reference: Delteil #10 Printed...

La obra se presenta enmarcada con su marco original de la época (el marco presenta faltas y desgastes) El estado de la obra se puede ver, tiene algunas faltas de pintura y faltas en...

Johann Rudolf Feyerabend, called Lelong (1749-1814) – Still Life Medium: Reverse painting on glass Dimensions: 16 x 23 cm Signature: Lower right corner Provenance: Private collection...

Artist/ School: Dutch School, early 1700's. Title: Elegant Court Figures at a Musical Soiree. Medium: oil painting on canvas, unframed. Size: painting: 40 x 49.5 inches Provenanc...

John Nost Sartorius (London 1759-1828) A bay horse in a wooded landscape Signed 'J.N.Sartorius' lower right Oil on canvas Canvas Size - 12 x 14 in Framed Size - 19 x 21 in John Nost...

This sumptuous early 18th-century portrait by leading French artist Louis de Silvestre (1675-1760) depicts Baron Pierre de Gaultier, a nobleman and diplomat active during the final y...

An exceptionally fine Georgian embroidery by Anne Salmon depicting 'Cheerful Voyagers' punting in the serene English countryside. Executed with rem...

A beautifully framed hand-colored engraving from the famous "Cries of London" series, depicting the lives and professions of the common people of 18th ...

An evocative 18th-century oil depicting St Francis Xavier - the 16th-century Catholic missionary and co-founder of the Jesuit order. The artist has depicted the figure with elements ...

A charming watercolor Baroque architectural study. Unsigned. Presented in a gilt frame and wash line mount. On Laid paper.

Portrait of Mary Hooper (née Davie) in a Blue Dress & Seated in a Parkland c. 1715–1725 Jonathan Richardson the Elder (1667–1745) This portrait, presented by Titan Fine Art, is of p...

'George II' Copper-line engraving by Pierre Francois Basan (1723-1797) after Founan. Basan (1723-1797) was a French engraver and publisher. George II (1683-1760) was King of Great Britain and Ireland, Duke of Brunswick-Leneburg (Hanover) and Archtreasurer and Prince-Elector of the Holy Roman Empire from 11 June 1727 until his death. He was the last British monarch to have been born outside Great Britain, and was famous for his numerous conflicts with his father and, subsequently, with his son. As king, he exercised little control over policy in his early reign, the government instead being controlled by Great Britain's de facto first Prime Minister, Sir Robert Walpole...

Patas A Bandeau Noir is an etching realized in 1771 by Jacques Mesnil. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descr...

Metamorphosis Insectorum Surinamensium, Plate No. 6; Thistle and Moths. The Netherlands: 1705. Engraving with hand coloring in w...

Merry Makers in the Tavern French School, 18th century oil on canvas canvas: 8 x 11 inches provenance: private collection, France condition: good and sound condition

Como pueden apreciar, la obra no va firmada, es de autor anónimo Se presenta sin enmarcar la pintura El estado de la obra se puede ver, presenta varias faltas de pintura y precisar...

Portrait of a Lady in an White Silk Dress & Red Drapery Signed and Dated 1739 John Vanderbank (1694–1739) This is an exceptional, rare, and highly desirable late work by John Vander...

This stunning British 18th century Old Master portrait oil painting, with exceptional provenance, is by noted artist George Romney. It was painted in 1788, commissioned by James Evelyn of Felbridge as it is of his younger daughter Anne, aged 20 years old. James was a Doctor of Law and Anne's mother was his second wife, Jane. Felbridge house, Anne's home, was in the village of Godstone in Surrey. This superb oil painting is a seated portrait of Anne, wearing a white dress with a green sash, her forearms exposed and her hands in her lap. Anne is blessed with the most wonderful long auburn curly hair and is visually stunning. Her body is partly turned away from the artist/viewer and she is slightly gazing down at us with confident, clear eyes. Anne is pictured in a landscape with a dramatic sky behind her. Romney's brushwork on her dress, hair and the background is superb. The delicate detailing of her facial features is also stunning. Sometimes Old Master portraits can be a little staid, but this one of Anne with her wild auburn hair and bold look is just magnificent. This is a fantastic example of George Romney's work and of an 18th century British Old Master with exceptional detailed provenance. Name plate states: Anne, younger daughter of James Evelyn of Fellbridge Esq. 1788, aged 20. Romney. Provenance. With Charles Cecil Cope Jenkinson, 3rd Earl of Liverpool (1784-1851) With The Hon. Henry Berkeley Portman (1860-1923), Later 3rd Viscount Portman; with Emma, Viscountess Portman (1862-1929) By 1926; with her daughter Lady Moyra Dawson-Damer (1897-1962) Thence by family descent. Painted in 1788. There are various labels verso. Mentioned in Lord Hawkesbury's Catalogues of Portraits at Compton Place and at Buxted Park, in Sussex, 1903, p.18, no. 3, at Buxted Park, as in the 'Dining Room, South Wall'. Further Bibliography: Gower (R. S.) Romney, London, 1904, p. 175 Kidson (Alex) George Romney, A Complete Catalogue of his Paintings, New Haven and London: Yale University Press, 2015, I, p. 205, no. 422 (illus).Ward (Humphrey) and Roberts (William) Romney: A Biographical and Critical Essay, London: T Agnew & Sons, 1904, p. 51 Condition. Oil on canvas. Image size 30 inches by 24 inches and in good condition. Frame. Housed in an ornate gilt frame with name plate, 37 inches by 31 inches and in good condition. George Romney (1734-1802) was born in Dalton-on-Furness, Lancashire, on 15 December 1734, the third of the eleven children of John Romney and Anne Simpson. Leaving school at the age of eleven, he worked for eight years in his father's cabinetmaking workshop before being apprenticed to a local painter, Christopher Steele, with whom he served for two years, from 1755 to 1757, in Kendal, York, and Lancaster. He married a Kendal girl, Mary Abbot...

Giuseppe Zais (Forno di Canale 1709 - Treviso 1784) - Landscapes with Washerwomen. 41 x 56 cm unframed, 49.5 x 64.5 cm with frame. Oil on canvas, in a carved and gilded wooden fram...

Sebastiano Conca (Gaeta 1680 – Naples 1764) circle Madonna and Child Oil on copper 26 x 20 cm In high-quality period frame 72 x 50 cm The work depicts the Madonna lovingl...

A large pair of 18th century veduta capriccio scenes with temple ruins after Gennaro Greco from the circle of Pietro Cappelli. The paintings are presented in more modern carved gilt ...

A fine, large 18th century veduta capriccio scene with temple ruins after Gennaro Greco from the circle of Pietro Cappelli. The painting is presented in a more modern carved gilt woo...

Giacomo Ceruti, known as Il Pitocchetto (1698-1767) – “Turnip” Medium: Oil on canvas Dimensions: 204 x 124 cm (unframed) Provenance: Private collection This remarkable painting, “T...

Friedrich Wigand (Russian, 1800-1853). Portrait of a Young Man, 1841. Oil on canvas, 12.5 x 16 inches. Framed measurement: 17 x 20.5 inches. Signed an...

Work on canvas Work re-lined Plaster and gilded wood frame 86 x 105 x 7 cm

Pair of large painting oil on canvas with the Wedding Feast of Bacchus and Ariadne scene . Italy 18' century . Amazing landscape background and roman Temple with classical archite...

Work on paper mounted on wood 35.5 x 45.5 x 2 cm

Portrait of a Gentleman in a Red Coat and Periwig, c.1715-1725 Studio of Sir Godfrey Kneller (1646–1723) This portrait of a gentleman, presented by Titan Fine Art, is a fine and wel...

La obra no va firmada El estado de conservación de puede ver, es bastante bueno, solo aconsejaría una limpieza ya que está un poco sucia, pero por lo demas, muy aceptable Se presen...

Shunga is an original modern artwork realized by Katsukawa Schuncho (1726 – 1793) in the half of the 18th Century. Oban yokoe. Erotic scene from the series "Koshuko zue juni ko" (Erotic pictures...

The Piazza della Rotonda, with the Pantheon and Obelisk. Etching on fine watermarked paper. Signed on plate on lower-left margin "Piranesi del. Sc." and with the address of Bouchard...

Terracotta sculpture - Allegory of Vanity. Italy, 18th century. 17 x 12 x 42 cm high. Made entirely of terracotta. It depicts a bare-breasted girl holding a mirror and a cherub wit...

Charles-André van Loo (Nice 1705 - Paris 1765) workshop of - Allegory of the Divine Comedy. 54 x 83 cm unframed, 70.5 x 99.5 cm framed. Old oil painting on canvas, in a carved and ...

This superb large three quarter length British Old Master portrait in a landscape oil painting is attributed to circle of John Vanderbank the Younger. Painted circa 1738 the sitter is Mrs James Hoste of South Wootton and Sandringham, nee Hammond. She was the daughter of Anthony Hamond and Susan Walpole, daughter of Robert Walpole, and was sister to Robert, 1st Earl of Oxford. She married Major James Hoste of Sandringham, Norfolk, and they had two daughters. The sheen of her blue satin dress against her gold cloak is stunning. A really lovely 18th century portrait with excellent provenance. Inscribed with sitter details lower left. Provenance. By descent within the family of the sitter at West Acre High House, Norfolk; Cheffins, Cambridge, 'West Acre High House' sale, 24 November 2010, Lot 519; Wood Hall, Arkesden, Essex. Literature: 'Portraits in Norfolk Houses', Prince Duleep Singh, 1927, No. 36. Sitter's details on two labels verso. Condition. Oil on canvas, image size is 50 inches by 40 inches and in good condition. Frame. Housed in an ornate gilt frame, 58 inches by 48 inches framed and in good condition. John Vanderbank (1694-1739) was an English portraitist and book illustrator, who enjoyed a high reputation for a short while during the reign of King George...

This rather special Italian Old Master religious portrait oil painting is attributed to a follower of Giovanni Battista Salvi, or Sassoferrato as he is better known. Painted circa 17...

Fighting Dogs French Provincial School, 18th century, unsigned oil on canvas, framed in period antique wooden frame (walnut?) Framed: 26 x 51 inches Canv...

Oil on canvas 30 x 25 ⅛ inches; 762 x 638 mm Verso: after Sir Joshua Reynolds, a self-portrait Not signed Painted c. 1758 Collections: Philip Gell (1775–1842), Hopton Hall, Derbyshire; By inheritance at Hopton Hall to his daughter, Isabella, who married William Pole Thornhill, who renounced Hopton and its contents in favour of his kinsman, Henry Chandos-Pole-Gell (1829–1902); By descent to his son, Brigadier General Harry Chandos-Pole-Gell (1872–1934), who sold Hopton Hall in 1918 and moved the family to Newnham Hall, Northamptonshire; By descent to his son, Lt Colonel John Chandos-Pole (1909–1993), Newnham Hall; Thence by descent until 2015, when acquired By descent to 2015; Lowell Libson Jonny Yarker Ltd. Literature: Algernon Graves and Walter V. Cronin, A History of the works of Sir Joshua Reynolds P.R.A., London, 1901, IV, p. 1394. David Manning...

Portrait Of A Man, 17th/18th Century after Franciabigio (1482-1525) Large 17th/18th Century Italian renaissance portrait of a Florentine Man, oil on canvas. Excellent quality and c...

Jan Josef Horemans II (Attributed to) Antwerp, 1714 – Antwerp, 1792 Festive Scene in a Backyard Oil on canvas 45 x 58.5 cm (59 x 66 cm with frame) Fine black wood frame Jan Josef Ho...

Military Camp Scene and Battle. Pietro Graziani (XVII/XVIII century), entourage. A pair ( two) of small paintings. Antique XIX century frames in gilt wood.  In good condition. Oi...